Jessie Lipscomb, later Jessie Elborne, (13 June 1861 – 12 January 1952) was an English sculptor of the human figure. She worked in Paris in a shared studio workshop in the late 1800s with French sculptor Camille Claudel and two fellow alumni from the Royal College of Art: Amy Singer and Emily Fawcett.
Jessie Lipscomb was born in Grantham, Lincolnshire, England in 1861, the only child of Sidney Lipscomb, a colliery agent and Harriet Arnold, a barmaid.[1] In 1875, the family moved to Peterborough. She attended the Royal College of Art which was at that time called the National Art Training School in South Kensington.[2] She won two prizes from the school: the Queen's Prize in 1882 and a national silver medal in 1883.[2]
Lipscomb visited Paris with a view to continuing her education. Her instructors, Alphonse Legros and Édouard Lantéri, encouraged Lipscomb to further her studies in Paris where the schooling was more equitable for female students.[1] Two previous graduates of the National Art Training School - Amy Singer and Emily Fawcett - were already living in Paris, and sharing a studio with the young French sculptor Camille Claudel.[3] In January 1884, Claudel's mother Louise wrote to Lipscomb and confirmed the arrangement that she was welcome to lodge with the Claudel family for 200 francs a month.
In 1885, Lipscomb and Claudel were the first women to join Auguste Rodin's all-male atelier to sculpt portions of a major commissioned work: The Burghers of Calais.[1] Lipscomb was a gifted modeler, excelling in sculpting drapery.[1]
Lipscomb and Claudel spent the summer of 1886, from May through September, in Peterborough with Jessie's family.[1] At this time Jessie was exhibiting a terra-cotta bust Day Dreams (1886) in the Royal Academy, and in Nottingham.[2] Letters from Rodin, addressed to Lipscomb, indicate that Rodin was pursuing Claudel during this time, despite the fact that he had a common law wife.[1] After the summer in England, both women returned to Paris and continued to work with Rodin for a time before their paths diverged.[1]
The friendship between Lipscomb and Claudel deteriorated and the latter claimed never to want to see Lipscomb again. However, Lipscomb visited Claudel in 1929,[4] where Claudel was confined in the Montdevergues Asylum.[5] The photograph taken during this visit by Lipscomb's husband[6] is considered to be one of the last known images of Claudel.[7]
Sculptureedit
Jessie Lipscomb (right) and Camille Claudel modeling sculptures in Paris, 1887
From 1885 - 1887 Lipscomb exhibited her artwork annually in exhibitions at both the Royal Academy of Arts and Nottingham Castle Museum.[8] She exhibited a terra-cotta piece entitled Sans Souci, a plaster portrait of Camille Claudel, and a bust of the Italian model Giganti in 1887.
Personal lifeedit
Lipscomb married William Elborne[8] on 26 December 1887 and they settled in Manchester. The couple had four children together and died within eight days of each other in 1952.[2]
In popular cultureedit
Maggie Ritchie's 2015 novel Paris Kiss focuses on the relationship between Jessie Lipscomb and Camille Claudel, and offers a highly fictionalized version of Claudel and Rodin's affair.
Referencesedit
^ abcdefgAyral-Clause, Odile (2019). Camille Claudel: A Life. Plunkett Lake Press. ISBN978-0810990760.
^ abcdSara Gray (2019). British Women Artists. A Biographical Dictionary of 1000 Women Artists in the British Decorative Arts. Dark River. ISBN978-1-911121-63-3.
^Wilson, Susannah (2017). "Gender, Genius, and the Artist's Double Bind: The Letters of Camille Claudel, 1880–1910" (PDF). The Modern Language Review. 112 (2): 362–380. doi:10.5699/modelangrevi.112.2.0362. JSTOR 10.5699/modelangrevi.112.2.0362.
^"Camille Claudel Biography, Life & Quotes". The Art Story. Retrieved 22 April 2020.
^Garman, Emma (12 April 2017). "Genius, Interrupted". Lapham’s Quarterly. Retrieved 22 April 2020.
^Vollmer, U. (2007). Seeing Film and Reading Feminist Theology: A Dialogue. Springer. ISBN9780230606852.
^Kennedy, Maev (25 March 2017). "Museum rescues sculptor Camille Claudel from decades of obscurity". The Guardian. ISSN 0261-3077. Retrieved 23 April 2020.
^ ab"'Miss Jessie Lipscomb', Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951". University of Glasgow History of Art and HATII, online database. 2011. Retrieved 18 April 2020.
jessie, lipscomb, confused, with, jesse, lipscombe, later, jessie, elborne, june, 1861, january, 1952, english, sculptor, human, figure, worked, paris, shared, studio, workshop, late, 1800s, with, french, sculptor, camille, claudel, fellow, alumni, from, royal. Not to be confused with Jesse Lipscombe Jessie Lipscomb later Jessie Elborne 13 June 1861 12 January 1952 was an English sculptor of the human figure She worked in Paris in a shared studio workshop in the late 1800s with French sculptor Camille Claudel and two fellow alumni from the Royal College of Art Amy Singer and Emily Fawcett Jessie LipscombLipscomb in 1887Born 1861 06 13 13 June 1861Grantham Lincolnshire EnglandDied12 January 1952 1952 01 12 aged 90 NationalityBritishAlma materRoyal College of ArtOccupationsculptorYears active1882 1887Known forfigurative sculptureAwardsQueen s Prize 1882National Silver Medal 1883 Contents 1 Early life and education 2 Sculpture 3 Personal life 4 In popular culture 5 References 6 External linksEarly life and education editJessie Lipscomb was born in Grantham Lincolnshire England in 1861 the only child of Sidney Lipscomb a colliery agent and Harriet Arnold a barmaid 1 In 1875 the family moved to Peterborough She attended the Royal College of Art which was at that time called the National Art Training School in South Kensington 2 She won two prizes from the school the Queen s Prize in 1882 and a national silver medal in 1883 2 Lipscomb visited Paris with a view to continuing her education Her instructors Alphonse Legros and Edouard Lanteri encouraged Lipscomb to further her studies in Paris where the schooling was more equitable for female students 1 Two previous graduates of the National Art Training School Amy Singer and Emily Fawcett were already living in Paris and sharing a studio with the young French sculptor Camille Claudel 3 In January 1884 Claudel s mother Louise wrote to Lipscomb and confirmed the arrangement that she was welcome to lodge with the Claudel family for 200 francs a month In 1885 Lipscomb and Claudel were the first women to join Auguste Rodin s all male atelier to sculpt portions of a major commissioned work The Burghers of Calais 1 Lipscomb was a gifted modeler excelling in sculpting drapery 1 Lipscomb and Claudel spent the summer of 1886 from May through September in Peterborough with Jessie s family 1 At this time Jessie was exhibiting a terra cotta bust Day Dreams 1886 in the Royal Academy and in Nottingham 2 Letters from Rodin addressed to Lipscomb indicate that Rodin was pursuing Claudel during this time despite the fact that he had a common law wife 1 After the summer in England both women returned to Paris and continued to work with Rodin for a time before their paths diverged 1 The friendship between Lipscomb and Claudel deteriorated and the latter claimed never to want to see Lipscomb again However Lipscomb visited Claudel in 1929 4 where Claudel was confined in the Montdevergues Asylum 5 The photograph taken during this visit by Lipscomb s husband 6 is considered to be one of the last known images of Claudel 7 Sculpture edit nbsp Jessie Lipscomb right and Camille Claudel modeling sculptures in Paris 1887 From 1885 1887 Lipscomb exhibited her artwork annually in exhibitions at both the Royal Academy of Arts and Nottingham Castle Museum 8 She exhibited a terra cotta piece entitled Sans Souci a plaster portrait of Camille Claudel and a bust of the Italian model Giganti in 1887 Personal life editLipscomb married William Elborne 8 on 26 December 1887 and they settled in Manchester The couple had four children together and died within eight days of each other in 1952 2 In popular culture editMaggie Ritchie s 2015 novel Paris Kiss focuses on the relationship between Jessie Lipscomb and Camille Claudel and offers a highly fictionalized version of Claudel and Rodin s affair References edit a b c d e f g Ayral Clause Odile 2019 Camille Claudel A Life Plunkett Lake Press ISBN 978 0810990760 a b c d Sara Gray 2019 British Women Artists A Biographical Dictionary of 1000 Women Artists in the British Decorative Arts Dark River ISBN 978 1 911121 63 3 Wilson Susannah 2017 Gender Genius and the Artist s Double Bind The Letters of Camille Claudel 1880 1910 PDF The Modern Language Review 112 2 362 380 doi 10 5699 modelangrevi 112 2 0362 JSTOR 10 5699 modelangrevi 112 2 0362 Camille Claudel Biography Life amp Quotes The Art Story Retrieved 22 April 2020 Garman Emma 12 April 2017 Genius Interrupted Lapham s Quarterly Retrieved 22 April 2020 Vollmer U 2007 Seeing Film and Reading Feminist Theology A Dialogue Springer ISBN 9780230606852 Kennedy Maev 25 March 2017 Museum rescues sculptor Camille Claudel from decades of obscurity The Guardian ISSN 0261 3077 Retrieved 23 April 2020 a b Miss Jessie Lipscomb Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851 1951 University of Glasgow History of Art and HATII online database 2011 Retrieved 18 April 2020 External links editSome of her sculptures A photograph taken by her of Auguste Rodin and his The Gates of Hell Retrieved from https en wikipedia org w index php title Jessie Lipscomb amp oldid 1204762102, wikipedia, wiki, book, books, library,
