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Katya Mandoki

January 01, 1970

Katya Mandoki is a Mexican-Israeli scholar of philosophy, author and experimental artist.

Career edit

Mandoki pioneered the systematic research of Everyday Aesthetics coining the term "Prosaics" (1994)[1] for this subfield of Aesthetics. In her book Everyday Aesthetics,[2] the first extended treatment of this subject,[3] she opens up the study of aesthetics – traditionally confined to art and beauty – to encompass all those aspects involving sensibility in common experience using the human body as a starting point for this analysis.[4] Her work covers not only the positive aspect of aesthetics but also its negative side such as cruelty and abuse upon someone's sensibility, never before thought of in those terms.[5] She stresses the danger of political manipulation of sensibility illustrated by the propagandistic use of aesthetics specifically during the Nazi regime.[6] From Mandoki's work on the negativity of aesthetics Arnold Berleant takes off to analyze this issue in relation to terrorism.[7] The subfield of everyday aesthetics is so fertile that it has been followed and enriched by a number of contemporary aestheticians.[8]

Mandoki has published eight books on this topic, the most recent presenting and developing the concept of bio-aesthetics that traces sensibility not only in humans but in the most elemental creatures from an evolutionary perspective.[9] She is a member of the Mexican Academy of Sciences, of the National System of Researchers (SNI), and founder and honorary member of the Mexican Association of Aesthetics (AMEST) serving as president from 2007 to 2011. She has been professor of aesthetics and semiotics at Metropolitan Autonomous University (UAM) in Mexico where she established and chaired postgraduate specialization studies in Aesthetics, Semiotics and Theory of Culture, has taught postgraduate level at National Autonomous University of Mexico (UNAM) and given courses for Instituto Nacional de Bellas Artes and Universidad Iberoamericana. She received the National Prize for Arts in experimental work (1982, 1985) by the INBA, the Prize for Academic Research by UAM (1995, 2007, 2015) and participated in various individual and collective artwork exhibitions at museums and galleries such as Palacio de Bellas Artes on several occasions. Her monumental sculpture Histogram on the distribution of income in Mexico can be visited at the Library Plaza in the Xochimilco Campus of UAM. Mandoki published more than 150 articles on aesthetics and semiotics and presented papers and lectures in 20 countries. Presently, Mandoki works on the International Association of Aesthetics' executive committee (IAA), at the international advisory board of the International Institute of Applied Aesthetics, Finland, and on the international editorial board of various academic journals such as Contemporary Aesthetics, Cultural Politics and Environment, Land, Society, Architectonics.

 
Monumental sculpture by Katya Mandoki at Universidad Autónoma Metropolitana about the distribution of income in Mexico.

Books edit

  • The Indispensable Excess of the Aesthetic: Evolution of Sensibility in Nature". ( Lexington Books, Rowman & Littlefield 2015) ISBN 1498503063.
  • El indispensable exceso de la estética. (México: Siglo XXI editores, 2013) ISBN 978-607-03-0470-5.
  • Everyday aesthetics: prosaics, the play of culture, and social identities. (Aldershot: Ashgate, 2007) ISBN 978-0-7546-5889-4.
  • La construcción estética del Estado y de la identidad nacional: Prosaica III. (México: Siglo XXI editores, 2007) ISBN 978-968-23-2677-6.
  • Prácticas estéticas e identidades sociales: Prosaica II. (México: Siglo XXI editores, 2007) ISBN 978-968-23-2654-7.
  • Estética cotidiana y juegos de la cultura: Prosaica I. (México: Siglo XXI editores, 2006) ISBN 978-968-23-2653-0.
  • Estética y comunicación: de acción, pasión y seducción. (Bogotá: Grupo Editorial Norma 2006) ISBN 978-958-04-9637-3.
  • Prosaica; introducción a la estética de lo cotidiano. (México: Grijalbo, 1994) ISBN 978-970-05-0514-5.

References edit

  1. ^ Mandoki, Katya. 1994. Prosaica; introducción a la estética de lo cotidiano (México: Grijalbo).
  2. ^ Mandoki, Katya. 2007. Everyday aesthetics: prosaics, the play of culture, and social identities. (Aldershot: Ashgate) ISBN 978-0-7546-5889-4.
  3. ^ "Autograff is closed".
  4. ^ Saito, Yuriko. 2008. British Journal of Aesthetics. vol. 48 no. 4: 461–3.
    - Regelski, Thomas, A. "Response to Philip Alperson, 'Robust Praxialism and the Anti-aesthetic Turn'" Philosophy of Music Education Review, Vol. 18, No. 2: 196-203. 2010. 198-199.
  5. ^ Heyd, Thomas. 1995. "Review of Katya Mandoki, Prosaica: Introducción a la Estética de lo Cotidiano (México: Grijalbo, 1994)", British Journal of Aesthetics Newsletter.
  6. ^ Mandoki, Katya. 2004. "Terror and aesthetics: Nazi strategies for mass organization" in Fascism: Critical Concepts in Political Science. Vol. III Roger Griffin & Matthew Feldman, (Eds.) – Fascism and Culture. pp. 21–38. (Oxfordshire, UK: Routledge). ISBN 978-0-415-29015-9.
  7. ^ http://ndpr.nd.edu/news/25881-sensibility-and-sense-the-aesthetic-transformation-of-the-human-world/
    - Berleant, Arnold. 2010. Sensibility and Sense; The aesthetic transformation of the human world (Exeter: Imprint Academic): 172, 185, 191.
  8. ^ Light, Andrew & Smith, Jonathan M. (eds.), The Aesthetics of Everyday Life. New York: Columbia University Press. 1995.
    - Saito, Yuriko. Everyday Aesthetics, Oxford University Press, 2008.
    - Leddy, Tom. The Extraordinary in the Ordinary: The Aesthetics of Everyday Life. Toronto: Broadview Press. 2012.
    - Carter, Curtis and Liu Yuedi. Aesthetics of Everyday Life: East and West. Cambridge Scholars Publishing. 2014.
  9. ^ Mandoki, Katya. 2013. El indispensable exceso de la estética (México: Siglo Veintiuno Editores).
    - Mandoki, Katya, 2013, "Zoo–pragmatics: performative acts among animals" in Research Trends in Intercultural Pragmatics. Istvan Kecskes and Jesus Romero-Trillo (eds.). Berlin and New York: Mouton de Gruyter: 421-438. ISBN 978-1-61451-373-5.
    - Mandoki, Katya. 2013. "The evolution of aesthesis". Rivista di Estetica n.s. n.54, (3/2013), anno LIII. Department of Philosophy, University of Turin.
    - Mandoki, Katya. 2014. “Zoo-aesthetics; a natural step after Darwin“. Semiotica. Journal of the International Association for Semiotic Studies / Revue de l'Association Internationale de Sémiotique Special Issue in Zoosemiotics. Timo Maran (ed.) Vol. 2014, Issue 198 SN (online) 1613-3692, ISSN 0037-1998, DOI: 10.1515/sem-2013-0102.

External links edit

  • Official website
  • International Association of Aesthetics
  • Asociación Mexicana de Estudios en Estética
  • Academia Mexicana de Ciencias
  • Ashgate Publishing
  • Siglo Veintiuno Editores 2016-03-05 at the Wayback Machine
  • Editorial Grijalbo

January 01, 1970
katya, mandoki, mexican, israeli, scholar, philosophy, author, experimental, artist, contents, career, books, references, external, linkscareer, editmandoki, pioneered, systematic, research, everyday, aesthetics, coining, term, prosaics, 1994, this, subfield, . Katya Mandoki is a Mexican Israeli scholar of philosophy author and experimental artist Contents 1 Career 2 Books 3 References 4 External linksCareer editMandoki pioneered the systematic research of Everyday Aesthetics coining the term Prosaics 1994 1 for this subfield of Aesthetics In her book Everyday Aesthetics 2 the first extended treatment of this subject 3 she opens up the study of aesthetics traditionally confined to art and beauty to encompass all those aspects involving sensibility in common experience using the human body as a starting point for this analysis 4 Her work covers not only the positive aspect of aesthetics but also its negative side such as cruelty and abuse upon someone s sensibility never before thought of in those terms 5 She stresses the danger of political manipulation of sensibility illustrated by the propagandistic use of aesthetics specifically during the Nazi regime 6 From Mandoki s work on the negativity of aesthetics Arnold Berleant takes off to analyze this issue in relation to terrorism 7 The subfield of everyday aesthetics is so fertile that it has been followed and enriched by a number of contemporary aestheticians 8 Mandoki has published eight books on this topic the most recent presenting and developing the concept of bio aesthetics that traces sensibility not only in humans but in the most elemental creatures from an evolutionary perspective 9 She is a member of the Mexican Academy of Sciences of the National System of Researchers SNI and founder and honorary member of the Mexican Association of Aesthetics AMEST serving as president from 2007 to 2011 She has been professor of aesthetics and semiotics at Metropolitan Autonomous University UAM in Mexico where she established and chaired postgraduate specialization studies in Aesthetics Semiotics and Theory of Culture has taught postgraduate level at National Autonomous University of Mexico UNAM and given courses for Instituto Nacional de Bellas Artes and Universidad Iberoamericana She received the National Prize for Arts in experimental work 1982 1985 by the INBA the Prize for Academic Research by UAM 1995 2007 2015 and participated in various individual and collective artwork exhibitions at museums and galleries such as Palacio de Bellas Artes on several occasions Her monumental sculpture Histogram on the distribution of income in Mexico can be visited at the Library Plaza in the Xochimilco Campus of UAM Mandoki published more than 150 articles on aesthetics and semiotics and presented papers and lectures in 20 countries Presently Mandoki works on the International Association of Aesthetics executive committee IAA at the international advisory board of the International Institute of Applied Aesthetics Finland and on the international editorial board of various academic journals such as Contemporary Aesthetics Cultural Politics and Environment Land Society Architectonics nbsp Monumental sculpture by Katya Mandoki at Universidad Autonoma Metropolitana about the distribution of income in Mexico Books editThe Indispensable Excess of the Aesthetic Evolution of Sensibility in Nature Lexington Books Rowman amp Littlefield 2015 ISBN 1498503063 El indispensable exceso de la estetica Mexico Siglo XXI editores 2013 ISBN 978 607 03 0470 5 Everyday aesthetics prosaics the play of culture and social identities Aldershot Ashgate 2007 ISBN 978 0 7546 5889 4 La construccion estetica del Estado y de la identidad nacional Prosaica III Mexico Siglo XXI editores 2007 ISBN 978 968 23 2677 6 Practicas esteticas e identidades sociales Prosaica II Mexico Siglo XXI editores 2007 ISBN 978 968 23 2654 7 Estetica cotidiana y juegos de la cultura Prosaica I Mexico Siglo XXI editores 2006 ISBN 978 968 23 2653 0 Estetica y comunicacion de accion pasion y seduccion Bogota Grupo Editorial Norma 2006 ISBN 978 958 04 9637 3 Prosaica introduccion a la estetica de lo cotidiano Mexico Grijalbo 1994 ISBN 978 970 05 0514 5 References edit Mandoki Katya 1994 Prosaica introduccion a la estetica de lo cotidiano Mexico Grijalbo Mandoki Katya 2007 Everyday aesthetics prosaics the play of culture and social identities Aldershot Ashgate ISBN 978 0 7546 5889 4 Autograff is closed Saito Yuriko 2008 British Journal of Aesthetics vol 48 no 4 461 3 Regelski Thomas A Response to Philip Alperson Robust Praxialism and the Anti aesthetic Turn Philosophy of Music Education Review Vol 18 No 2 196 203 2010 198 199 Heyd Thomas 1995 Review of Katya Mandoki Prosaica Introduccion a la Estetica de lo Cotidiano Mexico Grijalbo 1994 British Journal of Aesthetics Newsletter Mandoki Katya 2004 Terror and aesthetics Nazi strategies for mass organization in Fascism Critical Concepts in Political Science Vol III Roger Griffin amp Matthew Feldman Eds Fascism and Culture pp 21 38 Oxfordshire UK Routledge ISBN 978 0 415 29015 9 http ndpr nd edu news 25881 sensibility and sense the aesthetic transformation of the human world Berleant Arnold 2010 Sensibility and Sense The aesthetic transformation of the human world Exeter Imprint Academic 172 185 191 Light Andrew amp Smith Jonathan M eds The Aesthetics of Everyday Life New York Columbia University Press 1995 Saito Yuriko Everyday Aesthetics Oxford University Press 2008 Leddy Tom The Extraordinary in the Ordinary The Aesthetics of Everyday Life Toronto Broadview Press 2012 Carter Curtis and Liu Yuedi Aesthetics of Everyday Life East and West Cambridge Scholars Publishing 2014 Mandoki Katya 2013 El indispensable exceso de la estetica Mexico Siglo Veintiuno Editores Mandoki Katya 2013 Zoo pragmatics performative acts among animals in Research Trends in Intercultural Pragmatics Istvan Kecskes and Jesus Romero Trillo eds Berlin and New York Mouton de Gruyter 421 438 ISBN 978 1 61451 373 5 Mandoki Katya 2013 The evolution of aesthesis Rivista di Estetica n s n 54 3 2013 anno LIII Department of Philosophy University of Turin Mandoki Katya 2014 Zoo aesthetics a natural step after Darwin Semiotica Journal of the International Association for Semiotic Studies Revue de l Association Internationale de Semiotique Special Issue in Zoosemiotics Timo Maran ed Vol 2014 Issue 198 SN online 1613 3692 ISSN 0037 1998 DOI 10 1515 sem 2013 0102 External links editOfficial website International Association of Aesthetics Histogram at Metropolitan Autonomous University Asociacion Mexicana de Estudios en Estetica Academia Mexicana de Ciencias Ashgate Publishing Siglo Veintiuno Editores Archived 2016 03 05 at the Wayback Machine Editorial Grijalbo Retrieved from https en wikipedia org w index php title Katya Mandoki amp oldid 1216609270, wikipedia, wiki, book, books, library,

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