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Chashitsu

December 07, 2023

Chashitsu (茶室, "tea room") in Japanese tradition is an architectural space designed to be used for tea ceremony (chanoyu) gatherings.[1]

Jo-an is a chashitsu (tea house) and inscribed as a National Treasure
Chashitsu in its garden setting, Itsuku-shima, circa 1900

The architectural style that developed for chashitsu is referred to as the sukiya style (sukiya-zukuri), and the term sukiya (数奇屋) may be used as a synonym for chashitsu.[2] Related Japanese terms are chaseki (茶席), broadly meaning "place for tea", and implying any sort of space where people are seated to participate in tea ceremony,[3] and chabana, "tea flowers", the style of flower arrangement associated with the tea ceremony.

Typical features of chashitsu are shōji windows and sliding doors made of wooden lattice covered in a translucent Japanese paper; tatami mat floors; a tokonoma alcove; and simple, subdued colours and style. The most typical floor size of a chashitsu is 4.5 tatami mats (7.4 m2; 80 sq ft).[4]

Definition edit

 
Interior view of a tea room
 
Tai-an (待庵), the only extant chashitsu designed by Sen no Rikyū, representing his concept of wabi-cha. Located in Myōki-an in Ōyamazaki, Kyoto (National Treasure)

In Japanese, free-standing structures specifically designed for exclusive tea ceremony use, as well as individual rooms intended for tea ceremony, are both referred to as chashitsu. The term may be used to indicate the tea room itself where the guests are received, or that room and its attached facilities, even extending to the roji garden path leading to it.[5] In English, a distinction is often made between free-standing structures for tea, referred to as tea houses, and rooms used for tea ceremony incorporated within other structures.

Tea houses are usually small, simple wooden buildings. They are located in the gardens or grounds of private homes. Other common sites are the grounds of temples, museums, and parks. The smallest tea house will have two rooms: the main room where the host and guests gather and tea is served, and a mizuya, where the host prepares the sweets and equipment. The entire structure may have a total floor area of only three tatami mats.

Very large tea houses may have several tea rooms of different sizes; a large, well-equipped mizuya resembling a modern kitchen; a large waiting room for guests; a welcoming area where guests are greeted and can remove and store their shoes; separate toilets for men and women; a changing room; a storage room; and possibly several anterooms as well as a garden with a roji path, an outdoor waiting area for guests and one or more privies.

Tea rooms are purpose-built spaces for holding tea gatherings. They may be located within larger tea houses, or within private homes or other structures not intended for tea ceremony. A tea room may have a floor area as small as 1.75 tatami mats (one full tatami mat for the guests plus a tatami mat called a daime (台目), about 3/4 the length of a full tatami mat, for the portable brazier (furo) or sunken hearth (ro) to be situated and the host to sit and prepare the tea); or as large as 10 tatami mats or more; 4.5 mats is generally considered the ideal in modern tea rooms. A tea room will usually contain a tokonoma and a sunken hearth for preparing tea in the winter.

History edit

The term chashitsu came into use after the start of the Edo period (c. 1600). In earlier times, various terms were used for spaces used for tea ceremony, such as chanoyu zashiki (茶湯座敷, "sitting room for chanoyu"), sukiya (place for poetically inclined aesthetic pursuits [fūryū, 風流]) such as chanoyu), and kakoi (囲, "partitioned-off space").[4] An account stated that it was the shogun Ashikaga Yoshimasa who built the first chashitsu at his Higashiyama villa in Kyoto.[6] It was described as a small room of four-and-a-half tatami and was separated from the main residence.[6]

According to Japanese historian Moriya Takeshi in his article "The Mountain Dwelling Within the City", the ideal of wabi-style tea ceremony (wabi-cha) had its roots in the urban society of the Muromachi period (1336 to 1573), and took form in the tea houses that townspeople built at their residences and which affected the appearance of thatched huts in mountain villages.[7] Before this, tea ceremony was generally enjoyed in rooms built in the shoin-zukuri architectural style, a style frequently employed in tea rooms built today.[8]

Tea houses first appeared in the Sengoku period (mid-15th century to early 17th century), a time in which the central government had almost no practical power, the country was in chaos, and wars and uprisings were commonplace. Seeking to reclaim Japan, samurai were busy acquiring and defending territories, promoting trade and overseeing the output of farms, mills and mines as de facto rulers, and many of the poor were eager to seek the salvation of the afterlife as taught by Buddhism. Tea houses were built mostly by Zen monks or by daimyōs, samurai, and merchants who practiced tea ceremony. They sought simplicity and tranquility – central tenets of Zen philosophy. The acknowledgment of simplicity and plainness, which is a central motivation of the tea house, continued to remain as a distinct Japanese tradition in the later periods.

 
The Golden Tea Room (MOA Museum of Art)

The Golden Tea Room (黄金の茶室, Ōgon no chashitsu) was a portable gilded chashitsu constructed during the 16th century Azuchi–Momoyama period for the Japanese regent Lord Toyotomi Hideyoshi's tea ceremonies. The original room is lost, but a number of reconstructions have been made. The Golden Tea Room was constructed to impress guests with the might and power of the regent. This was in contrast to the rustic aesthetics codified under his tea master Sen no Rikyū, although it is speculated that Rikyū might have helped in the design.[9][10] The room's opulence was highly unusual and may have also been against wabi-sabi norms.[11] At the same time, the simplicity of the overall design with its clean lines could be seen as within the canon. The extent of teamaster Rikyū's involvement in the design of the room is not known, however he was in attendance on a number of occasions when tea was being served to guests in the room.[11]

Architecture edit

 
Nijiriguchi entrance of a tea house

The ideal free-standing tea house is surrounded by a small garden having a path leading to the tea room. This garden is called roji (露地, "dewy ground") and is divided into two parts by a gate called chumon.[6] Along the path is a waiting bench for guests and a privy. Aside from its own garden, the chashitsu is arranged – along with other pavilions such as the zashiki, oku no zashiki, and hanare zashiki – around a larger primary garden.[12]

There is a stone water-basin near the tea house, where the guests rinse their hands and mouths before entering the tea room through a low, square door called nijiriguchi,[6] or "crawling-in entrance", which requires bending low to pass through and symbolically separates the small, simple, quiet inside from the crowded, overwhelming outside world. The nijiriguchi leads directly into the tea room.

The tea room has a low ceiling and no furniture: the guests and host sit seiza-style on the floor. All materials used are intentionally simple and rustic. Besides the guests' entrance, there may be several more entrances; at minimum there is an entrance for the host known as the sadōguchi, which allows access to the mizuya. Windows are generally small and covered with shōji, which allows natural light to filter in. The windows are not intended to provide a view to the outside, which would detract from the participants' concentration. There is a sunken hearth (炉 ro) located in the tatami adjacent to the host's tatami, for use in the cold months; this hearth is covered with a plain tatami and is not visible in the warm months, when a portable brazier (風炉 furo) is used instead.

There will be a tokonoma (scroll alcove) holding a scroll of calligraphy or brush painting, and perhaps a small, simple, flower arrangement called a chabana (茶花), but no other decoration.

 
Layout of an ideal 4.5 tearoom with tokonoma and mizuya dōko
 
View of a similar interior, with some utensils

Chashitsu are broadly classified according to whether they have a floor area larger or smaller than 4.5 tatami, a differentiation which affects the style of ceremony that can be conducted, the specific type of equipment and decoration that can be used, the placement of various architectural features and the hearth, and the number of guests that can be accommodated. Chashitsu which are larger than 4.5 mats are called hiroma ("big room"), while those that are smaller are called koma ("small room"). Hiroma often are shoin style rooms, and for the most part are not limited to use for chanoyu.

Other factors that affect the tea room are architectural constraints such as the location of windows, entrances, the sunken hearth and the tokonoma, particularly when the tea room is not located within a purpose-built structure. The other factors that influence the construction of the chashitsu as a space in the iemoto are the iconography of the past and the memory of particular individuals.[13]

Not all tea rooms can be made to conform to the ideal seen in the image.

Typical names edit

It is usual for chashitsu to be given a name after their owners or benefactors. Names usually include the character for "hut", "hall", or "arbour", and reflect the spirit of rustic simplicity of the tea ceremony and the teachings of Zen Buddhism. Characteristic names include:

  • Mugai-an (無外庵, Introvert Hut)
  • Mokurai-an (黙雷庵, Silent Thunder Hut)
  • Tōkyū-dō (東求堂, East-Seeking Hall) (note: the 東求堂 at Ginkaku-ji is pronounced Tōgu-dō, and is a private Buddhist hall, not a chashitsu)
  • Shō-an (松庵, Pine Hut)
  • Ichimoku-an (一木庵, One Tree Hut)
  • Rokusō-an (六窓庵, Six Window Hut)
  • Bōji-tei (忘路亭, Forgotten Path Arbour)

Notable chashitsu edit

See also edit

References edit

  1. ^ A Chanoyu Vocabulary: Practical Terms for the Way of Tea, entry for "chashitsu". Tankosha Publishing Co., 2007.
  2. ^ A Chanoyu Vocabulary, entry for "sukiya".
  3. ^ Kōjien Japanese dictionary, entry for "chaseki".
  4. ^ a b Kōjien Japanese dictionary, entry for 'chashitsu'.
  5. ^ A Chanoyu Vocabulary, entry for "chashitsu".
  6. ^ a b c d Frédéric, Louis (2002). Japan Encyclopedia. Translated by Roth, Kathe. Cambridge, MA: Harvard University Press. ISBN 0674007700.
  7. ^ Moriya Takeshi, "The Mountain Dwelling Within the City", in Chanoyu Quarterly no. 56 (1988). The article is an English translation of chapter II, part 2, of NHK Books no. 459, published by Japan Broadcast Publishing Co., Ltd., in June 1984.
  8. ^ Washington & Lee University web page
  9. ^ "History". www.osakacastle.net. Osaka Castle Museum. 2013. Retrieved 2017-07-19.
  10. ^ "【Culture】The golden tea room was portable to practice gorgeous tea ceremonies anywhere". onlynativejapan.com. Only Native Japan. 2015-07-29. Retrieved 2017-07-19.[permanent dead link]
  11. ^ a b Ludwig, Theodore M. Tea in Japan: Essays on the History of Chanoyu. p. 86.
  12. ^ Fieve, Nicolas; Waley, Paul (2003). Japanese Capitals in Historical Perspective: Place, Power and Memory in Kyoto, Edo and Tokyo. Oxon: RoutledgeCurzon. p. 89. ISBN 9780700714094.
  13. ^ Cox, Rupert (2003). The Zen Arts: An Anthropological Study of the Culture of Aesthetic Form in Japan. New York: RoutledgeCurzon. p. 160. ISBN 0700714758.
  14. ^ Chado the Way of Tea: A Japanese Tea Master's Almanac, p. 163, at Google Books
  15. ^ The Japanese Tea Ceremony: Cha-no-Yu and the Zen Art of Mindfulness, p. 236, at Google Books
  16. ^ "木造都市の夜明け : 天下三名席『猿面茶席』－名古屋城における古材再利用". 5 June 2008.
  17. ^ "Tea Houses". 26 March 2017.
  18. ^ http://image.oml.city.osaka.lg.jp/archive/detail.do;jsessionid=457EA62DB1BAEE0A3C3890DD35521FFE?&oml=0080349782&pNo=2&id=3218#
  19. ^ "79．一心寺（いっしんじ）".
  20. ^ "Rokusoan Teahouse (Rokusoan) - the Magic of Japanese Masterpieces | NHK WORLD-JAPAN on Demand".
  21. ^ "六窓庵とは".
  22. ^ "松琴亭とは".
  23. ^ "竹の茶室 帰庵 - KIAN-Mobile Bamboo Teahouse- 京都・紫野 山中工務店".

Further reading edit

  • Introduction to Oriental Civilizations: Sources of the Japanese Tradition. Columbia University Press: New York 1958
  • Varley, Paul. Japanese Culture. 4th ed. University of Hawaii Press. 2000
  • Murphey, Rhoads. East Asian: A New History. 2nd ed. Addison-Wesley Educational Publishers 2001

External links edit

 
Wikimedia Commons has media related to Chashitsu.
  • Japanese Tea House Locations by State
  • Japanese Tea House Locations by Map
  • Comprehensive coverage with photos and diagrams

December 07, 2023
chashitsu, this, article, uses, bare, urls, which, uninformative, vulnerable, link, please, consider, converting, them, full, citations, ensure, article, remains, verifiable, maintains, consistent, citation, style, several, templates, tools, available, assist,. This article uses bare URLs which are uninformative and vulnerable to link rot Please consider converting them to full citations to ensure the article remains verifiable and maintains a consistent citation style Several templates and tools are available to assist in formatting such as reFill documentation and Citation bot documentation August 2022 Learn how and when to remove this template message Chashitsu 茶室 tea room in Japanese tradition is an architectural space designed to be used for tea ceremony chanoyu gatherings 1 Jo an is a chashitsu tea house and inscribed as a National TreasureChashitsu in its garden setting Itsuku shima circa 1900The architectural style that developed for chashitsu is referred to as the sukiya style sukiya zukuri and the term sukiya 数奇屋 may be used as a synonym for chashitsu 2 Related Japanese terms are chaseki 茶席 broadly meaning place for tea and implying any sort of space where people are seated to participate in tea ceremony 3 and chabana tea flowers the style of flower arrangement associated with the tea ceremony Typical features of chashitsu are shōji windows and sliding doors made of wooden lattice covered in a translucent Japanese paper tatami mat floors a tokonoma alcove and simple subdued colours and style The most typical floor size of a chashitsu is 4 5 tatami mats 7 4 m2 80 sq ft 4 Contents 1 Definition 2 History 3 Architecture 4 Typical names 5 Notable chashitsu 6 See also 7 References 8 Further reading 9 External linksDefinition edit nbsp Interior view of a tea room nbsp Tai an 待庵 the only extant chashitsu designed by Sen no Rikyu representing his concept of wabi cha Located in Myōki an in Ōyamazaki Kyoto National Treasure In Japanese free standing structures specifically designed for exclusive tea ceremony use as well as individual rooms intended for tea ceremony are both referred to as chashitsu The term may be used to indicate the tea room itself where the guests are received or that room and its attached facilities even extending to the roji garden path leading to it 5 In English a distinction is often made between free standing structures for tea referred to as tea houses and rooms used for tea ceremony incorporated within other structures Tea houses are usually small simple wooden buildings They are located in the gardens or grounds of private homes Other common sites are the grounds of temples museums and parks The smallest tea house will have two rooms the main room where the host and guests gather and tea is served and a mizuya where the host prepares the sweets and equipment The entire structure may have a total floor area of only three tatami mats Very large tea houses may have several tea rooms of different sizes a large well equipped mizuya resembling a modern kitchen a large waiting room for guests a welcoming area where guests are greeted and can remove and store their shoes separate toilets for men and women a changing room a storage room and possibly several anterooms as well as a garden with a roji path an outdoor waiting area for guests and one or more privies Tea rooms are purpose built spaces for holding tea gatherings They may be located within larger tea houses or within private homes or other structures not intended for tea ceremony A tea room may have a floor area as small as 1 75 tatami mats one full tatami mat for the guests plus a tatami mat called a daime 台目 about 3 4 the length of a full tatami mat for the portable brazier furo or sunken hearth ro to be situated and the host to sit and prepare the tea or as large as 10 tatami mats or more 4 5 mats is generally considered the ideal in modern tea rooms A tea room will usually contain a tokonoma and a sunken hearth for preparing tea in the winter History editThe term chashitsu came into use after the start of the Edo period c 1600 In earlier times various terms were used for spaces used for tea ceremony such as chanoyu zashiki 茶湯座敷 sitting room for chanoyu sukiya place for poetically inclined aesthetic pursuits furyu 風流 such as chanoyu and kakoi 囲 partitioned off space 4 An account stated that it was the shogun Ashikaga Yoshimasa who built the first chashitsu at his Higashiyama villa in Kyoto 6 It was described as a small room of four and a half tatami and was separated from the main residence 6 According to Japanese historian Moriya Takeshi in his article The Mountain Dwelling Within the City the ideal of wabi style tea ceremony wabi cha had its roots in the urban society of the Muromachi period 1336 to 1573 and took form in the tea houses that townspeople built at their residences and which affected the appearance of thatched huts in mountain villages 7 Before this tea ceremony was generally enjoyed in rooms built in the shoin zukuri architectural style a style frequently employed in tea rooms built today 8 Tea houses first appeared in the Sengoku period mid 15th century to early 17th century a time in which the central government had almost no practical power the country was in chaos and wars and uprisings were commonplace Seeking to reclaim Japan samurai were busy acquiring and defending territories promoting trade and overseeing the output of farms mills and mines as de facto rulers and many of the poor were eager to seek the salvation of the afterlife as taught by Buddhism Tea houses were built mostly by Zen monks or by daimyōs samurai and merchants who practiced tea ceremony They sought simplicity and tranquility central tenets of Zen philosophy The acknowledgment of simplicity and plainness which is a central motivation of the tea house continued to remain as a distinct Japanese tradition in the later periods nbsp The Golden Tea Room MOA Museum of Art The Golden Tea Room 黄金の茶室 Ōgon no chashitsu was a portable gilded chashitsu constructed during the 16th century Azuchi Momoyama period for the Japanese regent Lord Toyotomi Hideyoshi s tea ceremonies The original room is lost but a number of reconstructions have been made The Golden Tea Room was constructed to impress guests with the might and power of the regent This was in contrast to the rustic aesthetics codified under his tea master Sen no Rikyu although it is speculated that Rikyu might have helped in the design 9 10 The room s opulence was highly unusual and may have also been against wabi sabi norms 11 At the same time the simplicity of the overall design with its clean lines could be seen as within the canon The extent of teamaster Rikyu s involvement in the design of the room is not known however he was in attendance on a number of occasions when tea was being served to guests in the room 11 Architecture edit nbsp Nijiriguchi entrance of a tea houseThe ideal free standing tea house is surrounded by a small garden having a path leading to the tea room This garden is called roji 露地 dewy ground and is divided into two parts by a gate called chumon 6 Along the path is a waiting bench for guests and a privy Aside from its own garden the chashitsu is arranged along with other pavilions such as the zashiki oku no zashiki and hanare zashiki around a larger primary garden 12 There is a stone water basin near the tea house where the guests rinse their hands and mouths before entering the tea room through a low square door called nijiriguchi 6 or crawling in entrance which requires bending low to pass through and symbolically separates the small simple quiet inside from the crowded overwhelming outside world The nijiriguchi leads directly into the tea room The tea room has a low ceiling and no furniture the guests and host sit seiza style on the floor All materials used are intentionally simple and rustic Besides the guests entrance there may be several more entrances at minimum there is an entrance for the host known as the sadōguchi which allows access to the mizuya Windows are generally small and covered with shōji which allows natural light to filter in The windows are not intended to provide a view to the outside which would detract from the participants concentration There is a sunken hearth 炉 ro located in the tatami adjacent to the host s tatami for use in the cold months this hearth is covered with a plain tatami and is not visible in the warm months when a portable brazier 風炉 furo is used instead There will be a tokonoma scroll alcove holding a scroll of calligraphy or brush painting and perhaps a small simple flower arrangement called a chabana 茶花 but no other decoration nbsp Layout of an ideal 4 5 tearoom with tokonoma and mizuya dōko nbsp View of a similar interior with some utensilsChashitsu are broadly classified according to whether they have a floor area larger or smaller than 4 5 tatami a differentiation which affects the style of ceremony that can be conducted the specific type of equipment and decoration that can be used the placement of various architectural features and the hearth and the number of guests that can be accommodated Chashitsu which are larger than 4 5 mats are called hiroma big room while those that are smaller are called koma small room Hiroma often are shoin style rooms and for the most part are not limited to use for chanoyu Other factors that affect the tea room are architectural constraints such as the location of windows entrances the sunken hearth and the tokonoma particularly when the tea room is not located within a purpose built structure The other factors that influence the construction of the chashitsu as a space in the iemoto are the iconography of the past and the memory of particular individuals 13 Not all tea rooms can be made to conform to the ideal seen in the image Typical names editIt is usual for chashitsu to be given a name after their owners or benefactors Names usually include the character for hut hall or arbour and reflect the spirit of rustic simplicity of the tea ceremony and the teachings of Zen Buddhism Characteristic names include Mugai an 無外庵 Introvert Hut Mokurai an 黙雷庵 Silent Thunder Hut Tōkyu dō 東求堂 East Seeking Hall note the 東求堂 at Ginkaku ji is pronounced Tōgu dō and is a private Buddhist hall not a chashitsu Shō an 松庵 Pine Hut Ichimoku an 一木庵 One Tree Hut Rokusō an 六窓庵 Six Window Hut Bōji tei 忘路亭 Forgotten Path Arbour Notable chashitsu editTai an 待庵 built in 1582 is the only extant chashitsu designed by Sen no Rikyu representing his concept of wabi cha Located at Myōki an temple in Yamazaki Kyoto Designated a National Treasure Jo an 如庵 was built in Kyoto in 1618 by Urakusai the younger brother of Oda Nobunaga and was moved to Inuyama in Aichi in 1972 It was designated a National Treasure in 1951 Konnichi an 今日庵 Today Hut built by Sen Sōtan at what later became known as the Urasenke Konnichian estate The floor space is composed of but one full tatami a 3 4 size daime tatami and a wooden board at the head of the daime tatami There is no recessed tokonoma Fushin an 不審庵 Doubting Hut by Sen no Rikyu It was moved by his son Sen Shōan to the Omotesenke estate Zangetsu tei 残月亭 Morning Moon Arbour belongs to the Omotesenke school in Kyoto San meiseki 三名席 Three Famous Tearooms 14 Sarumen Chaseki 猿面 Monkey face tea place 15 at Nagoya Castle former National Treasure until its destruction in 1945 rebuilt in 1949 16 17 Yatsu mado no seki 八窓の席 Eight Windows 18 or Hasō an 八窓庵 at Isshin ji in Osaka designed by Lord Kobori Enshu 1579 1647 19 Rokusō an 六窓庵 Six Window Hut from Kōfuku ji in Nara now in the gardens of the Tokyo National Museum 20 21 Shōkin tei 松琴亭 at Katsura Imperial Villa in Kyoto 22 Golden Tea Room constructed under the regent Toyotomi Hideyoshi 1537 1598 Glass Tea House KOU AN 光庵 Light Hut designed by Tokujin Yoshioka b 1967 Ki an bamboo tea house 23 nbsp Rokusō an formerly from Kōfuku ji in Nara nbsp Interior of Shōkin tei at Katsura Imperial Villa nbsp Yugao tei in Kanazawa Ishikawa nbsp Iho an at Kōdai ji Kyoto nbsp Sekka tei at Rokuon ji nbsp Kōrin an at Jikō in Nara nbsp Shōkō ken nbsp Isome shi nbsp Kaisuian stacked shikishi windows nbsp Shigure tei is a unique two storied chashitsu at Kōdai ji in Kyoto nbsp Glass Tea House KOU ANSee also editOchaya a geisha entertainment tea house List of teahouses Tea culture TeahouseReferences edit A Chanoyu Vocabulary Practical Terms for the Way of Tea entry for chashitsu Tankosha Publishing Co 2007 A Chanoyu Vocabulary entry for sukiya Kōjien Japanese dictionary entry for chaseki a b Kōjien Japanese dictionary entry for chashitsu A Chanoyu Vocabulary entry for chashitsu a b c d Frederic Louis 2002 Japan Encyclopedia Translated by Roth Kathe Cambridge MA Harvard University Press ISBN 0674007700 Moriya Takeshi The Mountain Dwelling Within the City in Chanoyu Quarterly no 56 1988 The article is an English translation of chapter II part 2 of NHK Books no 459 published by Japan Broadcast Publishing Co Ltd in June 1984 Washington amp Lee University web page History www osakacastle net Osaka Castle Museum 2013 Retrieved 2017 07 19 Culture The golden tea room was portable to practice gorgeous tea ceremonies anywhere onlynativejapan com Only Native Japan 2015 07 29 Retrieved 2017 07 19 permanent dead link a b Ludwig Theodore M Tea in Japan Essays on the History of Chanoyu p 86 Fieve Nicolas Waley Paul 2003 Japanese Capitals in Historical Perspective Place Power and Memory in Kyoto Edo and Tokyo Oxon RoutledgeCurzon p 89 ISBN 9780700714094 Cox Rupert 2003 The Zen Arts An Anthropological Study of the Culture of Aesthetic Form in Japan New York RoutledgeCurzon p 160 ISBN 0700714758 Chado the Way of Tea A Japanese Tea Master s Almanac p 163 at Google Books The Japanese Tea Ceremony Cha no Yu and the Zen Art of Mindfulness p 236 at Google Books 木造都市の夜明け 天下三名席 猿面茶席 名古屋城における古材再利用 5 June 2008 Tea Houses 26 March 2017 http image oml city osaka lg jp archive detail do jsessionid 457EA62DB1BAEE0A3C3890DD35521FFE amp oml 0080349782 amp pNo 2 amp id 3218 79 一心寺 いっしんじ Rokusoan Teahouse Rokusoan the Magic of Japanese Masterpieces NHK WORLD JAPAN on Demand 六窓庵とは 松琴亭とは 竹の茶室 帰庵 KIAN Mobile Bamboo Teahouse 京都 紫野 山中工務店 Further reading editIntroduction to Oriental Civilizations Sources of the Japanese Tradition Columbia University Press New York 1958 Varley Paul Japanese Culture 4th ed University of Hawaii Press 2000 Murphey Rhoads East Asian A New History 2nd ed Addison Wesley Educational Publishers 2001External links edit nbsp Wikimedia Commons has media related to Chashitsu Japanese Tea House Locations by State Japanese Tea House Locations by Map Comprehensive coverage with photos and diagrams Japanese web page containing nice photos of Rikyu s Tai an tea room General explanation of tea room and sukiya architecture in Japanese culture The Herbert Offen Research Collection of the Phillips Library at the Peabody Essex Museum an important research collection in regards to chashitsu Retrieved from https en wikipedia org w index php title Chashitsu amp oldid 1187444875, wikipedia, wiki, book, books, library,

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