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Down to the Bone (album)

Down to the Bone is the eighth studio album by American heavy metal band Quiet Riot, released by Kamikaze in 1995. It was recorded at Ocean Studios, Burbank Calif., The Track House, Van Nuys, Calif., and Paramount Studios, Hollywood, California.

Down to the Bone
Studio album by
ReleasedMarch 1, 1995
Recorded1995
GenreHeavy metal, hard rock
Length68:45
LabelKamikaze
ProducerKevin DuBrow
Quiet Riot chronology
The Randy Rhoads Years
(1993)
Down to the Bone
(1995)
Alive and Well
(1999)

Background edit

After Quiet Riot reformed in the early 1990s, the 1993 album Terrified was released, although it failed to become a commercial success. The band soon recorded their eighth studio album, Down to the Bone, which was produced by lead vocalist Kevin DuBrow, with executive producer Ron Sobol. Like Terrified, the album was not a commercial success, and initially sold approximately 20,000 copies. Released via Kamikaze Records, a label purposely set up to release the album, the idea was that if the album became a success then the label would sign other bands that DuBrow would produce. In a 2011 interview with Sobol for Spark Plug magazine, interviewer Hugh Asnen asked of his work within the music scene into the 1990s. Sobol stated "In the mid-nineties Kevin and I started a record label specifically to release the Quiet Riot album "Down To The Bone". If the record would've been a hit, we had plans to sign other bands. And Kevin would produce them. Ultimately, I was lucky I broke even. The album sold about 20,000 copies. We recorded on an inexpensive budget. And one place where we were naive with the overall project's budget was with the cover art."[1]

In relation to the album's artwork, Asnen noted "it was a great album cover.'" Sobol responded "Sure. But looking back, we spent way too much money on it. As far as the music, the style on the album was essentially Quiet Riot, but we chose to include a song written by another artist called "Pretty Pack 'O Lies". It was that grunge thing, kind of. Maybe Soundgarden. And not necessarily Nirvana, but taking on that "Lies" song, we were aware of those type bands. It was a good song, but I guess the time was passed for Quiet Riot, and only hardcore fans bought the album. There was a successful tour. But it was of smaller venues." Asnen noted "Well, personally, I loved the album when it came out. "Dig" and "Whatever It Takes" were great tracks. And it was always cool to see them performed live." Sobol replied "Those two songs were my favorites on the album! Kevin did a great job producing the album too. It was a great sounding record."[1]

The album's artwork was inspired by the artwork of American progressive metal band Fates Warning's 1985 album The Spectre Within. Quiet Riot wanted a similar look for the Down to the Bone album. The focus of the artwork was to be the band's mascot character of previous albums. The artwork was later reproduced as posters, T-shirts, stickers, backstage passes, tour backdrops and sold as a limited edition print. The artwork's creator Ioannis, later sold the original artwork for $8000 circa 2008. He recalled "At first I kinda dragged my feet but then I really got into the technique and it turned into one of my favorite dark metal illustrations. We met at their hotel during one of their dates on tour and went over everything, both Frankie Bannali and Kevin Dubrow were great guys."[2]

In the Billboard Magazine issue dated March 4, 1995, an article featuring a short interview with DuBrow stated that after MTV had made it clear that they didn't want to play clips of bands like Quiet Riot, the band reeled a remake of the Kinks' classic "All Day and All of the Night" for distribution via computer online services.[3]

In a 2001 interview with DuBrow for Metal Sludge, DuBrow was asked to choose which album he preferred between Down to the Bone and the band's 1986 album QR III. DuBrow chose Down to the Bone and explained "A lot of people didn't really get "Down to the Bone" but I dug it. I thought it was really musical and adventurous. "QR III" was such an abomination because of the producer Spencer Proffer."[4]

Release edit

The album was released by Kamikaze Records on CD and cassette in America and Canada only.[5] Like the band's previous 1993 album Terrified, the album was released on CD in Japan via Alfa Records, Inc. This was the only version of the album to feature two exclusive bonus tracks; "Slam Dunk" and "Love Can Change You". "Slam Dunk", written by DuBrow and Perris, was originally recorded in 1991 by Pretty Boy Floyd for the movie Switch.[6] Additionally a newly recorded Quiet Riot version of "Slam Dunk" would later appear on the band's following 1999 studio album Alive and Well.[7]

Critical reception edit

Professional ratings
Review scores
SourceRating
AllMusic     [8]
The Deseret News     [9]

Barry Weber of AllMusic stated "Although not quite as disappointing as the 1993 release Terrified, Down to the Bone once again fails to capture the listener's interest. While it has an acceptable remake of the Kinks classic "All Day and All of the Night" and a catchy acoustic title track, the albums still lacks composition and songwriting. Down to the Bone is only for the dedicated Quiet Riot fans who weren't already turned off by their past few releases."[8]

The Deseret News called the album a "clunker" in the headline "3 albums show potential; 4th is a clunker". The reviewer Scott Iwasaki says "Guitarist Carlos Cavazo can do much better than the old Slade rehashes "Cum on Feel the Noize" and "Mama We're All Crazee Now." Both of which were virtual note for note duplicates of the originals without any real creative hooks. "Down to the Bone" is better than that – but that's not really saying much. Eddie Van Halen's pioneering pull-off licks (other bands use them so much they've become "rip-off" licks) are redundantly redone on this album. No excitement here – and that's a shame. The album's major problem is the timing. When other metal bands were picking out the neo-country rock blues, Quiet Riot held back. Now the album's title cut tries to tap into that tired sound. Then, trying to capitalize on the melodic metal of earlier hits, Quiet Riot rips itself off with "Twisted" and "Hell or High Water." Avoid this one."[9]

Track listing edit

All tracks are written by Banali, Cavazo & DuBrow except where noted

No.TitleWriter(s)Length
1."Dig" 5:50
2."Pretty Pack o' Lies"Ron Day4:41
3."All Day and All of the Night" (The Kinks cover)Davies3:16
4."Whatever It Takes" 6:25
5."Wings of a Cloud" 5:07
6."Trouble Again"
  • DuBrow
  • Cavazo
  • Banali
  • Rondinelli
5:57
7."Down to the Bone" 4:31
8."Voodoo Brew" 5:48
9."Monday Morning Breakdown" 6:00
10."Live Til It Hurts"
  • DuBrow
  • Cavazo
  • Banali
  • Brandstetter
5:23
11."Twisted" 5:24
12."All Wound Up"
  • DuBrow
  • Cavazo
  • Banali
  • Pavao
4:31
13."Hell or High Water" 4:30
14."Wings of a Cloud" (revisited) 1:26
15."Slam Dunk" (bonus track) 3:17
16."Love Can Change You" (bonus track) 3:58

Personnel edit

Quiet Riot edit

Additional musicians edit

  • Matt Littrell - bass on "Pretty Pack 'o Lies"
  • Ron Day - backing vocals

Production edit

  • Kevin DuBrow – producer
  • Ron Sobol – executive producer
  • Barry Connally – engineer
  • Geoff Gibbs – engineer
  • Chris Minto – engineer
  • Eric S. Smith – assistant engineer
  • Eric White – assistant engineer
  • Ricky Delena – mixing
  • Paul Tavenner – mastering
  • Ioannis – art direction, cover art
  • Stephen Jacaruso – design
  • Diane Carter – public relations
  • Jack Armstrong – booking agent
  • Paige Lynn – retail coordinator
  • Stephen Ashley – legal representative
  • Dave Ivy – tour coordinator

References edit

  1. ^ a b "RON SOBOL: SMACK IN THE MIDDLE OF 70s L.A. ROCK… AND INTO L.A. BEYOND". Sparkplugmagazine.com. Retrieved December 22, 2013.
  2. ^ others, The Zen Cart® Team and. "QUIET RIOT COVER ART 1995 - $0.00 : Official Dangerous Age, Ioannis Classic Rock Art". dangerousage.com. Retrieved July 9, 2017.
  3. ^ "Billboard – Google Books". March 4, 1995. Retrieved January 17, 2013.
  4. ^ . Archived from the original on December 30, 2013. Retrieved December 29, 2013.
  5. ^ "Down to the Bone". March 1, 1995. Retrieved July 9, 2017 – via Amazon.
  6. ^ "Various - Switch (Original Motion Picture Soundtrack)". Discogs. Retrieved July 9, 2017.
  7. ^ "Quiet Riot - Alive And Well". Discogs. Retrieved July 9, 2017.
  8. ^ a b Weber, Barry (March 1, 1995). "Down to the Bone – Quiet Riot : Songs, Reviews, Credits, Awards". AllMusic. Retrieved January 17, 2013.
  9. ^ a b "3 ALBUMS SHOW POTENTIAL; 4TH IS A CLUNKER". Deseret News. March 9, 1995. Retrieved January 17, 2013.
  10. ^ "Chuck Wright Interview". Music Legends. Retrieved July 3, 2013.

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Down to the Bone is the eighth studio album by American heavy metal band Quiet Riot released by Kamikaze in 1995 It was recorded at Ocean Studios Burbank Calif The Track House Van Nuys Calif and Paramount Studios Hollywood California Down to the BoneStudio album by Quiet RiotReleasedMarch 1 1995Recorded1995GenreHeavy metal hard rockLength68 45LabelKamikazeProducerKevin DuBrowQuiet Riot chronologyThe Randy Rhoads Years 1993 Down to the Bone 1995 Alive and Well 1999 Contents 1 Background 2 Release 3 Critical reception 4 Track listing 5 Personnel 5 1 Quiet Riot 5 2 Additional musicians 5 3 Production 6 ReferencesBackground editAfter Quiet Riot reformed in the early 1990s the 1993 album Terrified was released although it failed to become a commercial success The band soon recorded their eighth studio album Down to the Bone which was produced by lead vocalist Kevin DuBrow with executive producer Ron Sobol Like Terrified the album was not a commercial success and initially sold approximately 20 000 copies Released via Kamikaze Records a label purposely set up to release the album the idea was that if the album became a success then the label would sign other bands that DuBrow would produce In a 2011 interview with Sobol for Spark Plug magazine interviewer Hugh Asnen asked of his work within the music scene into the 1990s Sobol stated In the mid nineties Kevin and I started a record label specifically to release the Quiet Riot album Down To The Bone If the record would ve been a hit we had plans to sign other bands And Kevin would produce them Ultimately I was lucky I broke even The album sold about 20 000 copies We recorded on an inexpensive budget And one place where we were naive with the overall project s budget was with the cover art 1 In relation to the album s artwork Asnen noted it was a great album cover Sobol responded Sure But looking back we spent way too much money on it As far as the music the style on the album was essentially Quiet Riot but we chose to include a song written by another artist called Pretty Pack O Lies It was that grunge thing kind of Maybe Soundgarden And not necessarily Nirvana but taking on that Lies song we were aware of those type bands It was a good song but I guess the time was passed for Quiet Riot and only hardcore fans bought the album There was a successful tour But it was of smaller venues Asnen noted Well personally I loved the album when it came out Dig and Whatever It Takes were great tracks And it was always cool to see them performed live Sobol replied Those two songs were my favorites on the album Kevin did a great job producing the album too It was a great sounding record 1 The album s artwork was inspired by the artwork of American progressive metal band Fates Warning s 1985 album The Spectre Within Quiet Riot wanted a similar look for the Down to the Bone album The focus of the artwork was to be the band s mascot character of previous albums The artwork was later reproduced as posters T shirts stickers backstage passes tour backdrops and sold as a limited edition print The artwork s creator Ioannis later sold the original artwork for 8000 circa 2008 He recalled At first I kinda dragged my feet but then I really got into the technique and it turned into one of my favorite dark metal illustrations We met at their hotel during one of their dates on tour and went over everything both Frankie Bannali and Kevin Dubrow were great guys 2 In the Billboard Magazine issue dated March 4 1995 an article featuring a short interview with DuBrow stated that after MTV had made it clear that they didn t want to play clips of bands like Quiet Riot the band reeled a remake of the Kinks classic All Day and All of the Night for distribution via computer online services 3 In a 2001 interview with DuBrow for Metal Sludge DuBrow was asked to choose which album he preferred between Down to the Bone and the band s 1986 album QR III DuBrow chose Down to the Bone and explained A lot of people didn t really get Down to the Bone but I dug it I thought it was really musical and adventurous QR III was such an abomination because of the producer Spencer Proffer 4 Release editThe album was released by Kamikaze Records on CD and cassette in America and Canada only 5 Like the band s previous 1993 album Terrified the album was released on CD in Japan via Alfa Records Inc This was the only version of the album to feature two exclusive bonus tracks Slam Dunk and Love Can Change You Slam Dunk written by DuBrow and Perris was originally recorded in 1991 by Pretty Boy Floyd for the movie Switch 6 Additionally a newly recorded Quiet Riot version of Slam Dunk would later appear on the band s following 1999 studio album Alive and Well 7 Critical reception editProfessional ratingsReview scoresSourceRatingAllMusic nbsp nbsp nbsp nbsp nbsp 8 The Deseret News nbsp nbsp nbsp nbsp nbsp 9 Barry Weber of AllMusic stated Although not quite as disappointing as the 1993 release Terrified Down to the Bone once again fails to capture the listener s interest While it has an acceptable remake of the Kinks classic All Day and All of the Night and a catchy acoustic title track the albums still lacks composition and songwriting Down to the Bone is only for the dedicated Quiet Riot fans who weren t already turned off by their past few releases 8 The Deseret News called the album a clunker in the headline 3 albums show potential 4th is a clunker The reviewer Scott Iwasaki says Guitarist Carlos Cavazo can do much better than the old Slade rehashes Cum on Feel the Noize and Mama We re All Crazee Now Both of which were virtual note for note duplicates of the originals without any real creative hooks Down to the Bone is better than that but that s not really saying much Eddie Van Halen s pioneering pull off licks other bands use them so much they ve become rip off licks are redundantly redone on this album No excitement here and that s a shame The album s major problem is the timing When other metal bands were picking out the neo country rock blues Quiet Riot held back Now the album s title cut tries to tap into that tired sound Then trying to capitalize on the melodic metal of earlier hits Quiet Riot rips itself off with Twisted and Hell or High Water Avoid this one 9 Track listing editAll tracks are written by Banali Cavazo amp DuBrow except where notedNo TitleWriter s Length1 Dig 5 502 Pretty Pack o Lies Ron Day4 413 All Day and All of the Night The Kinks cover Davies3 164 Whatever It Takes 6 255 Wings of a Cloud 5 076 Trouble Again DuBrowCavazoBanaliRondinelli5 577 Down to the Bone 4 318 Voodoo Brew 5 489 Monday Morning Breakdown 6 0010 Live Til It Hurts DuBrowCavazoBanaliBrandstetter5 2311 Twisted 5 2412 All Wound Up DuBrowCavazoBanaliPavao4 3113 Hell or High Water 4 3014 Wings of a Cloud revisited 1 2615 Slam Dunk bonus track 3 1716 Love Can Change You bonus track 3 58Personnel editQuiet Riot edit Kevin DuBrow lead vocals Carlos Cavazo guitars backing vocals Frankie Banali drums Chuck Wright bass 10 backing vocals Additional musicians edit Matt Littrell bass on Pretty Pack o Lies Ron Day backing vocals Production edit Kevin DuBrow producer Ron Sobol executive producer Barry Connally engineer Geoff Gibbs engineer Chris Minto engineer Eric S Smith assistant engineer Eric White assistant engineer Ricky Delena mixing Paul Tavenner mastering Ioannis art direction cover art Stephen Jacaruso design Diane Carter public relations Jack Armstrong booking agent Paige Lynn retail coordinator Stephen Ashley legal representative Dave Ivy tour coordinatorReferences edit a b RON SOBOL SMACK IN THE MIDDLE OF 70s L A ROCK AND INTO L A BEYOND Sparkplugmagazine com Retrieved December 22 2013 others The Zen Cart Team and QUIET RIOT COVER ART 1995 0 00 Official Dangerous Age Ioannis Classic Rock Art dangerousage com Retrieved July 9 2017 Billboard Google Books March 4 1995 Retrieved January 17 2013 Rewind with Kevin DuBrow 7 19 01 Metal Sludge Archived from the original on December 30 2013 Retrieved December 29 2013 Down to the Bone March 1 1995 Retrieved July 9 2017 via Amazon Various Switch Original Motion Picture Soundtrack Discogs Retrieved July 9 2017 Quiet Riot Alive And Well Discogs Retrieved July 9 2017 a b Weber Barry March 1 1995 Down to the Bone Quiet Riot Songs Reviews Credits Awards AllMusic Retrieved January 17 2013 a b 3 ALBUMS SHOW POTENTIAL 4TH IS A CLUNKER Deseret News March 9 1995 Retrieved January 17 2013 Chuck Wright Interview Music Legends Retrieved July 3 2013 Retrieved from https en wikipedia org w index php title Down to the Bone album amp oldid 1198721494, wikipedia, wiki, book, books, library,

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