fbpx
Wikipedia

Kristian Levring

Kristian Levring (Danish: [ˈkʰʁestjæn ˈlewʁeŋ]; born 9 May 1957)[1] is a Danish film director.[2] He was the fourth signatory of the Dogme95 movement.[3] His feature films as director include Et skud fra hjertet, The King is Alive, The Intended, Fear Me Not, and The Salvation.

Kristian Levring
Born (1957-05-09) 9 May 1957 (age 66)
Copenhagen, Denmark
Occupation(s)Film director, screenwriter, film editor

Early life edit

Kristian Levring was born in 1957 in Copenhagen. He later became a graduate of the National Film School of Denmark.[citation needed]

Career edit

Kristian Levring began his career as a documentarian, editing a number of feature-length documentaries and Danish-language feature films during the first two decades of his time as a filmmaker. He also worked as a director for television commercials. His first feature film he directed was Et skud fra hjertet (Shot from the Heart), released in 1986.[citation needed] Kristian Levring was the fourth signatory of the Dogme95 movement,[4] however moved away from this style towards the end of the aughts.[5] He co-signed the original manifesto in 1995 alongside Lars von Trier, Thomas Vinterberg, and Søren Kragh-Jacobsen.[6] In 2008, Levring and the other Dogme 95 founders were honoured with the Achievement in World Cinema award at the European Film Awards.[7]

The King is Alive edit

Levring released the film The King is Alive in 2000. The Guardian describes the film as following, "bus passengers stranded in the Namibian desert, who decide to stage their own private performance of King Lear to pass the time until help arrives."[8] The passengers are stranded in an abandoned mining town in the middle of the Sahara.[9] The film utilized Lear as a foil for European society reaching a terminal crisis. The words of Lear are used to further show the disintegration of the group into chaos under the pressure of their stranding.[10] While one of the members is sent on a five-day journey to get help, the social relationships that Levring explores among those that stay behind include gender, marital, and the racial elements of the relationship between the passengers and the bus driver.[11] The film was named an Official Selection at the Cannes Film Festival upon its premiere.

The film has many elements in line with the Dogme95 cinematic beliefs, including placing film as a post-apocalyptic art form.[12] Jan Simons wrote that, "The King is Alive allows us to see Dogma 95 in actu, as it were. With no decor and no costumes, in the natural light of the sun's glare, and with no recourse to the technical resources of theatre, the amateur actors study their roles; Henry writes everybody's lines out by hand, from memory." Referencing to the rules of Dogma 95 are also found throughout the film.[13] The New York Times wrote of Levring's work on the film that,

"Mr. Levring's vision of hell is vivid and stark but -- thanks to that empty, endless desert -- touched with a pictorial sublimity rarely attempted within the constraints of the Dogma aesthetic. The unsparing, invasive naturalism of digital video, which seems specially calibrated to register the play of anxiety and distress on human faces, also records an inhuman landscape of undulating dunes and blinding sky. The juxtaposition creates a sense of loneliness and panic, a stomach-turning dread that makes the survival instinct look almost comically weak."[14]

The Intended edit

In 2002, Levring co-wrote[15] and directed The Intended.[16] The film follows two British expatriates and their lives in a remote Asian ivory trading station during the early 1900s, where the small community falls apart under the pressures of the foreign lands and daily struggles to survive.[17] The film has been described as, "an expressionistic and densely textured revisitation of The Heart of Darkness in the jungles of Malaysia."[18] The film opened at the Toronto International Film Festival.

Fear Me Not edit

In 2008 Levring directed Fear Me Not.[19] The film explores the issues of prescription medication on the psychology of families, following the protagonist as they try the use of antidepressants to cure his malaise stemming from workaholism. The protagonist soon becomes paranoid and starts to fear his spouse.[20] The plot is reminiscent of the narrative of Dr. Jekyll and Mr. Hyde, and debuted at the Toronto International Film Festival, where the rights were sold to IFC.[21] The film also opened at the Toronto International Film Festival.

The Salvation edit

Levring's western film titled The Salvation, starred Mads Mikkelsen and was screened at the 2014 Cannes Film Festival,[22] where it became an Official Selection.[23] Levring filmed the movie in South Africa, setting it in the American frontier. The story follows the character Jon, a Danish "ex-soldier who moved to the States after losing to the Germans on the battlefield in 1864," according to Variety.[24] Levring has stated that during this era, about half of all people on the American frontier did not speak English, which was the entry-point for him to produce a film about the American west.[5] In developing the film, Levring used both Western films and Nordic mythology as inspiration.[25] In an interview with Reader's Digest, Levring stated of the film's subject matter that, "You could see the Western frontier as the beginning of civilization, and I’m very interested in the nature of civilization. Often these places are a microscope: you can look at these characters and see how they behave in quite extreme situations. Civilization is quite a thin varnish, and when you take that away it’s interesting to see what happens."[26] Levring both cowrote and directed the film.[27]

Filmography edit

Films edit

References edit

  1. ^ "Kristian Levring". AlloCiné. Retrieved June 28, 2015.
  2. ^ Dargis, Manohla (February 26, 2015). "Review: In 'The Salvation,' a Hero Lays Waste, Western Style (Danish, Too)". The New York Times. Retrieved June 28, 2015.
  3. ^ Kiang, Jessica (May 17, 2014). "Cannes Review: Kristian Levring's 'The Salvation' Starring Mads Mikkelsen & Eva Green". Indiewire. Retrieved June 28, 2015.
  4. ^ Birzache, Alina G. (5 February 2016). The Holy Fool in European Cinema. Routledge. ISBN 9781317310624 – via Google Books.
  5. ^ a b . Archived from the original on 2016-08-13. Retrieved 2016-06-27.
  6. ^ Griggs, Yvonne (26 September 2014). Screen Adaptations: Shakespeare's King Lear: A close study of the relationship between text and film. Bloomsbury Publishing. ISBN 9781408144008 – via Google Books.
  7. ^ Kaleem Aftab (December 8, 2008). "The manifesto that laid movies bare". Independent.
  8. ^ Bradshaw, Peter (16 April 2015). "The Salvation review – a fistful of western".
  9. ^ Inc, CMJ Network (1 April 2001). "CMJ New Music Monthly". CMJ Network, Inc. – via Google Books. {{cite web}}: |last= has generic name (help)
  10. ^ Jackson, Russell (29 March 2007). The Cambridge Companion to Shakespeare on Film. Cambridge University Press. ISBN 9781107495302 – via Google Books.
  11. ^ Dancyger, Ken; Rush, Jeff (21 August 2012). Alternative Scriptwriting: Successfully Breaking the Rules. CRC Press. ISBN 9781136053702 – via Google Books.
  12. ^ Croteau, Melissa; Jess-Cooke, Carolyn (9 April 2009). Apocalyptic Shakespeare: Essays on Visions of Chaos and Revelation in Recent Film Adaptations. McFarland. ISBN 9780786453511 – via Google Books.
  13. ^ Simons, Jan (1 January 2007). Playing the Waves: Lars Von Trier's Game Cinema. Amsterdam University Press – via Internet Archive.
  14. ^ "Movie Reviews". The New York Times. 5 August 2021.
  15. ^ Oddey, Alison (30 April 2016). Performing Women: Stand-Ups, Strumpets and Itinerants. Springer. ISBN 9781349729937 – via Google Books.
  16. ^ Jones, Preston (February 2, 2005). "The Intended (2002)". PopMatters. Retrieved June 28, 2015.
  17. ^ "Movie Reviews". The New York Times. 5 August 2021.
  18. ^ Badley, Linda; Palmer, R. Barton; Schneider, Steven Jay (1 January 2006). Traditions in World Cinema. Rutgers University Press. ISBN 9780813538747 – via Google Books.
  19. ^ Harvey, Dennis (September 14, 2008). "Review: 'Fear Me Not'". Variety. Retrieved June 28, 2015.
  20. ^ Harvey, Dennis (15 September 2008). "Review: 'Fear Me Not'".
  21. ^ "Focus: Kristian Levring is back with Fear Me Not".
  22. ^ Debruge, Peter (May 16, 2014). "Cannes Film Review: 'The Salvation'". Variety. Retrieved June 28, 2015.
  23. ^ "Kristian Levring readies Prohibition-era drama 'Devil's Lake'".
  24. ^ Debruge, Peter (17 May 2014). "Cannes Film Review: 'The Salvation'".
  25. ^ "Kristian Levring talks The Salvation: "It was a real challenge, but a fun challenge"".
  26. ^ "[Exclusive interview] Kristian Levring tells us about new film The Salvation".
  27. ^ "Eva Green, Jeffrey Dean Morgan and Michael Raymond-James Join 'The Salvation' Cast". 22 April 2013.

External links edit

  • Kristian Levring at IMDb

kristian, levring, danish, ˈkʰʁestjæn, ˈlewʁeŋ, born, 1957, danish, film, director, fourth, signatory, dogme95, movement, feature, films, director, include, skud, hjertet, king, alive, intended, fear, salvation, born, 1957, 1957, copenhagen, denmarkoccupation,. Kristian Levring Danish ˈkʰʁestjaen ˈlewʁeŋ born 9 May 1957 1 is a Danish film director 2 He was the fourth signatory of the Dogme95 movement 3 His feature films as director include Et skud fra hjertet The King is Alive The Intended Fear Me Not and The Salvation Kristian LevringBorn 1957 05 09 9 May 1957 age 66 Copenhagen DenmarkOccupation s Film director screenwriter film editor Contents 1 Early life 2 Career 2 1 The King is Alive 2 2 The Intended 2 3 Fear Me Not 2 4 The Salvation 3 Filmography 3 1 Films 4 References 5 External linksEarly life editKristian Levring was born in 1957 in Copenhagen He later became a graduate of the National Film School of Denmark citation needed Career editKristian Levring began his career as a documentarian editing a number of feature length documentaries and Danish language feature films during the first two decades of his time as a filmmaker He also worked as a director for television commercials His first feature film he directed was Et skud fra hjertet Shot from the Heart released in 1986 citation needed Kristian Levring was the fourth signatory of the Dogme95 movement 4 however moved away from this style towards the end of the aughts 5 He co signed the original manifesto in 1995 alongside Lars von Trier Thomas Vinterberg and Soren Kragh Jacobsen 6 In 2008 Levring and the other Dogme 95 founders were honoured with the Achievement in World Cinema award at the European Film Awards 7 The King is Alive edit Levring released the film The King is Alive in 2000 The Guardian describes the film as following bus passengers stranded in the Namibian desert who decide to stage their own private performance of King Lear to pass the time until help arrives 8 The passengers are stranded in an abandoned mining town in the middle of the Sahara 9 The film utilized Lear as a foil for European society reaching a terminal crisis The words of Lear are used to further show the disintegration of the group into chaos under the pressure of their stranding 10 While one of the members is sent on a five day journey to get help the social relationships that Levring explores among those that stay behind include gender marital and the racial elements of the relationship between the passengers and the bus driver 11 The film was named an Official Selection at the Cannes Film Festival upon its premiere The film has many elements in line with the Dogme95 cinematic beliefs including placing film as a post apocalyptic art form 12 Jan Simons wrote that The King is Alive allows us to see Dogma 95 in actu as it were With no decor and no costumes in the natural light of the sun s glare and with no recourse to the technical resources of theatre the amateur actors study their roles Henry writes everybody s lines out by hand from memory Referencing to the rules of Dogma 95 are also found throughout the film 13 The New York Times wrote of Levring s work on the film that Mr Levring s vision of hell is vivid and stark but thanks to that empty endless desert touched with a pictorial sublimity rarely attempted within the constraints of the Dogma aesthetic The unsparing invasive naturalism of digital video which seems specially calibrated to register the play of anxiety and distress on human faces also records an inhuman landscape of undulating dunes and blinding sky The juxtaposition creates a sense of loneliness and panic a stomach turning dread that makes the survival instinct look almost comically weak 14 The Intended edit In 2002 Levring co wrote 15 and directed The Intended 16 The film follows two British expatriates and their lives in a remote Asian ivory trading station during the early 1900s where the small community falls apart under the pressures of the foreign lands and daily struggles to survive 17 The film has been described as an expressionistic and densely textured revisitation of The Heart of Darkness in the jungles of Malaysia 18 The film opened at the Toronto International Film Festival Fear Me Not edit In 2008 Levring directed Fear Me Not 19 The film explores the issues of prescription medication on the psychology of families following the protagonist as they try the use of antidepressants to cure his malaise stemming from workaholism The protagonist soon becomes paranoid and starts to fear his spouse 20 The plot is reminiscent of the narrative of Dr Jekyll and Mr Hyde and debuted at the Toronto International Film Festival where the rights were sold to IFC 21 The film also opened at the Toronto International Film Festival The Salvation edit Levring s western film titled The Salvation starred Mads Mikkelsen and was screened at the 2014 Cannes Film Festival 22 where it became an Official Selection 23 Levring filmed the movie in South Africa setting it in the American frontier The story follows the character Jon a Danish ex soldier who moved to the States after losing to the Germans on the battlefield in 1864 according to Variety 24 Levring has stated that during this era about half of all people on the American frontier did not speak English which was the entry point for him to produce a film about the American west 5 In developing the film Levring used both Western films and Nordic mythology as inspiration 25 In an interview with Reader s Digest Levring stated of the film s subject matter that You could see the Western frontier as the beginning of civilization and I m very interested in the nature of civilization Often these places are a microscope you can look at these characters and see how they behave in quite extreme situations Civilization is quite a thin varnish and when you take that away it s interesting to see what happens 26 Levring both cowrote and directed the film 27 Filmography editFilms edit Shot from the Heart 1986 The King Is Alive 2000 The Intended 2002 Fear Me Not 2008 The Salvation 2014 References edit Kristian Levring AlloCine Retrieved June 28 2015 Dargis Manohla February 26 2015 Review In The Salvation a Hero Lays Waste Western Style Danish Too The New York Times Retrieved June 28 2015 Kiang Jessica May 17 2014 Cannes Review Kristian Levring s The Salvation Starring Mads Mikkelsen amp Eva Green Indiewire Retrieved June 28 2015 Birzache Alina G 5 February 2016 The Holy Fool in European Cinema Routledge ISBN 9781317310624 via Google Books a b Interview Kristian Levring Archived from the original on 2016 08 13 Retrieved 2016 06 27 Griggs Yvonne 26 September 2014 Screen Adaptations Shakespeare s King Lear A close study of the relationship between text and film Bloomsbury Publishing ISBN 9781408144008 via Google Books Kaleem Aftab December 8 2008 The manifesto that laid movies bare Independent Bradshaw Peter 16 April 2015 The Salvation review a fistful of western Inc CMJ Network 1 April 2001 CMJ New Music Monthly CMJ Network Inc via Google Books a href Template Cite web html title Template Cite web cite web a last has generic name help Jackson Russell 29 March 2007 The Cambridge Companion to Shakespeare on Film Cambridge University Press ISBN 9781107495302 via Google Books Dancyger Ken Rush Jeff 21 August 2012 Alternative Scriptwriting Successfully Breaking the Rules CRC Press ISBN 9781136053702 via Google Books Croteau Melissa Jess Cooke Carolyn 9 April 2009 Apocalyptic Shakespeare Essays on Visions of Chaos and Revelation in Recent Film Adaptations McFarland ISBN 9780786453511 via Google Books Simons Jan 1 January 2007 Playing the Waves Lars Von Trier s Game Cinema Amsterdam University Press via Internet Archive Movie Reviews The New York Times 5 August 2021 Oddey Alison 30 April 2016 Performing Women Stand Ups Strumpets and Itinerants Springer ISBN 9781349729937 via Google Books Jones Preston February 2 2005 The Intended 2002 PopMatters Retrieved June 28 2015 Movie Reviews The New York Times 5 August 2021 Badley Linda Palmer R Barton Schneider Steven Jay 1 January 2006 Traditions in World Cinema Rutgers University Press ISBN 9780813538747 via Google Books Harvey Dennis September 14 2008 Review Fear Me Not Variety Retrieved June 28 2015 Harvey Dennis 15 September 2008 Review Fear Me Not Focus Kristian Levring is back with Fear Me Not Debruge Peter May 16 2014 Cannes Film Review The Salvation Variety Retrieved June 28 2015 Kristian Levring readies Prohibition era drama Devil s Lake Debruge Peter 17 May 2014 Cannes Film Review The Salvation Kristian Levring talks The Salvation It was a real challenge but a fun challenge Exclusive interview Kristian Levring tells us about new film The Salvation Eva Green Jeffrey Dean Morgan and Michael Raymond James Join The Salvation Cast 22 April 2013 External links editKristian Levring at IMDb Retrieved from https en wikipedia org w index php title Kristian Levring amp oldid 1190349518, wikipedia, wiki, book, books, library,

article

, read, download, free, free download, mp3, video, mp4, 3gp, jpg, jpeg, gif, png, picture, music, song, movie, book, game, games.