First Artists

First Artists was a production company that operated from 1969 to 1980. Designed to give movie stars more creative control over their productions, the initial actors who formed First Artists were Paul Newman, Barbra Streisand, and Sidney Poitier; later joined by Steve McQueen and Dustin Hoffman. Movies made by First Artists include McQueen's The Getaway and the company's most successful film, Streisand's A Star Is Born.^[1]

First Artists

Trade name	First Artists Production Company
Type	Film production
Industry	Film
Founded	1969 (1969) in Hollywood, Los Angeles, California, United States
Founders	Paul Newman Barbra Streisand Sidney Poitier
Defunct	March 1980; 43 years ago (1980-03)
Fate	Defunct; sold to Warner Bros.
Successor	Library: Warner Bros.
Headquarters	Beverly Hills, California, United States
Key people	Freddie Fields, David Begelman, Dustin Hoffman, Steve McQueen, Phil Feldman
Products	Motion pictures

History

Beginnings

The company was formed in 1969 and was the idea of agent Freddie Fields of Creative Management Associates with assistance from his partner David Begelman. Inspired by the formation of United Artists, Newman, Streisand, and Poitier formed First Artists with the understanding that they would have more creative control over their productions in exchange for being paid lower salaries and a share of the profits. Each star promised to make three productions for the company, which would also be involved in television production, music publishing, and recording. The distributor of the films would be National General Pictures, which would put up two-thirds of the money for a film, with First Artists putting up the rest.^[1]

In July 1970 Patrick Kelly was appointed chief executive officer of First Artists.^[2] The following year Steve McQueen joined the company.^[1] The company's first slate of films were Pocket Money (1972) with Newman, The Getaway (1972) with McQueen, The Life and Times of Judge Roy Bean (1972) with Newman, and Up the Sandbox (1972) with Streisand. The Getaway and Roy Bean were particularly successful.

In 1972 First Artists offered 350,000 shares to investors at $7.50.^[3] That year Dustin Hoffman joined the company, agreeing to make two films at no more than $3 million.^[4][5] He would have creative control, provided the film did not go over budget and schedule.^[6]

Meanwhile, First Artists' distributor National General Pictures went into liquidation.^[7] In November 1973 Warners took over the distribution of First Artists movies.^[8] First Artists sued National General, settling in 1976.^[9]

Phil Feldman

The company's initial output was sporadic, owing to the commitments of its stars, and by January 1975 it had only made seven films. That month, Philip K. Feldman, formerly a producer and an executive at CBS, Rastar, and Warner Brothers, was brought in as chairman.^[10] He increased the development slate, and moved First Artists into film distribution, television, and music to ensure a more constant source of income.^[11]

Feldman decided to supplement the company's movies with other star's films, such as Bobby Deerfield, originally developed for Paul Newman, and made with Al Pacino at Columbia. First Artists became involved in the production of The Gumball Rally, was a distribution consultant on The Ritz, and did TV movies like Minstrel Man.^[11]

In July 1977 Feldman announced that Bill Cosby, who had appeared in three Poitier films, would produce and star in a film for the company called Sitting Pretty. "I consider him a member of the team," said Feldman of Cosby.^[12] Other films the company planned to make included Repo, with Darren McGavin, Stevie with Glenda Jackson, and Devilfish with Bert Gordon. (Devilfish and Sitting Pretty would ultimately not be made.) First Artists shared development costs on Bobby Deerfield, The Gauntlet, and The One and Only; and co-produced Speedtrap with a Dutch conglomerate. The company also distributed some foreign films in the US, such as Pardon Mon Affaire and That Obscure Object of Desire.^[12]

In 1976, McQueen made An Enemy of the People, which tested so poorly that it was never officially released.^[13] When First Artists refused to option Harold Pinter's Old Times for McQueen, the actor sued the company.^[1] The case was settled out of court.^[1]

Feldman insisted that Hoffman not make pictures for other studios until his obligation to First Artists was completed. Hoffman wound up suing First Artists for $65 million, claiming that he was denied creative control on Straight Time and Agatha.^[6][5] Feldman counter-claimed that these movies had gone over budget and schedule, allowing him to step in.^[14][15]

In July 1978 the company acquired Joel/Cal-Made, a male clothing manufacturer, for $8 million.^[16] In November the company sought to buy into a London casino but was unsuccessful.^[17]

End of the company

Films such as Straight Time (Hoffman, 1978) and Agatha (Hoffman, 1979) performed poorly at the box office, although The Main Event (Streisand, 1979) was very successful. In September 1979 Philip Feldman resigned as chairman and president. The company was put up for sale.^[18]

On December 31, 1979, the voting trust that ran First Artists on behalf of its founder‐shareholders expired and First Artists left the movie business. By this stage, the company's shares were worth $4 apiece. The company's last film was Tom Horn.^[1] The company closed down a year later in March 1980 and was sold to Warner Bros.

Select filmography

National General Pictures

• Pocket Money (Feb 1972)^[19] — with Newman
• The Getaway (Dec 1972) — with McQueen
• The Life and Times of Judge Roy Bean (Dec 1972)- with Newman
• Up the Sandbox (Dec 1972) — with Streisand^[20]
• A Warm December (May 1973) — with Poitier

Warner Bros.

• Uptown Saturday Night (Jun 1974) — with Poitier
• The Drowning Pool (Jul 1975) — with Newman
• Let's Do It Again (Oct 1975) — with Poitier
• The Gumball Rally (Aug 1976)
• A Star Is Born (Dec 1976) — with Streisand
• Bobby Deerfield (Sep 1977)
• A Piece of the Action (Oct 1977) — with Poitier
• Straight Time (Mar 1978) — with Hoffman
• An Enemy of the People (Mar 1978) — with McQueen
• Agatha (Feb 1979) — with Hoffman
• The Main Event (Jun 1979) — with Streisand
• Tom Horn (Mar 1980) — with McQueen

TV Movies

• Flight to Holocaust (1977) (TV film)
• Minstrel Man (1977) (TV film)
• The Paul Williams Show (1979) (TV special)

First Artists distributed

• Speedtrap (1977)
• Snatch (1978)
• Stevie (1978)
• Zero to Sixty (1978)

Distributor only

• Pardon Mon Affaire
• That Obscure Object of Desire

Unmade projects

• Dry Hustle — from novel by Sarah Kernochan (1977)
• Fancy Hardware — by script by A. J. Carothers (1977)
• Ev'ry Time We Say Goodbye — based on the song by Cole Porter (1977)
• Tramps — original script by Sandor Stern (1977)
• Flashpoint — based on novel by George LaFountaine; eventually produced by HBO Pictures in 1984^[21]

References

1. Hollie, Pamela G. (December 23, 1979). "First Artists Star‐Crossed Child of the 1960s". New York Times. p. F3.
2. "First Artists Firm Names Kelley to Post". Los Angeles Times. 20 July 1970. p. e14.
3. "First Artists' Initial Offering". The Wall Street Journal. 28 Jan 1972. p. 21.
4. Murphy, A.D. (October 11, 1972). "Hoffman Tie With First Artists Prod. Unveils Four Stars' Internal Setup; Ali McGraw Got 300G For 'Getaway'". Variety. p. 3.
5. Kilday, Gregg (21 Oct 1978). "FILM CLIPS: Hoffman-First Artists Tangle Continues". Los Angeles Times. p. b5.
6. Kilday, Gregg (18 Oct 1978). "FILM CLIPS: Dustin Hoffman Vs. First Artists". Los Angeles Times. p. f17.
7. Cook, David A. (2000). Lost Illusions: American Cinema in the Shadow of Watergate and Vietnam, 1970-1979. University of California Press. pp. 331–332.
8. "WARNERS TO HANDLE FIRST ARTISTS' FILMS". Los Angeles Times. 26 Nov 1973. p. C22.
9. "First Artists Settles Suit". The Wall Street Journal. 28 May 1976. p. 10.
10. "FELDMAN NAMED TO ARTISTS POSTS". Los Angeles Times . 16 Jan 1975. p. h10.
11. Kilday, Gregg (18 Oct 1976). "First Artists' Formula Altered". Los Angeles Times. p. e11.
12. Kilday, Gregg (10 Dec 1977). "FILM CLIPS: Taking Stock at First Artists". Los Angeles Times. p. c9.
13. Siskel, Gene (June 25, 1980). "McQueen's 'Enemy debut a miscue". Chicago Tribune.
14. Kilday, Gregg (15 July 1978). "First Artists Wins Latest Round". Los Angeles Times. p. b5.
15. HARMETZ, ALJEAN (21 Mar 1979). "Sad Hoffman Tells of Film Suit: Lawsuit Is Complicated Regarded as Irrevelant 'Bad Faith' Charged". Special to The New York Times. p. C17.
16. "First Artists Acquires Firm". The Wall Street Journal. 6 July 1978. p. 7.
17. "California: First Artists said it seeks to operate a London casino". Los Angeles Times. 3 Nov 1978. p. f18.
18. "First Artists Production Says Feldman Resigned As Chairman, President". The Wall Street Journal. 1 Oct 1979. p. 33.
19. "Pocket Money". TV Guide. CBS Interactive. Retrieved July 6, 2018. Paul Newman, Sidney Poitier, Barbra Streisand, Steve McQueen, and Dustin Hoffman formed First Artists, and this was their premier offering. It wasn't as terrible a movie as the first reviews of it indicated, but since so much was expected, anything less than brilliance was a letdown.
20. . Barbratimeless. May 2008. Archived from the original on January 13, 2010. Retrieved September 13, 2012.
21. Flashpoint at IMDb  

External links

• at BFI