Chthonic

This article is about the Greek deities. For the band, see Chthonic (band). For other uses, see Chthon (disambiguation).

The word chthonic (/ˈθɒnɪk/), or chthonian, is derived from the Ancient Greek word χθών, "khthon", meaning earth or soil. It translates more directly from χθόνιος or "in, under, or beneath the earth" which can be differentiated from Γῆ, or "ge", which speaks to the living surface of land on the earth.^[1][2][3] In Greek, chthonic is a descriptive word for things relating to the underworld and can be used in the context of chthonic gods, chthonic rituals, chthonic cults, and more.^[4] This is as compared to the more commonly referenced Olympic gods and their associated rites and cults. Olympic gods are understood to reference that which exists above the earth, particularly in the sky.^[5] Gods that are related to agriculture are also considered to have chthonic associations as planting and growing takes place in part under the earth.^[6]

Relief from grave of Lysimachides (320 BC). Two men and one woman sit together as Charon, the ferryman of the Underworld, approaches to take him to the land of the dead.

Chthonic deities

 

Orestes Pursued by the Furies painted by William-Adolphe Bouguereau (1862)

Chthonic and ouranic, or olympic, are not completely opposite descriptors.^[7] They do not cleanly differentiate types of gods and worship into distinct categories, but represent a cultic spectrum.^[8] These terms communicate associations with the underworld and/or agriculture. This makes some deities such as Hades, Persephone, and Erinyes more likely to be considered chthonic due to their proximity to the underworld.^[9] While this is the case, virtually any god could be considered chthonic to emphasize different aspects of the god.^[10] For example, Demeter and Hermes are categorized within the twelve Olympian gods but are often considered chthonic.^[5] Zeus has also been referenced with the surname "chthonios", demonstrating the situational use of a chthonic description.^[11]

Epithets

 

The Return of Persephone (1891) by Frederic Leighton

In Ancient Greece, the names of deities were sometimes followed by an epithet. These epithets most often followed the name of the god, acting like a surname.

In this context, the purpose of an epithet was to describe a characteristic or association of a deity. The epithets 'chthonios' and 'chthonia' would follow the name of a god or goddess to reference their relationship either to the underworld or agriculture.^[4] For example, Hermes Chthonios references Hermes' role as the underworld escort. In contrast, Charon does not necessitate a chthonic epithet as his relation to the underworld is his main attribution. Additional examples of deities with recorded epithets include Demeter Chthonia, Ge Chthonia, Persephone Chthonia, Zeus Chthonios, and Hecate Chthonia.^[4]

Common chthonic deities

As discussed, many deities can be considered chthonic based upon what attributes are being referenced. Though this is the case, there are a few gods which are most commonly considered chthonic due to their considerable role in the underworld and/or agriculture. These include Hades as he is the ruler of the underworld.^[12] Persephone is the Queen of the Underworld alongside Hades. She spends half the year in the underworld and the other half above the earth. The period when Persephone is in the underworld corresponds with winter while she personifies spring when she returns to above the earth. It is for these reasons that she is mainly associated with the underworld as well as agriculture. Demeter is related to the underworld as she attempts to rescue Persephone from Hades in her grief. Additionally, she is associated with agriculture and fertility.^[13] Additionally, the Furies, or the Erinyes, reside in the underworld and are known for vengeance.^[14]

Chthonic cult

Offerings were a significant aspect of Ancient Greek religion. They were used to communicate with the gods and commonly took the forms of sacrifice and libation.^[15] Offerings were central to the worship of both chthonic and ouranic gods, though the specifics of these rituals differed. These differences provide insight into the ways in which Greeks perceived chthonic and ouranic deities as well as the ways they related to them.^[16]

Sacrifice

 

Hagia Triada Sarcophagus (1400 BC) Minoan fresco potentially depicting chthonic worship.

Ouranic sacrifices took place during the daytime and included wine as a libation. They were performed on high altars which resided outside of temples. The animal sacrifice was roasted with the smoke traveling upward toward the sky, in the direction of the olympic gods. Once cooked, the worshippers would feast on the sacrifice with the idea that they were sharing this meal with the gods. The worshippers would eat the consumable portions of the animal and burn the rest for the god.^[17] While performing the sacrifice, worshippers would raise their palms open and upward, again gesturing toward the sky where the ouranic gods resided.^[18]

Chthonic sacrifice was commonly defined by offering a black or dark-hided animal to the deity. Worshippers did not consume the sacrifice themselves, but instead burned the entirety of the animal for the god.^[19] This type of sacrifice is called a holocaust, defined by the completely burned and destroyed nature of the offering.^[6] The sacrifice was performed on a low altar or in a pit in the ground, offered in the direction of the earth where chthonic deities would reside.^[18] The animal sacrifice was sometimes buried as well.^[19] The temples in which these sacrifices were performed were typically built outside city walls with caves and grottos being popular locations, believed to be openings for chthonic deities.^[20] Additionally, worshippers lowered their palms and faced them downwards toward the earth and underworld, in the direction of the chthonic gods. The goal of chthonic worship was to interact with gods beneath the earth so offerings were directed toward the ground to reach these deities.^[18] For this reason, incense was not used in chthonic worship as the smoke would rise upwards rather than downwards. Wine was not utilized in this form of worship, but instead honey was a common libation used.^[11]

Sacrificial practices would not always follow these exact patterns, but these are differences which can allude to whether the worshipper is conducting an ouranic or chthonic sacrifice.^[4] Though the specifics of chthonic and ouranic sacrifice differ, they both have similar goals. In both scenarios, worshippers perform sacrifices to communicate and forge a relationship with the gods. They may perform a sacrifice to thank, honor, or request a favor from a god.^[21]

Scholarly controversy

There is scholarly debate regarding whether the distinction of chthonic is historically accurate and/or useful. Some scholars, including van Straten, argue that the term is not archaeologically verifiable.^[22] Some of these scholars believe that the modern use of chthonic is much more binary and concrete than it was in Ancient Greece.^[4] Schlesier notes that discussions of chthonic practices often create a false sense of 'normal' worship and 'deviant' worship, again citing the stark binary which modern scholars may fall into.^[7]

In response, Scullion articulates the benefits of the term chthonic as long as one also understands the fact that chthonic and olympian are not mutually exclusive categories. The term serves to highlight differing aspects of religious practice.^[6] Lastly, scholars also emphasize the importance of reserving the label of chthonic for situations that were explicitly labeled as such in Ancient Greece.^[23]

References

Citations

1. Liddell, Henry George; Scott, Robert (1940). "A Greek-English Lexicon". Perseus Digital Library. Tufts University. from the original on 2012-10-11.
2. Bailly, Anatole (1935). "Le Grand Bailly: Dictionnaire grec-français". Internet Archive.{{cite web}}: CS1 maint: url-status (link)
3. "Dictionary by Merriam-Webster". Retrieved 5 November 2022.
4. Roberts, Ellie Mackin (2015), "Echoes of the Underworld: Manifestations of Death-Related Gods in Early Greek Cult and Literature", King's College London
5. A companion to Greek religion. Daniel Ogden. Malden, MA: Blackwell Pub. 2007. ISBN 978-1-4051-8216-4. OCLC 173354759.{{cite book}}: CS1 maint: others (link)
6. Scullion, Scott (1994-04-01). "Olympian and Chthonian". Classical Antiquity. 13 (1): 75–119. doi:10.2307/25011006. ISSN 0278-6656. JSTOR 25011006.
7. Schlesier, Renate (1992). "Olympian versus Chthonian Religion". Scripta Classica Israelica. XI: 38–51.
8. Greek sacrificial ritual, Olympian and chthonian : proceedings of the Sixth International Seminar on Ancient Greek Cult, Göteborg University, 25-27 April 1997. Robin Hägg, Brita Alroth, Göteborgs universitet. Avdelningen för antikens kultur och samhällsliv. Sävedalen, Sweden: Svenska institutet i Athen. 2005. ISBN 91-7916-049-2. OCLC 61448076.{{cite book}}: CS1 maint: others (link)
9. Fairbanks, Arthur (1900). "The Chthonic Gods of Greek Religion". The American Journal of Philology. 21 (3): 241–259. doi:10.2307/287716. ISSN 0002-9475. JSTOR 287716.
10. Floky, Aaron R. J. The significance of chthonic motifs in Ancient Greek and Roman mythical narratives. OCLC 1158184846.
11. Hewitt, Joseph William (1908). "The Propitiation of Zeus". Harvard Studies in Classical Philology. 19: 61–120. doi:10.2307/310320. ISSN 0073-0688. JSTOR 310320.
12. Burkert, Walter (1985). Greek religion. John Raffan. Cambridge, Mass.: Harvard University Press. ISBN 0-674-36280-2. OCLC 11517555.
13. Walter, Peter (1876). "THE MYTH OF DEMETER AND PERSEPHONE". Fortnightly Review. 19: 260–276 – via ProQuest.
14. Light and darkness in ancient Greek myth and religion. Menelaos Christopoulos, E. D. Karakantza, Olga Levaniouk. Lanham: Lexington Books. 2010. ISBN 978-0-7391-3901-1. OCLC 699511233.{{cite book}}: CS1 maint: others (link)
15. Ekroth, Gunnel (2014-08-28). Campbell, Gordon Lindsay (ed.). Animal Sacrifice in Antiquity. Oxford University Press. doi:10.1093/oxfordhb/9780199589425.013.020. ISBN 978-0-19-958942-5.
16. The gods of ancient Greece : identities and transformations. Jan N. Bremmer, Andrew Erskine. Edinburgh. 2010. ISBN 978-0-7486-4289-2. OCLC 664804600.{{cite book}}: CS1 maint: others (link)
17. Dillon, Matthew (2002). Girls and women in classical Greek religion. London: Routledge. ISBN 0-203-62132-8. OCLC 54667369.
18. Brekke, Stewart (1991). "Ouranic and Chthonic Deities and Rituals". Classical Bulletin. 67: 33 – via ProQuest.
19. Kerényi, Karl (1974). The heroes of the Greeks. London: Thames & Hudson. ISBN 0-500-27049-X. OCLC 1135369.
20. Denova, Rebecca I. Greek and Roman religions. ISBN 978-1-78785-765-0. OCLC 1243160502.
21. Pötscher, Walter (1964-01-01). Theophrastos. BRILL. doi:10.1163/9789004320307. ISBN 978-90-04-32030-7.
22. Van Straten, van (1995). Hiera Kala : Images of Animal Sacrifice in Archaic and Classical Greece. Leiden: BRILL. ISBN 90-04-28345-5. OCLC 965157551.
23. Polinskai︠a︡, I. (2013). A local history of Greek polytheism : gods, people, and the land of Aigina, 800-400 BCE. Leiden. ISBN 978-90-04-26208-9. OCLC 868068693.

External links

•   Media related to Chthonic beings at Wikimedia Commons