Il prigionier superbo
Il prigionier superbo (English: The Proud Prisoner) is an opera seria in three acts, composed by Giovanni Battista Pergolesi to a libretto attributed to Gennaro Antonio Federico, and based on an earlier libretto by Francesco Silvani for Gasparini's opera, La fede tradita e vendicata. It was premiered at the Teatro San Bartolomeo in Naples on 5 September 1733 and received further performances in October. The opera, with its labyrinthine plot involving the rivalry of Metalce (King of the Goths) and Viridate (Prince of Denmark) for the hand of Rosmene (a Norwegian princess whose father is Metalce's prisoner), soon sank into oblivion, but its comic intermezzo, La serva padrona (also by Pergolesi) was to achieve considerable success when performed on its own.
| Il prigionier superbo | |
|---|---|
| Opera seria by G. B. Pergolesi | |
Title page of the libretto | |
| Translation | The Proud Prisoner |
| Librettist | Gennaro Antonio Federico |
| Language | Italian |
| Based on | La fede tradita e vendicata by Francesco Silvani |
| Premiere | 5 September 1733 Teatro San Bartolomeo, Naples |
Performance history edit
Il prigionier superbo was Pergolesi's second opera seria. The libretto has been attributed to Gennaro Antonio Federico and was based on the one written by Francesco Silvani for Francesco Gasparini's 1704 opera, La fede tradita e vendicata (Faith Betrayed and Vindicated). It was commissioned to celebrate Empress Elisabeth Christine's birthday and premiered at the Teatro San Bartolomeo in Naples on 5 September 1733.[1]
The performance also marked the re-opening of Naples' theatres following the violent earthquake which had struck the area on 29 November 1732. The opera continued to be performed in October of that year along with its comic intermezzo, La serva padrona. Il prigionier proved unsuccessful in its day and has only been rarely revived. However, La serva padrona performed on its own eventually went on to enjoy fame throughout Europe for many years after its premiere.[2]
The first production of Il prigionier in modern times took place at the Teatro Pergolesi in Jesi on 27 September 1997 with a score revised by Marcello Panni.[3] The next major revival came on 11 September 2009, again at the Teatro Pergolesi, this time using a new critical edition of the score prepared by Claudio Toscani for the Fondazione Pergolesi-Spontini. The production was directed by Henning Brockhaus with Corrado Rovaris conducting the Accademia Barocca de I Virtuosi Italiani performing on period instruments.[4]
Roles edit
| Role | Voice type[5] | Premiere cast:[6] 5 September 1733 |
|---|---|---|
| Sostrate, King of Norway, Rosmene's father | tenor | Giovanni Battista Pinacci |
| Rosmene, Sostrate's daughter | contralto | Anna Bagnolesi |
| Metalce, King of the Goths | contralto (en travesti) | Lucia Grimani |
| Ericlea, Daughter of Clearco, the former King of Norway | soprano | Rosa Mancini |
| Viridate, Royal Prince of Denmark | soprano castrato | Antonio Castoro[7] |
| Micisda, Prince of Bohemia and Ericlea's lover | soprano (en travesti) | Anna Maria Mazzoni |
Synopsis edit
Sostrate, having disposed of the slain king Clearco and made himself king of Norway, has himself been overthrown by Metalce, who plans to marry Clearco's daughter Ericlea and who promises Rosmene, daughter of the 'proud prisoner' Sostrate, to his ally Viridate, already in love with her. Ericlea wavers between her lover Micisda and her desire to preserve the kingdom, but when she overhears Metalce courting Rosmene she enlists Micisda in plotting revenge. Sostrate, offered his freedom, nevertheless urges Rosmene to spurn Metalce.
Metalce tells Viridate that Rosmene will never forgive his role in overthrowing her father, and advises him to return to Denmark. The advice becomes a command when the angry Viridate learns from Ericlea that Metalce is his rival. Metalce again asks Sostrate to persuade Rosmene, offering to return his kingdom, but Sostrate treads on the proffered crown. When Viridate draws his sword to defend him from Metalce, both are condemned to death, but the distraught Rosmene, offered the choice of saving either of the two, writes Viridate's name on the death certificate.
Informed of the wedding preparations by Ericlea and shown the death certificate by Micisda, the two prisoners denounce Rosmene's treachery. Meanwhile, Ericlea convinces Metalce that Rosmene and Sostrate will now accept his offer if he tells her Viridate has accepted a deal to renounce her in exchange for exile. Hearing of an uprising, the unsuspecting Metalce puts its instigator, Micisda, in charge of suppressing it, and Sostrate and Viridate's forces tip the battle Ericlea and Micisda were on the verge of losing. Sostrate is crowned king, and Ericlea accepts a penitent Metalce and convinces Viridate that Rosmene acted only under duress.
Recordings edit
- Audio: 1997 – Angelo Manzotti (Viridate), Ezio di Cesare (Sostrate), Lucia Rizzi (Rosmene); Orchestra Filarmonica Marchigiana, Marcello Panni (conductor). Live recording from the Teatro Pergolesi in Jesi, September 1997. Label: Bongionvanni.
- Video: 2010 (with La serva padrona) – Marina Comparato (Viridate), Antonio Lozano (Sostrate), Marian Rodriguez Cusi (Rosmene), Marina Di Liso (Metalce), Ruth Rosique (Ericlea), Giancinta Nicotra (Micisda); Accademia Barocca de I Virtuosi Italiani, Corrado Rovaris (conductor), Henning Brockaus (stage director). Live recording from the Teatro Pergolesi in Jesi, December 2010. Label: Arthaus Musik
References edit
Notes
- ^ Premiere date as given in Hucke & Monson 2001 and in Sità 2007. Note that Casaglia 2005 gives the premiere date (erroneously) as 28 August 1733, the actual date of the Empress's birthday
- ^ Grout & Williams 2003, p. 232.
- ^ Muraro & Biggi 1998, pp. 105–106.
- ^ Fondazione Pergolesi-Spontini n.d.
- ^ Sità 2007.
- ^ Silvani & Federico 1733.
- ^ Stage name of Castore Antonio Castori, who was also known as Castorini (Carlo Broschi Farinelli, La solitudine amica. Lettere al conte Sicinio Pepoli (edited by Carlo Vitali), Palermo, Sellerio, 2000, p. 258, ISBN 88-389-1503-2).
Sources
- Casaglia, Gherardo (2005). "Il prigionier superbo, 28 August 1733". L'Almanacco di Gherardo Casaglia (in Italian).
- Fondazione Pergolesi-Spontini (n.d.). "Il prigionier superbo di Pergolesi in un nuovo allestimento con la regia di Henning Brockhaus" (in Italian). Retrieved 30 November 2022.
- Grout, Donald Jay; Williams, Hermine Weigel (2003). A Short History of Opera. Columbia University Press. pp. 229–232. ISBN 0-231-11958-5.
- Hucke, Helmut; Monson, Dale E. (2001). "Pergolesi, Giovanni Battista". In Sadie, Stanley; Tyrrell, John (eds.). The New Grove Dictionary of Music and Musicians (2nd ed.). London: Macmillan Publishers. ISBN 978-1-56159-239-5.
- Muraro, Maria Teresa; Biggi, Maria Ida, eds. (1998). Opera '98. Annuario dell'opera lirica in Italia (in Italian). EDT srl. ISBN 88-7063-375-6.
- Rice, John A. "Pergolesi's Ricimero Reconsidered," Studi Pergolesiani 1 (Florence, 1986), 80–88
- Silvani, Francesco; Federico, Gennaro Antonio (1733). Il prigionier superbo (Dramma per musica da rappresentarsi nel teatro di San Bartolomeo, festeggiandosi il felicissimo giorno natalizio della sacra cesarea cattolica real maestà di Elisabetta Cristina imperadrice regnante, dedicato all'eccellentissima signora donna Teresa contessa Visconti, nata marchesa Cusani, viceregina di questa città e regno – librettoo) (in Italian). Naples – via Google Books. ("Critical transcription". Varianti all'Opera (in Italian). Retrieved 30 November 2022.)
- Sità, Maria Grazia (2007). . In Gelli, Piero; Poletti, Filippo (eds.). Dizionario dell'Opera 2008 (in Italian). Baldini Castoldi Dalai. ISBN 978-88-6073-184-5. Archived from the original on 2016-03-04.
External links edit
- Il prigionier superbo: Scores at the International Music Score Library Project