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Gabriel Soulacroix

Gabriel-Valentin Soulacroix (11 December 1853, in Fumel – 16 August 1905, in Paris) was a French operatic baritone. He studied at Toulouse, where he won four first prizes, and then in Paris.[1]

Gabriel-Valentin Soulacroix

Career

Making his debut in Mireille on 5 September 1878, Soulacroix appeared regularly at La Monnaie, Brussels, including in some local operatic premieres.[2]

His repertoire in Brussels included Le timbre d'argent by Camille Saint-Saëns (10 February 1879, playing the doctor), L'orage, an opéra-comique by Jean Urich (2 May 1879, Julien), The magic flute in French, (January to April 1880, Papageno), La Bernoise, an opéra comique by Emile Mathieu (1 April 1880, André), Le capitaine Raymond, an opéra comique by Jean-Baptiste Colyns (8 April 1881, Le comte de Guitaut), Jean de Nivelle by Léo Delibes (28 November 1882, Le comte de Charolais), Le panache blanc, an opéra comique by Philippe Flon (15 February 1884), Manon (15 March 1884, Lescaut), Le trésor, an opéra-comique by Charles Edouard Lefebvre (15 December 1884, Le duc Jean), Joli Gilles by Ferdinand Poise (7 February 1885, title role), and The Mastersingers of Nuremberg in French (7 March 1885, Sixtus Beckmesser).[3]

Soulacroix joined the Opéra-Comique company in 1885, his first appearance being as Bellamy in Les dragons de Villars on 25 September 1885. He sang Ford in the 1894 production of Falstaff, as well as Alfio (Cavalleria rusticana), Ourrias (Mireille), Schaunard (La Boheme) and Figaro (The Barber of Seville). He was on-stage singing Laerte in Mignon the night of the fire at the Salle Favart on 25 May 1887,[4] and later received a médaille de sauvetage. In December 1899 he added Oreste to his repertoire, in a production of Iphigénie en Tauride at the Théâtre de la Renaissance.[4]

At the Covent Garden in London, he sang the roles of Pedrillo, Escamillo, Figaro (Rossini), Alfio, Mercutio and Beckmesser. In addition, he was seen in a wide range of parts regularly at Monte Carlo from 1889 to 1904, including the title role in Zampa and Iago in Otello.[1] His career was ended prematurely by his sudden death in middle-age.

Recordings

Early cylinder and disc recordings by Soulacroix include arias from Rip, Richard Cœur-de-Lion, La Favorite, Hérodiade, Si j’étais roi and Carmen, as well as from roles which he created: "A ton amour simple et sincère" and "Quand tu connaîtras Colette" from La Basoche, and the 'Air du prieur' from Le jongleur de Notre-Dame.

Soulacroix recorded a great deal for Pathé, Odéon and the Gramophone Company from 1899 to his death. Some of these recordings have been re-issued on CD. According to Michael Scott in The Record of Singing, they show that "he possessed a smooth, elegant, lyrical voice and an exemplary bel canto technique".

Roles created

  • Ferdinand in Egmont (Salvayre,1886)
  • Plutus (Lecocq, 1886)
  • Gabriel in Pilote (Urich, 1890)
  • Clément Marot in La Basoche (Messager, 1890)
  • Treocrite in Aréthuse (De Montgomery, 1894)
  • Title role in Panurge (Planquette, 1895)
  • Myrrhon in Messeline (de Lara, 1899)
  • Prior in Le jongleur de Notre-Dame (Massenet, 1902)

References

  1. ^ a b Steane J. Gabriel Soulacroix. In: The New Grove Dictionary of Opera. Macmillan, London and New York, 1997.
  2. ^ Martin J. Nos artistes des theatres et concerts. Paul Ollendorff, Paris, 1895.
  3. ^ 'Computerised Archival Retrieval in Multimedia Enhanced Networking' - The digital opera archives of La Monnaie. http://carmen.demunt.be/ accessed 25 August 2009.
  4. ^ a b Wolff S. Un demi-siècle d'Opéra-Comique (1900-1950). André Bonne, Paris, 1953.

gabriel, soulacroix, gabriel, valentin, soulacroix, december, 1853, fumel, august, 1905, paris, french, operatic, baritone, studied, toulouse, where, four, first, prizes, then, paris, gabriel, valentin, soulacroix, contents, career, recordings, roles, created,. Gabriel Valentin Soulacroix 11 December 1853 in Fumel 16 August 1905 in Paris was a French operatic baritone He studied at Toulouse where he won four first prizes and then in Paris 1 Gabriel Valentin Soulacroix Contents 1 Career 2 Recordings 3 Roles created 4 ReferencesCareer EditMaking his debut in Mireille on 5 September 1878 Soulacroix appeared regularly at La Monnaie Brussels including in some local operatic premieres 2 His repertoire in Brussels included Le timbre d argent by Camille Saint Saens 10 February 1879 playing the doctor L orage an opera comique by Jean Urich 2 May 1879 Julien The magic flute in French January to April 1880 Papageno La Bernoise an opera comique by Emile Mathieu 1 April 1880 Andre Le capitaine Raymond an opera comique by Jean Baptiste Colyns 8 April 1881 Le comte de Guitaut Jean de Nivelle by Leo Delibes 28 November 1882 Le comte de Charolais Le panache blanc an opera comique by Philippe Flon 15 February 1884 Manon 15 March 1884 Lescaut Le tresor an opera comique by Charles Edouard Lefebvre 15 December 1884 Le duc Jean Joli Gilles by Ferdinand Poise 7 February 1885 title role and The Mastersingers of Nuremberg in French 7 March 1885 Sixtus Beckmesser 3 Soulacroix joined the Opera Comique company in 1885 his first appearance being as Bellamy in Les dragons de Villars on 25 September 1885 He sang Ford in the 1894 production of Falstaff as well as Alfio Cavalleria rusticana Ourrias Mireille Schaunard La Boheme and Figaro The Barber of Seville He was on stage singing Laerte in Mignon the night of the fire at the Salle Favart on 25 May 1887 4 and later received a medaille de sauvetage In December 1899 he added Oreste to his repertoire in a production of Iphigenie en Tauride at the Theatre de la Renaissance 4 At the Covent Garden in London he sang the roles of Pedrillo Escamillo Figaro Rossini Alfio Mercutio and Beckmesser In addition he was seen in a wide range of parts regularly at Monte Carlo from 1889 to 1904 including the title role in Zampa and Iago in Otello 1 His career was ended prematurely by his sudden death in middle age Recordings EditEarly cylinder and disc recordings by Soulacroix include arias from Rip Richard Cœur de Lion La Favorite Herodiade Si j etais roi and Carmen as well as from roles which he created A ton amour simple et sincere and Quand tu connaitras Colette from La Basoche and the Air du prieur from Le jongleur de Notre Dame Soulacroix recorded a great deal for Pathe Odeon and the Gramophone Company from 1899 to his death Some of these recordings have been re issued on CD According to Michael Scott in The Record of Singing they show that he possessed a smooth elegant lyrical voice and an exemplary bel canto technique Roles created EditFerdinand in Egmont Salvayre 1886 Plutus Lecocq 1886 Gabriel in Pilote Urich 1890 Clement Marot in La Basoche Messager 1890 Treocrite in Arethuse De Montgomery 1894 Title role in Panurge Planquette 1895 Myrrhon in Messeline de Lara 1899 Prior in Le jongleur de Notre Dame Massenet 1902 References Edit a b Steane J Gabriel Soulacroix In The New Grove Dictionary of Opera Macmillan London and New York 1997 Martin J Nos artistes des theatres et concerts Paul Ollendorff Paris 1895 Computerised Archival Retrieval in Multimedia Enhanced Networking The digital opera archives of La Monnaie http carmen demunt be accessed 25 August 2009 a b Wolff S Un demi siecle d Opera Comique 1900 1950 Andre Bonne Paris 1953 Retrieved from https en wikipedia org w index php title Gabriel Soulacroix amp oldid 1150489438, wikipedia, wiki, book, books, library,

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