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Joseph Farington

Joseph Farington RA (21 November 1747 – 30 December 1821) was an 18th-century English landscape painter and diarist.

Joseph Farington (1794–95) by Thomas Lawrence

Family edit

Born in Leigh, Lancashire, Farington was the second of seven sons of William Farington and Esther Gilbody. His father was the rector of Warrington and vicar of Leigh. Three of his brothers—William, Henry, and Richard—were "employed in the naval service of the East India Company".[1] Edward died of yellow fever when he was 32. Robert attended Brasenose College[2] and became vicar of St George in the East, London (whose advowson was held by Brasenose).[3] George Farington became a painter, like Joseph himself.

Association with the Royal Academy and its exhibitions edit

After his early education in Maryland, Farington went to study with Richard Wilson in London in 1763. In 1764, 1765, and 1766 he won "premiums" from the Society of Artists for his landscape drawing; he became a member in 1765. He joined the Royal Academy when it was founded in 1769 and was elected an ARA in 1783 and an RA in 1785.[1] Farington contributed works to the Academy's exhibitions every year until 1801, but only occasionally between 1801 and 1813. He was an active member of the Academy and sat on several important committees, including the one which determined where artworks would be hung during the exhibitions. He also acted as executor for the estate of fellow Academician, John Webber.[4] In 1793 he became a fellow of the Society of Antiquaries and helped establish the British Institution. He assisted in the Thomas Gainsborough, William Hogarth, and Richard Wilson exhibitions in 1806.[1]

Farington resided for a time in the Lake District and between 1776 and 1780 he made numerous drawings of the landscapes of the region and maintained a list describing what he believed should be their intended order. He took two trips in Europe, one to the Netherlands in 1793 "to prepare illustrations for an official record of the siege of Valenciennes".[1] During the Peace of Amiens in 1802, he travelled to Paris with the artists Benjamin West, John Hoppner, and Johann Fuseli, among others. There he saw antique sculpture and Italian art; he also visited the studios of Jacques-Louis David and François Gérard. After returning from this trip, he painted less and less.[1]

 
Scotch Landscape by Farington

According to Evelyn Newby's biographical article in the Oxford Dictionary of National Biography, "[i]t is difficult to make a real appraisal of his paintings as they are scattered in many private and public collections, and rarely appear in art sales."[1] However, she writes that "Farington's real forte lay in the careful, accurate topographical drawings which he prepared for the folios of engravings of British views which found a ready market among tourists confined to Britain by unrest abroad."[1]

Published works edit

In 1785, he published Views of the Lakes of Cumberland and Westmorland and in 1794 he published a two-volume History of the River Thames with 76 aquatints. In the early 19th century, he participated in Cadell and Davies modernisation of the illustrated atlas Britannia depicta,[5] which ran to six volumes of the projected whole; to it he contributed topographical Views in Cornwall (1814) and other views; for the unpublished seventh volume, depicting Devon, Farington's drawings were engraved but never published,[6] and William Byrne's Magna Britannia., a project that became so costly that it was never completed. Farington edited the Memoirs of Sir Joshua Reynolds, in six volumes, 1819.

Marriage edit

Farington and Susan Mary Hamond, a relative of the Walpole family, married on 19 March 1776; the couple had no children, but Farington was always interested in the lives of his brothers' children throughout his life. When his wife died in 1800, Farington collapsed and could neither draw nor paint. His family and friends, such as the painter Robert Smirke and his family, helped Farington recover.[1]

Diary edit

Farington kept a daily diary from 13 July 1793 until his death, missing only a few days.[1] This diary has proved invaluable to historians, particularly its references to the London art world. As Newby explains, "[w]ith its emphasis on biography and anecdote it is an invaluable source of information on artists of the period and of the internal workings of the Royal Academy."[1]

Farington knew the new industrialists in the Midlands, he understood the internal workings of the East India Company, his wife's family gave him access to information on government policy, he attended the major political trials of the day, such as Warren Hastings's failed impeachment, and he followed William Wilberforce's anti-slavery campaign.[1]

The diary eventually constituted 16 volumes which were kept as a family heirloom until they were auctioned off in 1921 to the Morning Post. They were first published serially and then edited by James Greig and published in book form between 1922 and 1928. Another 16-volume edition was issued between 1978 and 1984.[1]

Accidental death edit

Farington died on a visit to his brother Robert in Lancashire on 30 December 1821, after falling down a flight of stairs in a church.[1]

Notes edit

  1. ^ a b c d e f g h i j k l m Newby, "Joseph Farington".
  2. ^ "Farington, Robert (1783–1802) (CCEd Person ID 27509)". The Clergy of the Church of England Database 1540–1835. Retrieved 2 February 2014.
  3. ^ "Parish (Church): St George In The East (CCEd Location ID 11815)". The Clergy of the Church of England Database 1540–1835. Retrieved 2 February 2014.
  4. ^ "No. 13530". The London Gazette. 21 May 1793. p. 420.
  5. ^ The fourth edition (1724) bears the descriptive title Britannia Depicta; or, Ogilby Improv'd; Being a Correct Copy of Mr. Ogilby's Actual Survey of all ye Direct and Principal Crossroads in England and Wales: Wherein are exactly Delineated & Engraven, All ye Cities, Towns, Villages, Churches, Seats &c. scituate on or near the Roads, with their respective Distances in Measured and Computed Miles... John Ogilby (1600–1676) had produced the original, in two folio volumes, in 1675.
  6. ^ . Archived from the original on 22 January 2008. Retrieved 1 February 2008.

References edit

Further reading edit

  • J. Farington, The Diary of Joseph Farington, ed. K. Garlick, A. Mackintyre, K. Cave, E. Newby (17 vols., 1978–1998, Yale University Press)
  • J. Farington, The Farington Diary, ed. James Greig (8 vols., 1922–1928, Hutchinson)
  • John R. Murray, A Tour of the English Lakes: with Thomas Gray and Joseph Farington, R.A. (2011, Frances Lincoln)

External links edit

  • 12 artworks by or after Joseph Farington at the Art UK site
  • The Farington Diary at the Internet Archive
  • Joseph Farington online (ArtCyclopedia)

joseph, farington, november, 1747, december, 1821, 18th, century, english, landscape, painter, diarist, 1794, thomas, lawrence, contents, family, association, with, royal, academy, exhibitions, published, works, marriage, diary, accidental, death, notes, refer. Joseph Farington RA 21 November 1747 30 December 1821 was an 18th century English landscape painter and diarist Joseph Farington 1794 95 by Thomas Lawrence Contents 1 Family 2 Association with the Royal Academy and its exhibitions 3 Published works 4 Marriage 5 Diary 6 Accidental death 7 Notes 8 References 9 Further reading 10 External linksFamily editBorn in Leigh Lancashire Farington was the second of seven sons of William Farington and Esther Gilbody His father was the rector of Warrington and vicar of Leigh Three of his brothers William Henry and Richard were employed in the naval service of the East India Company 1 Edward died of yellow fever when he was 32 Robert attended Brasenose College 2 and became vicar of St George in the East London whose advowson was held by Brasenose 3 George Farington became a painter like Joseph himself Association with the Royal Academy and its exhibitions editAfter his early education in Maryland Farington went to study with Richard Wilson in London in 1763 In 1764 1765 and 1766 he won premiums from the Society of Artists for his landscape drawing he became a member in 1765 He joined the Royal Academy when it was founded in 1769 and was elected an ARA in 1783 and an RA in 1785 1 Farington contributed works to the Academy s exhibitions every year until 1801 but only occasionally between 1801 and 1813 He was an active member of the Academy and sat on several important committees including the one which determined where artworks would be hung during the exhibitions He also acted as executor for the estate of fellow Academician John Webber 4 In 1793 he became a fellow of the Society of Antiquaries and helped establish the British Institution He assisted in the Thomas Gainsborough William Hogarth and Richard Wilson exhibitions in 1806 1 Farington resided for a time in the Lake District and between 1776 and 1780 he made numerous drawings of the landscapes of the region and maintained a list describing what he believed should be their intended order He took two trips in Europe one to the Netherlands in 1793 to prepare illustrations for an official record of the siege of Valenciennes 1 During the Peace of Amiens in 1802 he travelled to Paris with the artists Benjamin West John Hoppner and Johann Fuseli among others There he saw antique sculpture and Italian art he also visited the studios of Jacques Louis David and Francois Gerard After returning from this trip he painted less and less 1 nbsp Scotch Landscape by Farington According to Evelyn Newby s biographical article in the Oxford Dictionary of National Biography i t is difficult to make a real appraisal of his paintings as they are scattered in many private and public collections and rarely appear in art sales 1 However she writes that Farington s real forte lay in the careful accurate topographical drawings which he prepared for the folios of engravings of British views which found a ready market among tourists confined to Britain by unrest abroad 1 Published works editIn 1785 he published Views of the Lakes of Cumberland and Westmorland and in 1794 he published a two volume History of the River Thames with 76 aquatints In the early 19th century he participated in Cadell and Davies modernisation of the illustrated atlas Britannia depicta 5 which ran to six volumes of the projected whole to it he contributed topographical Views in Cornwall 1814 and other views for the unpublished seventh volume depicting Devon Farington s drawings were engraved but never published 6 and William Byrne s Magna Britannia a project that became so costly that it was never completed Farington edited the Memoirs of Sir Joshua Reynolds in six volumes 1819 Marriage editFarington and Susan Mary Hamond a relative of the Walpole family married on 19 March 1776 the couple had no children but Farington was always interested in the lives of his brothers children throughout his life When his wife died in 1800 Farington collapsed and could neither draw nor paint His family and friends such as the painter Robert Smirke and his family helped Farington recover 1 Diary editFarington kept a daily diary from 13 July 1793 until his death missing only a few days 1 This diary has proved invaluable to historians particularly its references to the London art world As Newby explains w ith its emphasis on biography and anecdote it is an invaluable source of information on artists of the period and of the internal workings of the Royal Academy 1 Farington knew the new industrialists in the Midlands he understood the internal workings of the East India Company his wife s family gave him access to information on government policy he attended the major political trials of the day such as Warren Hastings s failed impeachment and he followed William Wilberforce s anti slavery campaign 1 The diary eventually constituted 16 volumes which were kept as a family heirloom until they were auctioned off in 1921 to the Morning Post They were first published serially and then edited by James Greig and published in book form between 1922 and 1928 Another 16 volume edition was issued between 1978 and 1984 1 Accidental death editFarington died on a visit to his brother Robert in Lancashire on 30 December 1821 after falling down a flight of stairs in a church 1 Notes edit a b c d e f g h i j k l m Newby Joseph Farington Farington Robert 1783 1802 CCEd Person ID 27509 The Clergy of the Church of England Database 1540 1835 Retrieved 2 February 2014 Parish Church St George In The East CCEd Location ID 11815 The Clergy of the Church of England Database 1540 1835 Retrieved 2 February 2014 No 13530 The London Gazette 21 May 1793 p 420 The fourth edition 1724 bears the descriptive title Britannia Depicta or Ogilby Improv d Being a Correct Copy of Mr Ogilby s Actual Survey of all ye Direct and Principal Crossroads in England and Wales Wherein are exactly Delineated amp Engraven All ye Cities Towns Villages Churches Seats amp c scituate on or near the Roads with their respective Distances in Measured and Computed Miles John Ogilby 1600 1676 had produced the original in two folio volumes in 1675 Etched on Devon s memory source listing 1710 1819 Archived from the original on 22 January 2008 Retrieved 1 February 2008 References edit nbsp Wikimedia Commons has media related to Joseph Farington Newby Evelyn Farington Joseph 1747 1821 subscription required Oxford Dictionary of National Biography Oxford University Press 2004 Retrieved on 31 January 2008 Further reading editJ Farington The Diary of Joseph Farington ed K Garlick A Mackintyre K Cave E Newby 17 vols 1978 1998 Yale University Press J Farington The Farington Diary ed James Greig 8 vols 1922 1928 Hutchinson John R Murray A Tour of the English Lakes with Thomas Gray and Joseph Farington R A 2011 Frances Lincoln External links edit12 artworks by or after Joseph Farington at the Art UK site The Farington Diary at the Internet Archive Joseph Farington online ArtCyclopedia Retrieved from https en wikipedia org w index php title Joseph Farington amp oldid 1217706780, wikipedia, wiki, book, books, library,

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