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Comics journalism

October 19, 2023

Comics journalism is a form of journalism that covers news or nonfiction events using the framework of comics, a combination of words and drawn images. Typically, sources are actual people featured in each story, and word balloons are actual quotes. The term "comics journalism" was coined by one of its most notable practitioners, Joe Sacco.[1] Other terms for the practice include "graphic journalism,"[2] "comic strip journalism", "cartoon journalism", "cartoon reporting", "comics reportage",[3] "journalistic comics", and "sketchbook reports".[4]

Visual narrative storytelling has existed for thousands of years, but comics journalism brings reportage to the field in more direct ways. The Association of American Editorial Cartoonists distinguished comics journalism from political cartoons this way:

"Editorial cartoons are quick, in-the-moment commentary, whose artists have to educate themselves on complex issues and craft well-informed opinions in a single take that emphasizes clarity under daily deadlines. Illustrated reporting, or comics journalism, takes days, weeks, or months to craft a story, which can run for pages, and which may or may not be presenting an opinion."[5]

The use of the comics medium to cover real-life events for news organizations, publications or publishers (in graphic novel format) is currently at an all-time peak.[citation needed] Comics journalism publications are active in the United States, the United Kingdom, France, the Netherlands, Italy, and India, and comics journalists also hail from such countries as Russia, Lebanon, Belgium, Peru, and Germany.[6] Many of the works are featured online and in collaboration with established publications, as well as the small press. In recent decades, works of comics journalism have appeared in such publications as Harper's Magazine, The Atlantic, The New Yorker, The New York Times, The Boston Globe, The Guardian, Slate, Columbia Journalism Review, and LA Weekly.

History Edit

Antecedents to comics journalism included printmakers like Currier and Ives and George Luks, who illustrated American Civil War battles; and political cartoonists like Thomas Nast.[7] Historically, pictorial representation (typically engravings) of news events were commonly used before the proliferation of photography in publications such as The Illustrated London News and Harper's Magazine.

In the 1920s, the political magazine New Masses sent cartoonists to cover strikes and labor battles, but they were restricted to single panel cartoons.[7]

In the 1950s and the 1960s, Harvey Kurtzman did a number of true comics journalism pieces for magazines like Esquire and TV Guide.[7] In 1965, Robert Crumb, later a key founder of the underground comix movement, produced "Bulgaria: A Sketchbook Report" for Kurtzman's Help!, a tongue-in-cheek journalistic overview of the socialist country of Bulgaria, based on his own travels there.[8] Crumb had done an earlier, similar "sketchbook report" on Harlem, which was also published in Help![9] Kurtzman also hired Jack Davis and Arnold Roth to do light-hearted journalistic comics for Help![7]

Editor/cartoonist Leonard Rifas' two-issue series Corporate Crime Comics (Kitchen Sink Press, 1977, 1979) was an early example of comics reportage,[7] with a number of notable contributors, including Greg Irons, Trina Robbins, Harry Driggs, Guy Colwell, Kim Deitch, Justin Green, Jay Kinney, Denis Kitchen, and Larry Gonick.

Joe Sacco is widely considered to be one of the pioneers of the form,[10][11] starting with his 1991 series Palestine.[7] In the late 1990s and early 2000s, Sacco produced a number of works of comics journalism for such established publications as Details, Time, The New York Times Magazine, The Guardian, and Harper's Magazine. Since then, he has published a number of book-length works of comics journalism.

In October 1994 cartoonist Bill Griffith toured Cuba for two weeks, during a period of mass exodus, as thousands of Cubans took advantage of President Fidel Castro's decision to permit emigration for a limited time. In early 1995, Griffith published a six-week series of stories about Cuban culture and politics in his strip Zippy. The Cuba series included transcripts of conversations Griffith had conducted with various Cubans, including artists, government officials, and a Yoruba priestess.[12]

Cartoonist Art Spiegelman was comics editor of Details in the mid-1990s; in 1997 — modeling himself after Harvey Kurtzman — Spiegelman began assigning comics journalism pieces to a number of his cartoonist associates,[13] including Sacco, Peter Kuper, Ben Katchor, Peter Bagge, Charles Burns, Kaz, Kim Deitch, and Jay Lynch. The magazine published these works of journalism in comics form throughout 1998 and 1999, helping to legitimize the form in popular perception.[7]

Starting in 1998, and really intensely in the years 2000 to 2002, Peter Bagge did a number of comics journalism stories — on such topics as politics, the Miss America Pageant, bar culture, Christian rock, and the Oscars — mostly for Suck.com.

In the period 2000–2001, cartoonist Marisa Acocella Marchetto produced the semi-regular comics journalism strip The Strip for The New York Times, often on the topic of fashion.

Some of the first known magazines focused specifically on comics journalism include Mamma!, a magazine of comics journalism printed in Italy since 2009 and produced by a group of authors; and Symbolia, a digital magazine of comics journalism for tablet computers, which operated from 2013 to 2015.[14] Other digital magazines which focused on comics journalism during this period included Darryl Holliday & Erik Rodriguez' The Illustrated Press[15] and Josh Kramer's The Cartoon Picayune.

Jen Sorensen was editor of the "Graphic Culture" section of Splinter News (formerly Fusion) from 2014 to 2018, while Matt Bors has edited the online comics collection The Nib since 2014;[3] both sites publish comics journalism pieces.

In May 2016, The New York Times put comics journalism front-and-center for the first time with "Inside Death Row,"[16] by Patrick Chappatte (with Anne-Frédérique Widmann), a five-part series about the death penalty in the United States. In 2017, it published "Welcome to the New World,"[17] by Jake Halpern and Michael Sloan, chronicling a Syrian refugee family settling in the United States. The series ran in the print Sunday Review edition from January to September 2017 and won the Pulitzer Prize for Editorial Cartooning in 2018.[18]

In November 2019 the book Libia, about the war in Libya,[19] written by Francesca Mannocchi and drawn by Gianluca Costantini, was published in Italy;[20] it was translated and published in France in 2020.[21]

In 2022, in a sign of tacit approval of the form of comics journalism, the Pulitzer Prize committee changed the name of the Pulitzer Prize for Editorial Cartooning (which had been in place since 1922) to the Pulitzer Prize for Illustrated Reporting and Commentary.[5][22] The 2022 award went to a work of comics journalism about the Uyghur genocide published by Insider.[5]

Techniques Edit

As with traditional journalism, there are no rules per se about comics journalism, and there are a wide variety of practices. Some practitioners, like Joe Sacco and Susie Cagle, have a background in journalism, while others were trained first as cartoonists.[2] One feature that unites all forms of comics journalism is a reliance on witness interviews and other primary sources.[23] Many practitioners highlight the form's power to engender empathy in its subjects.[23]

Sacco is a trained journalist who extensively documents his subjects and spends years crafting his stories.[7] Among the techniques he uses to protect his subjects — who are often survivors of conflict zones in the Middle East and the former Yugoslavia — are to change their names and use his art to anonymize their faces.[7]

Wendy MacNaughton sketches extensively with her subjects and locations before retreating to her studio to craft the finished piece.[2]

Austrian graduate student Lukas Plank created a comic, "Drawn Truth: Transparency in Journalist Comics," based on his research into the field, that outlines some potential "best practices" for comics journalists.[24]

In a February 2005 article on comics journalism for Columbia Journalism Review, Kristian Williams introduced, explained, and defended comics journalism:

The ability to alternate between the realistic and the symbolic is a major strength of comics journalism. It is also one reason why editors are likely to shy away from it — or, as with the recent newspaper strips, to relegate comics journalism to cultural coverage and human-interest stories. When it comes to the front page, newspapers favor plain language, in part to protect the readers from the seductions of rhetoric, of art. And comics are irreducibly artistic.

But such reasoning also cuts the other way. The hard-nosed, facts-are-facts tone of "journalistic language" is also seductive. Plain-speaking is itself a kind of rhetoric, which wins trust precisely by seeming to leave rhetoric aside.

Art Spiegelman argues, "The phony objectivity that comes with a camera is a convention and a lie in the same way as writing in the third person rather than the first person. To write a comics journalism report you're already making an acknowledgment of biases and an urgency that communicates another level of information."[25]

Comics journalists Edit

Magazines of comics journalism Edit

Active Edit

  • Cartoon Movement, platform for works of graphic journalism and editorial cartoons
  • Drawing the Times, international platform for graphic journalism
  • La Revue Dessinée, French quarterly of comics journalism. Published since 2013 by Éditions du Seuil.[27]

Defunct Edit

  • The Cartoon Picayune, American anthology of comics journalism and nonfiction comics, published from 2011 to 2017. Founded and edited by Josh Kramer.[28]
  • The Illustrated Press, Chicago-based outlet founded by Darryl Holliday.[29] Active from 2011 to 2015.[30]
  • Mamma!, Italian printed magazine of comics journalism, editorial cartoons, data journalism, and photojournalism. Founded by Carlo Gubitosa and published by cultural association Altrinformazione from 2009 to 2013.[31]
  • Symbolia, American digital magazine of comics journalism. Published from 2013 to 2015.[14]
  • The Nib, American online non-fiction comics publication founded and operated by Matt Bors. Published under Medium from 2013 to 2015, under First Look Media from 2016[32] to 2019, and independently member-supported from 2019-23. It is defunct as of September 2023. [33]

See also Edit

References Edit

  1. ^ Steinhauer, Jillian (quoting Hillary Chute). "The Outsider: Joe Sacco's comics journalism," The Nation (Dec. 28, 2020).
  2. ^ a b c Hodara, Susan. "Graphic Journalism," Communication Arts (March 2020).
  3. ^ a b Cavna, Michael. "COMICS: Meet the man who’s creating a space for longform journalism — in graphic novel form," Washington Post (September 16, 2016).
  4. ^ McGee, Kathleen. "SPIEGELMAN SPEAKS: Art Spiegelman is the author of Maus for which he won a special Pulitzer in 1992. Kathleen McGee interviewed him when he visited Minneapolis in 1998," Conduit (1998).
  5. ^ a b c Tornoe, Rob (May 1, 2022). "Pulitzer change leaves illustrators feeling slighted: New category muddies distinctions between illustrated reporting and editorial cartooning". Editor & Publisher.
  6. ^ Thorne, Laura. Reporting, Illustrated," Columbia Journalism Review (Summer 2019).
  7. ^ a b c d e f g h i j k l m Mackay, Brad. "Behind the rise of investigative cartooning," THIS Magazine (Jan. 2008). Archived at Ad Astra Comix.
  8. ^ Crumb, Robert. "Bulgaria: A Sketchbook Report," Help! #25 (July 1965). Archived at Transverse Alchemy. Accessed April 3, 2019.
  9. ^ Crumb, Robert. "Harlem: A Sketchbook Report," Help! #22 (Jan. 1965).
  10. ^ Nalvic. "A Quick Guide to Comic Journalism". Nalvic's Reviews (June 12, 2012).
  11. ^ Crumm, David. "Joe Sacco nails down comic credentials in Journalism: Sacco contributes to new global language," Read the Spirit (June 29, 2012). 2012-07-13 at the Wayback Machine.
  12. ^ "About Bill Griffith," Current Biography (2001). Archived at Zippy the Pinhead official Website. Accessed Dec. 11, 2019.
  13. ^ "Details Begins Cartoon Journalism Features," The Comics Journal #205 (June 1998), p. 27.
  14. ^ a b "Symbolia digital magazine draws in readers with 'illustrated journalism'". Poynter.org. 3 December 2012.
  15. ^ . Archived from the original on 2018-07-15. Retrieved 2020-12-28.{{cite web}}: CS1 maint: bot: original URL status unknown (link)
  16. ^ "Inside Death Row". The New York Times. May 2016.
  17. ^ "Welcome to the New World". The New York Times. September 2017.
  18. ^ Ayres, Andrea. "How a Graphic Novel “Welcome to the New World” Won a Pulitzer," The Beat (April 19, 2018).
  19. ^ "Libia". ChannelDraw. 28 October 2019. Retrieved 2020-12-12.
  20. ^ "Representing conflict beyond the headlines: An excerpt of Libia, a graphic novel by Francesca Mannocchi and Gianluca Costantini - The Polis Project, Inc". The Polis Project, Inc. 2020-11-26. Retrieved 2020-12-12.
  21. ^ "Libye | Rackham" (in French). Retrieved 2020-12-12.
  22. ^ Degg, D. D. (June 7, 2022). "Editor & Publisher Reports on Pulitzer Prize's New Illustrated Reporting and Commentary Category". The Daily Cartoonist.
  23. ^ a b c H.G. "In the frame: The power of comics journalism: The medium is able to narrate personal experiences more effectively than traditional journalism can" The Economist (Oct 21st 2016).
  24. ^ Plank, Lukas. "Drawn Truth," Drawn Truth Tumblr. Accessed April 3, 2019. .
  25. ^ Williams, Kristian. "The Case for Comics Journalism: Artist-reporters leap tall conventions in a single bound," Columbia Journalism Review (Feb. 2005). at the Wayback Machine.
  26. ^ a b c d e f Polgreen, Erin. "What is Graphic Journalism?", The Hooded Utilitarian (Mar. 29, 2011).
  27. ^ "La Revue Dessinée, c'est quoi ?". Retrieved 31 July 2018.
  28. ^ Clough, Rob. "The Comics Journalism of Josh Kramer," High-Low (Oct. 29, 2011).
  29. ^ Kaneya, Rui. "How comics journalism brings stories to life: Chicago's Illustrated Press is at the forefront of a burgeoning movement," Columbia Journalism Review (Sept. 19, 2014).
  30. ^ Darryl Holliday LinkedIn page. Retrieved Jan. 23, 2022.
  31. ^ "Focus sulla rivista Mamma! La nuova frontiera del giornalismo a fumetti". Il nuovo Corriere di Lucca e Versilia. 30 October 2010.
  32. ^ "First Look Media". Retrieved February 15, 2016.
  33. ^ Nib, The (2023-05-22). "The Future of The Nib". The Nib. Retrieved 2023-09-22.

Further reading Edit

  • Duncan, Randy, Michael Ray Taylor, and David Stoddard. Creating Comics as Journalism, Memoir and Nonfiction. Routledge (2015) ISBN 978-0415730075
  • Najarian, Jonathan. "Graphic depictions: Long-form comics as journalism," Quill (June 23, 2022).

External links Edit

 
Wikimedia Commons has media related to Comics journalism.
  • The Nib
  • Cartoon Movement
  • Drawing the Times
  • La Revue Dessinée
  • World Comics Network, grassroots nonfiction comics from around the world
  • Positive Negatives, produces literary comics, animations, and podcasts about contemporary social and humanitarian issues
  • 'Symbolia website (archived)
  • Poynter
  • "A graphics journalism project from The New York Times is taking readers inside death row", Poynter
  • "Comic Books as Journalism: 10 Masterpieces of Graphic Nonfiction," by Kirstin Butler for The Atlantic

October 19, 2023
comics, journalism, form, journalism, that, covers, news, nonfiction, events, using, framework, comics, combination, words, drawn, images, typically, sources, actual, people, featured, each, story, word, balloons, actual, quotes, term, comics, journalism, coin. Comics journalism is a form of journalism that covers news or nonfiction events using the framework of comics a combination of words and drawn images Typically sources are actual people featured in each story and word balloons are actual quotes The term comics journalism was coined by one of its most notable practitioners Joe Sacco 1 Other terms for the practice include graphic journalism 2 comic strip journalism cartoon journalism cartoon reporting comics reportage 3 journalistic comics and sketchbook reports 4 Visual narrative storytelling has existed for thousands of years but comics journalism brings reportage to the field in more direct ways The Association of American Editorial Cartoonists distinguished comics journalism from political cartoons this way Editorial cartoons are quick in the moment commentary whose artists have to educate themselves on complex issues and craft well informed opinions in a single take that emphasizes clarity under daily deadlines Illustrated reporting or comics journalism takes days weeks or months to craft a story which can run for pages and which may or may not be presenting an opinion 5 The use of the comics medium to cover real life events for news organizations publications or publishers in graphic novel format is currently at an all time peak citation needed Comics journalism publications are active in the United States the United Kingdom France the Netherlands Italy and India and comics journalists also hail from such countries as Russia Lebanon Belgium Peru and Germany 6 Many of the works are featured online and in collaboration with established publications as well as the small press In recent decades works of comics journalism have appeared in such publications as Harper s Magazine The Atlantic The New Yorker The New York Times The Boston Globe The Guardian Slate Columbia Journalism Review and LA Weekly Contents 1 History 2 Techniques 3 Comics journalists 4 Magazines of comics journalism 4 1 Active 4 2 Defunct 5 See also 6 References 7 Further reading 8 External linksHistory EditAntecedents to comics journalism included printmakers like Currier and Ives and George Luks who illustrated American Civil War battles and political cartoonists like Thomas Nast 7 Historically pictorial representation typically engravings of news events were commonly used before the proliferation of photography in publications such as The Illustrated London News and Harper s Magazine In the 1920s the political magazine New Masses sent cartoonists to cover strikes and labor battles but they were restricted to single panel cartoons 7 In the 1950s and the 1960s Harvey Kurtzman did a number of true comics journalism pieces for magazines like Esquire and TV Guide 7 In 1965 Robert Crumb later a key founder of the underground comix movement produced Bulgaria A Sketchbook Report for Kurtzman s Help a tongue in cheek journalistic overview of the socialist country of Bulgaria based on his own travels there 8 Crumb had done an earlier similar sketchbook report on Harlem which was also published in Help 9 Kurtzman also hired Jack Davis and Arnold Roth to do light hearted journalistic comics for Help 7 Editor cartoonist Leonard Rifas two issue series Corporate Crime Comics Kitchen Sink Press 1977 1979 was an early example of comics reportage 7 with a number of notable contributors including Greg Irons Trina Robbins Harry Driggs Guy Colwell Kim Deitch Justin Green Jay Kinney Denis Kitchen and Larry Gonick Joe Sacco is widely considered to be one of the pioneers of the form 10 11 starting with his 1991 series Palestine 7 In the late 1990s and early 2000s Sacco produced a number of works of comics journalism for such established publications as Details Time The New York Times Magazine The Guardian and Harper s Magazine Since then he has published a number of book length works of comics journalism In October 1994 cartoonist Bill Griffith toured Cuba for two weeks during a period of mass exodus as thousands of Cubans took advantage of President Fidel Castro s decision to permit emigration for a limited time In early 1995 Griffith published a six week series of stories about Cuban culture and politics in his strip Zippy The Cuba series included transcripts of conversations Griffith had conducted with various Cubans including artists government officials and a Yoruba priestess 12 Cartoonist Art Spiegelman was comics editor of Details in the mid 1990s in 1997 modeling himself after Harvey Kurtzman Spiegelman began assigning comics journalism pieces to a number of his cartoonist associates 13 including Sacco Peter Kuper Ben Katchor Peter Bagge Charles Burns Kaz Kim Deitch and Jay Lynch The magazine published these works of journalism in comics form throughout 1998 and 1999 helping to legitimize the form in popular perception 7 Starting in 1998 and really intensely in the years 2000 to 2002 Peter Bagge did a number of comics journalism stories on such topics as politics the Miss America Pageant bar culture Christian rock and the Oscars mostly for Suck com In the period 2000 2001 cartoonist Marisa Acocella Marchetto produced the semi regular comics journalism strip The Strip for The New York Times often on the topic of fashion Some of the first known magazines focused specifically on comics journalism include Mamma a magazine of comics journalism printed in Italy since 2009 and produced by a group of authors and Symbolia a digital magazine of comics journalism for tablet computers which operated from 2013 to 2015 14 Other digital magazines which focused on comics journalism during this period included Darryl Holliday amp Erik Rodriguez The Illustrated Press 15 and Josh Kramer s The Cartoon Picayune Jen Sorensen was editor of the Graphic Culture section of Splinter News formerly Fusion from 2014 to 2018 while Matt Bors has edited the online comics collection The Nib since 2014 3 both sites publish comics journalism pieces In May 2016 The New York Times put comics journalism front and center for the first time with Inside Death Row 16 by Patrick Chappatte with Anne Frederique Widmann a five part series about the death penalty in the United States In 2017 it published Welcome to the New World 17 by Jake Halpern and Michael Sloan chronicling a Syrian refugee family settling in the United States The series ran in the print Sunday Review edition from January to September 2017 and won the Pulitzer Prize for Editorial Cartooning in 2018 18 In November 2019 the book Libia about the war in Libya 19 written by Francesca Mannocchi and drawn by Gianluca Costantini was published in Italy 20 it was translated and published in France in 2020 21 In 2022 in a sign of tacit approval of the form of comics journalism the Pulitzer Prize committee changed the name of the Pulitzer Prize for Editorial Cartooning which had been in place since 1922 to the Pulitzer Prize for Illustrated Reporting and Commentary 5 22 The 2022 award went to a work of comics journalism about the Uyghur genocide published by Insider 5 Techniques EditAs with traditional journalism there are no rules per se about comics journalism and there are a wide variety of practices Some practitioners like Joe Sacco and Susie Cagle have a background in journalism while others were trained first as cartoonists 2 One feature that unites all forms of comics journalism is a reliance on witness interviews and other primary sources 23 Many practitioners highlight the form s power to engender empathy in its subjects 23 Sacco is a trained journalist who extensively documents his subjects and spends years crafting his stories 7 Among the techniques he uses to protect his subjects who are often survivors of conflict zones in the Middle East and the former Yugoslavia are to change their names and use his art to anonymize their faces 7 Wendy MacNaughton sketches extensively with her subjects and locations before retreating to her studio to craft the finished piece 2 Austrian graduate student Lukas Plank created a comic Drawn Truth Transparency in Journalist Comics based on his research into the field that outlines some potential best practices for comics journalists 24 In a February 2005 article on comics journalism for Columbia Journalism Review Kristian Williams introduced explained and defended comics journalism The ability to alternate between the realistic and the symbolic is a major strength of comics journalism It is also one reason why editors are likely to shy away from it or as with the recent newspaper strips to relegate comics journalism to cultural coverage and human interest stories When it comes to the front page newspapers favor plain language in part to protect the readers from the seductions of rhetoric of art And comics are irreducibly artistic But such reasoning also cuts the other way The hard nosed facts are facts tone of journalistic language is also seductive Plain speaking is itself a kind of rhetoric which wins trust precisely by seeming to leave rhetoric aside Art Spiegelman argues The phony objectivity that comes with a camera is a convention and a lie in the same way as writing in the third person rather than the first person To write a comics journalism report you re already making an acknowledgment of biases and an urgency that communicates another level of information 25 Comics journalists EditDan Archer 26 Peter Bagge Matt Bors 26 Steve Brodner Susie Cagle 26 Claudio Calia Patrick Chappatte Sue Coe 7 Gianluca Costantini Sarah Glidden 23 26 Carlo Gubitosa Wendy MacNaughton 26 Marisa Acocella Marchetto Josh Neufeld Orijit Sen Ted Rall Leonard Rifas 7 Joe Sacco 26 Jen Sorensen Seth Tobocman 7 Sam Wallman Chip Zdarsky 7 Magazines of comics journalism EditActive Edit Cartoon Movement platform for works of graphic journalism and editorial cartoons Drawing the Times international platform for graphic journalism La Revue Dessinee French quarterly of comics journalism Published since 2013 by Editions du Seuil 27 Defunct Edit The Cartoon Picayune American anthology of comics journalism and nonfiction comics published from 2011 to 2017 Founded and edited by Josh Kramer 28 The Illustrated Press Chicago based outlet founded by Darryl Holliday 29 Active from 2011 to 2015 30 Mamma Italian printed magazine of comics journalism editorial cartoons data journalism and photojournalism Founded by Carlo Gubitosa and published by cultural association Altrinformazione from 2009 to 2013 31 Symbolia American digital magazine of comics journalism Published from 2013 to 2015 14 The Nib American online non fiction comics publication founded and operated by Matt Bors Published under Medium from 2013 to 2015 under First Look Media from 2016 32 to 2019 and independently member supported from 2019 23 It is defunct as of September 2023 33 See also EditAutobiographical comics Visual journalismReferences Edit Steinhauer Jillian quoting Hillary Chute The Outsider Joe Sacco s comics journalism The Nation Dec 28 2020 a b c Hodara Susan Graphic Journalism Communication Arts March 2020 a b Cavna Michael COMICS Meet the man who s creating a space for longform journalism in graphic novel form Washington Post September 16 2016 McGee Kathleen SPIEGELMAN SPEAKS Art Spiegelman is the author of Maus for which he won a special Pulitzer in 1992 Kathleen McGee interviewed him when he visited Minneapolis in 1998 Conduit 1998 a b c Tornoe Rob May 1 2022 Pulitzer change leaves illustrators feeling slighted New category muddies distinctions between illustrated reporting and editorial cartooning Editor amp Publisher Thorne Laura Reporting Illustrated Columbia Journalism Review Summer 2019 a b c d e f g h i j k l m Mackay Brad Behind the rise of investigative cartooning THIS Magazine Jan 2008 Archived at Ad Astra Comix Crumb Robert Bulgaria A Sketchbook Report Help 25 July 1965 Archived at Transverse Alchemy Accessed April 3 2019 Crumb Robert Harlem A Sketchbook Report Help 22 Jan 1965 Nalvic A Quick Guide to Comic Journalism Nalvic s Reviews June 12 2012 Crumm David Joe Sacco nails down comic credentials in Journalism Sacco contributes to new global language Read the Spirit June 29 2012 Archived 2012 07 13 at the Wayback Machine About Bill Griffith Current Biography 2001 Archived at Zippy the Pinhead official Website Accessed Dec 11 2019 Details Begins Cartoon Journalism Features The Comics Journal 205 June 1998 p 27 a b Symbolia digital magazine draws in readers with illustrated journalism Poynter org 3 December 2012 Illustrated Press Reporter Darryl Holliday and illustrator Erik Rodriguez are Chicago s pioneers of the comics journalism medium Chicago Magazine Archived from the original on 2018 07 15 Retrieved 2020 12 28 a href Template Cite web html title Template Cite web cite web a CS1 maint bot original URL status unknown link Inside Death Row The New York Times May 2016 Welcome to the New World The New York Times September 2017 Ayres Andrea How a Graphic Novel Welcome to the New World Won a Pulitzer The Beat April 19 2018 Libia ChannelDraw 28 October 2019 Retrieved 2020 12 12 Representing conflict beyond the headlines An excerpt of Libia a graphic novel by Francesca Mannocchi and Gianluca Costantini The Polis Project Inc The Polis Project Inc 2020 11 26 Retrieved 2020 12 12 Libye Rackham in French Retrieved 2020 12 12 Degg D D June 7 2022 Editor amp Publisher Reports on Pulitzer Prize s New Illustrated Reporting and Commentary Category The Daily Cartoonist a b c H G In the frame The power of comics journalism The medium is able to narrate personal experiences more effectively than traditional journalism can The Economist Oct 21st 2016 Plank Lukas Drawn Truth Drawn Truth Tumblr Accessed April 3 2019 Archived at the Wayback Machine Williams Kristian The Case for Comics Journalism Artist reporters leap tall conventions in a single bound Columbia Journalism Review Feb 2005 Archived at the Wayback Machine a b c d e f Polgreen Erin What is Graphic Journalism The Hooded Utilitarian Mar 29 2011 La Revue Dessinee c est quoi Retrieved 31 July 2018 Clough Rob The Comics Journalism of Josh Kramer High Low Oct 29 2011 Kaneya Rui How comics journalism brings stories to life Chicago s Illustrated Press is at the forefront of a burgeoning movement Columbia Journalism Review Sept 19 2014 Darryl Holliday LinkedIn page Retrieved Jan 23 2022 Focus sulla rivista Mamma La nuova frontiera del giornalismo a fumetti Il nuovo Corriere di Lucca e Versilia 30 October 2010 First Look Media Retrieved February 15 2016 Nib The 2023 05 22 The Future of The Nib The Nib Retrieved 2023 09 22 Further reading EditDuncan Randy Michael Ray Taylor and David Stoddard Creating Comics as Journalism Memoir and Nonfiction Routledge 2015 ISBN 978 0415730075 Najarian Jonathan Graphic depictions Long form comics as journalism Quill June 23 2022 External links Edit nbsp Wikimedia Commons has media related to Comics journalism The Nib Cartoon Movement Drawing the Times La Revue Dessinee World Comics Network grassroots nonfiction comics from around the world Positive Negatives produces literary comics animations and podcasts about contemporary social and humanitarian issues Symboliawebsite archived Dan Archer s An introduction to comics journalism in the form of comics journalism Poynter A graphics journalism project from The New York Times is taking readers inside death row Poynter Comic Books as Journalism 10 Masterpieces of Graphic Nonfiction by Kirstin Butler for The Atlantic Retrieved from https en wikipedia org w index php title Comics journalism amp oldid 1176501610, wikipedia, wiki, book, books, library,

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