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L'Enseigne de Gersaint

December 18, 2023

L'Enseigne de Gersaint (transl. "The Shop Sign of Gersaint") is an oil on canvas painting in the Charlottenburg Palace in Berlin, by French painter Jean-Antoine Watteau. Completed during 1720–21,[1] it is considered to be the last prominent work of Watteau, who died some time after. It was painted as a shop sign for the marchand-mercier, or art dealer, Edme François Gersaint.[2] According to Daniel Roche the sign functioned more as an advertisement for the artist than the dealer.[3]

L'Enseigne de Gersaint
ArtistJean-Antoine Watteau
Year1720-1721
CatalogueH 124 (126); G 95; DV 115; R 182; HA 215; EC 212; F A39; RM 248; RT 116
MediumOil on canvas
Dimensions163 cm × 308 cm (64 in × 121 in)
LocationCharlottenburg Palace, Berlin

The painting exaggerates the size of Gersaint's cramped boutique, hardly more than a permanent booth with a little backshop, on the medieval Pont Notre-Dame, in the heart of Paris, both creating and following fashion as he purveyed works of art and luxurious trifles to an aristocratic clientele.[4]

Content edit

 
The central couple watch the boxing up of Louis XIV

The picture was originally painted on one canvas, depicting clients and staff at the shop. As a worker packs away a portrait of Louis XIV at the left, in the centre a young man offers his hand to a woman who is stepping over the threshold of the shop. At the right an elderly couple examine a painting of nudes, and a pretty young shop assistant, possibly Gersaint's wife, shows a painting to a group of well-dressed young people. In its present form, the painting consists of two separate parts, the upper sections of them were added between 1720 and 1732 by an unknown painter to transform the painting from its original, arched shape into a rectangular field. Watteau probably painted the work in the spring of 1720 when the entire entrance facade of Gersaint's shop was rebuilt. According to the study by Vogtherr and Wenders de Calisse (2007) the painting had originally covered the round field above the entrance of the shop. These changes to the building were made in the spring of 1720, the most likely date for the painting.

The artworks in the painting are set alongside the actions of high-society criticism. The young man offering his hand to the woman in pink is set against a series of female nudes, while puritanical figures in portraits at the left seem to look down disapprovingly. At the right, there are numerous images of orgies and naked figures, implying that art expresses the hidden lustful feelings of the genteel figures in the shop, who merely gaze at one another or engage in polite gestures of intimacy.

Commonly, the painting is interpreted as a commentary on the shift in aristocratic culture – or relief – that occurred during the government of the more licentious Régent Philippe II, Duke of Orléans (1715–1723), after the death of Louis XIV and before the accession to the throne of Louis XV. The boxing of Pierre Mignard's portrait of the deceased king implies the end of the old régime.

Provenance edit

The painting never actually functioned as an external shop sign, spending only fifteen days at the shop. Watteau himself asked Gersaint to allow him to paint it, complaining of "cold fingers" that needed some exercise.[5] It was soon bought by Claude Glucq. It was then acquired by Watteau's patron Jean de Jullienne.[5][6] An engraving was made in 1732 after a small version by Pater who extended Watteau's composition for the print. It attracted the attention of Frederick the Great of Prussia. He bought the painting in 1748 (at that time already in two separate parts) from the Dutch dealer Pieter Boetgens. It remained in Germany thereafter, now forming part of the collection of the Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg that display it at the Charlottenburg Palace, Berlin where it had first been displayed in 1748.

Details edit

  •  
    Detail
  •  
    Detail
  •  
    Detail (possibly Claude Glucq and Mme Gersaint)

References edit

  1. ^ Craske, Matthew (1997). Art in Europe 1700–1830: A History of the Visual Arts in an Era of Unprecedented Urban Economic Growth. Oxford: Oxford University Press. p. 175. ISBN 0192842064.
  2. ^ Bazin, Germain (1964). Baroque & Rococo. Translated by Jonathan Griffin. London: Thames & Hudson. p. 197. ISBN 0500200181.
  3. ^ Of the enseigne, "Elle ne fait pas publicité de Gersaint, mais celle de Watteau", Daniel Roche observes in his preface to Guillaume Glorieux's monograph, À l'Enseigne de Gersaint: Edme-François Gersaint, marchand d'art sur le Pont Notre-Dame, Paris, 2002; of Gersaint, Glorieux remarks at the outset, "immortalisé par le chef-d'oeuvre de Watteau, Gersaint est célèbre mais on ne sait presque rien de lui."
  4. ^ "Gersaint, faiseur de modes, suiveur de modes, est, d'une autre façon que Watteau, un créateur vrai", remarks Daniel Roche in his preface to Glorieux 2002:v.
  5. ^ a b T. C. W. Blanning (2003). The Culture of Power and the Power of Culture: Old Regime Europe 1660–1789. Oxford University Press. p. 105.
  6. ^ Grasselli, Rosenberg & Parmantier 1984, p. 450.

Bibliography edit

  • Adhémar, Hélène (1950). Watteau; sa vie, son oeuvre (in French). Includes "L’univers de Watteau", an introduction by René Huyghe. Paris: P. Tisné. cat. no. 215. OCLC 853537.
  • Adhemar, Helene (1964). "L'Enseigne de Gersaint. Aperçus Nouveaux". Bulletin du laboratoire du musee du Louvre (9): 7–16.
  • Alfassa, Paul (1910). "L'Enseigne de Gersaint". Bulletin de la Société de l'histoire de l'art française: 126–172 – via Gallica.
  • Aragon, Loius (1946). L'Enseigne de Gersaint: Hors-texte de Watteau. Neuchâtel, Paris: Ides et Calendes.
  • Banks, Oliver T. (1977). Watteau and the North: Studies in the Dutch and Flemish Baroque Influence on French Rococo Painting. New York, London: Garland. pp. 231-291. OCLC 1075255658.
  • Boerlin-Brodbeck, Yvonne (1973). Antoine Watteau und das Theater (in German). Basel: Universität Basel. pp. 200–202. OCLC 1965328.
  • Brookner, Anita (1985) [1967]. Watteau. Colour Library of Art. Feltham: Hamlyn. pp. 13, 15, 34; colorpl. 44. ISBN 0-600-50156-6. OCLC 922565837 – via the Internet Archive.
  • Camesasca, Ettore [in Portuguese] (1971). The Complete Painting of Watteau. Classics of the World's Great Art. Introduction by John Sutherland. New York: Harry N. Abrams. pp. 126–127, cat. no. 212. ISBN 0810955253. OCLC 143069 – via the Internet Archive.
  • Clark, Kenneth (1970). "Watteau, L'Engseigne de Gersaint". Looking at Pictures. New York: Holt, Rinehart and Winston. pp. 75–87. OCLC 1036517825 – via the Internet Archive.
  • Craske, Matthew (1997). Art in Europe, 1700–1830. Oxford History of Art. New York: Oxford University Press. pp. 172–175. ISBN 0-19-284246-3. OCLC 1147998710 – via the Internet Archive.
  • Dilke, E. F. (1899). French Painters of the Eighteenth Century. London: G. Bell. p. 95. OCLC 1045594851 – via the Internet Archive.
  • Gillet, Louis (1921). Watteau: un grand maître du XVIIIe siècle. Paris: Plon. pp. 184–186. OCLC 1102350703 – via the Internet Archive.
  • Goncourt, Edmond de (1875). Catalogue raisonné de l'oeuvre peint, dessiné et gravé d'Antoine Watteau. Paris: Rapilly. pp. 74–75, cat. no. 78. OCLC 1041772738 – via the Internet Archive.
  • Grasselli, Margaret Morgan; Rosenberg, Pierre; Parmantier, Nicole; et al. (1984). Watteau, 1684-1721 (PDF) (exhibition catalogue). Washington: National Gallery of Art. ISBN 0-89468-074-9. OCLC 557740787 – via the National Gallery of Art archive.
  • Laban, Ferdinand (1900). "Bemerkungen zum Hauptbilde Watteaus: "L'Enseigne de Gersaint"". Jahrbuch der Königlich Preussischen Kunstsammlungen. 21: 54–59. JSTOR 25167411.
  • Levey, Michael (1966). Rococo to Revolution: Major Trends in Eighteenth-Century Painting. London: Thames and Hudson. pp. 80–83. OCLC 1036855531 – via the Internet Archive.
  • Licht, Fred (Spring 1994). "Gersaint's Shop Sign". Source: Notes in the History of Art. The University of Chicago Press. 13 (3): 36–38. JSTOR 23204894.
  • Mantz, Paul (1892). Antoine Watteau. Paris: Librairie illustrée. pp. 127, 145, 185. OCLC 742536514 – via the Internet Archive.
  • Mathey, Jacques (1959). Antoine Watteau. Peintures réapparues inconnues ou négligées par les historiens (in French). Paris: F. de Nobele. pp. 32, 59, 69. OCLC 954214682.
  • Maurel, André (1913). L'enseigne de Gersaint : étude sur le tableau de Watteau, son histoire, les controverses, solution du problème. Paris: Hachette – via the Internet Archive.
  • McClellan, Andrew (September 1996). "Watteau's Dealer: Gersaint and the Marketing of Art in Eighteenth-Century Paris". The Art Bulletin. 78 (3): 439–453. doi:10.2307/3046194. JSTOR 3046194.
  • McClellan, Andrew (2006). "Gersaint's Shopsign and The World of Art Dealing in Eighteenth-Century Paris". In Sheriff, Mary D. (ed.). Antoine Watteau: Perspectives on the Artist and the Culture of His Time. Newark: University of Delaware. pp. 150–160. ISBN 978-0-87413-934-1. OCLC 185456942.
  • Mollett, John William (1883). Watteau. Illustrated Biographies of the Great Artists. London: S. Low, Marston, Searle & Rivington. pp. 51-52. OCLC 557720162 – via the Internet Archive.
  • Morel, Catherine (2009). "A L'Enseigne de Gersaint by Jean-Antoine Watteau: From Shop Sign to Masterpiece". In Godfrey, Tony (ed.). Understanding Art Objects: Thinking Through the Eye. Farnham: Lund Humphries. pp. 75–81. ISBN 978-1-84822-016-4 – via the Internet Archive.
  • Neuman, Robert (November 1984). "Watteau's L'enseigne de Gersaint and Baroque Emblematic Tradition". Gazette des Beaux-Arts. 6.104: 154–163.
  • Plax, Julie Anne (2000). Watteau and the Cultural Politics of Eighteenth-Century France. Cambridge etc.: Cambridge University Press. ISBN 0-521-64268-X. OCLC 803847893.
  • Phillips, Claude (1895). Antoine Watteau. London: Seeley and co. Limited. pp. 48, 80–82. OCLC 729123867 – via the Internet Archive.
  • Posner, Donald (1979). "In Detail: Watteau's Shopsign for Gersaint". Portfolio. 1 (3): 29–33.
  • Posner, Donald (1984). Antoine Watteau. London: Weidenfeld & Nicolson. pp. 123-24, 148, 201, 266, 271-77. ISBN 0-8014-1571-3. OCLC 10736607 – via the Internet Archive.
  • Roland Michel, Marianne (1981). Watteau: Tutti I Dipinti. I Maestri (in Italian). Vol. 19. Translated from the French by Marina Anzil Robertini. Milano: Rizzoli. cat. no. 248. OCLC 48636176. OCLC 801077589. Published in French as Tout Watteau. La Peinture. Paris: Flammarion. 1982. ISBN 2-08-012226-6. OCLC 490060827.
  • Roland Michel, Marianne (1984). Watteau (in French). Paris: Flammarion. pp. 46, 51, 70–71, 109–11, 116–17, 210, 221, 265–66, 272, 302. ISBN 9782080120205. OCLC 417153549.
  • Vidal, Mary (1992). Watteau's Painted Conversations: Art, Literature, and Talk in Seventeenth- and Eighteenth-Century France. New Haven, London: Yale University Press. ISBN 0-300-05480-7.
  • Vogtherr, Christoph Martin & Wenders De Calisse, Eva (May 2007). "Watteau's 'Shopsign': The Long Creation of a Masterpiece". The Burlington Magazine. 149 (1250): 296–304. JSTOR 20074823.
  • Vogtherr, Christoph Martin (2011). Französische Gemälde I: Watteau • Pater • Lancret • Lajoüe (collection catalogue). Berlin: Akademie Verlag. cat. no. 7. ISBN 305004652X. OCLC 505749744.
  • Wine, Humphrey (April 1990). "Watteau's Consumption and L'Enseigne de Gersaint". Gazette des Beaux-Arts. 6.115: 163–170.
  • Zimmermann, E. Heinrich [in German] (1912). Watteau: des Meisters Werke in 182 Abbildungen. Klassiker der Kunst (in German). Vol. 21. Stuttgart, Leipzig: Deutsche Verlags-Anstalt. p. 108. OCLC 561124140.

External links edit

  • Eidelberg, Martin (September 2020). . Watteau and His Circle. Archived from the original on October 17, 2020. Retrieved December 22, 2020.
  • Eidelberg, Martin (November 2020). "L'Enseigne de Gersaint". A Watteau Abecedario. from the original on December 19, 2020. Retrieved December 20, 2020.
  • L'Enseigne de Gersaint Story and Analysis
  • L'Enseigne de Gersaint at the Web Gallery of Art

December 18, 2023
enseigne, gersaint, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, removed, find, sources, news, newspapers, books, scholar, jstor, march, . This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources L Enseigne de Gersaint news newspapers books scholar JSTOR March 2014 Learn how and when to remove this template message L Enseigne de Gersaint transl The Shop Sign of Gersaint is an oil on canvas painting in the Charlottenburg Palace in Berlin by French painter Jean Antoine Watteau Completed during 1720 21 1 it is considered to be the last prominent work of Watteau who died some time after It was painted as a shop sign for the marchand mercier or art dealer Edme Francois Gersaint 2 According to Daniel Roche the sign functioned more as an advertisement for the artist than the dealer 3 L Enseigne de GersaintArtistJean Antoine WatteauYear1720 1721CatalogueH 124 126 G 95 DV 115 R 182 HA 215 EC 212 F A39 RM 248 RT 116MediumOil on canvasDimensions163 cm 308 cm 64 in 121 in LocationCharlottenburg Palace BerlinThe painting exaggerates the size of Gersaint s cramped boutique hardly more than a permanent booth with a little backshop on the medieval Pont Notre Dame in the heart of Paris both creating and following fashion as he purveyed works of art and luxurious trifles to an aristocratic clientele 4 Contents 1 Content 2 Provenance 3 Details 4 References 5 Bibliography 6 External linksContent edit nbsp The central couple watch the boxing up of Louis XIVThe picture was originally painted on one canvas depicting clients and staff at the shop As a worker packs away a portrait of Louis XIV at the left in the centre a young man offers his hand to a woman who is stepping over the threshold of the shop At the right an elderly couple examine a painting of nudes and a pretty young shop assistant possibly Gersaint s wife shows a painting to a group of well dressed young people In its present form the painting consists of two separate parts the upper sections of them were added between 1720 and 1732 by an unknown painter to transform the painting from its original arched shape into a rectangular field Watteau probably painted the work in the spring of 1720 when the entire entrance facade of Gersaint s shop was rebuilt According to the study by Vogtherr and Wenders de Calisse 2007 the painting had originally covered the round field above the entrance of the shop These changes to the building were made in the spring of 1720 the most likely date for the painting The artworks in the painting are set alongside the actions of high society criticism The young man offering his hand to the woman in pink is set against a series of female nudes while puritanical figures in portraits at the left seem to look down disapprovingly At the right there are numerous images of orgies and naked figures implying that art expresses the hidden lustful feelings of the genteel figures in the shop who merely gaze at one another or engage in polite gestures of intimacy Commonly the painting is interpreted as a commentary on the shift in aristocratic culture or relief that occurred during the government of the more licentious Regent Philippe II Duke of Orleans 1715 1723 after the death of Louis XIV and before the accession to the throne of Louis XV The boxing of Pierre Mignard s portrait of the deceased king implies the end of the old regime Provenance editThe painting never actually functioned as an external shop sign spending only fifteen days at the shop Watteau himself asked Gersaint to allow him to paint it complaining of cold fingers that needed some exercise 5 It was soon bought by Claude Glucq It was then acquired by Watteau s patron Jean de Jullienne 5 6 An engraving was made in 1732 after a small version by Pater who extended Watteau s composition for the print It attracted the attention of Frederick the Great of Prussia He bought the painting in 1748 at that time already in two separate parts from the Dutch dealer Pieter Boetgens It remained in Germany thereafter now forming part of the collection of the Stiftung Preussische Schlosser und Garten Berlin Brandenburg that display it at the Charlottenburg Palace Berlin where it had first been displayed in 1748 Details edit nbsp Detail nbsp Detail nbsp Detail possibly Claude Glucq and Mme Gersaint References edit Craske Matthew 1997 Art in Europe 1700 1830 A History of the Visual Arts in an Era of Unprecedented Urban Economic Growth Oxford Oxford University Press p 175 ISBN 0192842064 Bazin Germain 1964 Baroque amp Rococo Translated by Jonathan Griffin London Thames amp Hudson p 197 ISBN 0500200181 Of the enseigne Elle ne fait pas publicite de Gersaint mais celle de Watteau Daniel Roche observes in his preface to Guillaume Glorieux s monograph A l Enseigne de Gersaint Edme Francois Gersaint marchand d art sur le Pont Notre Dame Paris 2002 of Gersaint Glorieux remarks at the outset immortalise par le chef d oeuvre de Watteau Gersaint est celebre mais on ne sait presque rien de lui Gersaint faiseur de modes suiveur de modes est d une autre facon que Watteau un createur vrai remarks Daniel Roche in his preface to Glorieux 2002 v a b T C W Blanning 2003 The Culture of Power and the Power of Culture Old Regime Europe 1660 1789 Oxford University Press p 105 Grasselli Rosenberg amp Parmantier 1984 p 450 Bibliography editAdhemar Helene 1950 Watteau sa vie son oeuvre in French Includes L univers de Watteau an introduction by Rene Huyghe Paris P Tisne cat no 215 OCLC 853537 Adhemar Helene 1964 L Enseigne de Gersaint Apercus Nouveaux Bulletin du laboratoire du musee du Louvre 9 7 16 Alfassa Paul 1910 L Enseigne de Gersaint Bulletin de la Societe de l histoire de l art francaise 126 172 via Gallica Aragon Loius 1946 L Enseigne de Gersaint Hors texte de Watteau Neuchatel Paris Ides et Calendes Banks Oliver T 1977 Watteau and the North Studies in the Dutch and Flemish Baroque Influence on French Rococo Painting New York London Garland pp 231 291 OCLC 1075255658 Boerlin Brodbeck Yvonne 1973 Antoine Watteau und das Theater in German Basel Universitat Basel pp 200 202 OCLC 1965328 Brookner Anita 1985 1967 Watteau Colour Library of Art Feltham Hamlyn pp 13 15 34 colorpl 44 ISBN 0 600 50156 6 OCLC 922565837 via the Internet Archive Camesasca Ettore in Portuguese 1971 The Complete Painting of Watteau Classics of the World s Great Art Introduction by John Sutherland New York Harry N Abrams pp 126 127 cat no 212 ISBN 0810955253 OCLC 143069 via the Internet Archive Clark Kenneth 1970 Watteau L Engseigne de Gersaint Looking at Pictures New York Holt Rinehart and Winston pp 75 87 OCLC 1036517825 via the Internet Archive Craske Matthew 1997 Art in Europe 1700 1830 Oxford History of Art New York Oxford University Press pp 172 175 ISBN 0 19 284246 3 OCLC 1147998710 via the Internet Archive Dilke E F 1899 French Painters of the Eighteenth Century London G Bell p 95 OCLC 1045594851 via the Internet Archive Gillet Louis 1921 Watteau un grand maitre du XVIIIe siecle Paris Plon pp 184 186 OCLC 1102350703 via the Internet Archive Goncourt Edmond de 1875 Catalogue raisonne de l oeuvre peint dessine et grave d Antoine Watteau Paris Rapilly pp 74 75 cat no 78 OCLC 1041772738 via the Internet Archive Grasselli Margaret Morgan Rosenberg Pierre Parmantier Nicole et al 1984 Watteau 1684 1721 PDF exhibition catalogue Washington National Gallery of Art ISBN 0 89468 074 9 OCLC 557740787 via the National Gallery of Art archive Laban Ferdinand 1900 Bemerkungen zum Hauptbilde Watteaus L Enseigne de Gersaint Jahrbuch der Koniglich Preussischen Kunstsammlungen 21 54 59 JSTOR 25167411 Levey Michael 1966 Rococo to Revolution Major Trends in Eighteenth Century Painting London Thames and Hudson pp 80 83 OCLC 1036855531 via the Internet Archive Licht Fred Spring 1994 Gersaint s Shop Sign Source Notes in the History of Art The University of Chicago Press 13 3 36 38 JSTOR 23204894 Mantz Paul 1892 Antoine Watteau Paris Librairie illustree pp 127 145 185 OCLC 742536514 via the Internet Archive Mathey Jacques 1959 Antoine Watteau Peintures reapparues inconnues ou negligees par les historiens in French Paris F de Nobele pp 32 59 69 OCLC 954214682 Maurel Andre 1913 L enseigne de Gersaint etude sur le tableau de Watteau son histoire les controverses solution du probleme Paris Hachette via the Internet Archive McClellan Andrew September 1996 Watteau s Dealer Gersaint and the Marketing of Art in Eighteenth Century Paris The Art Bulletin 78 3 439 453 doi 10 2307 3046194 JSTOR 3046194 McClellan Andrew 2006 Gersaint s Shopsign and The World of Art Dealing in Eighteenth Century Paris In Sheriff Mary D ed Antoine Watteau Perspectives on the Artist and the Culture of His Time Newark University of Delaware pp 150 160 ISBN 978 0 87413 934 1 OCLC 185456942 Mollett John William 1883 Watteau Illustrated Biographies of the Great Artists London S Low Marston Searle amp Rivington pp 51 52 OCLC 557720162 via the Internet Archive Morel Catherine 2009 A L Enseigne de Gersaint by Jean Antoine Watteau From Shop Sign to Masterpiece In Godfrey Tony ed Understanding Art Objects Thinking Through the Eye Farnham Lund Humphries pp 75 81 ISBN 978 1 84822 016 4 via the Internet Archive Neuman Robert November 1984 Watteau s L enseigne de Gersaint and Baroque Emblematic Tradition Gazette des Beaux Arts 6 104 154 163 Plax Julie Anne 2000 Watteau and the Cultural Politics of Eighteenth Century France Cambridge etc Cambridge University Press ISBN 0 521 64268 X OCLC 803847893 Phillips Claude 1895 Antoine Watteau London Seeley and co Limited pp 48 80 82 OCLC 729123867 via the Internet Archive Posner Donald 1979 In Detail Watteau s Shopsign for Gersaint Portfolio 1 3 29 33 Posner Donald 1984 Antoine Watteau London Weidenfeld amp Nicolson pp 123 24 148 201 266 271 77 ISBN 0 8014 1571 3 OCLC 10736607 via the Internet Archive Roland Michel Marianne 1981 Watteau Tutti I Dipinti I Maestri in Italian Vol 19 Translated from the French by Marina Anzil Robertini Milano Rizzoli cat no 248 OCLC 48636176 OCLC 801077589 Published in French as Tout Watteau La Peinture Paris Flammarion 1982 ISBN 2 08 012226 6 OCLC 490060827 Roland Michel Marianne 1984 Watteau in French Paris Flammarion pp 46 51 70 71 109 11 116 17 210 221 265 66 272 302 ISBN 9782080120205 OCLC 417153549 Vidal Mary 1992 Watteau s Painted Conversations Art Literature and Talk in Seventeenth and Eighteenth Century France New Haven London Yale University Press ISBN 0 300 05480 7 Vogtherr Christoph Martin amp Wenders De Calisse Eva May 2007 Watteau s Shopsign The Long Creation of a Masterpiece The Burlington Magazine 149 1250 296 304 JSTOR 20074823 Vogtherr Christoph Martin 2011 Franzosische Gemalde I Watteau Pater Lancret Lajoue collection catalogue Berlin Akademie Verlag cat no 7 ISBN 305004652X OCLC 505749744 Wine Humphrey April 1990 Watteau s Consumption and L Enseigne de Gersaint Gazette des Beaux Arts 6 115 163 170 Zimmermann E Heinrich in German 1912 Watteau des Meisters Werke in 182 Abbildungen Klassiker der Kunst in German Vol 21 Stuttgart Leipzig Deutsche Verlags Anstalt p 108 OCLC 561124140 External links editEidelberg Martin September 2020 Reconsidering Watteau s Enseigne de Gersaint Watteau and His Circle Archived from the original on October 17 2020 Retrieved December 22 2020 Eidelberg Martin November 2020 L Enseigne de Gersaint A Watteau Abecedario Archived from the original on December 19 2020 Retrieved December 20 2020 L Enseigne de Gersaint Story and Analysis L Enseigne de Gersaint at the Web Gallery of Art Retrieved from https en wikipedia org w index php title L 27Enseigne de Gersaint amp oldid 1183002523, wikipedia, wiki, book, books, library,

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