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Johan Peter Emilius Hartmann

Johan Peter Emilius Hartmann (14 May 1805 – 10 March 1900) was, together with his son-in-law Niels W. Gade, the leading Danish composer of the 19th century, a period known as the Danish Golden Age.[1] According to Alfred Einstein, he was "the real founder of the Romantic movement in Denmark and even in all Scandinavia".[2] J.P.E. Hartmann was the third generation of composers in the Danish musical Hartmann family.

Johan Peter Emilius Hartmann

Biography edit

Johan Peter Emilius Hartmann was born and died in Copenhagen, Denmark. He was the son of composer August Wilhelm Hartmann (1775–1850) and Christiane Petrea Frederica Wittendorff (1778–1848), and the grandson of composer Johann Hartmann (1726-1793), who had originally emigrated to Denmark from Silesia. J.P.E. Hartmann himself was largely self taught. Complying with his father's wishes (who wanted to protect him from the uncertainties of a musician's life), he studied the law and worked as a civil servant from 1829 to 1870, whilst pursuing an extensive musical career. By 1824, he became organist at the Garnisons Kirke in Copenhagen, and in 1832, made a first major impression on audiences with the opera Ravnen.[3] The opera received a long and positive review from Robert Schumann. The libretto was by Hartmann’s lifelong friend Hans Christian Andersen with whom he later cooperated on numerous other works, cantatas, songs, incidental music or operas (among others his popular opera Liden Kirsten, a Danish pendant to the Bartered Bride, which was performed by Liszt in Weimar, and which remains today the most often played Danish opera). Hartmann also cooperated with other important Danish writers of his time, such as Henrik Hertz on his opera Korsarerne or with Adam Øhlenschlæger, writing incidental music and overtures to several of his plays, as well as music in the form of both songs and also melodramas for some of his poems (e.g. Guldhornene), and cooperating in writing numerous cantatas.

In 1836, Hartmann made a study tour to Germany and France, where he made the acquaintance of Frédéric Chopin, Gioachino Rossini, Luigi Cherubini, Gaspare Spontini and Louis Spohr. In his early musical life, Spohr and the Danish composer Christoph Ernst Friedrich Weyse were Hartmann's most important mentors, as well as Heinrich Marschner. Further journeys to Germany followed in the next few years, during which he met Mendelssohn, Schumann, Liszt, Brahms and other renowned composers of the time. He also founded the Copenhagen Music Society (Musikforeningen) in 1836, remaining its chairman until the end of his life. In 1843, he transferred from Garnisons Kirke to play the organ for Copenhagen's cathedral, the Vor Frue Kirke, and became the director of the Student Choral Association. He held both these posts until his death.[4] His proverbially gentle character made him very popular, his compatriots organising year on year numerous impressive feasts to celebrate his birthday.

In 1867, after having taught several subjects at the Danish Academy of Music which originally was founded in 1825 by Giuseppe Siboni (1780–1839), Hartmann helped co-establish and also direct the Royal Danish Academy of Music (Københavns Musikkonservatorium) with Niels Gade (1817–1890) and Holger Simon Paulli (1810–1891).[5][6][7]

Personal life edit

In 1829, he married Emma Sophie Amalie Zinn (1807–1851), herself a composer. One of their sons, Emil Hartmann (1836–1898) also became a renowned composer, while their son Carl Christian Ernst Hartmann (1837–1901) became a sculptor. Two of their daughters married composers; Emma Sophie (b. 1831) married Niels Gade and Clara (b. 1839) married August Winding (1835–1899).[8][9][10] Many important later Danish artists, such as the composer Niels Viggo Bentzon and the director Lars von Trier descend from Hartmann.

Style edit

 
J. P. E. Hartmann by August Saabye 1905, Sankt Annæ Plads, Copenhagen

Hartmann's works are characterized by artistic seriousness, dramatic vitality, and in particular, by national coloring. The Nordic elements, which can be discerned in the themes based on folksongs, modulations, and the tendency towards rather dark sounds, emerged strongly after the 1830s. Hartmann united these Romantic influences with a strong control over both form and theme, acquired through his Classical training.[11]

Hartmann's life covered the whole 19th century and his very varied output makes it difficult to slot him in one category. His early works, such as a Flute Sonata or a Piano Quartet were still written in Beethoven's lifetime and are naturally in the style of the Viennese classicist period. Influences from the then prevailing German models - Weber, Spohr or Marschner - can also be detected. Much of his later work belongs to the generation of Robert Schumann or Felix Mendelssohn. Still his style continued developing over the years. Later compositions, such as the monumental A-Minor piano sonata or some Overtures (Yrsa) bear some similarities with Brahms. And there are pre-modernist accents in many of his latest pieces pointing notably to Carl Nielsen. His work had a strong influence on Scandinavian composers of later generations such as Edvard Grieg, Peter Erasmus Lange-Mueller or Carl Nielsen. His ever increasing originality gave him the nickname of being the «old man prodigy» («Vidunderolding»). Overall, his music displays great diversity, going from humour and poetry to drama and tragedy.[12]

Works edit

Orchestral edit

Vocal edit

  • Operas
  • Concert cantatas
  • Church cantatas and cantatas for special occasions
    • Som livet svinder (1820)
    • New Year's Eve cantata (1824-1825)
    • Cantata for the Celebration of the Organ, Op. 5 (1825) (Adam Oehlenschläger)
    • Motet for the feast of the Jubilee (1826)
    • Motet for Christmas Feast (1827)
    • Himmelske Lyd (1828) (Adam Oehlenschläger)
    • Easter Cantata (1828)
    • Christian, som elsker de yndige Muser (1831)
    • Song for the Birthday of Prince Christian (1832)
    • Paa Grændsen mellem Land og Stad (1834)
    • Song for the Birthday of Prince Christian (1835)
    • Kantate til Efterslægtselskabet, Op. 19 (1836) (Adam Oehlenschläger)
    • Cantata for the Birthday of Princess Amalia (1839)
    • Canta in the Memory of A.W. Hauch (1838) (Adam Oehlenschläger)
    • Funeral Cantata for His Majesty King Frederik VI, Op. 27 (1839–40) (H.C. Andersen)
    • Funeral Cantata for Giuseppe Siboni (1839) (H.C. Andersen)
    • Cantata for the Silver Wedding of King Christian VIII and Queen Caroline Amalia (1840)
    • Cantata for the Birthday of King Christian VIII (1841)
    • Cantata for the Birthday of Queen Caroline Amalia (1842) (H.C. Andersen)
    • Cantata in the memory of C.E.F. Weyse, Op. 36 (1842) (Henrik Hertz)
    • Cantata for the Jubilee of Professor Brorson (1843) (H.C. Andersen)
    • Cantata in the memory of Bertel Thorvaldsen, Op. 41 (1844) (Henrik Hertz)
    • Funeral Cantata for his Majesty King Christian VIII, Op. 47 (1848) (Johan Ludvig Heiberg)
    • Quando Corpus Morietur, Op. 15 (1850, for three Soloists, Chorus and Orchestra)
    • Mindesang over de Faldne: Slumrer Sødt i Slesvigs Jord, (1850, for Chorus and great Orchestra)
    • Cantata for the Wedding of Baron Bille-Brahe (1852) (H.C. Andersen)
    • Cantata for the Inauguration of the new Building for the Studentersangforeningen, Op. 64 (1863) (Christian Richardt)
    • Funeral Cantata for His Majesty King Frederik VII, Op. 64 b (1863) (H.P. Holst)
    • Cantata for the Inauguration of the new Building for Copenhagen University (1866) (Christian Richardt)
    • Cantata for the Wedding of Crown Prince Frederik and Princess Louisa (1869) (H.P. Holst)
    • Cantata in the memory of Orla Lehmann (1870) (Carl Ploug)
    • Cantata for the Inauguration of the new Royal Theatre (1874) (Carl Ploug)
    • Cantata for the Jubilee of Copenhagen University, Op. 75 (1878–79) (Carl Ploug)
    • Cantata for the Inauguration of the Henrik Smith School (1882) (Carl Andersen)
    • Cantata for the commemoration of Ludvig Holberg (1884) (Christian Richardt)
    • Cantata for the Jubilee of Borgerdydskolen (1887) (Christian Richardt)
    • Cantata for the Birthday of His Majesty King Christian IX (1888)
    • Cantata for the Inauguration of the new Concert Palace (1889)
    • Cantata for the Gold Wedding of King Christian IX (1891-982) (Christian Richardt)
    • Cantata for the Consecration of the Bishop of Copenhagen Cathedral (1899)
  • Songs and Cantatas for a capella chorus
  • Songs and romances for voice and piano
    • Sechs Gesänge, for voice and piano, Op. 13 (1832)
    • Fire Danske Sange, for voice and piano (among which the popular Flyv Fugl, flyv over Furesøens Vove, and Lille Cathrine) (1838)
    • Sechs Lieder, for voice and piano, Op. 35
    • Seks Sange af B.S. Ingemann, for voice and piano, Op. 45
    • Sulamith og Salomon, nine songs for alternated voices and piano, after B. S. Ingemann, Op. 52 (1847–48)
    • Sechs Gesänge, for voice and piano, Op. 55a (dedicated to Sophie Gade)
    • Folmer Spillemands Viser af Hjortens Flugt, cycle of melodies for voice and piano, Op. 56
    • Fem Sange, for voice and piano, Op. 63
    • Sange og Viser, songs for voice and piano, Op. 77
    • Solen i Siljedalen, cycle of melodies for voice and piano
    • Hundreds of individual songs and romances

Chamber music edit

  • Sonata for Violin and Piano No. 1 in G minor, Op. 8 (1826)
  • Sonata for Violin and Piano No. 2 in C, Op. 39 (1844)
  • Sonata for Violin and Piano No. 3 in G minor, Op. 83 (1886)
  • Suite for Violin and Piano in A minor, Op. 66 (1864)
  • Fantasi-Allegro for Violin and Piano in D Major (1889)
  • Sonata for Flute and Piano in B-flat Major, Op. 1 (1825)
  • Andante and Variations for Piano Trio in C Major (1849)
  • String Quartet in G Major (1848, last movement only half finished)
  • String Quartet in A Major (1852, last movement only in sketches)
  • Piano Quartet in F Major, Op. 2

Piano edit

  • Piano Sonata No. 1 in D minor, Op. 34 (1841)
  • Piano Sonata No. 2 in G minor (1851)
  • Piano Sonata No. 3 in F (1853)
  • Piano Sonata No. 4 in A minor, Op. 80 (1876–83)
  • Piano Sonatina in G major, Op. 63a (1863)
  • Sonatina for piano four hands, Op. 4 (1826)
  • Two Rondos for piano, Op. 6 (1829)
  • Fantasy for piano, Op. 7
  • Allegro di Bravura and Andante for piano, Op. 10 (1829)
  • Eight Caprices for piano, Op. 18 (1835, published in two collections dedicated respectively to Heinrich Marschner and Felix Mendelssohn)
  • Two characteristic pieces for piano, Op. 25 (1839)
  • Introduction and Andantino religioso for piano, Op. 26
  • Three genre pieces for piano, Op. 26
  • Eight sketches for piano, Op. 31 (1840–41, dedicated to Emma Hartmann)
  • Six pieces in Song form for piano, Op. 37 (1842)
  • Three pieces for piano (Ballo militare, Cantilena elegiaca, Allegro grazioso)
  • Six character pieces for piano, Op. 50, with introductory poems by Hans Christian Andersen
  • Three pieces for piano (Svensk Hjemvee, Capriccio, Andantino - Hun sidder derinde og spiller klaver) (1848–51)
  • Instructive studies for piano, Op. 53 (1851°
  • Fantasy pieces for piano, Op. 54, dedicated to Clara Schumann)
  • Novelette in six small pieces for piano, Op. 55 (1852–55), with introductory poems by Hans Christian Andersen
  • Four pieces for piano (Gudfa'er fortæller, Vikingefruens drøm, Tys!, Juletrøst)
  • Nine studies and novelettes for piano, Op. 65
  • Pieces from older and more recent times fopr piano, Op. 74 (dedicated to Emil Hartmann)
  • Numerous other shorter pieces

Organ edit

  • Fantasy in A major (1826)
  • Fantasy in F minor, Op. 20 (published 1837)
  • Funeral March for Thorvaldsen (1844) with brass ensemble, published in a solo organ version (1879) by Hartmann
  • Funeral March for Oehlenschläger (1850), with brass ensemble
  • Organ Sonata in G minor, Op. 58 (1855)
  • Funeral March for Nicolai Peter Nielsen [da] (1860)
  • Opening Music for a University Anniversary (1879), with brass ensemble

References edit

  1. ^ "Hartmann, Johan Peter Emilius, 1805-1900". Dansk biografisk Lexikon. Retrieved January 1, 2020.
  2. ^ Einstein, Alfred (1947). Music in the Romantic Era. New York US: W.W. Norton & Cy. pp. 317–318. ISBN 0-393-09733-1.
  3. ^ Inger Sørensen (1999). "J.P.E. Hartmann". Museum Tusculanum. Retrieved January 1, 2020.
  4. ^ Søren Berg Rasmussen, Richard Hove. "J.P.E. Hartmann". Dansk Biografisk Leksikon, Gyldendal. Retrieved January 1, 2020.
  5. ^ "Om konservatoriet". Det Kongelige Danske Musikkonservatorium. Retrieved January 1, 2020.
  6. ^ Bendt Viinholt Nielsen. "Musikforeningen i København". Den Store Danske, Gyldendal. Retrieved January 1, 2020.
  7. ^ Nils Schiørring (18 July 2011). "H.S. Paulli". Den Store Danske, Gyldendal. Retrieved January 1, 2020.
  8. ^ "Emma Hartmann". Det Kgl. Bibliotek. Retrieved January 1, 2020.
  9. ^ "Gade, Niels Wilhelm". Salmonsens konversationsleksikon. Retrieved January 1, 2020.
  10. ^ "Winding, August Henrik". Salmonsens konversationsleksikon. Retrieved January 1, 2020.
  11. ^ Soerensen, Inger (1999). Hartmann. Et Dansk komponistdynasti (in Danish). Copenhagen: Gyldendal. ISBN 87-00-34688-8.
  12. ^ Soerensen, Inger (1999). Hartmann. Et dansk komponistdynasti (in Danish). Copenhagen: Gyldendal. ISBN 87-00-34688-8.

Other sources edit

  • "Hartmann 3) Johann Peter Emilius" in Meyers Konversations-Lexikon, Leipzig and Vienna: Verlag des Bibliographischen Instituts, 1885–92, 4th ed., vol. 8, pp. 185–86. (in German)
  • William Behrend, J.P.E. Hartmann: En Levnedskildring, Gyldendal, 1918, 93 pages
  • Viggo Bitsch, J.P.E. Hartmann, Olsens Boghandel, 1954
  • Lothar Brix, Die Klaviermusik von Johan Peter Emilius Hartmann: Ein Beitrag zur musikalischen Romantik in Skandinavien, Dissertation, Göttingen, 1971
  • Dan Fog, Hartmann-Katalog: Fortegnelse over J.P.E. Hartmanns trykte Kompositioner, København, Dan Fog Musikforlag, 1991, 189 pages
  • Angul Hammerich, J.P.E. Hartmann, Biografiske Essays, G.E. Gads forlag, 1916, 184 pages
  • Richard Hove, J.P.E. Hartmann, København, Dansk Musiktidskrift, 1934, 172 pages
  • Inger Soerensen, Hartmann, et Dansk komponistdynasti, Gyldendal, 656 pages
  • Inger Soerensen, JPE Hartmann og Hans Kreds, 4 volumes, Museum Tusculanum Forlag, 1999-2002, 2452 pages
  • Inger Soerensen, JPE Hartmann, Thematic-Bibliographic Catalogue of his Works, 2 volumes, Dansk Center for Musikudgivelse, 1019 pages

External links edit

johan, peter, emilius, hartmann, 1805, march, 1900, together, with, niels, gade, leading, danish, composer, 19th, century, period, known, danish, golden, according, alfred, einstein, real, founder, romantic, movement, denmark, even, scandinavia, hartmann, thir. Johan Peter Emilius Hartmann 14 May 1805 10 March 1900 was together with his son in law Niels W Gade the leading Danish composer of the 19th century a period known as the Danish Golden Age 1 According to Alfred Einstein he was the real founder of the Romantic movement in Denmark and even in all Scandinavia 2 J P E Hartmann was the third generation of composers in the Danish musical Hartmann family Johan Peter Emilius Hartmann Contents 1 Biography 2 Personal life 3 Style 4 Works 4 1 Orchestral 4 2 Vocal 4 3 Chamber music 4 4 Piano 4 5 Organ 5 References 6 Other sources 7 External linksBiography editJohan Peter Emilius Hartmann was born and died in Copenhagen Denmark He was the son of composer August Wilhelm Hartmann 1775 1850 and Christiane Petrea Frederica Wittendorff 1778 1848 and the grandson of composer Johann Hartmann 1726 1793 who had originally emigrated to Denmark from Silesia J P E Hartmann himself was largely self taught Complying with his father s wishes who wanted to protect him from the uncertainties of a musician s life he studied the law and worked as a civil servant from 1829 to 1870 whilst pursuing an extensive musical career By 1824 he became organist at the Garnisons Kirke in Copenhagen and in 1832 made a first major impression on audiences with the opera Ravnen 3 The opera received a long and positive review from Robert Schumann The libretto was by Hartmann s lifelong friend Hans Christian Andersen with whom he later cooperated on numerous other works cantatas songs incidental music or operas among others his popular opera Liden Kirsten a Danish pendant to the Bartered Bride which was performed by Liszt in Weimar and which remains today the most often played Danish opera Hartmann also cooperated with other important Danish writers of his time such as Henrik Hertz on his opera Korsarerne or with Adam Ohlenschlaeger writing incidental music and overtures to several of his plays as well as music in the form of both songs and also melodramas for some of his poems e g Guldhornene and cooperating in writing numerous cantatas In 1836 Hartmann made a study tour to Germany and France where he made the acquaintance of Frederic Chopin Gioachino Rossini Luigi Cherubini Gaspare Spontini and Louis Spohr In his early musical life Spohr and the Danish composer Christoph Ernst Friedrich Weyse were Hartmann s most important mentors as well as Heinrich Marschner Further journeys to Germany followed in the next few years during which he met Mendelssohn Schumann Liszt Brahms and other renowned composers of the time He also founded the Copenhagen Music Society Musikforeningen in 1836 remaining its chairman until the end of his life In 1843 he transferred from Garnisons Kirke to play the organ for Copenhagen s cathedral the Vor Frue Kirke and became the director of the Student Choral Association He held both these posts until his death 4 His proverbially gentle character made him very popular his compatriots organising year on year numerous impressive feasts to celebrate his birthday In 1867 after having taught several subjects at the Danish Academy of Music which originally was founded in 1825 by Giuseppe Siboni 1780 1839 Hartmann helped co establish and also direct the Royal Danish Academy of Music Kobenhavns Musikkonservatorium with Niels Gade 1817 1890 and Holger Simon Paulli 1810 1891 5 6 7 Personal life editIn 1829 he married Emma Sophie Amalie Zinn 1807 1851 herself a composer One of their sons Emil Hartmann 1836 1898 also became a renowned composer while their son Carl Christian Ernst Hartmann 1837 1901 became a sculptor Two of their daughters married composers Emma Sophie b 1831 married Niels Gade and Clara b 1839 married August Winding 1835 1899 8 9 10 Many important later Danish artists such as the composer Niels Viggo Bentzon and the director Lars von Trier descend from Hartmann Style edit nbsp J P E Hartmann by August Saabye 1905 Sankt Annae Plads CopenhagenHartmann s works are characterized by artistic seriousness dramatic vitality and in particular by national coloring The Nordic elements which can be discerned in the themes based on folksongs modulations and the tendency towards rather dark sounds emerged strongly after the 1830s Hartmann united these Romantic influences with a strong control over both form and theme acquired through his Classical training 11 Hartmann s life covered the whole 19th century and his very varied output makes it difficult to slot him in one category His early works such as a Flute Sonata or a Piano Quartet were still written in Beethoven s lifetime and are naturally in the style of the Viennese classicist period Influences from the then prevailing German models Weber Spohr or Marschner can also be detected Much of his later work belongs to the generation of Robert Schumann or Felix Mendelssohn Still his style continued developing over the years Later compositions such as the monumental A Minor piano sonata or some Overtures Yrsa bear some similarities with Brahms And there are pre modernist accents in many of his latest pieces pointing notably to Carl Nielsen His work had a strong influence on Scandinavian composers of later generations such as Edvard Grieg Peter Erasmus Lange Mueller or Carl Nielsen His ever increasing originality gave him the nickname of being the old man prodigy Vidunderolding Overall his music displays great diversity going from humour and poetry to drama and tragedy 12 Works editOrchestral edit Symphony No 1 in G minor Op 17 1835 Symphony No 2 in E Op 48 1847 48 Twelve Overtures Concert overture Op 3 1825 Sacred overture Op 9 1827 Ravnen Op 12 1830 32 Korsarerne Op 16 1832 35 Hakon Jarl Op 40 1844 Liden Kirsten Op 44 1844 46 Concert overture Op 51 1852 Axel og Valborg Op 57 1856 Correggio Op 59 1858 En Efteraarsjagt Op 63 1864 dedicated to Niels W Gade Yrsa Op 78 1883 Dante Op 85 1888 Incidental music Olaf den Hellige Op 23 1838 Adam Oehlenschlager Knud den Store Op 28 1839 Adam Oehlenschlager Fiskeren of hans Born Op 29 1840 Adam Oehlenschlager Syvsoverdag Op 30 12840 revised in 1872 Johan Ludvig Heiberg Maurerpigen Op 32 1840 Hans Christian Andersen Undine Op 33 1842 Carl Borgaard Hakon Jarl Op 40 1844 57 Oehlenschlager En Odeland 1849 Ferdinand Raimund En Episode 1852 Chr Juul Kildereise 1858 Intermezzo by Hans Christian Andersen for the play by Ludvig Holberg Ambrosius 1878 Christian Knud Frederik Molbech Yrsa Op 78 1881 82 Adam Oehlenschlager Dante Op 85 1888 Christian Knud Frederik Molbech Melodrama Guldhornene The Golden Horns Op 11 1832 Adam Oehlenschlager Jurabjerget Op 14 1833 Adam Oehlenschlager Der Taucher Op 21 1837 Friedrich Schiller Prologue for the celebration of the Musikforening in the memory of Niels W Gade 1891 on a poetry by Christian Richardt Ballets all to choreography by August Bournonville Fantasiens O Fantasy Island First Act 1838 Valkyrien The Valkyrie Op 62 1860 61 Thrymskviden The Song of Thrym Op 67 1867 68 Arcona Op 72 1873 75 Et Folkesagn together with Niels W Gade Other Three Character pieces for string orchestra Op 81 Multiple marches and other pieces of circumstanceVocal edit Operas Ravnen Op 12 1830 32 Hans Christian Andersen Korsarerne The Corsair Op 16 1832 35 Henrik Hertz Liden Kirsten Little Kirsten Op 44 1844 46 Hans Christian Andersen Saul unfinished 1864 65 Hans Christian Andersen Concert cantatas Den musikelskende Landsbypige 1833 Adam Oehlenschlager De tvende Dugdraaber 1844 Schack von Staffelt Den sorgende Jodinde 1844 1875 Hans Christian Andersen Hilsen til Fraenderne 1848 B S Ingemann Fragment af Oehlenschlagers Jesu Bjergpraediken Op 49 1848 En Sommerdag A Summer s Day 1854 Henrik Hertz Dryadens Bryllup Op 60 1858 Fr Paludan Muller Zigeunersang 1859 Goethe translated by H C Andersen Hinsides Bjergene 1865 Andreas Munch I Provence Op 68 1868 69 Carl Andersen Hilsen til Norge 1869 Foraarssang Op 70 Spring Song 1870 71 H C Andersen Foran Sydens Kloster 1871 Bjornsterne Bjornson Davids 115de Psalme 1871 Volvens Spaadom Op 71 The Prophecy of the Volva Poetic Edda Sabbats Stilhed Op 76 1878 79 Andreas Munch Bruden Op 77 4 1880 Emil Aarestrup Luther i Wartburg Op 79 1884 Johan Ludvig Heiberg Tonernes Verden Op 82 1885 Christian Richardt Hellig Tre Kongers Kvad 1893 Numerous other choral songs with instrumental accompaniment Church cantatas and cantatas for special occasions Som livet svinder 1820 New Year s Eve cantata 1824 1825 Cantata for the Celebration of the Organ Op 5 1825 Adam Oehlenschlager Motet for the feast of the Jubilee 1826 Motet for Christmas Feast 1827 Himmelske Lyd 1828 Adam Oehlenschlager Easter Cantata 1828 Christian som elsker de yndige Muser 1831 Song for the Birthday of Prince Christian 1832 Paa Graendsen mellem Land og Stad 1834 Song for the Birthday of Prince Christian 1835 Kantate til Efterslaegtselskabet Op 19 1836 Adam Oehlenschlager Cantata for the Birthday of Princess Amalia 1839 Canta in the Memory of A W Hauch 1838 Adam Oehlenschlager Funeral Cantata for His Majesty King Frederik VI Op 27 1839 40 H C Andersen Funeral Cantata for Giuseppe Siboni 1839 H C Andersen Cantata for the Silver Wedding of King Christian VIII and Queen Caroline Amalia 1840 Cantata for the Birthday of King Christian VIII 1841 Cantata for the Birthday of Queen Caroline Amalia 1842 H C Andersen Cantata in the memory of C E F Weyse Op 36 1842 Henrik Hertz Cantata for the Jubilee of Professor Brorson 1843 H C Andersen Cantata in the memory of Bertel Thorvaldsen Op 41 1844 Henrik Hertz Funeral Cantata for his Majesty King Christian VIII Op 47 1848 Johan Ludvig Heiberg Quando Corpus Morietur Op 15 1850 for three Soloists Chorus and Orchestra Mindesang over de Faldne Slumrer Sodt i Slesvigs Jord 1850 for Chorus and great Orchestra Cantata for the Wedding of Baron Bille Brahe 1852 H C Andersen Cantata for the Inauguration of the new Building for the Studentersangforeningen Op 64 1863 Christian Richardt Funeral Cantata for His Majesty King Frederik VII Op 64 b 1863 H P Holst Cantata for the Inauguration of the new Building for Copenhagen University 1866 Christian Richardt Cantata for the Wedding of Crown Prince Frederik and Princess Louisa 1869 H P Holst Cantata in the memory of Orla Lehmann 1870 Carl Ploug Cantata for the Inauguration of the new Royal Theatre 1874 Carl Ploug Cantata for the Jubilee of Copenhagen University Op 75 1878 79 Carl Ploug Cantata for the Inauguration of the Henrik Smith School 1882 Carl Andersen Cantata for the commemoration of Ludvig Holberg 1884 Christian Richardt Cantata for the Jubilee of Borgerdydskolen 1887 Christian Richardt Cantata for the Birthday of His Majesty King Christian IX 1888 Cantata for the Inauguration of the new Concert Palace 1889 Cantata for the Gold Wedding of King Christian IX 1891 982 Christian Richardt Cantata for the Consecration of the Bishop of Copenhagen Cathedral 1899 Songs and Cantatas for a capella chorus Songs and romances for voice and piano Sechs Gesange for voice and piano Op 13 1832 Fire Danske Sange for voice and piano among which the popular Flyv Fugl flyv over Furesoens Vove and Lille Cathrine 1838 Sechs Lieder for voice and piano Op 35 Seks Sange af B S Ingemann for voice and piano Op 45 Sulamith og Salomon nine songs for alternated voices and piano after B S Ingemann Op 52 1847 48 Sechs Gesange for voice and piano Op 55a dedicated to Sophie Gade Folmer Spillemands Viser af Hjortens Flugt cycle of melodies for voice and piano Op 56 Fem Sange for voice and piano Op 63 Sange og Viser songs for voice and piano Op 77 Solen i Siljedalen cycle of melodies for voice and piano Hundreds of individual songs and romancesChamber music edit Sonata for Violin and Piano No 1 in G minor Op 8 1826 Sonata for Violin and Piano No 2 in C Op 39 1844 Sonata for Violin and Piano No 3 in G minor Op 83 1886 Suite for Violin and Piano in A minor Op 66 1864 Fantasi Allegro for Violin and Piano in D Major 1889 Sonata for Flute and Piano in B flat Major Op 1 1825 Andante and Variations for Piano Trio in C Major 1849 String Quartet in G Major 1848 last movement only half finished String Quartet in A Major 1852 last movement only in sketches Piano Quartet in F Major Op 2Piano edit Piano Sonata No 1 in D minor Op 34 1841 Piano Sonata No 2 in G minor 1851 Piano Sonata No 3 in F 1853 Piano Sonata No 4 in A minor Op 80 1876 83 Piano Sonatina in G major Op 63a 1863 Sonatina for piano four hands Op 4 1826 Two Rondos for piano Op 6 1829 Fantasy for piano Op 7 Allegro di Bravura and Andante for piano Op 10 1829 Eight Caprices for piano Op 18 1835 published in two collections dedicated respectively to Heinrich Marschner and Felix Mendelssohn Two characteristic pieces for piano Op 25 1839 Introduction and Andantino religioso for piano Op 26 Three genre pieces for piano Op 26 Eight sketches for piano Op 31 1840 41 dedicated to Emma Hartmann Six pieces in Song form for piano Op 37 1842 Three pieces for piano Ballo militare Cantilena elegiaca Allegro grazioso Six character pieces for piano Op 50 with introductory poems by Hans Christian Andersen Three pieces for piano Svensk Hjemvee Capriccio Andantino Hun sidder derinde og spiller klaver 1848 51 Instructive studies for piano Op 53 1851 Fantasy pieces for piano Op 54 dedicated to Clara Schumann Novelette in six small pieces for piano Op 55 1852 55 with introductory poems by Hans Christian Andersen Four pieces for piano Gudfa er fortaeller Vikingefruens drom Tys Juletrost Nine studies and novelettes for piano Op 65 Pieces from older and more recent times fopr piano Op 74 dedicated to Emil Hartmann Numerous other shorter piecesOrgan edit Fantasy in A major 1826 Fantasy in F minor Op 20 published 1837 Funeral March for Thorvaldsen 1844 with brass ensemble published in a solo organ version 1879 by Hartmann Funeral March for Oehlenschlager 1850 with brass ensemble Organ Sonata in G minor Op 58 1855 Funeral March for Nicolai Peter Nielsen da 1860 Opening Music for a University Anniversary 1879 with brass ensembleReferences edit Hartmann Johan Peter Emilius 1805 1900 Dansk biografisk Lexikon Retrieved January 1 2020 Einstein Alfred 1947 Music in the Romantic Era New York US W W Norton amp Cy pp 317 318 ISBN 0 393 09733 1 Inger Sorensen 1999 J P E Hartmann Museum Tusculanum Retrieved January 1 2020 Soren Berg Rasmussen Richard Hove J P E Hartmann Dansk Biografisk Leksikon Gyldendal Retrieved January 1 2020 Om konservatoriet Det Kongelige Danske Musikkonservatorium Retrieved January 1 2020 Bendt Viinholt Nielsen Musikforeningen i Kobenhavn Den Store Danske Gyldendal Retrieved January 1 2020 Nils Schiorring 18 July 2011 H S Paulli Den Store Danske Gyldendal Retrieved January 1 2020 Emma Hartmann Det Kgl Bibliotek Retrieved January 1 2020 Gade Niels Wilhelm Salmonsens konversationsleksikon Retrieved January 1 2020 Winding August Henrik Salmonsens konversationsleksikon Retrieved January 1 2020 Soerensen Inger 1999 Hartmann Et Dansk komponistdynasti in Danish Copenhagen Gyldendal ISBN 87 00 34688 8 Soerensen Inger 1999 Hartmann Et dansk komponistdynasti in Danish Copenhagen Gyldendal ISBN 87 00 34688 8 Other sources edit Hartmann 3 Johann Peter Emilius in Meyers Konversations Lexikon Leipzig and Vienna Verlag des Bibliographischen Instituts 1885 92 4th ed vol 8 pp 185 86 in German William Behrend J P E Hartmann En Levnedskildring Gyldendal 1918 93 pages Viggo Bitsch J P E Hartmann Olsens Boghandel 1954 Lothar Brix Die Klaviermusik von Johan Peter Emilius Hartmann Ein Beitrag zur musikalischen Romantik in Skandinavien Dissertation Gottingen 1971 Dan Fog Hartmann Katalog Fortegnelse over J P E Hartmanns trykte Kompositioner Kobenhavn Dan Fog Musikforlag 1991 189 pages Angul Hammerich J P E Hartmann Biografiske Essays G E Gads forlag 1916 184 pages Richard Hove J P E Hartmann Kobenhavn Dansk Musiktidskrift 1934 172 pages Inger Soerensen Hartmann et Dansk komponistdynasti Gyldendal 656 pages Inger Soerensen JPE Hartmann og Hans Kreds 4 volumes Museum Tusculanum Forlag 1999 2002 2452 pages Inger Soerensen JPE Hartmann Thematic Bibliographic Catalogue of his Works 2 volumes Dansk Center for Musikudgivelse 1019 pagesExternal links editFree scores by Johan Peter Emilius Hartmann at the International Music Score Library Project IMSLP Valkyrien ballet by J P E Hartmann 1861 publication Danish digitized by BYU on archive org Retrieved from https en wikipedia org w index php title Johan Peter Emilius Hartmann amp oldid 1202323745, wikipedia, wiki, book, books, library,

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