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Joy Hester

November 23, 2023

Joy St Clair Hester (21 August 1920 – 4 December 1960) was an Australian artist. She was a member of the Angry Penguins movement and the Heide Circle who played an integral role in the development of Australian Modernism.[1] Hester is best known for her bold and expressive ink drawings.[1] Her work was charged with a heightened awareness of mortality due to the death of her father during her childhood, the threat of war, and her personal experience with Hodgkin's disease.[2] Hester is most well known for the series Face, Sleep, and Love (1948–49)[3] as well as the later works, The Lovers (1956–58).[1]

Joy Hester
Hester
Born
Joy St Clair Hester

(1920-08-21)21 August 1920
Melbourne, Victoria, Australia
Died4 December 1960(1960-12-04) (aged 40)
Melbourne, Victoria, Australia
NationalityAustralian
Known forPainting and drawing
Notable workLove series, Incredible night's dream series, Harry
MovementAngry Penguins
Spouse(s)Albert Tucker (1941–1947)
Gray Smith (1959–)

Biography edit

Early life edit

Hester was born on the 21 August 1920 and raised in Elwood to middle-class parents Louise and Robert Hester. Robert died from a heart attack when Hester was twelve.[4] Hester studied art from an early age and was a student at St Michael's Grammar School from 1933 to 1937.[5] At 17, Hester enrolled in Commercial Art at Brighton Technical School for one year before leaving to attend the National Gallery School in Melbourne.[3] Her curriculum was based in traditional media and practice, however Hester took the opportunity to break free from formal restraints.[2] In 1938 Hester won the Gallery School's Drawing Head from Life prize.[6] Taking up classes at both the Design school, and Painting and Life school gave her early recognition.[2] Her work during this time, though bound by tradition, was concerned with shadow and tonal shading, the relationships between dark and light.[2]

Heide period edit

In 1938 Hester met fellow artist Albert Tucker and began living with him intermittently in East Melbourne.[6] During the same year Hester became a founding member of the Contemporary Art Society (CAS), exhibiting with them annually.[7] Hester met Melbourne-based art patron Sunday Reed in 1939 at the Herald Exhibition, which brought British and French artworks to Australia for the first time.[6] The two became friends, with Reed nurturing Hester's artistic talent.[6] Spending much of her time at Heide with Sunday and her husband John Reed, Hester became a member of the Heide Circle.[1] She was a contemporary of Sidney Nolan, Arthur Boyd, Charles Blackman, John Perceval, Yosl Bergner and Danila Vassilieff during this period.[1] The Heide Circle worked as an extension of the Angry Penguins magazine.[8] Hester was the only woman to be featured in the Angry Penguins publication.[3]

One of her most significant works from this time was Nude Study, (c. 1939–41).[2] It was her first use of bold, fluid black line work, which is what she is known for today.[2]

During the early 40s, Hester began depicting the ambience of daily life, via ink drawings of street scenes and factory workers.[2] She was influenced by artist Ailsa O'Connor, who had similar concerns in her work.[2] Hester was also drawn to the work of Vassilieff for his philosophical views about how art and life could not be separated.[2]

By the mid 40s, Hester relinquished her interest in oil painting to concentrate solely on watercolor and inks.[1] Her focus shifted towards the motif of the human face, specifically the expression in the eyes.[9] Using minimal and assertive ink strokes, she rendered her figures with emotional intensity.[1] A Frightened Woman (1945) served as a seminal point in establishing Hester's style and media moving forward. Hester works aimed to capture the psychological horror of World War II.[2]

Hester and Tucker married 1941.[10] Five years later Hester gave birth to a son, Sweeney Reed (1944–1979).[6] In 1947, when Sweeney was three, Hester was diagnosed with terminal Hodgkin's lymphoma.[6] Believing she had only 2 years to live, she decided to move to Sydney to live with Melbourne artist Gray Smith, and gave her son into the care of John and Sunday Reed, who subsequently adopted him.[3] Illness impacted heavily on Hester's work and left an indelible mark, loading it with emotional content.[2] During this period Hester produced the drawings that became part of her notable Face, Sleep and Love series.[3] These works were exhibited alongside Hester's poetry in 1950 at her first solo show at the Melbourne Bookclub Gallery.

Later life edit

Hester had two subsequent solo exhibitions in 1955 and 1956[2] but struggled to sell her art.[9] She typically worked on a small scale in black ink and wash, however, Australian modernism favoured large oil paintings,[9] like those of Nolan.[11] Hester's work failed to garner the same recognition her male peers received, dismissed by critics as "angst-ridden".[4]

The Lovers series (1956–58) were indicative of her maturing and expressive style. She also published poetry and used her drawings to illustrate her words.[9]

Joy and Smith had two children, a son, Peregrine, in 1951, and a daughter, Fern, in 1954.[9] The couple married in 1959.[8] After a period of remission Hester suffered a relapse of Hodgkin's lymphoma in 1956 and died on 4 December 1960, aged 40.[3] Hester was laid to rest at the Box Hill Cemetery in an unmarked grave, at her behest.[1]

Legacy edit

John and Sunday Reed organised a commemorative exhibition of Hester's work in 1963.[12] In 1978, a street in the Canberra suburb of Chisholm was named Hester Place in her honour.[13] In 1981, Janine Burke, Hester's biographer, curated the first major retrospective at the National Gallery of Victoria.[14] Hester's life and work was the subject of a documentary, The Good Looker, in 1995.[15] A plaque was erected in 1999 at the Box Hill Cemetery in honour of Hester's contribution to the arts.[16] Reviewing her work for Time in 2001, Michael Fitzgerald wrote "Forty-one years after her death, Hester's drawings still suck the oxygen from the air, providing some of the clearest-eyed images in Australian art".[14] In 2018 her Love and The Lovers series of works featured in a joint exhibit with Patricia Piccinini at TarraWarra Museum of Art. Piccinini credited Hester as a major influence on her own practice; stating: "I love the way her painting, especially those with merged features, are simultaneously surreal and figurative. I am really interested in depictions of love and intimacy in my own work, so I find Hester's approach very inspiring".[17]

Two plays have been written about her life: Joy by Christine Croyden,[18] and Hester by Wendy Beckett.[19] Joy Hester's art was included in the exhibition, Know My Name: Australian Women Artists 1900 to Now at the National Gallery of Australia, in 2021-2022.[20]

Exhibitions edit

Solo exhibitions edit

  • Melbourne Book Club Gallery, 6 February 1950 – 17 February 1950, Melbourne, Victoria, Australia.
  • Mirka Cafe, July – August, Melbourne, Victoria, Australia.
  • Gallery of Contemporary Art, 9 April 1957 – 23 April 1957, Melbourne, Victoria, Australia.

Posthumous solo exhibitions edit

  • Joy Hester, 3 September 1963 – 21 September 1963, Museum of Modern Art and Design of Australia, Melbourne, Victoria, Australia.
  • Drawings by Joy from a private collection, 2 August 1966 – 12 August 1966, South Yarra Galleries, Melbourne, Victoria, Australia.
  • Joy Hester Graphics, 20 October 1970 – 2 November 1970, Australian Galleries, Melbourne, Victoria, Australia.
  • Joy Hester, 6 October 1976 – 25 October 1976, Tolarno Galleries, Melbourne, Victoria, Australia.
  • Joy Hester, April 1977 – May 1977, Philip Bacon Galleries, Brisbane, Queensland, Australia.
  • Joy Hester, Early Works on Paper, 14 June 1980 – 3 July 1980, Tolarno Galleries, Melbourne, Victoria, Australia.
  • Joy Hester Retrospective, 29 September 1981 – 5 December 1981, National Gallery of Victoria, Melbourne, Victoria, Australia.
  • Joy Hester, Early Works, 2 March 1982 – 18 March 1982, Tolarno Galleries, Melbourne, Victoria, Australia.
  • Joy Hester: Remember Me, 28 November 2020 – 21 February 2021, Heide Museum of Modern Art, Melbourne, Victoria, Australia.[21]

Group exhibitions edit

  • Contemporary Art Society Inaugural Exhibition, 6 June 1939 – 25 June 1939, National Gallery of Victoria, Melbourne, Victoria, Australia.
  • Contemporary Art Society Annual Exhibition, 12 October 1941 – 31 October 1941, Hotel Australia, Melbourne, Victoria, Australia.
  • Contemporary Art Society Annual Exhibition, 4 August 1942 – 15 August 1942, Athenaeum Art Gallery, Melbourne, Victoria, Australia.
  • Contemporary Art Society Annual Exhibition, 4 August 1943 – 15 August 1943, Velasquez Gallery, Melbourne, Victoria, Australia.
  • Contemporary Art Society Annual Exhibition, 21 August 1945 – 31 August 1945, Myer Gallery, Melbourne, Victoria, Australia.
  • Contemporary Art Society Annual Exhibition, November 1946, Education Building, Sydney, New South Wales, Australia.
  • Royal Tour Contemporary Art Exhibition, February 1954 – March 1954, Mirka's Studio, Melbourne, Victoria, Australia.
  • Contemporary Art Society Commemorative Exhibition, 6 April 1954 – 23 April 1954, Tye's Gallery, Melbourne, Victoria, Australia.
  • Contemporary Art Society Annual Exhibition, 10 May 1955 – 21 May 1955, Preston Motors, Melbourne, Victoria, Australia.
  • Contemporary Art Society Drawing Exhibition, 19 October 1955 – November 1955, Mirka's Studio, Melbourne, Victoria, Australia.
  • Inaugural Gift Exhibition, 1 June 1956 – 16 June 1956, Gallery of Contemporary Art, Melbourne, Victoria Australia.
  • Olympic Exhibition, 16 November 1956 – 18 December 1956, organised by the Contemporary Art Society in conjunction with the Gallery of Contemporary Art, Melbourne, Victoria, Australia.
  • Poem, March 1957 – April 1957, Gallery of Contemporary Art, Melbourne, Victoria, Australia.
  • Contemporary Art Society Annual interstate Exhibition, 26 November 1957 – 6 December 1957, Gallery of Contemporary Art, Melbourne, Victoria, Australia.
  • Collection, 30 September 1958 – 10 October 1958, Museum of Modern Art of Australia, Melbourne, Victoria, Australia.
  • Herald Outdoor Art Show, 6 March 1959 – 14 March 1959, Treasury Gardens, Melbourne, Australia.

Posthumous group exhibitions edit

  • Paintings from the collection of Mr & Mrs Carnegie, 27 October 1966 – 30 November 1966, National Gallery of Victoria, Melbourne, Victoria, Australia.
  • Paintings from the collection of Allen D. Christensen, 7 December 1976 – 22 December 1976, National Gallery of Victoria, Melbourne, Victoria, Australia.
  • The Heroic Years of Australian Painting: 1940–65, 1977, touring exhibition.
  • Project 21: Women's Images of Women, 15 October 1977 – 13 November 1977, Art Gallery of New South Wales, Sydney, New South Wales, Australia.
  • Spring Exhibition, 24 October 1977 – 7 November 1977, Joseph Brown Gallery, Melbourne, Victoria, Australia.
  • Genesis of a Gallery, Part 2, 1978, from the Collection of the Australian National Gallery, touring exhibition.
  • Autumn Exhibition, 7 April 1978 – 20 April 1978, Joseph Brown Gallery, Melbourne, Victoria, Australia.
  • Aspects of Australian Drawing, 1979, Art Gallery of Western Australia, touring exhibition.
  • Australian Drawings of the Thirties and Forties, 21 February 1980 – 1 April 1980, National Gallery of Victoria, Melbourne, Victoria, Australia.
  • Inaugural Exhibition, 12 November 1981 – January 1982, Heide Park and Gallery, Melbourne, Victoria, Australia.
  • Glimpses of the Forties, 12 September 1982 – 7 November 1982, Heide Park and Gallery, Melbourne, Victoria, Australia.
  • In the Company of Women: 100 years of Australian women's art from the Cruthers collection, 16 February 1995 – 13 March 1995, Perth Institute of Contemporary Arts, Western Australia.
  • Women Hold Up Half the Sky, March 1995 – April 1995, National Gallery of Australia, Canberra, ACT, Australia.
  • Review, 8 March 1995 – 8 June 1995, Art Gallery of New South Wales, Sydney, New South Wales, Australia.
  • Eveolution: An exhibition of women's art from the Newcastle Region Art Gallery collection, 1995, 9 March 1995 – June 1995, Newcastle Region Art Gallery, Newcastle, New South Wales, Australia.
  • A l'hombre des jeunes filles et des fleurs: In the shadow of young girls and flowers, 10 March 1995 – 28 May 1995, Benalla Art Gallery, Benalla , Victoria, Australia.
  • Arthur Boyd: Family and Friends, 1997, Ballarat Fine Art Gallery, Ballarat, Victoria, Australia.
  • Modern Australian Women: paintings and prints 1925–1945, 24 November 2000 – 25 February 2001, Art Gallery of South Australia, Adelaide, South Australia, Australia.
  • Joy Hester and Friends, 1 September 2001 – 28 October 2001, National Gallery of Australia, ACT, Australia.[22]
  • Those Who Made and Those Who Saw: Portraits of the Heide Circle, 3 November 2007 – 15 June 2008, Heide Museum of Modern Art, Bulleen, Victoria.
  • Look, Look Again, 20 October 2011 – 15 December 2012, Lawrence Wilson Art Gallery, University of Western Australia, Perth, Western Australia.
  • Patricia Piccinini and Joy Hester: Through Love…, 24 November 2018 – 11 March 2019, Tarrawarra Museum of Art, Healesville, Victoria, Australia.
  • Know My Name: Australian Women Artists 1900 to Now, 2021-2022, National Gallery of Australia, ACT, Australia.

Collections edit

Hester's prominence, alongside her Heide Circle counterparts, in shaping Australian modernism have resulted in many Australian institutions acquiring her work.

Published poems, letters and miscellaneous edit

  • To the Editor, Argus, 23 August 1940, p. 5.
  • "Untitled", A Comment, March 1943, no. 5, n.p.
  • "Micetto, Father of Kisses", and "Awake", Ern Malley's Journal, vol. 1, no. 1, November, 1952, pp. 18–19
  • Memorial Exhibition of Painting and Sculpture of Danila Cassilieff, Museum of Modern Art, Melbourne, June, 1956. Catalogue note by Hester.

References edit

  1. ^ a b c d e f g h Burke, Janine (1983). Joy Hester. Richmond, Victoria, Australia: Greenhouse Publications. ISBN 0909104603. OCLC 11370322.
  2. ^ a b c d e f g h i j k l Hart, Deborah (2001). Joy Hester and Friends. Canberra: National Gallery of Australia. ISBN 0642541655. OCLC 49763040.
  3. ^ a b c d e f Burke, Janine (1996). "Hester, Joy St Clair (1920–1960)". Australian Dictionary of Biography. Vol. 14. National Centre of Biography, Australian National University. ISSN 1833-7538.
  4. ^ a b Macgill, Belinda (January 2000). "Joy Hester: a subjective approach". Australian and New Zealand Journal of Art. 1 (1): 79–93. doi:10.1080/14434318.2000.11432655. ISSN 1443-4318. S2CID 184855099.
  5. ^ "Joy Hester b. 1920 Elsternwick, Melbourne, Vic". Design and Art Australia Online. Retrieved 15 September 2014.
  6. ^ a b c d e f Hester, Joy (1995). Dear Sun : the letters of Joy Hester and Sunday Reed. Reed, Sunday, 1905–1981., Burke, Janine, 1952–. Port Melbourne, Victoris: William Heinemann Australia. ISBN 0855616512. OCLC 34338334.
  7. ^ "Hester, Joy (1920–1960) – People and organisations". Trove. Retrieved 15 October 2019.
  8. ^ a b "Joy Hester :: The Collection :: Art Gallery NSW". www.artgallery.nsw.gov.au. Retrieved 16 October 2019.
  9. ^ a b c d e Mimmocchi, Denise (2004). "The Art of Joy Hester: "In Defence of Unwritten History"". Woman's Art Journal. 25 (2): 16–20. doi:10.2307/3566512. ISSN 0270-7993. JSTOR 3566512.
  10. ^ "Family Notices". The Argus. Melbourne: National Library of Australia. 2 May 1941. p. 4. Retrieved 15 September 2014.
  11. ^ Fitzgerald, Michael (10 September 2001). "Love and Pain Neglected for decades, Joy Hester's art explores human emotions with an unflinching eye". Time. Retrieved 16 October 2019.
  12. ^ Burke, Janine (2001). . Art Collector (17). Archived from the original on 17 April 2018. Retrieved 15 September 2014.
  13. ^ "Schedule 'B' National Memorials Ordinance 1928–1972 Street Nomenclature List of Additional Names with Reference to Origin – Commonwealth of Australia Gazette. Special (National : 1977 – 2012) – 8 Feb 1978". Trove. Retrieved 3 September 2019.
  14. ^ a b Fitzgerald, Michael (10 September 2001). "Love and Pain Neglected for decades, Joy Hester's art explores human emotions with an unflinching eye". Time. New York City. Retrieved 15 September 2014.
  15. ^ "The Good Looker (1995)". Australian Screen Online. National Film and Sound Archive. Retrieved 15 September 2014.
  16. ^ "Joy Hester 1920 – 1960 BillionGraves Record". BillionGraves. Retrieved 15 October 2019.
  17. ^ "Patricia Piccinini & Joy Hester: Through Love..." by Victoria Lynn, TarraWarra Museum of Art: 2018, ISBN 978 0 9944552 7 7, p15
  18. ^ "Joy – a performance". Christine Croyden. Retrieved 13 June 2021.
  19. ^ "Hester". Wendy Beckett. Retrieved 13 June 2021.
  20. ^ National Gallery of Australia. "Joy Hester". National Gallery of Australia. Retrieved 12 October 2022.
  21. ^ "Joy Hester: Remember Me", Heide Museum of Modern Art
  22. ^ "Joy Hester & Friends – 1 September – 28 October 2001", National Gallery of Australia

Further reading edit

  • Australian Poetry, 1953, Angus and Robertson, Sydney, 1953.
  • Blackman, Charles and Barbara, "Joy Hester – Her Art", Art and Australia, vol. 1, no 18. Spring 1980, p. 68.
  • Burke, Janine, Australian Gothic: A Life of Albert Tucker, Sydney: Knopf, 2002.
  • Burke, Janine, Australian Women Artists, 1840–1940, Greenhouse Publications, Melbourne 1980.
  • Burke, Janine (ed.), Dear Sun: The Letters of Joy Hester and Sunday Reed, Melbourne: William Heinemann, 1995.
  • Burke, Janine "Joy Hester", Lip, 1980, p. 58.
  • Burke, Janine, Joy Hester, Melbourne: Greenhouse Publications, 1983; Sydney: Vintage, reprint 2001.
  • Burke, Janine, The Heart Garden: Sunday Reed and Heide, Sydney: Knopf, 2002.
  • Grant, Kirsty, Heide Through Time, Heide Museum of Modern Art, 2015.
  • Haese, Richard, Rebels Precursors, The Revolutionary Years of Australian art, Allen Lane, Melbourne 1981.
  • Hart, Deborah, Joy Hester and friends, Canberra: National Gallery of Australia, 2001.
  • Keon, Michael, Joy Hester: An Unsettling World, North Caulfield, Victoria: Malakoff Fine Art Press, 1993.
  • Morgan, Kendrah, Lesley Harding, Sunday's Kitchen – Food & Living at Heide, The Miegunyah Press, 2010.
  • Morgan, Kendrah, Lesley Harding, Modern Love, Melbourne University Publishing, Melbourne, 2015.
  • Morgan, Kendrah, Lesley Harding, Sunday's Garden – Growing Heide, Miegunyah Press, 2012.
  • Reid, Barrett, "Joy Hester, Draughtsman of Identity", Art and Australia, vol. 4, no. 1, June 1966, p. 40.
  • Reid, Barrett (ed.), Modern Australian Art, Museum for Modern Art, Melbourne, 1958.
  • Syme, Eveline, "Women and Art", in F. Fraser and Nettie Palmer (ed.), The Century Gift Book, Robertson and Mullens, Melbourne, 1934.

External links edit

 
Wikimedia Commons has media related to Joy Hester.

November 23, 2023
hester, clair, hester, august, 1920, december, 1960, australian, artist, member, angry, penguins, movement, heide, circle, played, integral, role, development, australian, modernism, hester, best, known, bold, expressive, drawings, work, charged, with, heighte. Joy St Clair Hester 21 August 1920 4 December 1960 was an Australian artist She was a member of the Angry Penguins movement and the Heide Circle who played an integral role in the development of Australian Modernism 1 Hester is best known for her bold and expressive ink drawings 1 Her work was charged with a heightened awareness of mortality due to the death of her father during her childhood the threat of war and her personal experience with Hodgkin s disease 2 Hester is most well known for the series Face Sleep and Love 1948 49 3 as well as the later works The Lovers 1956 58 1 Joy HesterHesterBornJoy St Clair Hester 1920 08 21 21 August 1920Melbourne Victoria AustraliaDied4 December 1960 1960 12 04 aged 40 Melbourne Victoria AustraliaNationalityAustralianKnown forPainting and drawingNotable workLove series Incredible night s dream series HarryMovementAngry PenguinsSpouse s Albert Tucker 1941 1947 Gray Smith 1959 Contents 1 Biography 1 1 Early life 1 2 Heide period 1 3 Later life 2 Legacy 3 Exhibitions 3 1 Solo exhibitions 3 1 1 Posthumous solo exhibitions 3 2 Group exhibitions 3 2 1 Posthumous group exhibitions 4 Collections 5 Published poems letters and miscellaneous 6 References 7 Further reading 8 External linksBiography editEarly life edit Hester was born on the 21 August 1920 and raised in Elwood to middle class parents Louise and Robert Hester Robert died from a heart attack when Hester was twelve 4 Hester studied art from an early age and was a student at St Michael s Grammar School from 1933 to 1937 5 At 17 Hester enrolled in Commercial Art at Brighton Technical School for one year before leaving to attend the National Gallery School in Melbourne 3 Her curriculum was based in traditional media and practice however Hester took the opportunity to break free from formal restraints 2 In 1938 Hester won the Gallery School s Drawing Head from Life prize 6 Taking up classes at both the Design school and Painting and Life school gave her early recognition 2 Her work during this time though bound by tradition was concerned with shadow and tonal shading the relationships between dark and light 2 Heide period edit In 1938 Hester met fellow artist Albert Tucker and began living with him intermittently in East Melbourne 6 During the same year Hester became a founding member of the Contemporary Art Society CAS exhibiting with them annually 7 Hester met Melbourne based art patron Sunday Reed in 1939 at the Herald Exhibition which brought British and French artworks to Australia for the first time 6 The two became friends with Reed nurturing Hester s artistic talent 6 Spending much of her time at Heide with Sunday and her husband John Reed Hester became a member of the Heide Circle 1 She was a contemporary of Sidney Nolan Arthur Boyd Charles Blackman John Perceval Yosl Bergner and Danila Vassilieff during this period 1 The Heide Circle worked as an extension of the Angry Penguins magazine 8 Hester was the only woman to be featured in the Angry Penguins publication 3 One of her most significant works from this time was Nude Study c 1939 41 2 It was her first use of bold fluid black line work which is what she is known for today 2 During the early 40s Hester began depicting the ambience of daily life via ink drawings of street scenes and factory workers 2 She was influenced by artist Ailsa O Connor who had similar concerns in her work 2 Hester was also drawn to the work of Vassilieff for his philosophical views about how art and life could not be separated 2 By the mid 40s Hester relinquished her interest in oil painting to concentrate solely on watercolor and inks 1 Her focus shifted towards the motif of the human face specifically the expression in the eyes 9 Using minimal and assertive ink strokes she rendered her figures with emotional intensity 1 A Frightened Woman 1945 served as a seminal point in establishing Hester s style and media moving forward Hester works aimed to capture the psychological horror of World War II 2 Hester and Tucker married 1941 10 Five years later Hester gave birth to a son Sweeney Reed 1944 1979 6 In 1947 when Sweeney was three Hester was diagnosed with terminal Hodgkin s lymphoma 6 Believing she had only 2 years to live she decided to move to Sydney to live with Melbourne artist Gray Smith and gave her son into the care of John and Sunday Reed who subsequently adopted him 3 Illness impacted heavily on Hester s work and left an indelible mark loading it with emotional content 2 During this period Hester produced the drawings that became part of her notable Face Sleep and Love series 3 These works were exhibited alongside Hester s poetry in 1950 at her first solo show at the Melbourne Bookclub Gallery Later life edit Hester had two subsequent solo exhibitions in 1955 and 1956 2 but struggled to sell her art 9 She typically worked on a small scale in black ink and wash however Australian modernism favoured large oil paintings 9 like those of Nolan 11 Hester s work failed to garner the same recognition her male peers received dismissed by critics as angst ridden 4 The Lovers series 1956 58 were indicative of her maturing and expressive style She also published poetry and used her drawings to illustrate her words 9 Joy and Smith had two children a son Peregrine in 1951 and a daughter Fern in 1954 9 The couple married in 1959 8 After a period of remission Hester suffered a relapse of Hodgkin s lymphoma in 1956 and died on 4 December 1960 aged 40 3 Hester was laid to rest at the Box Hill Cemetery in an unmarked grave at her behest 1 Legacy editJohn and Sunday Reed organised a commemorative exhibition of Hester s work in 1963 12 In 1978 a street in the Canberra suburb of Chisholm was named Hester Place in her honour 13 In 1981 Janine Burke Hester s biographer curated the first major retrospective at the National Gallery of Victoria 14 Hester s life and work was the subject of a documentary The Good Looker in 1995 15 A plaque was erected in 1999 at the Box Hill Cemetery in honour of Hester s contribution to the arts 16 Reviewing her work for Time in 2001 Michael Fitzgerald wrote Forty one years after her death Hester s drawings still suck the oxygen from the air providing some of the clearest eyed images in Australian art 14 In 2018 her Love and The Lovers series of works featured in a joint exhibit with Patricia Piccinini at TarraWarra Museum of Art Piccinini credited Hester as a major influence on her own practice stating I love the way her painting especially those with merged features are simultaneously surreal and figurative I am really interested in depictions of love and intimacy in my own work so I find Hester s approach very inspiring 17 Two plays have been written about her life Joy by Christine Croyden 18 and Hester by Wendy Beckett 19 Joy Hester s art was included in the exhibition Know My Name Australian Women Artists 1900 to Now at the National Gallery of Australia in 2021 2022 20 Exhibitions editSolo exhibitions edit Melbourne Book Club Gallery 6 February 1950 17 February 1950 Melbourne Victoria Australia Mirka Cafe July August Melbourne Victoria Australia Gallery of Contemporary Art 9 April 1957 23 April 1957 Melbourne Victoria Australia Posthumous solo exhibitions edit Joy Hester 3 September 1963 21 September 1963 Museum of Modern Art and Design of Australia Melbourne Victoria Australia Drawings by Joy from a private collection 2 August 1966 12 August 1966 South Yarra Galleries Melbourne Victoria Australia Joy Hester Graphics 20 October 1970 2 November 1970 Australian Galleries Melbourne Victoria Australia Joy Hester 6 October 1976 25 October 1976 Tolarno Galleries Melbourne Victoria Australia Joy Hester April 1977 May 1977 Philip Bacon Galleries Brisbane Queensland Australia Joy Hester Early Works on Paper 14 June 1980 3 July 1980 Tolarno Galleries Melbourne Victoria Australia Joy Hester Retrospective 29 September 1981 5 December 1981 National Gallery of Victoria Melbourne Victoria Australia Joy Hester Early Works 2 March 1982 18 March 1982 Tolarno Galleries Melbourne Victoria Australia Joy Hester Remember Me 28 November 2020 21 February 2021 Heide Museum of Modern Art Melbourne Victoria Australia 21 Group exhibitions edit Contemporary Art Society Inaugural Exhibition 6 June 1939 25 June 1939 National Gallery of Victoria Melbourne Victoria Australia Contemporary Art Society Annual Exhibition 12 October 1941 31 October 1941 Hotel Australia Melbourne Victoria Australia Contemporary Art Society Annual Exhibition 4 August 1942 15 August 1942 Athenaeum Art Gallery Melbourne Victoria Australia Contemporary Art Society Annual Exhibition 4 August 1943 15 August 1943 Velasquez Gallery Melbourne Victoria Australia Contemporary Art Society Annual Exhibition 21 August 1945 31 August 1945 Myer Gallery Melbourne Victoria Australia Contemporary Art Society Annual Exhibition November 1946 Education Building Sydney New South Wales Australia Royal Tour Contemporary Art Exhibition February 1954 March 1954 Mirka s Studio Melbourne Victoria Australia Contemporary Art Society Commemorative Exhibition 6 April 1954 23 April 1954 Tye s Gallery Melbourne Victoria Australia Contemporary Art Society Annual Exhibition 10 May 1955 21 May 1955 Preston Motors Melbourne Victoria Australia Contemporary Art Society Drawing Exhibition 19 October 1955 November 1955 Mirka s Studio Melbourne Victoria Australia Inaugural Gift Exhibition 1 June 1956 16 June 1956 Gallery of Contemporary Art Melbourne Victoria Australia Olympic Exhibition 16 November 1956 18 December 1956 organised by the Contemporary Art Society in conjunction with the Gallery of Contemporary Art Melbourne Victoria Australia Poem March 1957 April 1957 Gallery of Contemporary Art Melbourne Victoria Australia Contemporary Art Society Annual interstate Exhibition 26 November 1957 6 December 1957 Gallery of Contemporary Art Melbourne Victoria Australia Collection 30 September 1958 10 October 1958 Museum of Modern Art of Australia Melbourne Victoria Australia Herald Outdoor Art Show 6 March 1959 14 March 1959 Treasury Gardens Melbourne Australia Posthumous group exhibitions edit Paintings from the collection of Mr amp Mrs Carnegie 27 October 1966 30 November 1966 National Gallery of Victoria Melbourne Victoria Australia Paintings from the collection of Allen D Christensen 7 December 1976 22 December 1976 National Gallery of Victoria Melbourne Victoria Australia The Heroic Years of Australian Painting 1940 65 1977 touring exhibition Project 21 Women s Images of Women 15 October 1977 13 November 1977 Art Gallery of New South Wales Sydney New South Wales Australia Spring Exhibition 24 October 1977 7 November 1977 Joseph Brown Gallery Melbourne Victoria Australia Genesis of a Gallery Part 2 1978 from the Collection of the Australian National Gallery touring exhibition Autumn Exhibition 7 April 1978 20 April 1978 Joseph Brown Gallery Melbourne Victoria Australia Aspects of Australian Drawing 1979 Art Gallery of Western Australia touring exhibition Australian Drawings of the Thirties and Forties 21 February 1980 1 April 1980 National Gallery of Victoria Melbourne Victoria Australia Inaugural Exhibition 12 November 1981 January 1982 Heide Park and Gallery Melbourne Victoria Australia Glimpses of the Forties 12 September 1982 7 November 1982 Heide Park and Gallery Melbourne Victoria Australia In the Company of Women 100 years of Australian women s art from the Cruthers collection 16 February 1995 13 March 1995 Perth Institute of Contemporary Arts Western Australia Women Hold Up Half the Sky March 1995 April 1995 National Gallery of Australia Canberra ACT Australia Review 8 March 1995 8 June 1995 Art Gallery of New South Wales Sydney New South Wales Australia Eveolution An exhibition of women s art from the Newcastle Region Art Gallery collection 1995 9 March 1995 June 1995 Newcastle Region Art Gallery Newcastle New South Wales Australia A l hombre des jeunes filles et des fleurs In the shadow of young girls and flowers 10 March 1995 28 May 1995 Benalla Art Gallery Benalla Victoria Australia Arthur Boyd Family and Friends 1997 Ballarat Fine Art Gallery Ballarat Victoria Australia Modern Australian Women paintings and prints 1925 1945 24 November 2000 25 February 2001 Art Gallery of South Australia Adelaide South Australia Australia Joy Hester and Friends 1 September 2001 28 October 2001 National Gallery of Australia ACT Australia 22 Those Who Made and Those Who Saw Portraits of the Heide Circle 3 November 2007 15 June 2008 Heide Museum of Modern Art Bulleen Victoria Look Look Again 20 October 2011 15 December 2012 Lawrence Wilson Art Gallery University of Western Australia Perth Western Australia Patricia Piccinini and Joy Hester Through Love 24 November 2018 11 March 2019 Tarrawarra Museum of Art Healesville Victoria Australia Know My Name Australian Women Artists 1900 to Now 2021 2022 National Gallery of Australia ACT Australia Collections editHester s prominence alongside her Heide Circle counterparts in shaping Australian modernism have resulted in many Australian institutions acquiring her work Art Gallery of New South Wales Sydney NSW Art Gallery of South Australia Adelaide SA Art Gallery of Western Australia Perth WA Ballarat Fine Art Gallery Ballarat VIC Benalla Art Gallery Benalla VIC Castlemaine Art Gallery and Historical Museum Castlemaine VIC Cruthers Collection of Women s Art at the University of Western Australia Perth WA Heide Museum of Modern Art Bulleen Melbourne VIC La Trobe Collection State Library Of Victoria Melbourne VIC Mornington Peninsula Arts Centre Mornington Peninsula VIC Newcastle Art Gallery Newcastle NSW Northern Territory Museum and Art Gallery Darwin NT Parliament House Canberra ACT Queensland Art Gallery Brisbane QLD Tasmanian Museum and Art Gallery Hobart TAS The National Gallery of Australia Canberra ACT The National Gallery of Victoria Melbourne VIC University of Adelaide Adelaide SA University of Melbourne Melbourne VIC University of Western Australia Art Collection Perth WA Warrnambool Art Gallery Warrnambool VIC Published poems letters and miscellaneous editTo the Editor Argus 23 August 1940 p 5 Untitled A Comment March 1943 no 5 n p Micetto Father of Kisses and Awake Ern Malley s Journal vol 1 no 1 November 1952 pp 18 19 Memorial Exhibition of Painting and Sculpture of Danila Cassilieff Museum of Modern Art Melbourne June 1956 Catalogue note by Hester References edit a b c d e f g h Burke Janine 1983 Joy Hester Richmond Victoria Australia Greenhouse Publications ISBN 0909104603 OCLC 11370322 a b c d e f g h i j k l Hart Deborah 2001 Joy Hester and Friends Canberra National Gallery of Australia ISBN 0642541655 OCLC 49763040 a b c d e f Burke Janine 1996 Hester Joy St Clair 1920 1960 Australian Dictionary of Biography Vol 14 National Centre of Biography Australian National University ISSN 1833 7538 a b Macgill Belinda January 2000 Joy Hester a subjective approach Australian and New Zealand Journal of Art 1 1 79 93 doi 10 1080 14434318 2000 11432655 ISSN 1443 4318 S2CID 184855099 Joy Hester b 1920 Elsternwick Melbourne Vic Design and Art Australia Online Retrieved 15 September 2014 a b c d e f Hester Joy 1995 Dear Sun the letters of Joy Hester and Sunday Reed Reed Sunday 1905 1981 Burke Janine 1952 Port Melbourne Victoris William Heinemann Australia ISBN 0855616512 OCLC 34338334 Hester Joy 1920 1960 People and organisations Trove Retrieved 15 October 2019 a b Joy Hester The Collection Art Gallery NSW www artgallery nsw gov au Retrieved 16 October 2019 a b c d e Mimmocchi Denise 2004 The Art of Joy Hester In Defence of Unwritten History Woman s Art Journal 25 2 16 20 doi 10 2307 3566512 ISSN 0270 7993 JSTOR 3566512 Family Notices The Argus Melbourne National Library of Australia 2 May 1941 p 4 Retrieved 15 September 2014 Fitzgerald Michael 10 September 2001 Love and Pain Neglected for decades Joy Hester s art explores human emotions with an unflinching eye Time Retrieved 16 October 2019 Burke Janine 2001 Joy Hester Art Collector 17 Archived from the original on 17 April 2018 Retrieved 15 September 2014 Schedule B National Memorials Ordinance 1928 1972 Street Nomenclature List of Additional Names with Reference to Origin Commonwealth of Australia Gazette Special National 1977 2012 8 Feb 1978 Trove Retrieved 3 September 2019 a b Fitzgerald Michael 10 September 2001 Love and Pain Neglected for decades Joy Hester s art explores human emotions with an unflinching eye Time New York City Retrieved 15 September 2014 The Good Looker 1995 Australian Screen Online National Film and Sound Archive Retrieved 15 September 2014 Joy Hester 1920 1960 BillionGraves Record BillionGraves Retrieved 15 October 2019 Patricia Piccinini amp Joy Hester Through Love by Victoria Lynn TarraWarra Museum of Art 2018 ISBN 978 0 9944552 7 7 p15 Joy a performance Christine Croyden Retrieved 13 June 2021 Hester Wendy Beckett Retrieved 13 June 2021 National Gallery of Australia Joy Hester National Gallery of Australia Retrieved 12 October 2022 Joy Hester Remember Me Heide Museum of Modern Art Joy Hester amp Friends 1 September 28 October 2001 National Gallery of AustraliaFurther reading editAustralian Poetry 1953 Angus and Robertson Sydney 1953 Blackman Charles and Barbara Joy Hester Her Art Art and Australia vol 1 no 18 Spring 1980 p 68 Burke Janine Australian Gothic A Life of Albert Tucker Sydney Knopf 2002 Burke Janine Australian Women Artists 1840 1940 Greenhouse Publications Melbourne 1980 Burke Janine ed Dear Sun The Letters of Joy Hester and Sunday Reed Melbourne William Heinemann 1995 Burke Janine Joy Hester Lip 1980 p 58 Burke Janine Joy Hester Melbourne Greenhouse Publications 1983 Sydney Vintage reprint 2001 Burke Janine The Heart Garden Sunday Reed and Heide Sydney Knopf 2002 Grant Kirsty Heide Through Time Heide Museum of Modern Art 2015 Haese Richard Rebels Precursors The Revolutionary Years of Australian art Allen Lane Melbourne 1981 Hart Deborah Joy Hester and friends Canberra National Gallery of Australia 2001 Keon Michael Joy Hester An Unsettling World North Caulfield Victoria Malakoff Fine Art Press 1993 Morgan Kendrah Lesley Harding Sunday s Kitchen Food amp Living at Heide The Miegunyah Press 2010 Morgan Kendrah Lesley Harding Modern Love Melbourne University Publishing Melbourne 2015 Morgan Kendrah Lesley Harding Sunday s Garden Growing Heide Miegunyah Press 2012 Reid Barrett Joy Hester Draughtsman of Identity Art and Australia vol 4 no 1 June 1966 p 40 Reid Barrett ed Modern Australian Art Museum for Modern Art Melbourne 1958 Syme Eveline Women and Art in F Fraser and Nettie Palmer ed The Century Gift Book Robertson and Mullens Melbourne 1934 External links edit nbsp Wikimedia Commons has media related to Joy Hester Joy Hester at the Art Gallery of New South Wales Joy Hester at the National Gallery of Victoria Joy Hester Works and related material National Gallery of Australia Retrieved from https en wikipedia org w index php title Joy Hester amp oldid 1174715595, wikipedia, wiki, book, books, library,

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