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D-2 (video)

D-2 is a professional digital videocassette format created by Ampex and introduced in 1988[1] at the NAB Show as a composite video alternative to the component video D-1 format. It garnered Ampex a technical Emmy in 1989.[1] Like D-1, D-2 stores uncompressed digital video on a tape cassette; however, it stores a composite video signal, rather than component video as with D-1. While component video is superior for advanced editing, especially when chroma key effects are used, composite video was more compatible with most analog facilities existing at the time.

D-2 (video)
Sony D-2 VCR
Media typeMagnetic Tape
Encodingdigital composite video
Read mechanismHelical scan
Write mechanismHelical scan
Standardinterlaced (NTSC, PAL)
Developed byAmpex/Sony
UsageVideo production
Released1988

History edit

Ampex created the first D-2 video machine, the ACR-225 commercial spot player[2] working with Sony, who had done some early research into composite digital video,[3] as a cost-effective solution for TV broadcasters with large investments in composite analog infrastructure such as video routers and switchers, since it could be inserted into existing analog broadcast facilities without extensive redesign or modifications. This was because D-2 machines accepted standard analog video and audio inputs and outputs. D-2 machines are capable of interfacing through either serial digital video or analog video connections. Four PCM audio channels are available for editing (an improvement over the then-popular Type C analog machines with two audio channels) as well as an analog cue channel and timecode, also with digital or analog connections.

Features edit

Like D-1, D-2 uses 19 mm (¾ inch) tape loaded into three different sized videocassettes to support commercial spot playback as well as long-form programming such as movies. Although D-2 videocassette housings are nearly identical to their D-1 counterparts, they are not interchangeable due to D-2's metal particle tape formula, needed for its higher recording density.[2]

Ampex D-2 tape transports are extremely fast. A high speed search at 60 times playback speed with a recognizable color picture allowed three hours of videotape to be searched through in approximately three minutes.

The format uses helical scan, with an M wrap pattern in which the tape is wrapped around the head drum around the left and right side.[4] This records diagonal tracks, called helical tracks, using heads mounted on the drum which rotates at high speed. Both audio and video are recorded on the helical tracks.[5]

The D-2 offered read before write or preread functionality, which allowed simultaneous playback and recording on the same transport.[6] For example, a title could be superimposed over existing video already on the same video tape by playing the tape through a video switcher, adding the title, and recording the new composite image back onto the same location of the tape. This eliminated the need for an additional recorder and saved considerable time in video editing. Steven Fuiten was the first PreRead Editor to composite video using a full D2 digital system.[citation needed]

Acceptance edit

During its early stages, finished episodes of South Park were hastily recorded to D-2 to be sent to Comedy Central for airing in just a few days' time.[7] D-2 replaced Type C videotape for the mastering of LaserDiscs in the late 1980s.[citation needed]

D-2 was also used to send at least some episodes of Mystery Science Theater 3000 to Comedy Central for playback.[8]

D-2 was in widespread use for some ten years, as the computer-based video server (with fewer moving parts and correspondingly greater reliability) became available not long after its release. By 2003, only a handful of broadcasters continued to use the D-2 format, and even then only to access materials recorded on the format.[citation needed]

Panasonic introduced D-3 in 1991; it is very similar to D-2 as it uses a smaller cassette case.

Format Description edit

  • General:
    • Format name: D2 digital
    • SMPTE type: D2
    • Format type: digital composite
    • Scanning system: multi head segmented helical
    • Year introduced: 1988
    • Developer: Ampex/Sony
  • Physical Data:[9]
    • Tape width: 19 mm
    • Tape speed(s): 5.19 ips
    • Tape thickness: .55 mils
    • Playing time(s): 32, 94, 208 minutes (Small, Medium, Large cassette sizes)
    • Headwheel (head drum) diameter: 2.95" (96.4 mm)[5]
    • Helical track width: 35.2 microns[5]
    • Speed: 7200 rpm[5]
    • Head-to-tape writing speed: 1078 in/sec.
    • Sampling rate: 4fsc (14.31818 MHz for NTSC)
    • No. of bits: 8
    • Data rate: 60.1 MB/sec (480.8Mbps)
  • Audio:
    • No. of digital channels: 4
    • Sampling rate: 48 kHz
    • No. of bits: 20

Models edit

 
Sony DVR-28
  • Ampex
    • VPR-200, VPR-250, VPR-300
    • ACR-225 Commercial Spot Player (robotic tape system)
  • Sony
    • DVR-10, DVR-18, DVR-20, DVR-28
    • DCR-10, DCR-18, DCR-20, DCR-28 (sold by BTS)
    • DVC 80, DVC 1000s LMS (Library Management System)

References edit

  1. ^ a b . Ampex. Archived from the original on 14 September 2013. Retrieved 14 September 2013.
  2. ^ a b Watkinson, John (1990). The Art of Digital Video. Focal Press. ISBN 0-240-51287-1.
  3. ^ Watkinson, John (1990). The D-2 Digital Video Recorder. Focal Press. p. 5. ISBN 0-240-51302-9.
  4. ^ Broadcast Engineer's Reference Book. 12 November 2012. ISBN 9781136024184.[page needed]
  5. ^ a b c d Tozer, E. P. J. (November 12, 2012). Broadcast Engineer's Reference Book. CRC Press. ISBN 9781136024184 – via Google Books.
  6. ^ . Ampex. Archived from the original on 3 September 2013. Retrieved 18 September 2013.
  7. ^ "The Making of South Park". South Park Scriptorium. Retrieved 15 September 2013.
  8. ^ "MST3k 404 - Teenagers From Outer Space". Retrieved 3 January 2024.
  9. ^ (multiple authors). "Videotape Formats". LionLamb. Retrieved 19 September 2013.

External links edit

  • Google Books: The History of Television, 1942 to 2000 By Albert Abramson
  • Google Books: The Art of Digital Video, by John Watkinson
  • lionlamb.us: Ampex Digital VTR Catalog
  • lionlamb.us: Ampex ACR-225
  • tech-notes.tv: Ampex history
  • D-1, D-2 & D-3: histories of digital video tape

video, other, uses, professional, digital, videocassette, format, created, ampex, introduced, 1988, show, composite, video, alternative, component, video, format, garnered, ampex, technical, emmy, 1989, like, stores, uncompressed, digital, video, tape, cassett. For other uses see D2 D 2 is a professional digital videocassette format created by Ampex and introduced in 1988 1 at the NAB Show as a composite video alternative to the component video D 1 format It garnered Ampex a technical Emmy in 1989 1 Like D 1 D 2 stores uncompressed digital video on a tape cassette however it stores a composite video signal rather than component video as with D 1 While component video is superior for advanced editing especially when chroma key effects are used composite video was more compatible with most analog facilities existing at the time D 2 video Sony D 2 VCRMedia typeMagnetic TapeEncodingdigital composite videoRead mechanismHelical scanWrite mechanismHelical scanStandardinterlaced NTSC PAL Developed byAmpex SonyUsageVideo productionReleased1988 Contents 1 History 2 Features 3 Acceptance 4 Format Description 5 Models 6 References 7 External linksHistory editAmpex created the first D 2 video machine the ACR 225 commercial spot player 2 working with Sony who had done some early research into composite digital video 3 as a cost effective solution for TV broadcasters with large investments in composite analog infrastructure such as video routers and switchers since it could be inserted into existing analog broadcast facilities without extensive redesign or modifications This was because D 2 machines accepted standard analog video and audio inputs and outputs D 2 machines are capable of interfacing through either serial digital video or analog video connections Four PCM audio channels are available for editing an improvement over the then popular Type C analog machines with two audio channels as well as an analog cue channel and timecode also with digital or analog connections Features editLike D 1 D 2 uses 19 mm inch tape loaded into three different sized videocassettes to support commercial spot playback as well as long form programming such as movies Although D 2 videocassette housings are nearly identical to their D 1 counterparts they are not interchangeable due to D 2 s metal particle tape formula needed for its higher recording density 2 Ampex D 2 tape transports are extremely fast A high speed search at 60 times playback speed with a recognizable color picture allowed three hours of videotape to be searched through in approximately three minutes The format uses helical scan with an M wrap pattern in which the tape is wrapped around the head drum around the left and right side 4 This records diagonal tracks called helical tracks using heads mounted on the drum which rotates at high speed Both audio and video are recorded on the helical tracks 5 The D 2 offered read before write or preread functionality which allowed simultaneous playback and recording on the same transport 6 For example a title could be superimposed over existing video already on the same video tape by playing the tape through a video switcher adding the title and recording the new composite image back onto the same location of the tape This eliminated the need for an additional recorder and saved considerable time in video editing Steven Fuiten was the first PreRead Editor to composite video using a full D2 digital system citation needed Acceptance editDuring its early stages finished episodes of South Park were hastily recorded to D 2 to be sent to Comedy Central for airing in just a few days time 7 D 2 replaced Type C videotape for the mastering of LaserDiscs in the late 1980s citation needed D 2 was also used to send at least some episodes of Mystery Science Theater 3000 to Comedy Central for playback 8 D 2 was in widespread use for some ten years as the computer based video server with fewer moving parts and correspondingly greater reliability became available not long after its release By 2003 only a handful of broadcasters continued to use the D 2 format and even then only to access materials recorded on the format citation needed Panasonic introduced D 3 in 1991 it is very similar to D 2 as it uses a smaller cassette case Format Description editGeneral Format name D2 digital SMPTE type D2 Format type digital composite Scanning system multi head segmented helical Year introduced 1988 Developer Ampex Sony Physical Data 9 Tape width 19 mm Tape speed s 5 19 ips Tape thickness 55 mils Playing time s 32 94 208 minutes Small Medium Large cassette sizes Headwheel head drum diameter 2 95 96 4 mm 5 Helical track width 35 2 microns 5 Speed 7200 rpm 5 Head to tape writing speed 1078 in sec Sampling rate 4fsc 14 31818 MHz for NTSC No of bits 8 Data rate 60 1 MB sec 480 8Mbps Audio No of digital channels 4 Sampling rate 48 kHz No of bits 20Models edit nbsp Sony DVR 28Ampex VPR 200 VPR 250 VPR 300 ACR 225 Commercial Spot Player robotic tape system Sony DVR 10 DVR 18 DVR 20 DVR 28 DCR 10 DCR 18 DCR 20 DCR 28 sold by BTS DVC 80 DVC 1000s LMS Library Management System References edit a b Ampex History Ampex Archived from the original on 14 September 2013 Retrieved 14 September 2013 a b Watkinson John 1990 The Art of Digital Video Focal Press ISBN 0 240 51287 1 Watkinson John 1990 The D 2 Digital Video Recorder Focal Press p 5 ISBN 0 240 51302 9 Broadcast Engineer s Reference Book 12 November 2012 ISBN 9781136024184 page needed a b c d Tozer E P J November 12 2012 Broadcast Engineer s Reference Book CRC Press ISBN 9781136024184 via Google Books Ampex history 1988 Ampex Archived from the original on 3 September 2013 Retrieved 18 September 2013 The Making of South Park South Park Scriptorium Retrieved 15 September 2013 MST3k 404 Teenagers From Outer Space Retrieved 3 January 2024 multiple authors Videotape Formats LionLamb Retrieved 19 September 2013 External links editallmobilevideo com D2 Specs Google Books The History of Television 1942 to 2000 By Albert Abramson Google Books The Art of Digital Video by John Watkinson lionlamb us Ampex Digital VTR Catalog lionlamb us Ampex ACR 225 tech notes tv Ampex history ampex com Ampex history D 1 D 2 amp D 3 histories of digital video tape Retrieved from https en wikipedia org w index php title D 2 video amp oldid 1207307040, wikipedia, wiki, book, books, library,

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