Joan Craven
Joan Craven (5 November 1897 – 2 July 1979)[1] was an English photographer known for her portraits, artistic studies, advertising, and nudes.[2][3]
Joan Craven | |
|---|---|
| Born | 5 November 1897 |
| Died | 2 July 1979 (aged 81) Tamerton Foliot, England |
| Occupation | Photographer |
| Years active | 1920s–1960s |
Early life edit
Joan Mabel Craven was born Mabel Craven on 5 November 1897 in Headingley, Leeds, Yorkshire,[4] the second of six children to Marshall Craven, a brewery clerk and bookkeeper, and his wife Lucy, née Lawson. While Joan was still a child, the family moved to Seacombe, Wallasey, on the Wirral Peninsula, where her father worked as a dairyman.
Career edit
Craven moved to London and trained under society photographer Dorothy Wilding,[5] and by late 1925, had "pictured thousands of society and stage beauties."[6] In 1926, she opened her own studio on New Bond Street.[5] Her early subjects included dancers, actresses and musicians, including Yvonne Arnaud, Harriet Cohen,[1] Alexandra Danilova,[7] Lydia Sokolova,[8] Tamara Karsavina and Anton Dolin.[9] She entered photographic competitions, winning the open portraiture and figure category at the International Photographic Competition held in Bath in 1927.[10] Her work was shown in both group[11][12] and solo exhibitions.[13][14] Her portraits and artistic studies appeared frequently during the 1920s and 1930s in society journals such as The Sketch, Tatler, The Graphic, The Sphere and the Bystander, with The Sketch describing her as "the brilliant young society photographer whose artistic camera-studies are so well known to "Sketch" readers."[13] She was one of the few women photographers involved in advertising in the 1920s and 1930s, and her work was "acclaimed for its dramatic lighting and unusual compositional strategies."[2] Her clients included Cadbury chocolate,[15] Condor hats,[16] De Reszke cigarettes, Pond's cold cream, and Pears soap.[17] "Her advertising pictures ... [were] familiar to all, and her unerring choice of the right model [was] unmistakable".[17]
In the 1950s and 1960s, frustrated with the restrictions of advertising,[4] she concentrated on figure photography, specialising in female nudes. She was described as "[p]robably the most famous female exponent of figure photography today",[4] who "paints her subjects in gleaming highlights and crisp shadows",[18] and she has been named as one of the three "finest of the photographers of the female form".[3] During this period, she shared studios with Walter Bird at Kinocrat House on the Cromwell Road, London,[19] and the notorious model Pamela Green posed for her. Her nude photographs gave her financial independence,[4] appearing in publications including Men Only, Lilliput, Figure Quarterly and Modern Man. She also published articles to assist hopeful models, sitters and photographers.[20][21][22][18]
Her portraits are held in the collections of the National Portrait Gallery, London,[1] the Bibliothèque nationale de France[8] and the Library of Congress.[7]
Personal life edit
Joan Craven married twice, firstly in 1933 to John Shorland, and secondly in 1963 to Lieutenant Commander Geoffrey Lewis. She was a member of the Three Arts Club, London.[6] She had homes at Heath Lodge, Redbourn, Hertfordshire[4] and Jesmond Dene, Tamerton Foliot, near Plymouth, where she died on 2 July 1979.[23]
References edit
- ^ a b c "Joan Craven (1897–1979), Photographer Artist of 17 portraits". National Portrait Gallery. Retrieved 4 November 2018.
- ^ a b Rosenblum, Naomi (2010). A History of Women Photographers. Abbeville Press Publishers. p. 140.
- ^ a b Wills, Camfield; Wills, Deirdre (1980). History of Photography: Techniques and Equipment. Exeter Books. p. 98.
- ^ a b c d e "British Nudes". Figure Quarterly. 18. 1957.
- ^ a b Pepper, Terence (1991). Dorothy Wilding: the pursuit of perfection. London: National Portrait Gallery Publications. p. 14. ISBN 9781855140523.
- ^ a b "Mayfair's Youngest Photographer". The Sphere: 380 (centre). 19 December 1925. Retrieved 5 November 2018.
- ^ a b "Photograph of Alexandra Danilova in The Triumph of Neptune, n.d., Joan Craven". Library of Congress. Retrieved 4 November 2018.
- ^ a b Craven, Joan (1926). "Les Biches (Lydia Sokolova)". Bibliothèque nationale de France: Gallica. Retrieved 6 November 2018.
- ^ "Madame Tamara Karsavina and Anton Dolin". Tatler: 243. 11 May 1927. Retrieved 6 November 2018.
- ^ "Winners in International Photographic Competition". Western Daily Press: 9 (2nd column, middle). 2 June 1927. Retrieved 5 November 2018.
- ^ "The Camera in Classic Mood". The Sketch: 28–29. 7 October 1925. Retrieved 4 November 2018.
- ^ "Art in Britain and Italy". Hull Daily Mail: 8. 12 December 1931. Retrieved 5 November 2018.
- ^ a b "Holding an exhibition of her work this week: Miss Joan Craven, the brilliant young photographer". The Sketch: 258 (lower right). 2 November 1927. Retrieved 5 November 2018.
- ^ "Miss Joan Craven is holding an exhibition of modern photography as applied to advertising". The Bystander: 524 (top left). 15 June 1932. Retrieved 5 November 2018.
- ^ Gluck, Felix (1932). Modern Publicity. Studio Publications. Retrieved 6 November 2018.
- ^ "Condor hats photographed by Joan Craven". British Newspaper Archive. Retrieved 6 November 2018.
- ^ a b Bunt, Janet (8 May 1936). "Joan Craven Discusses Photography in an interview with Janet Bunt". The British Journal of Photography: 293.
- ^ a b "Photography Annual". Art Photography Magazine. 7. 1958. Retrieved 6 November 2018.
- ^ "Joan Craven". pamela-green.com.
- ^ Craven, Joan (1 February 1948). "Is there a career in your features?". Britannia and Eve: 38-39. Retrieved 5 November 2018.
- ^ Craven, Joan (1 October 1948). "Here's Looking at You". Britannia and Eve: 43. Retrieved 5 November 2018.
- ^ Craven, Joan (1 June 1949). "On Making "Snap" Decisions". Britannia and Eve: 36–37. Retrieved 5 November 2018.
- ^ "Joan Craven". Glamour Photographers. Retrieved 5 November 2018.
External links edit
- Images of Craven's work on the National Portrait Gallery, London, website