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Furlana

The furlana (also spelled furlane, forlane, friulana, forlana) is an Italian folk dance from the Italian region of Friuli Venezia Giulia. In Friulian, furlane means Friulian, in this case Friulian Dance. In Friuli there has been a Slav minority since the Slavic settlement of the Eastern Alps, [1] and the furlana may well have originated as a Slavonic dance. It dates at least to 1583, when a "ballo furlano" called L'arboscello was published in Pierre Phalèse the Younger’s Chorearum molliorum collectanea and in Jakob Paix’s organ tablature book, though its chief popularity extended from the late 1690s to about 1750. It is particularly associated with Venice because, at the time of its popularity, Friuli was a part of the Republic of Venice.[2]

The furlana is a fast dance, in duple-time 6
8
, though one exceptional example proves to be in quintuple meter, underlining the Slavonic associations also suggested by its title, Polesana, which in Italian can mean "a woman from Pola" (a city in Istria, neighbouring Friuli and a part of Italy until 1947), or may be from the Croatian word "polesa", meaning "rural", or "from the back woods".[3] Originally, the furlana was a courtship dance, performed by a couple. It was introduced to France by André Campra in 1697 (in L'Europe galante) and 1699 (in Le carnaval de Venise, in which the first of two furlanas serves as a dance entry for a troupe of Slavs, Armenians, and Gypsies), and it quickly became a popular theatre and social dance there.[2]

Pietro Paolo Melii (active first quarter of the 17th century) included a "Furlain volta alla Francese detta la Schapigliata" in his Intavolatura di Liuto attiorbato, e di Tiorba. Libro Quinto (Venice, 1620). The piece is written almost entirely in running eighths, and, as so many of Melii's pieces, makes considerable use of syncopation.[citation needed] Giovanni Battista Vitali, a 17th-century composer, included a Furlana in 6/8 time in his "Partite sopra diverse Sonate per il Violino."[4] François Couperin closed the fourth of his Concerts royaux with a forlane. Johann Sebastian Bach incorporated a forlane in his first orchestral suite. Maurice Ravel recalled the baroque usage in his piano suite Le Tombeau de Couperin, though his Forlane is a rather plaintive piece in moderate time. Another forlane occurs at the end of Ernest Chausson's piano suite Quelques Danses (Some Dances)—this one far livelier and featuring an alternation between triple and sextuple rhythms. The fourth movement of Gerald Finzi's Five Bagatelles (Op. 23) is a forlana as is the fourth movement of Richard Harvey's Concerto Antico for guitar and orchestra.

References edit

  • Heartz, Daniel. 1999. "A Venetian Dancing Master Teaches the Forlana: Lambranzi's Balli teatrali". Journal of Musicology 17, no. 1 (Winter):136–51.
  • Little, Meredith Ellis. 2001. "Forlana [furlana]". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
  • Maniacco, Tito. 2002. Storia del Friuli: il lavoro dei campi, la tradizione gastronomica, le radici della cultura contadina, le rivolte, il dramma dell'emigrazione e la nascita dell'identità di una regione. Tradizioni italiane 17. Rome: Newton & Compton Editori. ISBN 88-8289-706-0.
  1. ^ Maniacco 2002, p. 56.
  2. ^ a b Little 2001.
  3. ^ Heartz 1999, pp. 145–6.
  4. ^ Musedita, 2005

External links edit

  • StreetSwing

furlana, furlane, redirects, here, shoe, furlane, shoe, furlana, also, spelled, furlane, forlane, friulana, forlana, italian, folk, dance, from, italian, region, friuli, venezia, giulia, friulian, furlane, means, friulian, this, case, friulian, dance, friuli, . Furlane redirects here For the shoe see Furlane shoe The furlana also spelled furlane forlane friulana forlana is an Italian folk dance from the Italian region of Friuli Venezia Giulia In Friulian furlane means Friulian in this case Friulian Dance In Friuli there has been a Slav minority since the Slavic settlement of the Eastern Alps 1 and the furlana may well have originated as a Slavonic dance It dates at least to 1583 when a ballo furlano called L arboscello was published in Pierre Phalese the Younger s Chorearum molliorum collectanea and in Jakob Paix s organ tablature book though its chief popularity extended from the late 1690s to about 1750 It is particularly associated with Venice because at the time of its popularity Friuli was a part of the Republic of Venice 2 The furlana is a fast dance in duple time 68 though one exceptional example proves to be in quintuple meter underlining the Slavonic associations also suggested by its title Polesana which in Italian can mean a woman from Pola a city in Istria neighbouring Friuli and a part of Italy until 1947 or may be from the Croatian word polesa meaning rural or from the back woods 3 Originally the furlana was a courtship dance performed by a couple It was introduced to France by Andre Campra in 1697 in L Europe galante and 1699 in Le carnaval de Venise in which the first of two furlanas serves as a dance entry for a troupe of Slavs Armenians and Gypsies and it quickly became a popular theatre and social dance there 2 Pietro Paolo Melii active first quarter of the 17th century included a Furlain volta alla Francese detta la Schapigliata in his Intavolatura di Liuto attiorbato e di Tiorba Libro Quinto Venice 1620 The piece is written almost entirely in running eighths and as so many of Melii s pieces makes considerable use of syncopation citation needed Giovanni Battista Vitali a 17th century composer included a Furlana in 6 8 time in his Partite sopra diverse Sonate per il Violino 4 Francois Couperin closed the fourth of his Concerts royaux with a forlane Johann Sebastian Bach incorporated a forlane in his first orchestral suite Maurice Ravel recalled the baroque usage in his piano suite Le Tombeau de Couperin though his Forlane is a rather plaintive piece in moderate time Another forlane occurs at the end of Ernest Chausson s piano suite Quelques Danses Some Dances this one far livelier and featuring an alternation between triple and sextuple rhythms The fourth movement of Gerald Finzi s Five Bagatelles Op 23 is a forlana as is the fourth movement of Richard Harvey s Concerto Antico for guitar and orchestra References editHeartz Daniel 1999 A Venetian Dancing Master Teaches the Forlana Lambranzi s Balli teatrali Journal of Musicology 17 no 1 Winter 136 51 Little Meredith Ellis 2001 Forlana furlana The New Grove Dictionary of Music and Musicians second edition edited by Stanley Sadie and John Tyrrell London Macmillan Publishers Maniacco Tito 2002 Storia del Friuli il lavoro dei campi la tradizione gastronomica le radici della cultura contadina le rivolte il dramma dell emigrazione e la nascita dell identita di una regione Tradizioni italiane 17 Rome Newton amp Compton Editori ISBN 88 8289 706 0 Maniacco 2002 p 56 a b Little 2001 Heartz 1999 pp 145 6 Musedita 2005External links editStreetSwing Retrieved from https en wikipedia org w index php title Furlana amp oldid 1137006666, wikipedia, wiki, book, books, library,

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