Daun di Atas Bantal (released in English as Leaf on a Pillow) is a 1998 Indonesian film directed by Garin Nugroho. It is one of the most acclaimed films from Indonesia in recent years and was the country's proposal for an Academy Award. It was also screened in the Un Certain Regard section at the 1998 Cannes Film Festival.[1]
The film follows three street children, Sugeng, Heru, and Kancil (played by themselves), in their day-to-day lives in Yogyakarta. Although they live in poverty, are from broken homes, and must do anything to survive, they aspire to rise above poverty and hope to receive an education. They are supported by Asih (Christine Hakim), a saleswoman who lets them stay in her workshop; the children fight over Asih's leaf pillow.
The children's lives do not go smoothly. Kancil is decapitated while playing on top of a train. Heru falls victim to an insurance scam, where he is given false identification papers and then killed to collect the premium.
ProductionEdit
Daun di Atas Bantal was produced by Hakim, who also played Asih. The film was her first production, and she initially did not intend to act in it to avoid stress; however, she changed her mind after being told the film would be more marketable in Japan if she acted in it.[2] Hakim has called the film "an expensive university" for her because she made a mistake that required Nugroho to reshoot all of the footage. In an attempt to cut expenses, she had saved all cans of exposed film in an attempt to send them to the developing together; upon their receipt, the lab notified her that a technical fault with the camera had rendered the film unusable, and that it could have been detected earlier had she sent each can as it was filmed.[3]
Hakim chose Garin Nugroho to direct the film, noting that he was a "very talented young director",[3] partly inspired by Nurgoho's 1995 documentary film on street children Dongeng Kancil untuk Kemerdekaan.[2]
The street children in Daun di atas Bantal are actual street children, who portray "dramatized versions" of their own lives.[4][5] After production, Hakim ensured that the children received an education; for example, Heru was placed in a music school.[6]
The sound for Daun di Atas Bantal is Dolby Digital and was done in Australia. At the time, Dolby Digital sound was rare in Indonesian films.[7]
Style and themesEdit
The film is based on true stories in the lives of three street boys in Yogyakarta who all die under tragic circumstances, and was played by the real street boys around the event location. The film also deals with poverty in Indonesia, as seen through the experiences of the poor.[4]
According to Stephen Holden in a review for The New York Times, Daun di Atas Bantal is a "documentary-flavored" film that does not attempt to make the viewer care for the characters; he describes it as being detached and loosely structured.[4] Ade Irwansyah of Tabloid Bintang notes that the plot is much more linear than Nugroho's earlier works, without confusing metaphors or poetic imagery.[5]
Derek Elley, writing for Variety, called the movie Nugroho's best work to date, noting that although the opening was weak, "the viewer is slowly drawn into the urchins' nether world".[7] Holden wrote that the film "hits you in the face with almost unimaginable squalor and a patchwork of teeming sights and sounds that are more than the senses can take in".[4] In 2010, Ade Irwansyah of Tabloid Bintang listed Daun di Atas Bantal as the 17th-best Indonesian film of all time, noting that it was the first film in which Nugroho's dialogue was effective and the plot was easy to follow.[5][9]
Elley, Derek (7 June 1998). "Leaf on a Pillow". Variety. Retrieved 22 October 2011.
. festival-cannes.com. Archived from the original on 7 October 2012. Retrieved 22 October 2011.
Holden, Stephen (10 April 1999). "Leaf on a Pillow (1998): Film Festival Review; Street Boys Of Jakarta: Hopeless, Undeterred". The New York Times. Retrieved 22 October 2011.
Irwansyah, Ade (23 April 2010). "25 film Indonesia Terbaik Sepanjang Masa" [25 Best Indonesian Movies of All Time]. Tabloid Bintang (in Indonesian). Retrieved 22 October 2011.
Tanvir, Kuhu (April 2009). "Interview: Christine Hakim". Wide Screen. 1 (1): 1–4. ISSN 1757-3920. Retrieved 23 October 2011.
Webb, Cynthia (8 December 2010). . The Jakarta Post. Archived from the original on 13 October 2012. Retrieved 17 August 2011.
Widjaya, Yan (22 November 2007). [Indonesia's Looking for a Chance]. Suara Pembaruan (in Indonesian). Archived from the original on 12 March 2008. Retrieved 23 October 2011.
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Daun di Atas Bantal released in English as Leaf on a Pillow is a 1998 Indonesian film directed by Garin Nugroho It is one of the most acclaimed films from Indonesia in recent years and was the country s proposal for an Academy Award It was also screened in the Un Certain Regard section at the 1998 Cannes Film Festival 1 Daun di Atas BantalDaun di Atas BantalDirected byGarin NugrohoWritten byGarin NugrohoArmantonoStarringChristine Hakim Sugeng Heru Kancil Kabri Wali Deni Christanta Sarah Azhari Julie EstelleCinematographyNurhidayatEdited bySentot SahidMusic byDjaduk FeriantoRelease date14 August 1998 1998 08 14 Running time83 minutesCountryIndonesiaLanguageIndonesian Contents 1 Plot 2 Production 3 Style and themes 4 Release and reception 5 Awards 6 See also 7 References 8 External linksPlot EditThe film follows three street children Sugeng Heru and Kancil played by themselves in their day to day lives in Yogyakarta Although they live in poverty are from broken homes and must do anything to survive they aspire to rise above poverty and hope to receive an education They are supported by Asih Christine Hakim a saleswoman who lets them stay in her workshop the children fight over Asih s leaf pillow The children s lives do not go smoothly Kancil is decapitated while playing on top of a train Heru falls victim to an insurance scam where he is given false identification papers and then killed to collect the premium Production EditDaun di Atas Bantal was produced by Hakim who also played Asih The film was her first production and she initially did not intend to act in it to avoid stress however she changed her mind after being told the film would be more marketable in Japan if she acted in it 2 Hakim has called the film an expensive university for her because she made a mistake that required Nugroho to reshoot all of the footage In an attempt to cut expenses she had saved all cans of exposed film in an attempt to send them to the developing together upon their receipt the lab notified her that a technical fault with the camera had rendered the film unusable and that it could have been detected earlier had she sent each can as it was filmed 3 nbsp Garin Nugroho was chosen to direct based on his previous film Dongeng Kancil untuk Kemerdekaan Hakim chose Garin Nugroho to direct the film noting that he was a very talented young director 3 partly inspired by Nurgoho s 1995 documentary film on street children Dongeng Kancil untuk Kemerdekaan 2 The street children in Daun di atas Bantal are actual street children who portray dramatized versions of their own lives 4 5 After production Hakim ensured that the children received an education for example Heru was placed in a music school 6 The sound for Daun di Atas Bantal is Dolby Digital and was done in Australia At the time Dolby Digital sound was rare in Indonesian films 7 Style and themes EditThe film is based on true stories in the lives of three street boys in Yogyakarta who all die under tragic circumstances and was played by the real street boys around the event location The film also deals with poverty in Indonesia as seen through the experiences of the poor 4 According to Stephen Holden in a review for The New York Times Daun di Atas Bantal is a documentary flavored film that does not attempt to make the viewer care for the characters he describes it as being detached and loosely structured 4 Ade Irwansyah of Tabloid Bintang notes that the plot is much more linear than Nugroho s earlier works without confusing metaphors or poetic imagery 5 Release and reception EditDaun di Atas Bantal was shown in the Un Certain Regard section at the 1998 Cannes Film Festival 1 on 23 May 1998 7 It was Indonesia s submission to the 71st Academy Awards for Best Foreign Language Film although it was not nominated 8 Derek Elley writing for Variety called the movie Nugroho s best work to date noting that although the opening was weak the viewer is slowly drawn into the urchins nether world 7 Holden wrote that the film hits you in the face with almost unimaginable squalor and a patchwork of teeming sights and sounds that are more than the senses can take in 4 In 2010 Ade Irwansyah of Tabloid Bintang listed Daun di Atas Bantal as the 17th best Indonesian film of all time noting that it was the first film in which Nugroho s dialogue was effective and the plot was easy to follow 5 9 Awards EditAsia Pacific Film Festival 1998 Best Actress Christine Hakim Asia Pacific Film Festival 1998 Best Film Singapore International Film Festival 1999 Unggulan dalam kategori Silver Screen Award Best Asian Feature Film Garin Nugroho Tokyo International Film Festival 1998 Special Jury Prize Garin NugrohoSee also EditList of submissions to the 71st Academy Awards for Best Foreign Language Film List of Indonesian submissions for the Academy Award for Best Foreign Language FilmReferences EditFootnotes a b Cannes Festival de Cannes a b Tanvir 2009 p 3 a b Webb 2010 Christine Hakim Going a b c d Holden 1999 Leaf on a Pillow a b c Irwansyah 2011 25 Film Indonesia Tanvir 2009 p 4 a b c Elley 1998 Leaf on a Pillow Widjaya 2007 Upaya Indonesia Mencari 45 Countries Submit Films for Oscar Consideration Academy of Motion Picture Arts and Sciences 19 November 1998 Archived from the original on 19 February 1999 Retrieved 20 October 2015 a href Template Cite web html title Template Cite web cite web a CS1 maint unfit URL link BibliographyElley Derek 7 June 1998 Leaf on a Pillow Variety Retrieved 22 October 2011 Festival de Cannes Daun di Atas Bantal festival cannes com Archived from the original on 7 October 2012 Retrieved 22 October 2011 Holden Stephen 10 April 1999 Leaf on a Pillow 1998 Film Festival Review Street Boys Of Jakarta Hopeless Undeterred The New York Times Retrieved 22 October 2011 Irwansyah Ade 23 April 2010 25 film Indonesia Terbaik Sepanjang Masa 25 Best Indonesian Movies of All Time Tabloid Bintang in Indonesian Retrieved 22 October 2011 Tanvir Kuhu April 2009 Interview Christine Hakim Wide Screen 1 1 1 4 ISSN 1757 3920 Retrieved 23 October 2011 Webb Cynthia 8 December 2010 Christine Hakim Going where life leads her The Jakarta Post Archived from the original on 13 October 2012 Retrieved 17 August 2011 Widjaya Yan 22 November 2007 Upaya Indonesia Mencari Peluang Indonesia s Looking for a Chance Suara Pembaruan in Indonesian Archived from the original on 12 March 2008 Retrieved 23 October 2011 External links EditDaun di Atas Bantal at IMDb Daun di atas bantal Leaf on a Pillow at Rotten Tomatoes Retrieved from https en wikipedia org w index php title Daun di Atas Bantal amp oldid 1180012067, wikipedia, wiki, book, books, library,
