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Jean Fisher

Jean Fisher (17 October 1942 – 12 December 2016) was a UK-based art critic and writer. Her research explored the intertwined legacies of colonialism and the emergent conflicts of globalization in Ireland, Native America, the Black Atlantic and more recently Palestine.[1] She studied zoology and fine art. In the 1980s in New York City she contributed regularly to Artforum International. At that time she curated exhibitions of contemporary Native American art with the artist Jimmie Durham. In New York she taught in the School of Visual Arts, State University of New York at Old Westbury and the Whitney Independent Study Program.

Jean M Fisher
Jean Fisher
Born(1942-10-17)October 17, 1942
Aldeburgh, Suffolk
DiedDecember 12, 2016(2016-12-12) (aged 74)
London, U.K.
NationalityBritish
Alma materBSc (Hons) Zoology, University of Durham, PhD Faculty of Medicine, University of Newcastle upon Tyne, BA (Hons) Fine Art, University of Newcastle upon Tyne, Professor Emeritus at Middlesex University
Occupationwriter
Years active1966-2016
Websitehttp://www.jeanfisher.com

From 1992 to 1999 Fisher was editor of the international quarterly Third Text. Her publications include the anthologies Global Visions: Towards a New Internationalism in the Visual Arts (1994), Reverberations: Tactics of Resistance, Forms of Agency (2000), Vampire in the Text, a collection of her writings published by InIVA in 2003, with a preface by Cuauhtémoc Medina [2] and, with Gerardo Mosquera, Over Here: International Perspectives on Art and Culture (2004).[3][4]

She wrote on the work of numerous artists including Francis Alÿs, Black Audio Film Collective, Sonia Boyce, James Coleman, Lili Dujourie, Willie Doherty, Jimmie Durham, Edgar Heap of Birds, Susan Hiller, Tina Keane, and Gabriel Orozco, and contributed essays to the catalogues to the Venice Biennale (1997), Johannesburg Biennale (1997), Inside the Visible (1998), Carnegie International (1999), Documenta 11 (2002), the Sharjah Biennial (2005), 18th Biennale of Sydney: All Our Relations (2012).

Fisher taught on the Curating MA programme at the Royal College of Art, London, and was Professor of Fine Art and Transcultural Studies at Middlesex University.[5][6]

References edit

  1. ^ Fisher, Jean. "Tate Papers: The Other Story and the Past Imperfect". Tate. Retrieved 8 February 2014.
  2. ^ . InIVA. Archived from the original on 22 February 2014. Retrieved 8 February 2014.
  3. ^ Fisher, Jean. . Royal College of Art. Archived from the original on 21 February 2014. Retrieved 8 February 2014.
  4. ^ Mosquera, Gerardo; Fisher, Jean (2007). Over Here. ISBN 978-0262633468.
  5. ^ . Middlesex University London. Archived from the original on 2014-02-22. Retrieved 2014-02-08.
  6. ^ . Middlesex University. Archived from the original on 22 February 2014. Retrieved 8 February 2014.

jean, fisher, october, 1942, december, 2016, based, critic, writer, research, explored, intertwined, legacies, colonialism, emergent, conflicts, globalization, ireland, native, america, black, atlantic, more, recently, palestine, studied, zoology, fine, 1980s,. Jean Fisher 17 October 1942 12 December 2016 was a UK based art critic and writer Her research explored the intertwined legacies of colonialism and the emergent conflicts of globalization in Ireland Native America the Black Atlantic and more recently Palestine 1 She studied zoology and fine art In the 1980s in New York City she contributed regularly to Artforum International At that time she curated exhibitions of contemporary Native American art with the artist Jimmie Durham In New York she taught in the School of Visual Arts State University of New York at Old Westbury and the Whitney Independent Study Program Jean M FisherJean FisherBorn 1942 10 17 October 17 1942Aldeburgh SuffolkDiedDecember 12 2016 2016 12 12 aged 74 London U K NationalityBritishAlma materBSc Hons Zoology University of Durham PhD Faculty of Medicine University of Newcastle upon Tyne BA Hons Fine Art University of Newcastle upon Tyne Professor Emeritus at Middlesex UniversityOccupationwriterYears active1966 2016Websitehttp www jeanfisher comFrom 1992 to 1999 Fisher was editor of the international quarterly Third Text Her publications include the anthologies Global Visions Towards a New Internationalism in the Visual Arts 1994 Reverberations Tactics of Resistance Forms of Agency 2000 Vampire in the Text a collection of her writings published by InIVA in 2003 with a preface by Cuauhtemoc Medina 2 and with Gerardo Mosquera Over Here International Perspectives on Art and Culture 2004 3 4 She wrote on the work of numerous artists including Francis Alys Black Audio Film Collective Sonia Boyce James Coleman Lili Dujourie Willie Doherty Jimmie Durham Edgar Heap of Birds Susan Hiller Tina Keane and Gabriel Orozco and contributed essays to the catalogues to the Venice Biennale 1997 Johannesburg Biennale 1997 Inside the Visible 1998 Carnegie International 1999 Documenta 11 2002 the Sharjah Biennial 2005 18th Biennale of Sydney All Our Relations 2012 Fisher taught on the Curating MA programme at the Royal College of Art London and was Professor of Fine Art and Transcultural Studies at Middlesex University 5 6 References edit Fisher Jean Tate Papers The Other Story and the Past Imperfect Tate Retrieved 8 February 2014 Vampire in the Text InIVA Archived from the original on 22 February 2014 Retrieved 8 February 2014 Fisher Jean Over Here Royal College of Art Archived from the original on 21 February 2014 Retrieved 8 February 2014 Mosquera Gerardo Fisher Jean 2007 Over Here ISBN 978 0262633468 Professor Jean Fisher Middlesex University London Archived from the original on 2014 02 22 Retrieved 2014 02 08 Jean Fisher Middlesex University Archived from the original on 22 February 2014 Retrieved 8 February 2014 Retrieved from https en wikipedia org w index php title Jean Fisher amp oldid 1166021492, wikipedia, wiki, book, books, library,

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