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Helen Cordero

Helen Cordero (June 15, 1915 – July 24, 1994) was a Cochiti Pueblo potter from Cochiti, New Mexico. She was renowned for her storyteller pottery figurines, a motif she invented,[2] based upon the traditional "singing mother" motif.[3]

Helen Cordero
Cordero in 1986
Born
Helen Quintano

(1915-06-15)June 15, 1915
DiedJuly 24, 1994(1994-07-24) (aged 79)[1]
OccupationTraditional potter
Known forStoryteller pottery figurines
SpouseGeorge Cordero
Children5
AwardsSanta Fe Living Treasure, 1985; National Heritage Fellow, 1986

Early work edit

She first learned to create leatherwork, then in the 1950s started creating pottery birds and animals that her husband painted.[4] It is said that Helen's aunt suggested clay as a medium over the more expensive leather. She also recommended figures after the early attempts by Helen at bowls and jars were misshapen.[5]

Style and materials edit

Cordero "followed a traditional way of life including digging her own clay and preparing her own pigments".[6] She used three types of clay, all sourced near Cochiti Pueblo, and clay and plant materials for paint.[7] Over time, Helen's finish became more refined, and she made her children separately instead of from the primary piece of clay allowing for her to vary their placement around the storyteller. As Helen's work progressed, she ultimately developed the trademark face for which her dolls are now known.[5] Cordero had a personal connection to her work, "They're my little people. I talk to them and they're singing."[8] This reflects the Pueblo belief that clay is living substance, and that the figurines are like living being.

Storyteller figurines edit

The Cochiti women potters made figurines of women with children known as "Singing Mother" or Madonna, Cordero transformed this form into her Storyteller design in 1964.[8] According to one account, she was commissioned by the Anglo designer and collector Alexander Girard to create the first Storyteller.[9] Yet, in a 1981 article, Cordero said she created the first Storyteller on her own in 1964. "I made some more of my Storytellers with lots of children climbing on him to listen, then I took them up to the Santo Domingo Feast Day" where Alexander Girard bought them.[4]

Alexander Girard was a patron who purchased her early work.[10] Not long after Helen started her figurines, Gerard asked her to increase her yield and the size of her figures. This request ultimately terminated in a 250-piece Nativity set. It is suggested that Gerard also proposed Helen should fashion a larger "Singing Mother" figure. Helen mulled over the idea, and thought of her grandfather, Santiago Quintana, who she remembered as a great storyteller. Helen's grandfather would in part inspire her first Storyteller, a male figure surrounded by five grandchildren.[5] After 1964, her family members joined her in making Storyteller figurines.[11] She described her process:

"work outdoors in warm weather and at her kitchen table in the winter. Her husband and son drove one hundred miles to bring home the cedar wood she used to fire her pieces ... on an open iron grate behind her house."[12]

Her Storyteller design became popular with other pottery-makers, who have created variations, including animal storytellers.[4] By the 1990s, over 200 potters were making Storyteller figures for a booming market.[8] To distinguish her work and to fulfill the expectations of some collectors, Helen began signing her works. After the success of the Storyteller, Helen eventually drew more from her experiences and went on to develop other types including, drummers, singing mothers, Pueblo father, and Hopi maiden.[5]

Personal life edit

Cordero was a lifelong resident of Cochiti Pueblo. She married Fred Cordero, an artist, drum-maker, and governor of Cochiti Pueblo, and they had four children.[7]

Collections edit

Cordero's work is found in the Museum of International Folk Art and the New Mexico Museum of Art in Santa Fe, New Mexico, the Museum of Texas Tech University in Lubbock, Texas, the Smithsonian American Art Museum in Washington, DC, the Heard Museum in Phoenix, the Bandelier National Monument museum in Los Alamos Co., New Mexico and the Brooklyn Museum.

Awards and honors edit

References edit

  1. ^ "Helen Cordero: Death Record from the Social Security Death Index (SSDI)". GenealogyBank. Retrieved February 20, 2014.
  2. ^ Smith, Jack (March 30, 2005). "Old and New; The History Is Here, but the Action Is Elsewhere". The New York Times. Retrieved October 1, 2009.
  3. ^ Michael, Pettit (2012). Artists of New Mexico traditions : the National Heritage fellows. Santa Fe, N.M.: Museum of New Mexico Press. ISBN 978-0-89013-575-4. OCLC 796081945.
  4. ^ a b c Love, Marian (December 1981). "Helen Cordero's Dolls". The Santa Fean.
  5. ^ a b c d Jones, Michael Owen (1997). "How Can We Apply Event Analysis to "Material Behavior," and Why Should We?". Western Folklore. 56, 3/4 (3/4): 204. doi:10.2307/1500274. JSTOR 1500274.
  6. ^ "Helen Cordero – Artist, Fine Art, Auction Records, Prices, Biography for Helen Cordero". Ask Art, the Artist's Bluebook. Retrieved February 20, 2014.
  7. ^ a b Babcock, Barbara (December 1978). "Helen Cordero, The Storyteller Lady". New Mexico Magazine.
  8. ^ a b c Moira., Vincentelli (2004). Women potters : transforming traditions. New Brunswick, N.J.: Rutgers University Press. ISBN 0-8135-3381-3. OCLC 53038510.
  9. ^ Peterson, Susan (1997). Pottery by American Indian Women: The Legacy of Generations. Abbeville Press. p. 92.
  10. ^ "Helen Cordero, Cochiti Pueblo". Adobe Gallery, Santa Fe. Retrieved February 20, 2014.
  11. ^ "Antonita Cordero Suina (b. 1948 - )". Adobe Gallery, Santa Fe. Retrieved February 20, 2014.
  12. ^ a b "Cordero, Helen". Santa Fe Living Treasures – Elder Stories. Retrieved February 20, 2014.
  13. ^ . www.arts.gov. National Endowment for the Arts. Archived from the original on May 19, 2020. Retrieved December 1, 2020.
  14. ^ "Helen Cordero Primary School". Retrieved February 20, 2014.

Further reading edit

  • Babcock, Barbara A.; Monthan, Guy; Monthan, Doris (1986). The Pueblo Storyteller: Development of a Figurative Ceramic Tradition. Tucson, Arizona: University of Arizona Press. ISBN 978-0-8165-0870-9. OCLC 13270584.
  • Howard, Nancy Shroyer (1995). Helen Cordero and the Storytellers of Cochiti Pueblo. Worcester, Massachusetts: Davis Publications. ISBN 978-0-87192-295-3. OCLC 33888105.
  • Monthan, Guy; Monthan, Doris (1975). Art and Indian Individualists: the Art of Seventeen Contemporary Southwestern Artists and Craftsmen (1st ed.). Flagstaff, Arizona: Northland Press. ISBN 0-87358-137-7. LCCN 74-31544. OCLC 1733199.

External links edit

  • Adobe gallery profile
  • Storyteller figurine photos
  • Masters of Traditional Arts biography

helen, cordero, june, 1915, july, 1994, cochiti, pueblo, potter, from, cochiti, mexico, renowned, storyteller, pottery, figurines, motif, invented, based, upon, traditional, singing, mother, motif, cordero, 1986bornhelen, quintano, 1915, june, 1915cochiti, pue. Helen Cordero June 15 1915 July 24 1994 was a Cochiti Pueblo potter from Cochiti New Mexico She was renowned for her storyteller pottery figurines a motif she invented 2 based upon the traditional singing mother motif 3 Helen CorderoCordero in 1986BornHelen Quintano 1915 06 15 June 15 1915Cochiti Pueblo New Mexico U S DiedJuly 24 1994 1994 07 24 aged 79 1 OccupationTraditional potterKnown forStoryteller pottery figurinesSpouseGeorge CorderoChildren5AwardsSanta Fe Living Treasure 1985 National Heritage Fellow 1986 Contents 1 Early work 2 Style and materials 3 Storyteller figurines 4 Personal life 5 Collections 6 Awards and honors 7 References 8 Further reading 9 External linksEarly work editShe first learned to create leatherwork then in the 1950s started creating pottery birds and animals that her husband painted 4 It is said that Helen s aunt suggested clay as a medium over the more expensive leather She also recommended figures after the early attempts by Helen at bowls and jars were misshapen 5 Style and materials editCordero followed a traditional way of life including digging her own clay and preparing her own pigments 6 She used three types of clay all sourced near Cochiti Pueblo and clay and plant materials for paint 7 Over time Helen s finish became more refined and she made her children separately instead of from the primary piece of clay allowing for her to vary their placement around the storyteller As Helen s work progressed she ultimately developed the trademark face for which her dolls are now known 5 Cordero had a personal connection to her work They re my little people I talk to them and they re singing 8 This reflects the Pueblo belief that clay is living substance and that the figurines are like living being Storyteller figurines editThe Cochiti women potters made figurines of women with children known as Singing Mother or Madonna Cordero transformed this form into her Storyteller design in 1964 8 According to one account she was commissioned by the Anglo designer and collector Alexander Girard to create the first Storyteller 9 Yet in a 1981 article Cordero said she created the first Storyteller on her own in 1964 I made some more of my Storytellers with lots of children climbing on him to listen then I took them up to the Santo Domingo Feast Day where Alexander Girard bought them 4 Alexander Girard was a patron who purchased her early work 10 Not long after Helen started her figurines Gerard asked her to increase her yield and the size of her figures This request ultimately terminated in a 250 piece Nativity set It is suggested that Gerard also proposed Helen should fashion a larger Singing Mother figure Helen mulled over the idea and thought of her grandfather Santiago Quintana who she remembered as a great storyteller Helen s grandfather would in part inspire her first Storyteller a male figure surrounded by five grandchildren 5 After 1964 her family members joined her in making Storyteller figurines 11 She described her process work outdoors in warm weather and at her kitchen table in the winter Her husband and son drove one hundred miles to bring home the cedar wood she used to fire her pieces on an open iron grate behind her house 12 Her Storyteller design became popular with other pottery makers who have created variations including animal storytellers 4 By the 1990s over 200 potters were making Storyteller figures for a booming market 8 To distinguish her work and to fulfill the expectations of some collectors Helen began signing her works After the success of the Storyteller Helen eventually drew more from her experiences and went on to develop other types including drummers singing mothers Pueblo father and Hopi maiden 5 Personal life editCordero was a lifelong resident of Cochiti Pueblo She married Fred Cordero an artist drum maker and governor of Cochiti Pueblo and they had four children 7 Collections editCordero s work is found in the Museum of International Folk Art and the New Mexico Museum of Art in Santa Fe New Mexico the Museum of Texas Tech University in Lubbock Texas the Smithsonian American Art Museum in Washington DC the Heard Museum in Phoenix the Bandelier National Monument museum in Los Alamos Co New Mexico and the Brooklyn Museum Awards and honors editCordero was honored as a Santa Fe Living Treasure in 1985 12 She was a recipient of a 1986 National Heritage Fellowship awarded by the National Endowment for the Arts which is the United States government s highest honor in the folk and traditional arts 13 Helen Cordero Primary School in Albuquerque New Mexico is named after her 14 References edit Helen Cordero Death Record from the Social Security Death Index SSDI GenealogyBank Retrieved February 20 2014 Smith Jack March 30 2005 Old and New The History Is Here but the Action Is Elsewhere The New York Times Retrieved October 1 2009 Michael Pettit 2012 Artists of New Mexico traditions the National Heritage fellows Santa Fe N M Museum of New Mexico Press ISBN 978 0 89013 575 4 OCLC 796081945 a b c Love Marian December 1981 Helen Cordero s Dolls The Santa Fean a b c d Jones Michael Owen 1997 How Can We Apply Event Analysis to Material Behavior and Why Should We Western Folklore 56 3 4 3 4 204 doi 10 2307 1500274 JSTOR 1500274 Helen Cordero Artist Fine Art Auction Records Prices Biography for Helen Cordero Ask Art the Artist s Bluebook Retrieved February 20 2014 a b Babcock Barbara December 1978 Helen Cordero The Storyteller Lady New Mexico Magazine a b c Moira Vincentelli 2004 Women potters transforming traditions New Brunswick N J Rutgers University Press ISBN 0 8135 3381 3 OCLC 53038510 Peterson Susan 1997 Pottery by American Indian Women The Legacy of Generations Abbeville Press p 92 Helen Cordero Cochiti Pueblo Adobe Gallery Santa Fe Retrieved February 20 2014 Antonita Cordero Suina b 1948 Adobe Gallery Santa Fe Retrieved February 20 2014 a b Cordero Helen Santa Fe Living Treasures Elder Stories Retrieved February 20 2014 NEA National Heritage Fellowships 1986 www arts gov National Endowment for the Arts Archived from the original on May 19 2020 Retrieved December 1 2020 Helen Cordero Primary School Retrieved February 20 2014 Further reading editBabcock Barbara A Monthan Guy Monthan Doris 1986 The Pueblo Storyteller Development of a Figurative Ceramic Tradition Tucson Arizona University of Arizona Press ISBN 978 0 8165 0870 9 OCLC 13270584 Howard Nancy Shroyer 1995 Helen Cordero and the Storytellers of Cochiti Pueblo Worcester Massachusetts Davis Publications ISBN 978 0 87192 295 3 OCLC 33888105 Monthan Guy Monthan Doris 1975 Art and Indian Individualists the Art of Seventeen Contemporary Southwestern Artists and Craftsmen 1st ed Flagstaff Arizona Northland Press ISBN 0 87358 137 7 LCCN 74 31544 OCLC 1733199 External links editAdobe gallery profile Storyteller figurine photos Cochiti Pueblo Masters of Traditional Arts biography Retrieved from https en wikipedia org w index php title Helen Cordero amp oldid 1220059936, 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