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Harold Tovish

Harold Tovish (July 31, 1921 – January 4, 2008) was an American sculptor who worked in bronze, wood, and synthetic media.[1][2] He was famous for exacting standards, and even refused to complete many of the sculptures he began.[3] Tovish focused on the human form as the primary vehicle for exploring metaphysical existence.[4]

Harold Tovish
Born(1921-07-31)July 31, 1921
DiedJanuary 4, 2008(2008-01-04) (aged 86)
NationalityAmerican
Known forSculpture

Life edit

Tovish was born in New York City to a Russian refugee father. His father died during the Great Depression and his destitute mother placed his older sisters in foster care and sent young Tovish to the Hebrew Orphan Asylum of New York.[3] He took drawing classes that were sponsored by the Works Progress Administration (WPA).[2] Around age 16, Tovish finished his first sculpture, which then set the direction of his career.[3] He received a scholarship and studied at the Columbia University School of the Arts where he studied with Oronzio Maldarelli.[5] At Columbia, he also met Marianna Pineda. He earned his degree in 1943.[4]

Tovish was in Minneapolis-St Paul for a number of years around 1950, probably with the University of MN art department. (He and Marianna were family friends.)

Tovish was sent to Europe by the United States Army during World War II. Upon returning in 1946, he married Pineda.[3] He traveled to Paris with Ossip Zadkine, as well as Florence to study sculpture and drawing. After living in Europe for three years, the couple established residence and a studio in Boston in 1957.[6]

Tovish was artist-in-residence at the American Academy in Rome in 1965.[2] In 1967, he received a Guggenheim Fellowship. Tovish taught at the School of the Museum of Fine Arts, was a fellow at the Center for Advanced Visual Studies at the Massachusetts Institute of Technology.[2] Tovish was College of Fine Arts professor at Boston University from 1971 until his retirement in 1983.[6]

After his wife died in 1996, Tovish completed no works.[3] He died of complications of a stroke one year after moving out of Boston to a retirement home in Albuquerque, New Mexico.[3]

Works edit

The early work of Tovish focused on the horror he witnessed as a soldier during World War II. In the early 1950s, he became concerned with the destructive consequences of science and technology, portraying humankind confronted with the machinery of "progress".[2]

Hilton Kramer described Tovish's 28 sculptures and 20 drawings that were exhibited at the Solomon R. Guggenheim Museum as "tedious, banal, and egregiously secondhand ... the work of a provincial artist – no doublt adept in technique, but woefully deficient in ideas or imagination."[7]

According to his daughter, Nina, Tovish "held himself to an extremely high standard and was ruthless about it" and as a consequence "he didn't leave behind a great body of work. He threw out 99 percent of everything he made."[3] He also requested that family members destroy all of his unfinished works upon his death.[2]

A retrospective display of six bronze sculptures organized by the DeCordova Museum and Sculpture Park of the artist's face and head showed a range of styles, including cubism and surrealism, as well as what was described as "contemporary biomorphic abstraction".[8]

Collections edit

  • The Museum of Modern Art
  • The Art Institute of Chicago
  • Walker Art Center

References edit

  1. ^ Tovish, Harold (1980). Harold Tovish, recent sculpture – Harold Tovish, Boston University. Art Gallery, Terry Dintenfass, inc – Google Books. Retrieved July 27, 2013.
  2. ^ a b c d e f "Search Collections – Harold Tovish". Smithsonian Institution American Art Museum. Retrieved July 19, 2013.
  3. ^ a b c d e f g Marquard, Bryan (March 16, 2008). "Harold Tovish, 86; sculptor was ambitious for excellence". Boston Globe.
  4. ^ a b "Collection Highlight: Harold Tovish". deCordova Sculpture Park and Museum. 2009. Retrieved July 19, 2013.
  5. ^ "Harold Tovish at Smithsonian American Art Museum". Smithsonian Institution American Art Museum. Archived from the original on July 19, 2013. Retrieved July 19, 2013.
  6. ^ a b "Bostonia: Obituaries: Faculty Members Remembered". Boston University. Spring 2008. Retrieved July 27, 2013.
  7. ^ Kramer, Hilton (May 18, 1968). "Sculpture: Talent Above the Fashions". The New York Times. p. 29.
  8. ^ "Review: Pushing a transparent envelope at the DeCordova". New Cambridge Observer. April 29, 2009. Retrieved July 19, 2013.
  • Mazur, Michael (1988). Harold Tovish: A Retrospective Exhibition, 1948–1988. The Addison Gallery of American Art.
  • Mecklenburg, Virginia M. (1987). Modern American Realism: The Sara Roby Foundation Collection. Smithsonian Institution Press for the National Museum of American Art. ISBN 9780874746914.

harold, tovish, july, 1921, january, 2008, american, sculptor, worked, bronze, wood, synthetic, media, famous, exacting, standards, even, refused, complete, many, sculptures, began, tovish, focused, human, form, primary, vehicle, exploring, metaphysical, exist. Harold Tovish July 31 1921 January 4 2008 was an American sculptor who worked in bronze wood and synthetic media 1 2 He was famous for exacting standards and even refused to complete many of the sculptures he began 3 Tovish focused on the human form as the primary vehicle for exploring metaphysical existence 4 Harold TovishBorn 1921 07 31 July 31 1921New York City New YorkDiedJanuary 4 2008 2008 01 04 aged 86 Albuquerque New MexicoNationalityAmericanKnown forSculpture Contents 1 Life 2 Works 2 1 Collections 3 ReferencesLife editTovish was born in New York City to a Russian refugee father His father died during the Great Depression and his destitute mother placed his older sisters in foster care and sent young Tovish to the Hebrew Orphan Asylum of New York 3 He took drawing classes that were sponsored by the Works Progress Administration WPA 2 Around age 16 Tovish finished his first sculpture which then set the direction of his career 3 He received a scholarship and studied at the Columbia University School of the Arts where he studied with Oronzio Maldarelli 5 At Columbia he also met Marianna Pineda He earned his degree in 1943 4 Tovish was in Minneapolis St Paul for a number of years around 1950 probably with the University of MN art department He and Marianna were family friends Tovish was sent to Europe by the United States Army during World War II Upon returning in 1946 he married Pineda 3 He traveled to Paris with Ossip Zadkine as well as Florence to study sculpture and drawing After living in Europe for three years the couple established residence and a studio in Boston in 1957 6 Tovish was artist in residence at the American Academy in Rome in 1965 2 In 1967 he received a Guggenheim Fellowship Tovish taught at the School of the Museum of Fine Arts was a fellow at the Center for Advanced Visual Studies at the Massachusetts Institute of Technology 2 Tovish was College of Fine Arts professor at Boston University from 1971 until his retirement in 1983 6 After his wife died in 1996 Tovish completed no works 3 He died of complications of a stroke one year after moving out of Boston to a retirement home in Albuquerque New Mexico 3 Works editThe early work of Tovish focused on the horror he witnessed as a soldier during World War II In the early 1950s he became concerned with the destructive consequences of science and technology portraying humankind confronted with the machinery of progress 2 Hilton Kramer described Tovish s 28 sculptures and 20 drawings that were exhibited at the Solomon R Guggenheim Museum as tedious banal and egregiously secondhand the work of a provincial artist no doublt adept in technique but woefully deficient in ideas or imagination 7 According to his daughter Nina Tovish held himself to an extremely high standard and was ruthless about it and as a consequence he didn t leave behind a great body of work He threw out 99 percent of everything he made 3 He also requested that family members destroy all of his unfinished works upon his death 2 A retrospective display of six bronze sculptures organized by the DeCordova Museum and Sculpture Park of the artist s face and head showed a range of styles including cubism and surrealism as well as what was described as contemporary biomorphic abstraction 8 Collections edit The Museum of Modern Art The Art Institute of Chicago Walker Art CenterReferences edit Tovish Harold 1980 Harold Tovish recent sculpture Harold Tovish Boston University Art Gallery Terry Dintenfass inc Google Books Retrieved July 27 2013 a b c d e f Search Collections Harold Tovish Smithsonian Institution American Art Museum Retrieved July 19 2013 a b c d e f g Marquard Bryan March 16 2008 Harold Tovish 86 sculptor was ambitious for excellence Boston Globe a b Collection Highlight Harold Tovish deCordova Sculpture Park and Museum 2009 Retrieved July 19 2013 Harold Tovish at Smithsonian American Art Museum Smithsonian Institution American Art Museum Archived from the original on July 19 2013 Retrieved July 19 2013 a b Bostonia Obituaries Faculty Members Remembered Boston University Spring 2008 Retrieved July 27 2013 Kramer Hilton May 18 1968 Sculpture Talent Above the Fashions The New York Times p 29 Review Pushing a transparent envelope at the DeCordova New Cambridge Observer April 29 2009 Retrieved July 19 2013 Mazur Michael 1988 Harold Tovish A Retrospective Exhibition 1948 1988 The Addison Gallery of American Art Mecklenburg Virginia M 1987 Modern American Realism The Sara Roby Foundation Collection Smithsonian Institution Press for the National Museum of American Art ISBN 9780874746914 Retrieved from https en wikipedia org w index php title Harold Tovish amp oldid 1167504008, wikipedia, wiki, book, books, library,

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