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Dai Jinhua

Dai Jinhua (Chinese: 戴锦华) is a Chinese feminist cultural critic. She is a Professor in the Institute of Comparative Literature and Culture, Peking University. Her research interests include popular culture, film studies, and gender studies.[1]

Dai Jinhua
Born1959 (age 64–65)
AwardsShanghai Film Critics Awards, for Contributions to Film Theory (2017)
Academic background
Alma materPeking University
Academic work
InstitutionsPeking University
Main interestsFilm studies and gender studies
Notable worksCinema and Desire
Chinese name
Simplified Chinese戴锦华

She taught at the Beijing Film Academy before assuming professorship at the Institute of Comparative Literature and Culture and directorship of the Center for Film and Cultural Studies at Peking University. She has long been engaged in the New Rural Reconstruction Movement and the Green movement. She is the author of more than ten scholarly monographs. Her works have been translated into English, French, German, Italian, Spanish, Japanese, and Korean. Her literary, film and TV commentary have addressed an expanding audience in China, Taiwan and Hong Kong over the last decades.

Ideas edit

Dai is known for her early critique of the self-Orientalizing tendencies of filmmakers considered to be part of China's Fifth Generation such as Zhang Yimou and Chen Kaige.[2] According to Dai, the historical imagery of their films tend to produce "oriental landscapes" that are oriented towards Western reception and prize recognition.[3]

In addition, she has written extensively about the representation of women in Chinese film. In one of her most well-known critiques, she examines the trope of gender-crossing through the myth of Hua Mulan (a woman who disguises herself as a man to join the army as a substitute for her father) in a series of women-centered films such as New Women, and revolutionary operas such as White-Haired Girl and the Red Detachment of Women. For her, this myth usefully indicates how drag, which can be subversive of patriarchal systems, can also reinforce them.[4]

Dai's work is generally critical of capitalism—she has been associated with the New Left. One of her analyses of consumerism in China traces the transformation of the word guangchang, which referred to the politicized space of the public square, but now is often used in the names of shopping centers. She has also described the market for souvenirs and historical tours related to the Maoist era as "imaginary nostalgia" that acts as a “substitute for historical consciousness".[5]

Biography edit

  • 1959 Born in Beijing
  • 1982 Graduated from Department of Chinese Literature, Peking University
  • 1987-1992 Lecturer, Department of Filmic Literature, Beijing Film Institute
  • 1992-1993 Associate Professor, Department of Filmic Literature, Beijing Film Institute
  • 1993-1997 Associate Professor, Institute of Comparative Literature and Culture, Peking University
  • 1996–present Adjunct Professor, Ohio State University (graduate program)
  • 1997–present Professor, Department of Chinese Literature and Language, Institute of Comparative Literature and Culture, Peking University
  • 2009–present Adjunct Professor, Department of Cultural Studies, Lingnan University

Writings edit

  • 《蒙面骑士–墨西哥副司令马科斯文集》(Masked Rider: The Writings of Subcomandante Marcos), 2006
  • 《性别中国》(Gendering China). Taipei: Rye Field, 2005.
  • Cinema and Desire: Feminist Marxism and Cultural Politics in the Work of Dai Jinhua, eds. Jing Wang and Tani E. Barlow. London: Verso, 2002.
  • 《镜城突围》(Breaking Out of the Mirror City). Beijing: China National Press, 1995.
  • 《隐形书写–90年代中国文化研究》(Invisible Writing: Cultural Studies in China in the 1990s), Nanjing: Jiangsu People’s Press, 1999.
  • 《犹在镜中–戴锦华访谈录》(Through a Glass Darkly: Interviews with Dai Jinhua), Beijing: Knowledge Press, 1999. Translated into Korean, Seoul: BreenBee, 2009.

References edit

  1. ^ Davis, Edward L. (2009). Encyclopedia of Contemporary Chinese Culture. London: Taylor & Francis. pp. 129–130. ISBN 978-0-415-77716-2.
  2. ^ Marchetti, Gina. ""Review: Cinema and Desire."". www.ejumpcut.org. Jump Cut. Retrieved 2018-03-30.
  3. ^ Li, Jie (17 January 2010). "From Auto-ethnography to Autobiography: Representations of the Past in Contemporary Chinese Cinema". sensesofcinema.com. Senses of Cinema. Retrieved 2018-03-30.
  4. ^ Ferry, Megan (2015-01-11). "Review: Cinema and Desire: Feminist Marxism and Cultural Politics in the Work of Dai Jinhua". MCLC Online. Retrieved 2018-03-30.
  5. ^ Fox, Paul (September 2004). "On the Writings of Dai Jinhua". www.film-philosophy.com. Film Philosophy. Retrieved 2018-03-30.

Bibliography edit

  • Resident Fellows - Dai Jinhua. Townsend Center for the Humanities at University of California, Berkeley. Accessed 2011-02-01.
  • Biographical dictionary of Chinese women, Volume 2. Lily Xiao Hong Lee, Clara Wing-chung Ho. M.E. Sharpe, 2003. pp.123-125.

jinhua, this, biography, living, person, needs, additional, citations, verification, please, help, adding, reliable, sources, contentious, material, about, living, persons, that, unsourced, poorly, sourced, must, removed, immediately, from, article, talk, page. This biography of a living person needs additional citations for verification Please help by adding reliable sources Contentious material about living persons that is unsourced or poorly sourced must be removed immediately from the article and its talk page especially if potentially libelous Find sources Dai Jinhua news newspapers books scholar JSTOR June 2023 Learn how and when to remove this template message In this Chinese name the family name is Dai Dai Jinhua Chinese 戴锦华 is a Chinese feminist cultural critic She is a Professor in the Institute of Comparative Literature and Culture Peking University Her research interests include popular culture film studies and gender studies 1 Dai JinhuaBorn1959 age 64 65 AwardsShanghai Film Critics Awards for Contributions to Film Theory 2017 Academic backgroundAlma materPeking UniversityAcademic workInstitutionsPeking UniversityMain interestsFilm studies and gender studiesNotable worksCinema and DesireChinese nameSimplified Chinese戴锦华She taught at the Beijing Film Academy before assuming professorship at the Institute of Comparative Literature and Culture and directorship of the Center for Film and Cultural Studies at Peking University She has long been engaged in the New Rural Reconstruction Movement and the Green movement She is the author of more than ten scholarly monographs Her works have been translated into English French German Italian Spanish Japanese and Korean Her literary film and TV commentary have addressed an expanding audience in China Taiwan and Hong Kong over the last decades Contents 1 Ideas 2 Biography 3 Writings 4 References 5 BibliographyIdeas editDai is known for her early critique of the self Orientalizing tendencies of filmmakers considered to be part of China s Fifth Generation such as Zhang Yimou and Chen Kaige 2 According to Dai the historical imagery of their films tend to produce oriental landscapes that are oriented towards Western reception and prize recognition 3 In addition she has written extensively about the representation of women in Chinese film In one of her most well known critiques she examines the trope of gender crossing through the myth of Hua Mulan a woman who disguises herself as a man to join the army as a substitute for her father in a series of women centered films such as New Women and revolutionary operas such as White Haired Girl and the Red Detachment of Women For her this myth usefully indicates how drag which can be subversive of patriarchal systems can also reinforce them 4 Dai s work is generally critical of capitalism she has been associated with the New Left One of her analyses of consumerism in China traces the transformation of the word guangchang which referred to the politicized space of the public square but now is often used in the names of shopping centers She has also described the market for souvenirs and historical tours related to the Maoist era as imaginary nostalgia that acts as a substitute for historical consciousness 5 Biography edit1959 Born in Beijing 1982 Graduated from Department of Chinese Literature Peking University 1987 1992 Lecturer Department of Filmic Literature Beijing Film Institute 1992 1993 Associate Professor Department of Filmic Literature Beijing Film Institute 1993 1997 Associate Professor Institute of Comparative Literature and Culture Peking University 1996 present Adjunct Professor Ohio State University graduate program 1997 present Professor Department of Chinese Literature and Language Institute of Comparative Literature and Culture Peking University 2009 present Adjunct Professor Department of Cultural Studies Lingnan UniversityWritings edit 蒙面骑士 墨西哥副司令马科斯文集 Masked Rider The Writings of Subcomandante Marcos 2006 性别中国 Gendering China Taipei Rye Field 2005 Cinema and Desire Feminist Marxism and Cultural Politics in the Work of Dai Jinhua eds Jing Wang and Tani E Barlow London Verso 2002 镜城突围 Breaking Out of the Mirror City Beijing China National Press 1995 隐形书写 90年代中国文化研究 Invisible Writing Cultural Studies in China in the 1990s Nanjing Jiangsu People s Press 1999 犹在镜中 戴锦华访谈录 Through a Glass Darkly Interviews with Dai Jinhua Beijing Knowledge Press 1999 Translated into Korean Seoul BreenBee 2009 References edit Davis Edward L 2009 Encyclopedia of Contemporary Chinese Culture London Taylor amp Francis pp 129 130 ISBN 978 0 415 77716 2 Marchetti Gina Review Cinema and Desire www ejumpcut org Jump Cut Retrieved 2018 03 30 Li Jie 17 January 2010 From Auto ethnography to Autobiography Representations of the Past in Contemporary Chinese Cinema sensesofcinema com Senses of Cinema Retrieved 2018 03 30 Ferry Megan 2015 01 11 Review Cinema and Desire Feminist Marxism and Cultural Politics in the Work of Dai Jinhua MCLC Online Retrieved 2018 03 30 Fox Paul September 2004 On the Writings of Dai Jinhua www film philosophy com Film Philosophy Retrieved 2018 03 30 Bibliography editResident Fellows Dai Jinhua Townsend Center for the Humanities at University of California Berkeley Accessed 2011 02 01 Biographical dictionary of Chinese women Volume 2 Lily Xiao Hong Lee Clara Wing chung Ho M E Sharpe 2003 pp 123 125 Retrieved from https en wikipedia org w index php title Dai Jinhua amp oldid 1160627303, wikipedia, wiki, book, books, library,

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