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John Reeve (potter)

April 18, 2024

John Reeve (30 November 1929 – 29 June 2012) was a Canadian studio potter.[1][2]

John Reeve
Born(1929-11-30)30 November 1929
Barrie, Ontario
Died29 June 2012(2012-06-29) (aged 82)
Abiquiú, New Mexico
Occupation(s)Artist, Potter and Teacher

Biography edit

He grew up in Barrie Ontario, beginning his working life in his father's jewellery store, where he was expected to take on the business. He married Joyce Elliott in 1952, and their first child was born in 1954.[2]

 
Interior of the Leach Pottery, St. Ives, Cornwall

Education and apprenticeship edit

John Reeve attended Vancouver School of Art between 1954 and 1956, studying drawing and ceramics. After his studies he travelled in Mexico before returning to Canada to open a pottery in Orillia, Ontario. The following year, he moved to England and took several ceramics courses, including Wenford Bridge pottery.[3] Reeve apprenticed with Bernard Leach at his pottery in St Ives from 1958 until 1961.[2] Other potters followed from Vancouver, beginning with Glenn Lewis, who he encouraged to apply.[4] Apprentices made standard ware under supervision and eventually more experimental pieces in their spare time, reviewed in criticism sessions.[5] In 1960, Reeve married his second wife, Donna Balma, later an artist known for visionary paintings based in British Columbia.[6]

Early and mid-career edit

 
Longlands, at Hennock in Dartmoor, (building with tall chimneys).

He returned to Canada in 1961, teaching at University of British Columbia. Reeve gained the attention of architect Ron Thom, who commissioned him to make ceramics as part of the plan for Massey College.[7] At around this time, he also met Warren Mackenzie and they became lifelong friends. Reeve would often work alongside him in his pottery in Stillwater, Minnesota.[8] Mackenzie has said of Reeve, "We shared the idea that pots should be made easily and quickly; they should not be elaborate things. We didn't have to explain ourselves to one another. He was my best double."[9] In 1963, he returned to the Leach pottery to make large standard ware pieces, and continued teaching, at Farnham College of Art in Surrey. In 1966, with the aid of a Canada Council Senior Arts Fellowship, he bought a farm named Longlands on Dartmoor, with Glenn Lewis and Warren Mackenzie. They established the Longlands pottery which continued to operate until 1972.[10]

He was Studio Manager at the Bernard Leach pottery from 1973 to 1974.

Later career and philosophy edit

 
Chrome Oxide, used in Reeve's Green glaze.[11]

From 1974, he worked and travelled across Canada and the United States. He became well known as a teacher through University courses, his workshops and as a visiting artist.[12] About his approach, he wrote: "I'm not really interested in committing novelties on the world, but only making objects that have some hidden magic to them, which are good objects to use and therefore might make it better to drink coffee."[13] This aim of making good objects for everyday use has been said to reflect the influence of Zen on his work, through his apprenticeship to Leach, and appreciation of the writings of Jack Kerouac and the philosopher D. T. Suzuki.[14] He self-published two influential books on ceramic glazes: Book One: A Potter's Way to Understand Glazes and The Potter's Raw Materials, Some of their Characteristics and Compositions.[6] Reeve also developed an innovative method for making porcelain in a studio pottery. He published this in "Some Notes on Porcelain", later republished in Pottery Quarterly (UK) and New Zealand Potter. "More Notes on Porcelain" followed in the journal Studio Pottery.[15][16] Reeve's porcelain and Reeve's Green are well known to studio potters.[17][18]

In 1992, he was a founding member of Santa Fe Clay, a pottery studio supplying ceramics to retail, which also runs a gallery and workshop program.[19] He married his third wife Phylis Blair in 1996. In his later years, he continued to teach workshops at Santa Fe Clay, for example: "Jam-pots, garlic pigs, egg-bakers and other objects of delight".[20] He also had a home studio in Abiquiú. In 2004, his work was part of a well-received major retrospective exhibition of West Coast potters, containing more than 700 pieces, shown at the Morris and Helen Belkin Art Gallery.[21][22] Reeve contributed to a book of the same title published in 2011 and participated in its launch alongside Glenn Lewis, held at a gallery on Granville Island.[7][23]

Exhibitions and public collections edit

 
Vancouver Art Gallery, during Modern in the Making

A non-exhaustive list of exhibitions, and museums which hold his work:

  • 1960s show at Primavera Gallery, London, United Kingdom[24]
  • 1972: Solo exhibition at the Vancouver Art Gallery.[12]
  • 2004: Thrown: Influences and Intentions of West Coast Potters, Morris and Helen Belkin Art Gallery, Vancouver
  • 2013: Connections: Canadian and British Studio Ceramics, Gardiner Museum, Toronto, Ontario[25]
  • 2017: John Reeve: Some Hidden Magic Northern Clay Center, Vancouver[26]
 
Morris and Helen Belkin Art Gallery

Potteries edit

 
Santa Fe Railyard watertower in 2013 (Santa Fe Clay's red banner is bottom right)

Some of the potteries John Reeve owned, or worked at.

Recognition edit

  • 1961 Leon and Thea Koerner Foundation Grant
  • Canada Council Senior Arts Fellowship

Published works edit

Books edit

  • 1979: Book One : A Potter's Way to Understand Glazes[34]
  • The Potter's Raw Materials, Some of their Characteristics and Compositions
  • Thrown: British Columbia’s Apprentices of Bernard Leach and their Contemporaries.[13]

Articles edit

  • 1975: The Potters Wheel. Ceramic Review - No. 33 (May / Jun 1975)
  • 1975: Some Notes on Porcelain. (three part article) Tactile. Canadian Guild of Potters
    • Notes on Porcelain, Part 1: Miracle of Reality, Pottery Quarterly, Vol. 11, No., 43 (1975)
    • Notes on Porcelain, Part 2: The Body, Pottery Quarterly, Vol. 11, No., 44 (1975)
  • 1978: More Notes on Porcelain. Studio Potter, Vol. 6 No. 2 (January 1978)

See also edit

  • On the road with John Reeve, a talk given at the 2017 NCECA Conference by Vancouver potter Nora Vaillant.

References edit

  1. ^ Lambley, Alex (October 2014). (PDF). BC Potters. 50 (8): 4–6. Archived from the original (PDF) on 2022-01-17 – via Potters Guild of British Columbia.
  2. ^ a b c Vaillant, Nora (2017). Coleman, Elizabeth (ed.). John Reeve: Some Hidden Magic. Vancouver: Northern Clay Center. p. 40. Retrieved 2022-02-01.
  3. ^ Vaillant, Nora (2017). Coleman, Elizabeth (ed.). John Reeve: Some Kind of Magic. Minneapolis: Northern Clay Center. p. 10. Retrieved 2022-02-01.
  4. ^ Amos, Robert (2014-01-26). . Victoria Times Colonist. Archived from the original on 2022-01-15. Retrieved 2022-02-01.
  5. ^ Hanssen Pigott, Gwyn (1991). . Studio Potter. Archived from the original on 2016-10-30. Retrieved 2022-01-29.
  6. ^ a b Reeve, John; Balma, Donna. . MemoryBC. Archived from the original on 19 December 2021.
  7. ^ a b Weder, Adele (2011-08-11). "'Thrown': Respect for the Ordinary Pot". The Tyee. from the original on 15 October 2011. Retrieved 2022-01-17.
  8. ^ "Kindred Spirits at Lacoste Gallery, Concord, MA". Modern Magazine. 2017-09-19. from the original on 28 September 2019. Retrieved 2022-01-15.
  9. ^ Vaillant, Nora (2017). Coleman, Elizabeth (ed.). "John Reeve: Some Hidden Magic by Northern Clay Center". Issuu. Northern Clay Center. p. 6. Retrieved 2022-01-15.
  10. ^ . 2010-12-18. Archived from the original on 2022-01-16. Retrieved 2022-02-01. {{cite book}}: |website= ignored (help)
  11. ^ "Reeves Green". Glazy. Archived from the original on 2022-01-26. Retrieved 2022-01-26.
  12. ^ a b Vaillant, Nora (2002). Bernard Leach and British Columbian pottery : an historical ethnography of a taste culture. University of British Columbia (Thesis). p. 16-17. doi:10.14288/1.0099660.
  13. ^ a b Thrown : British Columbia's apprentices of Bernard Leach and their contemporaries. Glenn Allison, Jana Tyner, Scott Watson, Naomi Sawada, Morris and Helen Belkin Art Gallery. Vancouver: Morris and Helen Belkin Art Gallery, University of British Columbia. 2009. ISBN 978-0-88865-803-6. OCLC 318230985.{{cite book}}: CS1 maint: others (link)
  14. ^ Vaillant, Nora (4 February 2021). . North-West Ceramics Foundation. Archived from the original on 2021-04-20. Retrieved 2022-02-01.
  15. ^ "John Reeve - Artists - Lucy Lacoste Gallery". www.lucylacoste.com. Archived from the original on 2022-01-15. Retrieved 2022-01-15.
  16. ^ Reeve, John (January 1978). "More Notes on Porcelain". Studio Potter. 16: 2. Retrieved 2022-01-29.
  17. ^ "Recent "Reeve" posts on Glazy". glazy.org. Archived from the original on 26 January 2022. Retrieved 2022-01-26.
  18. ^ Britt, John (2004). The complete guide to high-fire glazes : glazing & firing at cone 10 (1st ed.). New York: Lark Books. p. 103. ISBN 1-57990-425-4. OCLC 54111405.
  19. ^ . YouTube. Santa Fe Creative Tourism. 20 Nov 2010. Archived from the original on 25 January 2022. Retrieved 25 January 2022.
  20. ^ . 2002-11-20. Archived from the original on 2002-11-20. Retrieved 2022-07-21. Throughout history, potters have made pieces which are decorative, humorous, charming and entertaining without loosing [sic] their function in storing and serving food. These are not ornamental art pieces but functional wares with some extra qualities which enhance their use. This two day hands-on workshop will concern itself with thinking about, designing, and making functional pieces with that something extra to enhance the rituals of eating. John Reeve, a well-known Canadian potter, has lived in New Mexico for 16 years. He worked and taught in Canada, England and the USA for many years and has done more workshops than he can remember. In the 50's he was apprenticed to Bernard Leach in St. Ives, Cornwall.
  21. ^ Higgs, Matthew (December 2004). . Artforum. Archived from the original on 2020-12-03. Retrieved 2022-01-27.
  22. ^ . Morris and Helen Belkin Art Gallery. 2004. Archived from the original on 2005-01-11. Retrieved 2022-02-01.
  23. ^ "20110526-040". Flickr. Morris and Helen Belkin Art Gallery. 27 May 2011. Retrieved 2022-01-29. Book launch and signing of 'Thrown:British Columbia's Apprentices of Bernard Leach and Their Contemporaries' on May 26th from 6:00 - 7:00pm at the Gallery of BC Ceramics on Granville Island.
  24. ^ Vaillant, Nora (2017). Coleman, Elizabeth (ed.). John Reeve: Some Kind of Magic. Minneapolis: Northern Clay Center. p. 11. Retrieved 2022-02-01.
  25. ^ (PDF). www.gardinermuseum.on.ca. Gardiner Museum. Archived from the original (PDF) on 2021-02-26. Retrieved 2022-02-01.
  26. ^ . Northern Clay Center. 20 November 2016. Archived from the original on 2020-09-23. Retrieved 2022-01-02.
  27. ^ "Modern in the Making: Post-War Craft and Design in British Columbia". Vancouver Art Gallery. from the original on 16 July 2020. Retrieved 2022-01-16.
  28. ^ . collection.belkin.ubc.ca. Archived from the original on 2022-01-29. Retrieved 2022-01-29.
  29. ^ Vaillant, Nora (2017). Coleman, Elizabeth (ed.). John Reeve: Some Kind of Magic. Minneapolis: Northern Clay Center. p. 5. Retrieved 2022-02-01.
  30. ^ "Collection Online | Museum of Anthropology at UBC : Search person : Reeve, John (1929 - 2012)". Museum of Anthropology. Archived from the original on 2022-01-29. Retrieved 2022-01-29.
  31. ^ "Collections Search | York Museums Trust". www.yorkmuseumstrust.org.uk. Archived from the original on 2022-01-29. Retrieved 2022-01-29.
  32. ^ "Bristol City Council : Museum Collections". Bristol's Free Museum's and Historic Houses. from the original on 2022-01-29.
  33. ^ Lambley, Alex (October 2014). (PDF). BC Potters. 50 (8): 4–6. Archived from the original (PDF) on 2022-01-17. Retrieved 2022-01-17 – via Potters Guild of British Columbia.
  34. ^ Reeve, John (1979). A potter's way to understand glazes. OCLC 11506205.

April 18, 2024
john, reeve, potter, john, reeve, november, 1929, june, 2012, canadian, studio, potter, john, reeveborn, 1929, november, 1929barrie, ontariodied29, june, 2012, 2012, aged, abiquiú, mexicooccupation, artist, potter, teacher, contents, biography, education, appr. John Reeve 30 November 1929 29 June 2012 was a Canadian studio potter 1 2 John ReeveBorn 1929 11 30 30 November 1929Barrie OntarioDied29 June 2012 2012 06 29 aged 82 Abiquiu New MexicoOccupation s Artist Potter and Teacher Contents 1 Biography 1 1 Education and apprenticeship 2 Early and mid career 3 Later career and philosophy 4 Exhibitions and public collections 5 Potteries 6 Recognition 7 Published works 7 1 Books 7 2 Articles 8 See also 9 ReferencesBiography editHe grew up in Barrie Ontario beginning his working life in his father s jewellery store where he was expected to take on the business He married Joyce Elliott in 1952 and their first child was born in 1954 2 nbsp Interior of the Leach Pottery St Ives CornwallEducation and apprenticeship edit John Reeve attended Vancouver School of Art between 1954 and 1956 studying drawing and ceramics After his studies he travelled in Mexico before returning to Canada to open a pottery in Orillia Ontario The following year he moved to England and took several ceramics courses including Wenford Bridge pottery 3 Reeve apprenticed with Bernard Leach at his pottery in St Ives from 1958 until 1961 2 Other potters followed from Vancouver beginning with Glenn Lewis who he encouraged to apply 4 Apprentices made standard ware under supervision and eventually more experimental pieces in their spare time reviewed in criticism sessions 5 In 1960 Reeve married his second wife Donna Balma later an artist known for visionary paintings based in British Columbia 6 Early and mid career edit nbsp Longlands at Hennock in Dartmoor building with tall chimneys He returned to Canada in 1961 teaching at University of British Columbia Reeve gained the attention of architect Ron Thom who commissioned him to make ceramics as part of the plan for Massey College 7 At around this time he also met Warren Mackenzie and they became lifelong friends Reeve would often work alongside him in his pottery in Stillwater Minnesota 8 Mackenzie has said of Reeve We shared the idea that pots should be made easily and quickly they should not be elaborate things We didn t have to explain ourselves to one another He was my best double 9 In 1963 he returned to the Leach pottery to make large standard ware pieces and continued teaching at Farnham College of Art in Surrey In 1966 with the aid of a Canada Council Senior Arts Fellowship he bought a farm named Longlands on Dartmoor with Glenn Lewis and Warren Mackenzie They established the Longlands pottery which continued to operate until 1972 10 He was Studio Manager at the Bernard Leach pottery from 1973 to 1974 Later career and philosophy edit nbsp Chrome Oxide used in Reeve s Green glaze 11 From 1974 he worked and travelled across Canada and the United States He became well known as a teacher through University courses his workshops and as a visiting artist 12 About his approach he wrote I m not really interested in committing novelties on the world but only making objects that have some hidden magic to them which are good objects to use and therefore might make it better to drink coffee 13 This aim of making good objects for everyday use has been said to reflect the influence of Zen on his work through his apprenticeship to Leach and appreciation of the writings of Jack Kerouac and the philosopher D T Suzuki 14 He self published two influential books on ceramic glazes Book One A Potter s Way to Understand Glazes and The Potter s Raw Materials Some of their Characteristics and Compositions 6 Reeve also developed an innovative method for making porcelain in a studio pottery He published this in Some Notes on Porcelain later republished in Pottery Quarterly UK and New Zealand Potter More Notes on Porcelain followed in the journal Studio Pottery 15 16 Reeve s porcelain and Reeve s Green are well known to studio potters 17 18 In 1992 he was a founding member of Santa Fe Clay a pottery studio supplying ceramics to retail which also runs a gallery and workshop program 19 He married his third wife Phylis Blair in 1996 In his later years he continued to teach workshops at Santa Fe Clay for example Jam pots garlic pigs egg bakers and other objects of delight 20 He also had a home studio in Abiquiu In 2004 his work was part of a well received major retrospective exhibition of West Coast potters containing more than 700 pieces shown at the Morris and Helen Belkin Art Gallery 21 22 Reeve contributed to a book of the same title published in 2011 and participated in its launch alongside Glenn Lewis held at a gallery on Granville Island 7 23 Exhibitions and public collections edit nbsp Vancouver Art Gallery during Modern in the MakingA non exhaustive list of exhibitions and museums which hold his work 1960s show at Primavera Gallery London United Kingdom 24 1972 Solo exhibition at the Vancouver Art Gallery 12 2004 Thrown Influences and Intentions of West Coast Potters Morris and Helen Belkin Art Gallery Vancouver 2013 Connections Canadian and British Studio Ceramics Gardiner Museum Toronto Ontario 25 2017 John Reeve Some Hidden Magic Northern Clay Center Vancouver 26 nbsp Morris and Helen Belkin Art Gallery2017 Kindred Spirits at the Lacoste Gallery in Concord Massachusetts 2021 Modern in the Making an exhibition about the development of Modernist design practice in British Columbia Vancouver Art Gallery 27 Morris and Helen Belkin Art Gallery Vancouver 28 Weisman Art Museum Minneapolis Minnesota 29 Museum of Anthropology Vancouver Canada 30 York Museums York United Kingdom 31 The City of Bristol s studio pottery collection United Kingdom 32 Potteries edit nbsp Santa Fe Railyard watertower in 2013 Santa Fe Clay s red banner is bottom right Some of the potteries John Reeve owned or worked at Blue Mountain Craft Shop Orillia British Columbia Canada owner Aylesford Pottery Aylesford United Kingdom Crowan Pottery Cornwall United Kingdom Wenford Bridge Pottery St Breward United Kingdom Leach Pottery St Ives Cornwall United Kingdom Warren McKenzie s Stillwater Studio Stillwater Minnesota Longlands Pottery Devon United Kingdom co owner Herman Venema Pottery Matsqui British Columbia Canada Big Creek Pottery Davenport California Cold Mountain Pottery Robert s Creek British Columbia owner 33 Slug Pottery Roberts Creek British Columbia Canada Tam Irving Pottery Fisherman s Cove British Columbia Canada Lee Creek Pottery Chase British Columbia Canada Old Bridge Street Pottery Vancouver British Columbia Canada Tom Donahue Pottery Oakview California Jim Lorio Pottery Boulder Colorado Castle Clay Denver Colorado Santa Fe Clay Santa Fe New Mexico co founder Martin Peters Dunbar Pottery Vancouver British Columbia CanadaRecognition edit1961 Leon and Thea Koerner Foundation Grant Canada Council Senior Arts FellowshipPublished works editBooks edit 1979 Book One A Potter s Way to Understand Glazes 34 The Potter s Raw Materials Some of their Characteristics and Compositions Thrown British Columbia s Apprentices of Bernard Leach and their Contemporaries 13 Articles edit 1975 The Potters Wheel Ceramic Review No 33 May Jun 1975 1975 Some Notes on Porcelain three part article Tactile Canadian Guild of Potters Notes on Porcelain Part 1 Miracle of Reality Pottery Quarterly Vol 11 No 43 1975 Notes on Porcelain Part 2 The Body Pottery Quarterly Vol 11 No 44 1975 1978 More Notes on Porcelain Studio Potter Vol 6 No 2 January 1978 See also editOn the road with John Reeve a talk given at the 2017 NCECA Conference by Vancouver potter Nora Vaillant References edit Lambley Alex October 2014 John Reeve The Unknown Craftsman PDF BC Potters 50 8 4 6 Archived from the original PDF on 2022 01 17 via Potters Guild of British Columbia a b c Vaillant Nora 2017 Coleman Elizabeth ed John Reeve Some Hidden Magic Vancouver Northern Clay Center p 40 Retrieved 2022 02 01 Vaillant Nora 2017 Coleman Elizabeth ed John Reeve Some Kind of Magic Minneapolis Northern Clay Center p 10 Retrieved 2022 02 01 Amos Robert 2014 01 26 Potter puts the performance in art Victoria Times Colonist Archived from the original on 2022 01 15 Retrieved 2022 02 01 Hanssen Pigott Gwyn 1991 Autobiographical Notes Studio Potter Studio Potter Archived from the original on 2016 10 30 Retrieved 2022 01 29 a b Reeve John Balma Donna John Reeve and Donna Balma fonds MemoryBC Archived from the original on 19 December 2021 a b Weder Adele 2011 08 11 Thrown Respect for the Ordinary Pot The Tyee Archived from the original on 15 October 2011 Retrieved 2022 01 17 Kindred Spirits at Lacoste Gallery Concord MA Modern Magazine 2017 09 19 Archived from the original on 28 September 2019 Retrieved 2022 01 15 Vaillant Nora 2017 Coleman Elizabeth ed John Reeve Some Hidden Magic by Northern Clay Center Issuu Northern Clay Center p 6 Retrieved 2022 01 15 John Reeve and Donna Balma fonds 2010 12 18 Archived from the original on 2022 01 16 Retrieved 2022 02 01 a href Template Cite book html title Template Cite book cite book a website ignored help Reeves Green Glazy Archived from the original on 2022 01 26 Retrieved 2022 01 26 a b Vaillant Nora 2002 Bernard Leach and British Columbian pottery an historical ethnography of a taste culture University of British Columbia Thesis p 16 17 doi 10 14288 1 0099660 a b Thrown British Columbia s apprentices of Bernard Leach and their contemporaries Glenn Allison Jana Tyner Scott Watson Naomi Sawada Morris and Helen Belkin Art Gallery Vancouver Morris and Helen Belkin Art Gallery University of British Columbia 2009 ISBN 978 0 88865 803 6 OCLC 318230985 a href Template Cite book html title Template Cite book cite book a CS1 maint others link Vaillant Nora 4 February 2021 Nora Vaillant On the Road with John Reeve North West Ceramics Foundation North West Ceramics Foundation Archived from the original on 2021 04 20 Retrieved 2022 02 01 John Reeve Artists Lucy Lacoste Gallery www lucylacoste com Archived from the original on 2022 01 15 Retrieved 2022 01 15 Reeve John January 1978 More Notes on Porcelain Studio Potter 16 2 Retrieved 2022 01 29 Recent Reeve posts on Glazy glazy org Archived from the original on 26 January 2022 Retrieved 2022 01 26 Britt John 2004 The complete guide to high fire glazes glazing amp firing at cone 10 1st ed New York Lark Books p 103 ISBN 1 57990 425 4 OCLC 54111405 Santa Fe Clay Pottery Workshops in Santa Fe New Mexico YouTube Santa Fe Creative Tourism 20 Nov 2010 Archived from the original on 25 January 2022 Retrieved 25 January 2022 Santa Fe Clay Spring Workshops 2002 11 20 Archived from the original on 2002 11 20 Retrieved 2022 07 21 Throughout history potters have made pieces which are decorative humorous charming and entertaining without loosing sic their function in storing and serving food These are not ornamental art pieces but functional wares with some extra qualities which enhance their use This two day hands on workshop will concern itself with thinking about designing and making functional pieces with that something extra to enhance the rituals of eating John Reeve a well known Canadian potter has lived in New Mexico for 16 years He worked and taught in Canada England and the USA for many years and has done more workshops than he can remember In the 50 s he was apprenticed to Bernard Leach in St Ives Cornwall Higgs Matthew December 2004 Matthew Higgs Artforum Archived from the original on 2020 12 03 Retrieved 2022 01 27 THROWN Influences and Intentions of West Coast Ceramics Morris and Helen Belkin Art Gallery 2004 Archived from the original on 2005 01 11 Retrieved 2022 02 01 20110526 040 Flickr Morris and Helen Belkin Art Gallery 27 May 2011 Retrieved 2022 01 29 Book launch and signing of Thrown British Columbia s Apprentices of Bernard Leach and Their Contemporaries on May 26th from 6 00 7 00pm at the Gallery of BC Ceramics on Granville Island Vaillant Nora 2017 Coleman Elizabeth ed John Reeve Some Kind of Magic Minneapolis Northern Clay Center p 11 Retrieved 2022 02 01 Connections Canadian And British Studio Ceramics PDF www gardinermuseum on ca Gardiner Museum Archived from the original PDF on 2021 02 26 Retrieved 2022 02 01 John Reeve Some Hidden Magic Northern Clay Center Northern Clay Center 20 November 2016 Archived from the original on 2020 09 23 Retrieved 2022 01 02 Modern in the Making Post War Craft and Design in British Columbia Vancouver Art Gallery Archived from the original on 16 July 2020 Retrieved 2022 01 16 Belkin Art Gallery Collections Management System Individual John Reeve 0003951 collection belkin ubc ca Archived from the original on 2022 01 29 Retrieved 2022 01 29 Vaillant Nora 2017 Coleman Elizabeth ed John Reeve Some Kind of Magic Minneapolis Northern Clay Center p 5 Retrieved 2022 02 01 Collection Online Museum of Anthropology at UBC Search person Reeve John 1929 2012 Museum of Anthropology Archived from the original on 2022 01 29 Retrieved 2022 01 29 Collections Search York Museums Trust www yorkmuseumstrust org uk Archived from the original on 2022 01 29 Retrieved 2022 01 29 Bristol City Council Museum Collections Bristol s Free Museum s and Historic Houses Archived from the original on 2022 01 29 Lambley Alex October 2014 John Reeve The Unknown Craftsman PDF BC Potters 50 8 4 6 Archived from the original PDF on 2022 01 17 Retrieved 2022 01 17 via Potters Guild of British Columbia Reeve John 1979 A potter s way to understand glazes OCLC 11506205 Retrieved from https en wikipedia org w index php title John Reeve potter amp oldid 1186711871, wikipedia, wiki, book, books, library,

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