Vicente Juan Masip (also known as Joan de Joanes) (1507 – 1579) was a Spanish painter of the Renaissance period. He is commonly considered the foremost member of the Valencian school of painters.
Masip was born in La Font de la Figuera. His father was Vicente Masip (Andilla 1475 – Valencia 1545), and his son was Vicente Masip Comes (c. 1555–1623), known as Vicent de Joanes, who imitated his style.[citation needed] His two daughters, Dorotea Joanes (died 1609) and Margarita Joanes (d. 1613), were also painters.[1] His most prominent pupil was Nicolas Borras.[citation needed]
Biographyedit
Born in La Font de la Figuera, he is thought to have studied his art for some time in Italy due to Sebastiano del Piombo's influence, with which school his affinities are closest, but maybe he never went to Italy, and he received this influence by the Italian peintures arriving to Valencia. Furthermore, two Italian painters Paolo da San Leocadio and Francesco Pagano, were engaged by cardinal Rodrigo Borgia for painting in Valencia Cathedral. Otherwise, the greater part of his professional life was spent in the city of Valencia, where most of the extant examples of his work are now found. All relate to religious subjects, and are characterized by dignity of conception, accuracy of drawing, beauty of color, and minuteness of finish. He died at Bocairent (near Xàtiva) while working on an altarpiece in the church there.[2]
Since his name Masip made him sound like a laborer (macero), he was called Juan de Juanes, so as not to be confused with his father,[3] who was also a painter, and with a similar style. Thus, Masip adopted the patronymic name of Joan de Joanes. Il may also refer to a surname Joanes and [citation needed]. Masip painted a Raphaelesque Holy Family for the sacristy in the Cathedral of Valencia.
He never painted a profane subject, and emulated Luis de Vargas and Fra Angelico, in never painting unless he had received holy communion. Painting for him was a solemn exercise, an oratory process, full of prayers and fasts. He never lacked church patronage; the archbishop of Valencia, St. Thomas of Villanova, ordered a set of cartoon panels about the Life of the Virgin to model for some tapestries. He also painted for the churches of the Jesuits, Dominicans, Minims, Augustinians, Franciscans, and for the churches of San Nicolás, Santa Cruz, Carmen Calzado, St Esteban, Corona, Temple, San Andrés, San Bartolomé and San Miguel de los Reyes. He died in Bocairent.
Among his best works is the Immaculate Conception painted for the Jesuit church, supposedly inspired by a revelation undergone by the painter's confessor, Father Martin Alberto. Masip also painted portraits.
^Greer, Germaine (2 June 2001). The Obstacle Race: The Fortunes of Women Painters and Their Work. London; New York: Tauris Parke. p. 16. ISBN9781860646775.
^One or more of the preceding sentences incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "Joanes, Vicente". Encyclopædia Britannica. Vol. 15 (11th ed.). Cambridge University Press. p. 421.
^"Vicente Juan Masip" (in Italian). Retrieved April 14, 2018.
Madrazo, Pedro de (1872). Catálogo Descriptivo e Histórico del Museo del Prado de Madrid (Parte Primera: Escuelas Italianas y Españolas). Calle del Duque de Osuna #3; Original from Oxford University, Digitized May 1, 2007: M. Rivadeneyra. pp. 414–415.{{cite book}}: CS1 maint: location (link)
External linksedit
Wikimedia Commons has media related to Joan de Joanes.
Spanish paintings in the Museum & Gallery collection in Greenville, SC
January 01, 1970
vicente, juan, masip, also, known, joan, joanes, 1507, 1579, spanish, painter, renaissance, period, commonly, considered, foremost, member, valencian, school, painters, last, supper, 1562, first, eucharist, depicted, juan, juanes, late, 16th, century, museo, p. Vicente Juan Masip also known as Joan de Joanes 1507 1579 was a Spanish painter of the Renaissance period He is commonly considered the foremost member of the Valencian school of painters Last Supper h 1562 The first Eucharist depicted by Juan de Juanes mid late 16th century Museo del Prado Masip was born in La Font de la Figuera His father was Vicente Masip Andilla 1475 Valencia 1545 and his son was Vicente Masip Comes c 1555 1623 known as Vicent de Joanes who imitated his style citation needed His two daughters Dorotea Joanes died 1609 and Margarita Joanes d 1613 were also painters 1 His most prominent pupil was Nicolas Borras citation needed Biography editBorn in La Font de la Figuera he is thought to have studied his art for some time in Italy due to Sebastiano del Piombo s influence with which school his affinities are closest but maybe he never went to Italy and he received this influence by the Italian peintures arriving to Valencia Furthermore two Italian painters Paolo da San Leocadio and Francesco Pagano were engaged by cardinal Rodrigo Borgia for painting in Valencia Cathedral Otherwise the greater part of his professional life was spent in the city of Valencia where most of the extant examples of his work are now found All relate to religious subjects and are characterized by dignity of conception accuracy of drawing beauty of color and minuteness of finish He died at Bocairent near Xativa while working on an altarpiece in the church there 2 Since his name Masip made him sound like a laborer macero he was called Juan de Juanes so as not to be confused with his father 3 who was also a painter and with a similar style Thus Masip adopted the patronymic name of Joan de Joanes Il may also refer to a surname Joanes and citation needed Masip painted a Raphaelesque Holy Family for the sacristy in the Cathedral of Valencia He never painted a profane subject and emulated Luis de Vargas and Fra Angelico in never painting unless he had received holy communion Painting for him was a solemn exercise an oratory process full of prayers and fasts He never lacked church patronage the archbishop of Valencia St Thomas of Villanova ordered a set of cartoon panels about the Life of the Virgin to model for some tapestries He also painted for the churches of the Jesuits Dominicans Minims Augustinians Franciscans and for the churches of San Nicolas Santa Cruz Carmen Calzado St Esteban Corona Temple San Andres San Bartolome and San Miguel de los Reyes He died in Bocairent Among his best works is the Immaculate Conception painted for the Jesuit church supposedly inspired by a revelation undergone by the painter s confessor Father Martin Alberto Masip also painted portraits nbsp Alfonso V of Aragon 1557 Zaragoza MuseumReferences edit Greer Germaine 2 June 2001 The Obstacle Race The Fortunes of Women Painters and Their Work London New York Tauris Parke p 16 ISBN 9781860646775 nbsp One or more of the preceding sentences incorporates text from a publication now in the public domain Chisholm Hugh ed 1911 Joanes Vicente Encyclopaedia Britannica Vol 15 11th ed Cambridge University Press p 421 Vicente Juan Masip in Italian Retrieved April 14 2018 Madrazo Pedro de 1872 Catalogo Descriptivo e Historico del Museo del Prado de Madrid Parte Primera Escuelas Italianas y Espanolas Calle del Duque de Osuna 3 Original from Oxford University Digitized May 1 2007 M Rivadeneyra pp 414 415 a href Template Cite book html title Template Cite book cite book a CS1 maint location link External links edit nbsp Wikimedia Commons has media related to Joan de Joanes Vicente Juan Masip at the Web Gallery of Art Spanish paintings in the Museum amp Gallery collection in Greenville SC Retrieved from https en wikipedia org w index php title Vicente Juan Masip amp oldid 1145582272, wikipedia, wiki, book, books, library,
