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Friedrich Goldmann

July 21, 2023

Friedrich Goldmann (27 April 1941 – 24 July 2009) was a German composer and conductor.

Life

Born on 27 April 1941 in Siegmar-Schönau (since July 1951 incorporated into Chemnitz), Goldmann's music education began in 1951 when he joined the Dresdner Kreuzchor. At age 18, he received a scholarship by the city of Darmstadt to study composition with Karlheinz Stockhausen at the Internationale Ferienkurse für Neue Musik in 1959, who further encouraged him over the following years (Müller 2001). He moved on to study composition at the Dresden Conservatory from 1959, taking his exam two years early in 1962. From 1962 until 1964 he attended a master class at the Academy of Arts, Berlin with Rudolph Wagner-Régeny. Around this time, he worked as a freelance music assistant at the Berliner Ensemble where he befriended other composers and writers, including Heiner Müller, Luigi Nono and Luca Lombardi. He also met Paul Dessau, who became a close friend and mentor. From 1964 until 1968 he studied musicology at Humboldt University of Berlin, after which he worked as a freelance composer and conductor (Stöck 2002).

Major commissions include works for the Berlin Philharmonic Orchestra, Semperoper Dresden, the Berlin Staatsoper, three works for Wittener Tage für neue Kammermusik, Ensemble Modern, Arditti Quartet, Komische Oper Berlin, the 20th anniversary celebration of the fall of the Berlin Wall, Expo 2000 in Hannover, several works for Konzerthaus Berlin and the German radio orchestras (Anon. & n.d.(a)).

As a conductor, he worked with several orchestras and ensembles, including the Berliner Philharmoniker (with which he recorded Stockhausen's Gruppen, Deutsche Grammophon DG 447 761-2 / 940 462-2; reissued as 001708102), the Gewandhausorchester Leipzig, the Staatskapelle Berlin (including a production of Schönberg's Moses und Aron, directed by Ruth Berghaus, in 1987), the Gruppe Neue Musik Hanns Eisler, and the Scharoun Ensemble. He also performed all over Europe, Russia, the United States, Japan, and South Korea. He had a close working relationship with Ensemble Modern from the first days of the ensemble's formation. Their collaborations included a tour of Russia, the French and West German premieres of Luigi Nono's Prometeo, as well as performances and recordings of Goldmann's own works (Nachtmann 2013).

From 1988 he was the principal conductor of the Boris Blacher Ensemble in Berlin (Nachtmann 2013) Recordings of his and other composers’ music have been released by Nova, Wergo, Deutsche Grammophon, Academy, Edel Classics, RCA, BMG and other labels (Anon. 2014). Other conductors who have performed his works include Pierre Boulez, Daniel Barenboim, Michael Gielen, Mark Elder, Ernest Bour and Ingo Metzmacher (Nachtmann 2013)

From 1980 until 1991, he taught master classes at Berlin's Akademie der Künste. In 1991 he became a professor of composition at the Hochschule der Künste, Berlin (now Universität der Künste) (Müller 2001). There, he headed the Institute for New Music from 2003 until 2005 (). Among his students were Enno Poppe, Helmut Oehring, Nicolaus Richter de Vroe, Steffen Schleiermacher, Chatschatur Kanajan, H. Johannes Wallmann, Jakob Ullmann, Charlotte Seither, Arnulf Herrmann, Paul Frick and Sergej Newski (Nachtmann 2013).

He was a member of the Academies of Fine Arts of East Berlin (from 1978) and of West Berlin (from 1990, before the unification of both academies), and Dresden (from 1995). He was also a member of the German-French Cultural Council, and Deutscher Musikrat (German Music Council, a member of the International Music Council). From 1990 until 1997 he was president of the German section of the International Society of Contemporary Music (ISCM) (Müller 2001; Nachtmann 2013) Awards include the Hanns-Eisler-Preis, Kulturpreis and Nationalpreis of the GDR (Niklew 1992).

Friedrich Goldmann died in Berlin on 24 July 2009 (Kühn 2009; Nachtmann 2013). He was 68 years old. His grave is located at Berlin's Dorotheenstädtischer Friedhof cemetery (Heinke 2011). Currently the majority of his autograph scores are located at the archive of Berlin's Akademie der Künste (Anon. & n.d.(b)).

Works

Goldmann wrote more than 200 compositions. They include chamber music, solo concertos, orchestral works including four symphonies, stage and film music scores as well as one opera, R.Hot oder Die Hitze (Schneider 2003, 223). A comprehensive list of works can be found on the composer's website (Anon. & n.d.(c)).

His output can be divided roughly into three creative periods. His early works from 1963 up to the beginning of the 1970s include several works for the stage as well as chamber music and three "Essays" for orchestra. In these he initially employed serial and cluster techniques, claiming later that he considered most of them "to be thrown away." Around 1969 Goldmann developed a technique of appropriating established musical forms (such as sonata, symphony, string quartet, etc.) and "breaking them open from within", thereby changing their impact and meaning (Stürzbecher 1979, 58). Important examples of this phase are Bläsersonate (1969) and Symphony No. 1 (1971), both of which are major early examples of the deconstruction of the idea of linear progress in new music since the 1970s (Nachtmann 2013).

From the end of the 1970s a new tendency evolved that would dominate his third creative period, especially from the late 1990s: autonomous, "absolute" composition (Dibelius 1988, 286–88). Instead of working with discrepancies, as in "polystylism" or in his previous works, for instance, Goldmann sought interactions and integrations of techniques and material. This approach aims at overcoming assumed antagonisms between different “layers of material.” Within the resulting consistent shapes formed from transitions between tones, microtones, and noise, assumed parameter boundaries are meant to dissolve perceptually—thus challenging the concept of musical material as a set of stable entities. Important examples are the String Quartet 2 (1997), the Quartet for Oboe, Violin, Viola and Violoncello (2000), and Quasi una sinfonia (2008) (Nachtmann 2013).

References

  • Anon. 2014. "Friedrich Goldmann" recordings database at discogs.com (accessed 15 August 2014)
  • Anon. n.d.(a). "Friedrich Goldmann: worklist" detailed information on all works by Friedrich Goldmann that are published by Edition Peters.
  • Anon. n.d.(b). "Musikarchiv: Friedrich Goldmann: Komponist, Dirigent, 1941–2009" Akademie der Künste website (accessed 15 August 2014).
  • Anon. n.d.(c). "Friedrich Goldmann: Oeuvre/Werkverzeichnis". Composer's website (accessed 15 August 2014).
  • Dibelius, Ulrich. 1988. Moderne Musik II 1965–1985. Munich: Serie Piper.
  • Heinke, Lothar. 2011. "Dorotheenstädtischer Friedhof: Bei Gaus und Hermlin". Der Tagesspiegel (12 December) (accessed 13 August 2014).
  • Kühn, Georg-Friedrich. 2009. "Luzide Strenge: Zum Tod des Komponisten und Dirigenten Friedrich Goldmann". Neue Zürcher Zeitung (27 July).
  • Müller, Gerhard. 2001. "Goldmann, Friedrich". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
  • Nachtmann, Clemens. 2013. "Friedrich Goldmann", in Komponisten der Gegenwart encyclopedia), revision 50, edited by Hanns-Werner Heister and Walter-Wolfgang Sparrer. Munich: Edition Text & Kritik.
  • Niklew, Christiane. 1992. "Goldmann, Friedrich". In Wer war wer in der DDR?, edited by Jochen Černý. Berlin: Links.
  • Schneider, Frank. 2003. "Goldmann, Friedrich". "Komponistenlexikon", second edition, edited by Horst Weber. Kassel: Bärenreiter; Stuttgart: Metzler.
  • Stöck, Katrin. 2002. "Goldmann, Friedrich". "Musik in Geschichte und Gegenwart", second edition, edited by Ludwig Finscher - "Personenteil" volume 7: Fra-Gre. Kassel: Bärenreiter / Stuttgart: Metzler.
  • Stürzbecher, Ursula. 1979 "Interview mit Friedrich Goldmann". Komponisten in der DDR. 17 Gespräche, 58. Hildesheim: Gerstenberg.
  • Williams, Alastair. 1995. "Functionalism, Modernism and Tradition: The Music of Friedrich Goldmann". Tempo no. 193 (July): 27–30.

Further reading

  • Bimberg, Siegfried. 1987. "Investigations on the Change of Attitudes Towards Contemporary Music". Bulletin of the Council for Research in Music Education, no. 91 (Eleventh International Seminar on Research in Music Education, Spring): 6–9.
  • Hennenberg, Fritz. 1980. "Die Mittlere Generation: Versuch über sechs Komponisten der DDR". German Studies Review 3, no. 2 (May): 289-321.
  • Reiner Kontressowitz: Fünf Annäherungen – zu den Solokonzerten von Friedrich Goldmann, Altenburg: Kamprad 2014
  • Reiner Kontressowitz: Annäherungen II – Zur Biographie und zu den Sinfonien von Friedrich Goldmann, Altenburg: Kamprad 2020
  • Reiner Kontressowitz: Der Weg zur "5. Sinfonie", Neumünster: Von Bockel 2021
  • Motte-Haber, Helga de la. 1992. “…fast erstarrte Unruhe—im Gespräch mit Friedrich Goldmann”. Positionen 11:27–29.
  • Noeske, Nina. 2007. Musikalische Dekonstruktion: neue Instrumentalmusik in der DDR. KlangZeiten—Musik, Politik und Gesellschaft 3. Cologne, Weimar: Böhlau Verlag. ISBN 9783412200459.
  • Schneider, Frank. 1988a. "Angemessene Reaktionen: Friedrich Goldmanns Ensemblekonzert 2". MusikTexte, no. 23:10–13.
  • Schneider, Frank. 1988b. "Neubau mit Einsturzgefahr: Analytische Reflexionen zur Sinfonie 3 von Friedrich Goldmann". Melos 50, no. 2:2–32.
  • Schneider, Frank. 1974. "Die Analyse. Sinfonie für Orchester von Friedrich Goldmann". Musik und Gesellschaft 24, no. 3 (March): 143–49.
  • Schneider, Frank. 1978. "Sinfonie 2 von Friedrich Goldmann". Musik und Gesellschaft 28, no. 1 (January): 30–35.
  • Schneider, Frank. 1980. "Fünf Gesichtspunkte zum Konzert für Oboe und Orchester von Friedrich Goldmann". Musik und Gesellschaft 30, no. 6:329–33.
  • Schneider, Frank. 1986. "Das Ensemble ist zentral: Friedrich Goldmann, ein Porträt". Neue Zeitschrift für Musik, 147, no. 6 (June): 22–27.
  • Schneider, Frank. 1989a. "Masse als kompositorisches Phänomen". Dissonanz/Dissonance, no. 20 (May) 14–19.
  • Schneider, Frank. 1989b. "Dialog ohne Kompromiss: Das Klavierkonzert von Friedrich Goldmann". Beiträge zur Musikwissenschaft 31, no. 4:244–53.
  • Schneider, Frank. 1989c. "Postmoderne als Programm und Praxis des Komponierens: Problemfeld Neue DDR-Musik". In Das Projekt Moderne und die Postmoderne, edited by Wilfried Gruhn, 153–80. Hochschuldokumentationen zu Musikwissenschaft und Musikpädagogik Musikhochschule Freiburg 2. Regensburg: Gustav Bosse Verlag [de].
  • Schneider, Frank. 2009. "Friedrich Goldmann in memoriam". Positionen: Texte zur aktuellen Musik, no. 81 (November): 19–20.
  • Schneider, Frank, and Friedrich Goldmann. 1999. "Einfach bleiben wird nichts: Frank Schneider im Gespräch mit Friedrich Goldmann". In Bach: Thema und Variationen—Ein Lese-Buch zum Konzertprojekt—Konzerthaus Berlin, Saison 1999–2000, edited by Habakuk Traber, 27–36. Göttingen: Wallstein Verlag. ISBN 3-89244-393-9.
  • Schneider, Frank. 2021. "Form und Klang. Essays und Analysen zur Musik von Friedrich Goldmann", Neumünster: von Bockel
  • Thiele, Ulrike. 2008. "Leipzig, 6. und 7. Juli 2007: 'Die Rezeption der Wiener Schule in Nordosteuropa'". Die Musikforschung 61, no. 1 (January–March): 51–52.
  • Williams, Alastair. 2013. Music in Germany since 1968. Music since 1900. Cambridge and New York: Cambridge University Press. ISBN 978-0-521-87759-6.

External links

  • Friedrich Goldmann website with list of works, bibliography and further links
  • Friedrich Goldmann at Edition Peters Publishers

July 21, 2023
friedrich, goldmann, this, article, includes, inline, citations, they, properly, formatted, please, improve, this, article, correcting, them, parenthetical, referencing, been, deprecated, convert, shortened, footnotes, june, 2022, learn, when, remove, this, te. This article includes inline citations but they are not properly formatted Please improve this article by correcting them Parenthetical referencing has been deprecated convert to shortened footnotes June 2022 Learn how and when to remove this template message You can help expand this article with text translated from the corresponding article in German July 2009 Click show for important translation instructions View a machine translated version of the German article Machine translation like DeepL or Google Translate is a useful starting point for translations but translators must revise errors as necessary and confirm that the translation is accurate rather than simply copy pasting machine translated text into the English Wikipedia Consider adding a topic to this template there are already 9 059 articles in the main category and specifying topic will aid in categorization Do not translate text that appears unreliable or low quality If possible verify the text with references provided in the foreign language article You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation A model attribution edit summary is Content in this edit is translated from the existing German Wikipedia article at de Friedrich Goldmann see its history for attribution You should also add the template Translated de Friedrich Goldmann to the talk page For more guidance see Wikipedia Translation Friedrich Goldmann 27 April 1941 24 July 2009 was a German composer and conductor Contents 1 Life 2 Works 3 References 4 Further reading 5 External linksLife EditBorn on 27 April 1941 in Siegmar Schonau since July 1951 incorporated into Chemnitz Goldmann s music education began in 1951 when he joined the Dresdner Kreuzchor At age 18 he received a scholarship by the city of Darmstadt to study composition with Karlheinz Stockhausen at the Internationale Ferienkurse fur Neue Musik in 1959 who further encouraged him over the following years Muller 2001 He moved on to study composition at the Dresden Conservatory from 1959 taking his exam two years early in 1962 From 1962 until 1964 he attended a master class at the Academy of Arts Berlin with Rudolph Wagner Regeny Around this time he worked as a freelance music assistant at the Berliner Ensemble where he befriended other composers and writers including Heiner Muller Luigi Nono and Luca Lombardi He also met Paul Dessau who became a close friend and mentor From 1964 until 1968 he studied musicology at Humboldt University of Berlin after which he worked as a freelance composer and conductor Stock 2002 Major commissions include works for the Berlin Philharmonic Orchestra Semperoper Dresden the Berlin Staatsoper three works for Wittener Tage fur neue Kammermusik Ensemble Modern Arditti Quartet Komische Oper Berlin the 20th anniversary celebration of the fall of the Berlin Wall Expo 2000 in Hannover several works for Konzerthaus Berlin and the German radio orchestras Anon amp n d a As a conductor he worked with several orchestras and ensembles including the Berliner Philharmoniker with which he recorded Stockhausen s Gruppen Deutsche Grammophon DG 447 761 2 940 462 2 reissued as 001708102 the Gewandhausorchester Leipzig the Staatskapelle Berlin including a production of Schonberg s Moses und Aron directed by Ruth Berghaus in 1987 the Gruppe Neue Musik Hanns Eisler and the Scharoun Ensemble He also performed all over Europe Russia the United States Japan and South Korea He had a close working relationship with Ensemble Modern from the first days of the ensemble s formation Their collaborations included a tour of Russia the French and West German premieres of Luigi Nono s Prometeo as well as performances and recordings of Goldmann s own works Nachtmann 2013 From 1988 he was the principal conductor of the Boris Blacher Ensemble in Berlin Nachtmann 2013 Recordings of his and other composers music have been released by Nova Wergo Deutsche Grammophon Academy Edel Classics RCA BMG and other labels Anon 2014 Other conductors who have performed his works include Pierre Boulez Daniel Barenboim Michael Gielen Mark Elder Ernest Bour and Ingo Metzmacher Nachtmann 2013 From 1980 until 1991 he taught master classes at Berlin s Akademie der Kunste In 1991 he became a professor of composition at the Hochschule der Kunste Berlin now Universitat der Kunste Muller 2001 There he headed the Institute for New Music from 2003 until 2005 Press release by the Institute of New Music Among his students were Enno Poppe Helmut Oehring Nicolaus Richter de Vroe Steffen Schleiermacher Chatschatur Kanajan H Johannes Wallmann Jakob Ullmann Charlotte Seither Arnulf Herrmann Paul Frick and Sergej Newski Nachtmann 2013 He was a member of the Academies of Fine Arts of East Berlin from 1978 and of West Berlin from 1990 before the unification of both academies and Dresden from 1995 He was also a member of the German French Cultural Council and Deutscher Musikrat German Music Council a member of the International Music Council From 1990 until 1997 he was president of the German section of the International Society of Contemporary Music ISCM Muller 2001 Nachtmann 2013 Awards include the Hanns Eisler Preis Kulturpreis and Nationalpreis of the GDR Niklew 1992 Friedrich Goldmann died in Berlin on 24 July 2009 Kuhn 2009 Nachtmann 2013 He was 68 years old His grave is located at Berlin s Dorotheenstadtischer Friedhof cemetery Heinke 2011 Currently the majority of his autograph scores are located at the archive of Berlin s Akademie der Kunste Anon amp n d b Works EditGoldmann wrote more than 200 compositions They include chamber music solo concertos orchestral works including four symphonies stage and film music scores as well as one opera R Hot oder Die Hitze Schneider 2003 223 A comprehensive list of works can be found on the composer s website Anon amp n d c His output can be divided roughly into three creative periods His early works from 1963 up to the beginning of the 1970s include several works for the stage as well as chamber music and three Essays for orchestra In these he initially employed serial and cluster techniques claiming later that he considered most of them to be thrown away Around 1969 Goldmann developed a technique of appropriating established musical forms such as sonata symphony string quartet etc and breaking them open from within thereby changing their impact and meaning Sturzbecher 1979 58 Important examples of this phase are Blasersonate 1969 and Symphony No 1 1971 both of which are major early examples of the deconstruction of the idea of linear progress in new music since the 1970s Nachtmann 2013 From the end of the 1970s a new tendency evolved that would dominate his third creative period especially from the late 1990s autonomous absolute composition Dibelius 1988 286 88 Instead of working with discrepancies as in polystylism or in his previous works for instance Goldmann sought interactions and integrations of techniques and material This approach aims at overcoming assumed antagonisms between different layers of material Within the resulting consistent shapes formed from transitions between tones microtones and noise assumed parameter boundaries are meant to dissolve perceptually thus challenging the concept of musical material as a set of stable entities Important examples are the String Quartet 2 1997 the Quartet for Oboe Violin Viola and Violoncello 2000 and Quasi una sinfonia 2008 Nachtmann 2013 References EditAnon 2014 Friedrich Goldmann recordings database at discogs com accessed 15 August 2014 Anon n d a Friedrich Goldmann worklist detailed information on all works by Friedrich Goldmann that are published by Edition Peters Anon n d b Musikarchiv Friedrich Goldmann Komponist Dirigent 1941 2009 Akademie der Kunste website accessed 15 August 2014 Anon n d c Friedrich Goldmann Oeuvre Werkverzeichnis Composer s website accessed 15 August 2014 Dibelius Ulrich 1988 Moderne Musik II 1965 1985 Munich Serie Piper Heinke Lothar 2011 Dorotheenstadtischer Friedhof Bei Gaus und Hermlin Der Tagesspiegel 12 December accessed 13 August 2014 Kuhn Georg Friedrich 2009 Luzide Strenge Zum Tod des Komponisten und Dirigenten Friedrich Goldmann Neue Zurcher Zeitung 27 July Muller Gerhard 2001 Goldmann Friedrich The New Grove Dictionary of Music and Musicians second edition edited by Stanley Sadie and John Tyrrell London Macmillan Publishers Nachtmann Clemens 2013 Friedrich Goldmann in Komponisten der Gegenwart encyclopedia revision 50 edited by Hanns Werner Heister and Walter Wolfgang Sparrer Munich Edition Text amp Kritik Niklew Christiane 1992 Goldmann Friedrich In Wer war wer in der DDR edited by Jochen Cerny Berlin Links Schneider Frank 2003 Goldmann Friedrich Komponistenlexikon second edition edited by Horst Weber Kassel Barenreiter Stuttgart Metzler Stock Katrin 2002 Goldmann Friedrich Musik in Geschichte und Gegenwart second edition edited by Ludwig Finscher Personenteil volume 7 Fra Gre Kassel Barenreiter Stuttgart Metzler Sturzbecher Ursula 1979 Interview mit Friedrich Goldmann Komponisten in der DDR 17 Gesprache 58 Hildesheim Gerstenberg Williams Alastair 1995 Functionalism Modernism and Tradition The Music of Friedrich Goldmann Tempo no 193 July 27 30 Further reading EditBimberg Siegfried 1987 Investigations on the Change of Attitudes Towards Contemporary Music Bulletin of the Council for Research in Music Education no 91 Eleventh International Seminar on Research in Music Education Spring 6 9 Hennenberg Fritz 1980 Die Mittlere Generation Versuch uber sechs Komponisten der DDR German Studies Review 3 no 2 May 289 321 Reiner Kontressowitz Funf Annaherungen zu den Solokonzerten von Friedrich Goldmann Altenburg Kamprad 2014 Reiner Kontressowitz Annaherungen II Zur Biographie und zu den Sinfonien von Friedrich Goldmann Altenburg Kamprad 2020 Reiner Kontressowitz Der Weg zur 5 Sinfonie Neumunster Von Bockel 2021 Motte Haber Helga de la 1992 fast erstarrte Unruhe im Gesprach mit Friedrich Goldmann Positionen 11 27 29 Noeske Nina 2007 Musikalische Dekonstruktion neue Instrumentalmusik in der DDR KlangZeiten Musik Politik und Gesellschaft 3 Cologne Weimar Bohlau Verlag ISBN 9783412200459 Schneider Frank 1988a Angemessene Reaktionen Friedrich Goldmanns Ensemblekonzert 2 MusikTexte no 23 10 13 Schneider Frank 1988b Neubau mit Einsturzgefahr Analytische Reflexionen zur Sinfonie 3 von Friedrich Goldmann Melos 50 no 2 2 32 Schneider Frank 1974 Die Analyse Sinfonie fur Orchester von Friedrich Goldmann Musik und Gesellschaft 24 no 3 March 143 49 Schneider Frank 1978 Sinfonie 2 von Friedrich Goldmann Musik und Gesellschaft 28 no 1 January 30 35 Schneider Frank 1980 Funf Gesichtspunkte zum Konzert fur Oboe und Orchester von Friedrich Goldmann Musik und Gesellschaft 30 no 6 329 33 Schneider Frank 1986 Das Ensemble ist zentral Friedrich Goldmann ein Portrat Neue Zeitschrift fur Musik 147 no 6 June 22 27 Schneider Frank 1989a Masse als kompositorisches Phanomen Dissonanz Dissonance no 20 May 14 19 Schneider Frank 1989b Dialog ohne Kompromiss Das Klavierkonzert von Friedrich Goldmann Beitrage zur Musikwissenschaft 31 no 4 244 53 Schneider Frank 1989c Postmoderne als Programm und Praxis des Komponierens Problemfeld Neue DDR Musik In Das Projekt Moderne und die Postmoderne edited by Wilfried Gruhn 153 80 Hochschuldokumentationen zu Musikwissenschaft und Musikpadagogik Musikhochschule Freiburg 2 Regensburg Gustav Bosse Verlag de Schneider Frank 2009 Friedrich Goldmann in memoriam Positionen Texte zur aktuellen Musik no 81 November 19 20 Schneider Frank and Friedrich Goldmann 1999 Einfach bleiben wird nichts Frank Schneider im Gesprach mit Friedrich Goldmann In Bach Thema und Variationen Ein Lese Buch zum Konzertprojekt Konzerthaus Berlin Saison 1999 2000 edited by Habakuk Traber 27 36 Gottingen Wallstein Verlag ISBN 3 89244 393 9 Schneider Frank 2021 Form und Klang Essays und Analysen zur Musik von Friedrich Goldmann Neumunster von Bockel Thiele Ulrike 2008 Leipzig 6 und 7 Juli 2007 Die Rezeption der Wiener Schule in Nordosteuropa Die Musikforschung 61 no 1 January March 51 52 Williams Alastair 2013 Music in Germany since 1968 Music since 1900 Cambridge and New York Cambridge University Press ISBN 978 0 521 87759 6 External links EditFriedrich Goldmann website with list of works bibliography and further links Friedrich Goldmann at Edition Peters Publishers Retrieved from https en wikipedia org w index php title Friedrich Goldmann amp oldid 1105991856, wikipedia, wiki, book, books, library,

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