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Ilê Aiyê

Ilê Aiyê is a carnival block from Salvador, Bahia, Brazil. It is located in the Curuzu/Liberdade neighborhood, the largest afro-descendent population area of Salvador. The name stems from the Yoruba language: Ilé - home; Ayé - life; which can be loosely translated as 'earth'. It was founded in 1974 by Antônio Carlos “Vovô” and Apolônio de Jesus, making it the oldest Afro-Brazilian block.

Ilê Aiyê
Ilê Aiyê in Belo Horizonte (2013)
Nickname(s)O mais belo dos belos (English: The most beautiful of the beautiful)
FoundationNovember 11, 1974; 48 years ago (1974-11-11)
Colors   
LocationCuruzu [pt]
Liberdade
PresidentAntonio Carlos "Vovô" dos Santos
PatronMãe Hilda Jitolu
2019 presentation
TitleQue bloco é esse? Eu quero saber: 45 anos de Ilê Aiyê
(Which block is this? I want to know: 45 years of Ilê Aiyê)
MotifIlê Aiyê's legacy in music and Afro-Brazilian moviment[1]
Website
ileaiyeoficial.com

Ilê Aiyê works to raise the consciousness of the Bahian black community. Persecuted by the police and the media during its first years, and still controversial for only allowing blacks to parade with the group, Ilê Aiyê is a renowned element of Bahia’s carnival. The group pioneered the type of carnival group known as the bloco afro, featuring themes from global black cultures and history, and celebrating the aesthetic beauty of black people. All other Afro-Brazilian blocos borrow elements originally created by Ilê Aiyê, including such groups founded shortly afterwards, such as Olodum and Malê Debalê.[2][3]

During Bahian carnival, the group includes hundreds of musicians, dozens of dancers, and thousands of members. They traditionally begin their procession on the Saturday night of Carnaval at the home of the Dos Santos family, where for many years Mãe Hilda de Jitolu, the mother of co-founder Vovô, presided as spiritual mother to the group and formal leader of a candomblé. As Ilê Aiyê passes, carnival crowds sing along by the thousands to songs about the importance of African and Afro-Brazilian culture and religion.

Ilê Aiyê was responsible for a huge cultural revolution in Brazil. It is often mentioned that in Salvador, before the founding of Ilê Aiyê, black men and women would never wear colorful dresses, would often not enter through the front door, would not wear afro hairstyles, and black women would not use lipstick – all because of long-standing racist stigmatization. This situation has been thoroughly changed for many Afro-Brazilians thanks to the empowerment processes that Ilê Aiyê implemented through music and through the praise of African culture and history.

Ilê Aiyê (2011)

Discography edit

  • 1984 - Canto Negro
  • 1989 - Canto Negro II
  • 1996 - Canto Negro III
  • 1998 - Canto Negro IV
  • 1999 - 25 Anos
  • 2014 - Ilê Aiyê Bonito de se ver

References edit

  1. ^ Osmundo de Araújo Pinho (2018-10-08). "Tema 2019 - Que bloco é esse? Eu quero saber" [2019 theme - Which block is this? I want to know] (in Portuguese). Ilê Aiye website. Retrieved 2019-04-05.
  2. ^ Riserio, A, A. (1981). Carnaval Ijexá: notas sobre afoxés e blocos do novo carnaval afrobaiano [Carnaval Ijexá: notes about afoxés and blocks of the new afro-bahian carnival] (in Portuguese). Salvador: Corrupio.
  3. ^ Perrone, Charles A.; Dunn, Christopher (2002). Brazilian Popular Music and Globalization. Psychology Press. p. 288. ISBN 9780415936958.

External links edit

  • Ilê Aiyê web site


ilê, aiyê, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, removed, find, sources, news, newspapers, books, scholar, jstor, october, 2016, l. This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Ile Aiye news newspapers books scholar JSTOR October 2016 Learn how and when to remove this template message Ile Aiye is a carnival block from Salvador Bahia Brazil It is located in the Curuzu Liberdade neighborhood the largest afro descendent population area of Salvador The name stems from the Yoruba language Ile home Aye life which can be loosely translated as earth It was founded in 1974 by Antonio Carlos Vovo and Apolonio de Jesus making it the oldest Afro Brazilian block Ile AiyeIle Aiye in Belo Horizonte 2013 Nickname s O mais belo dos belos English The most beautiful of the beautiful FoundationNovember 11 1974 48 years ago 1974 11 11 Colors LocationCuruzu pt LiberdadePresidentAntonio Carlos Vovo dos SantosPatronMae Hilda Jitolu2019 presentationTitleQue bloco e esse Eu quero saber 45 anos de Ile Aiye Which block is this I want to know 45 years of Ile Aiye MotifIle Aiye s legacy in music and Afro Brazilian moviment 1 Websiteileaiyeoficial comIle Aiye works to raise the consciousness of the Bahian black community Persecuted by the police and the media during its first years and still controversial for only allowing blacks to parade with the group Ile Aiye is a renowned element of Bahia s carnival The group pioneered the type of carnival group known as the bloco afro featuring themes from global black cultures and history and celebrating the aesthetic beauty of black people All other Afro Brazilian blocos borrow elements originally created by Ile Aiye including such groups founded shortly afterwards such as Olodum and Male Debale 2 3 During Bahian carnival the group includes hundreds of musicians dozens of dancers and thousands of members They traditionally begin their procession on the Saturday night of Carnaval at the home of the Dos Santos family where for many years Mae Hilda de Jitolu the mother of co founder Vovo presided as spiritual mother to the group and formal leader of a candomble As Ile Aiye passes carnival crowds sing along by the thousands to songs about the importance of African and Afro Brazilian culture and religion Ile Aiye was responsible for a huge cultural revolution in Brazil It is often mentioned that in Salvador before the founding of Ile Aiye black men and women would never wear colorful dresses would often not enter through the front door would not wear afro hairstyles and black women would not use lipstick all because of long standing racist stigmatization This situation has been thoroughly changed for many Afro Brazilians thanks to the empowerment processes that Ile Aiye implemented through music and through the praise of African culture and history Ile Aiye 2011 Discography edit1984 Canto Negro 1989 Canto Negro II 1996 Canto Negro III 1998 Canto Negro IV 1999 25 Anos 2014 Ile Aiye Bonito de se verReferences edit Osmundo de Araujo Pinho 2018 10 08 Tema 2019 Que bloco e esse Eu quero saber 2019 theme Which block is this I want to know in Portuguese Ile Aiye website Retrieved 2019 04 05 Riserio A A 1981 Carnaval Ijexa notas sobre afoxes e blocos do novo carnaval afrobaiano Carnaval Ijexa notes about afoxes and blocks of the new afro bahian carnival in Portuguese Salvador Corrupio Perrone Charles A Dunn Christopher 2002 Brazilian Popular Music and Globalization Psychology Press p 288 ISBN 9780415936958 External links editIle Aiye web site nbsp This article on a Brazilian band or other musical ensemble is a stub You can help Wikipedia by expanding it vte Retrieved from https en wikipedia org w index php title Ile Aiye amp oldid 1060182921, wikipedia, wiki, book, books, library,

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