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Christoph Graupner

January 01, 1970

Christoph Graupner (23 January [O.S. 13 January] 1683 – 10 May 1760) was a German composer and harpsichordist of late Baroque music who was a contemporary of Johann Sebastian Bach, Georg Philipp Telemann and George Frideric Handel.

Christoph Graupner
Born23 January [O.S. 13 January] 1683
Hartmannsdorf, Saxony
Died25 June 1767(1767-06-25) (aged 86)
Darmstadt
EducationLeipzig University
Occupations
Organizationscourt of Ernest Louis, Landgrave of Hesse-Darmstadt
Works
Signature

Life edit

Born in Hartmannsdorf near Kirchberg in Saxony, Graupner received his first musical instruction from his uncle, an organist named Nicolaus Kuester. Graupner went to the University of Leipzig where he studied law (as did many composers of the time) and then completed his musical studies with Johann Kuhnau, the cantor of the Thomasschule (St. Thomas School).

In 1705, Graupner left Leipzig to play the harpsichord in the orchestra of the Oper am Gänsemarkt in Hamburg under the direction of Reinhard Keiser, alongside George Frideric Handel, then a young violinist. In addition to playing the harpsichord, Graupner composed six operas in Hamburg, some of them in collaboration with Keiser, a popular composer of operas in Germany.

 
Christoph Graupner's patron: Landgraf Ernst Ludwig von Hessen-Darmstadt

In 1709, Graupner accepted a post at the court of Hesse-Darmstadt and in 1711 became the court orchestra's Hofkapellmeister (court chapel master). Graupner spent the rest of his career at the court in Hesse-Darmstadt, where his primary responsibilities were to provide music for the court chapel. He wrote music for nearly half a century, from 1709 to 1754, when he became blind. He died in Darmstadt six years later.

Graupner and Bach edit

Graupner inadvertently played a key role in the history of music. Precarious finances in Darmstadt during the 1710s forced a reduction of musical life. The opera house was closed, and many court musicians' salaries were in arrears (including Graupner's). After many attempts to have his salary paid, and having several children and a wife to support, in late 1722 Graupner applied for the Cantorate in Leipzig. Telemann had been the first choice for this position, but withdrew after securing a salary increase in Hamburg. Graupner, under the guise of a family-related trip, travelled to Leipzig and presented there a Magnificat (GWV 1172/22) set in the style of his teacher, mentor and former holder of the Leipzig Cantorate, Kuhnau.[1] On 17 January 1723 Graupner's audition, in which he presented the cantatas Aus der Tiefen rufen wir (GWV 1113/23a) and Lobet den Herrn alle Heiden (GWV 1113/23b), took place. His performance was sufficient to secure him the position and three days later the Leipzig council wrote to Graupner's patron (the Landgrave Ernst Ludwig of Hesse-Darmstadt) to request that he be released.[1] However, Ernst Ludwig insisted on Graupner remaining in Darmstadt. In a subsequent settlement Graupner's past due salary was paid in full, his salary was increased; and he would be kept on staff even if his Kapelle was dismissed. With Graupner out of the running for the Cantorate in Leipzig, the next candidate to audition (on 7 February 1723), one Johann Sebastian Bach, was awarded the position.

After hearing that Bach was the choice for Leipzig, on 4 May 1723 Graupner graciously wrote to the city council in Leipzig assuring them that Bach "is a musician just as strong on the organ as he is expert in church works and capelle pieces" and a man who "will honestly and properly perform the functions entrusted to him."[2]

Graupner's opus and modern editions edit

Graupner was hardworking and prolific. There are about 2,000 surviving works in his catalog, including 113 sinfonias, 85 ouvertures (suites), 44 concertos, 8 operas, 1,418 religious and 24 secular cantatas, 66 sonatas and 57 harpsichord partitas.[3] Nearly all of Graupner's manuscripts are housed in the University and State Library Darmstadt.

Graupner wrote for exotic combinations of instruments, including the oboe d'amore, flute d'amore, and viola d'amore. Over half of his sinfonias require brass and timpani, with about 25 sinfonias requiring 3 to 4 timpani, one (sinfonia in G Major GWV 611) 5 timpani, and another, sinfonia in F Major (GWV 566), was composed for 6 timpani. A particular speciality for Graupner was the accompanied chorale. His immense sense of originality and creativity led to him composing a large number of highly contrasting chorales using a relatively small number of tunes. Indeed, one quarter of the 1312 chorales he composed within his 1356 cantatas for Sundays and feast days of the liturgical calendar are based on just 6 tunes.[4]

Obscurity edit

After he died, Graupner's works fell into obscurity for a number of reasons. His manuscripts became the object of a long legal battle between his heirs and the rulers of Hesse-Darmstadt. A final court decision denied the Graupner estate ownership of the music manuscripts. The heirs were unable to obtain permission to sell or publish his works and they remained inaccessible to the public. Furthermore, subsequent dramatic changes in music styles had reduced the interest in Graupner's music. On the positive side however, the Landgrave's seizure of Graupner's musical estate ensured its survival in toto. Fate was not so kind to J. S. Bach's musical legacy, for example. Another factor that contributed to Graupner's posthumous obscurity was that, unlike Bach, Graupner had very few pupils other than Johann Friedrich Fasch to carry on his musical legacy.

As critic David Vernier has summed up, Graupner is "one of those unfortunate victims of fate and circumstance – a contemporary of Bach, Handel, Telemann, etc., who has remained largely – and unfairly – neglected."[5]

Rediscovery edit

 
Title page of the libretto for an opera

Graupner's music is enjoying a revival, due in large part to the research efforts of many musicologists, performers, and conductors.

Beginning in the early 20th century, research began with Willibald Nagel's study of Graupner's sinfonias. In the 1920s, Friedrich Noack published his research on Graupner's cantatas. Baerenreiter published several sinfonias and an ouverture in the 1950s.[6] In the early 1980s, Myron Rosenblum edited four sinfonias for the massive Barry Brook project The Symphony, 1720-1840: A Comprehensive Collection of Full Scores (New York: Garland, 1979–85), 60 vols. The year 1988 saw the publication of Oswald Bill's study of Graupner, with several articles by such Graupner experts as Peter Cahn (on the sinfonias), Joanna Cobb Biermann (musicians and salaries in Darmstadt), as well as source documents on court life in Darmstadt. Three dissertations were very important for Graupner research: H. Cutler Fall's study of the Passiontide cantatas, Rene Schmidt's study of the Christmas cantatas, and Vernon Wicker's study of solo bass cantatas. Christoph Grosspietsch published an extensive study of Graupner's ouvertures in 1994.

Despite all this research, there were relatively few recordings available to the general public. This changed in 1998, when Hermann Max conducted a CD of Graupner works on the CPO label. Montreal harpsichordist Geneviève Soly came across a Graupner manuscript in the Beinecke Library at Yale University in the year 2000 and started performing and recording his works. Graupner was "always on the cutting edge for his time and very innovative in his ideas for harmony, notation, and the use of instruments," as Soly has noted. "You have to take into consideration his various styles in relation to the actual period and the ideas he was interested in developing at that moment. The size of the catalogue imposes added difficulties in this respect, because another composer might have written for just as long, but in one style only. Mozart comes to mind: although he composed over a shorter period, his style was always well defined."[7]

In 2021 Brilliant Classics issued a 14-CD set of Graupner's complete harpsichord music, performed by Fernando De Luca.

In April 2005, a thematic catalog of Graupner's instrumental music (Oswald Bill and Christoph Grosspietsch, editors) was published by Carus-Verlag. There are plans to catalog Graupner's vocal music. In 2010, Belgian conductor and musicologist Florian Heyerick published an online and searchable digital GWV of the instrumental and vocal works.[8]

Works edit

Operas edit

 
Christoph Graupner's cantata for the birthday of Landgraf Ernst Ludwig, December 1726

Selected discography edit

Instrumental music edit

  • Graupner: Cantate, Sonate, Ouverture. Performed by Hélène Plouffe, Geneviève Soly, Chantal Rémillard, Isabelle Bozzini, Ingrid Schmithüsen and L'Ensemble des Idées Heureuses conducted by Geneviève Soly (Analekta 23180)
  • Graupner: Chalumeax - Concertos, Ouvertures & Sonatas. Ars Antiqua Austria, Gunar Letzbor; Performed on historically reproduced instruments. (Challenge Classics CC72539).
  • Graupner: Orchestral Works. Nova Stravaganza. Siegbert Rampe conductor (MD+G Gold 34111212)
  • Graupner: Ouvertures GWV 420 & 421. Antichi Strumenti (Stradivarius 3661472)
  • Graupner: Ouverture, Trio, Sinfonia. Nova Stravaganza. Siegbert Rampe conductor. (MD+G Gold 3411252)
  • Graupner: Partitas For Harpsichord, Vol 1–6. Performed by Geneviève Soly (Analekta 23109, 23164 23181, 29116, 29118, 29119)
  • Various: Virtuoso Timpani Concertos. Dresden Philharmonic Chamber Orchestra. Alexander Peter conductor. (Naxos 8557610)

Mixed programs edit

  • Graupner: Instrumental And Vocal Music. Performed by Ingrid Schmithüsen, Mathieu Lussier, Hélène Plouffe, Geneviève Soly and L'Ensemble des Idées Heureuses conducted by Geneviève Soly (Analekta 23162)
  • Graupner: Ouvertures and cantata. Das kleine Konzert. Hermann Max conductor. (CPO 999592)

Vocal music edit

Cantatas edit

  • Graupner: Christmas cantatas. Das Kleine Konzert, Hermann Max CPO
  • Graupner: Ein Weihnachtsoratorium, 9 Christmas Cantatas (2 CD, Ricercar 307,[9] 2010), Florian Heyerick, Ex Tempore, Mannheimer Hofkapelle
  • Graupner: Epiphany Cantatas Was Gott thut, das ist wohl gethan, er ist mein Licht, GWV 1114/43; Erwacht, ihr Heyden, GWV 1111/34; Die Waßer Wogen im Meer sind groß, GWV 1115/35; Was Gott thut, das ist wohl gethan, es bleibt gerecht sein Wille, GWV 1114/30; Gott, der Herr, ist Sonne und Schild, GWV 1114/54. Andrea Lauren Brown (soprano), Kai Wessel (countertenor), Georg Poplutz (tenor), Dominik Wörner (bass), Kirchheimer BachConsort, Sirkka-Liisa Kaakinen-Pilch (conductor) (CPO 555 146–2, 2017).
  • Graupner: Passion cantatas. "Wo gehet Jesus hin" Anton-Webern-Chor Freiburg, Ensemble Concerto grosso, Hans Michael Beuerle. Carus Verlag.
  • Graupner: Solo- und Dialog Cantatas Jesus ist und bleibt mein Leben GWV 1107/12; Gott ist für uns gestorben GWV 1152/16; Siehe, selig ist der Mensch, den Gott strafet GWV 1162/09; Diese Zeit ist ein Spiel der Eitelkeit GWV 1165/09; Süßes Ende aller Schmerzen GWV 1166/20 . Mit Marie-Luise Werneburg (soprano), Dominik Wörner (bass), Kirchheimer BachConsort, Rudolf Lutz (conductor). (CPO 555-215-2, 2018).

Operas edit

References edit

  1. ^ a b Christoph Graupner, Hofkapellmeister in Darmstadt, 1709-1760. Peter Ahnsehl, Oswald Bill. Mainz: Schott. 1987. ISBN 3-7957-1329-3. OCLC 20631751.{{cite book}}: CS1 maint: others (link)
  2. ^ Christoph Wolff, Johann Sebastian Bach: The Learned Musician, W. W. Norton & Company, New York & London, 2000, p. 224.
  3. ^ Prima la musica! began publishing a series of modern scores for some of Graupner's, ouvertures, sinfonias, and annual cantata cycles of cantatas in 2007.
  4. ^ "Graupner Choraldatenbank / Chorale Database".
  5. ^ David Vernier, Review of L'Ensemble des Idées heureuses, Geneviève Soly: Christoph Graupner, Analekta 2-3162 5 June 2011 at the Wayback Machine, Classics Today
  6. ^ e.g. Graupner, Christoph (1683-1760): Konzert für Oboe, Streicher und Basso continuo F major, ISMN M-006-00921-3; Graupner, Christoph (1683-1760): Ouvertüre für Altblockflöte, Streicher und Basso continuo F major, ISMN M-006-01111-7; Graupner, Christoph 1683-1760): Sonata C major, M-2021-0644-0. Bärenreiter Music Publishers 22 July 2007 at the Wayback Machine
  7. ^ Réjean Beaucage, Geneviève Soly - Love at First Note!, La Scena Musicale, 6 December 2003.
  8. ^ GWV-online
  9. ^ Bureau347 & Snowcap. "Ein Weihnachts Oratorium Outhere Music". outhere-music.com. Retrieved 24 September 2019.{{cite web}}: CS1 maint: numeric names: authors list (link)

External links edit

 
Wikimedia Commons has media related to Christoph Graupner.
  • Graupner GWV-online a digital Graupner Werkverzeichnis with integrated search interface
  • The Christoph Graupner Society Homepage
  • on GoldbergWeb, the early-music portal
  • ULB Library Graupner's music manuscripts and archives in Darmstadt, Germany
  • Christoph Graupner's works at La Sinfonie d'Orphée
  • dedicated to promoting Graupner's work.
  • Free scores by Christoph Graupner at the International Music Score Library Project (IMSLP)

January 01, 1970
christoph, graupner, january, january, 1683, 1760, german, composer, harpsichordist, late, baroque, music, contemporary, johann, sebastian, bach, georg, philipp, telemann, george, frideric, handel, born23, january, january, 1683hartmannsdorf, saxonydied25, jun. Christoph Graupner 23 January O S 13 January 1683 10 May 1760 was a German composer and harpsichordist of late Baroque music who was a contemporary of Johann Sebastian Bach Georg Philipp Telemann and George Frideric Handel Christoph GraupnerBorn23 January O S 13 January 1683Hartmannsdorf SaxonyDied25 June 1767 1767 06 25 aged 86 DarmstadtEducationLeipzig UniversityOccupationsComposerMusic directorOrganizationscourt of Ernest Louis Landgrave of Hesse DarmstadtWorksChurch cantatasChamber musicConcertosHarpsichord musicOrchestral suitesSymphoniesSignature Contents 1 Life 2 Graupner and Bach 3 Graupner s opus and modern editions 4 Obscurity 5 Rediscovery 6 Works 6 1 Operas 7 Selected discography 7 1 Instrumental music 7 2 Mixed programs 7 3 Vocal music 7 3 1 Cantatas 7 3 2 Operas 8 References 9 External linksLife editBorn in Hartmannsdorf near Kirchberg in Saxony Graupner received his first musical instruction from his uncle an organist named Nicolaus Kuester Graupner went to the University of Leipzig where he studied law as did many composers of the time and then completed his musical studies with Johann Kuhnau the cantor of the Thomasschule St Thomas School In 1705 Graupner left Leipzig to play the harpsichord in the orchestra of the Oper am Gansemarkt in Hamburg under the direction of Reinhard Keiser alongside George Frideric Handel then a young violinist In addition to playing the harpsichord Graupner composed six operas in Hamburg some of them in collaboration with Keiser a popular composer of operas in Germany nbsp Christoph Graupner s patron Landgraf Ernst Ludwig von Hessen Darmstadt In 1709 Graupner accepted a post at the court of Hesse Darmstadt and in 1711 became the court orchestra s Hofkapellmeister court chapel master Graupner spent the rest of his career at the court in Hesse Darmstadt where his primary responsibilities were to provide music for the court chapel He wrote music for nearly half a century from 1709 to 1754 when he became blind He died in Darmstadt six years later Graupner and Bach editGraupner inadvertently played a key role in the history of music Precarious finances in Darmstadt during the 1710s forced a reduction of musical life The opera house was closed and many court musicians salaries were in arrears including Graupner s After many attempts to have his salary paid and having several children and a wife to support in late 1722 Graupner applied for the Cantorate in Leipzig Telemann had been the first choice for this position but withdrew after securing a salary increase in Hamburg Graupner under the guise of a family related trip travelled to Leipzig and presented there a Magnificat GWV 1172 22 set in the style of his teacher mentor and former holder of the Leipzig Cantorate Kuhnau 1 On 17 January 1723 Graupner s audition in which he presented the cantatas Aus der Tiefen rufen wir GWV 1113 23a and Lobet den Herrn alle Heiden GWV 1113 23b took place His performance was sufficient to secure him the position and three days later the Leipzig council wrote to Graupner s patron the Landgrave Ernst Ludwig of Hesse Darmstadt to request that he be released 1 However Ernst Ludwig insisted on Graupner remaining in Darmstadt In a subsequent settlement Graupner s past due salary was paid in full his salary was increased and he would be kept on staff even if his Kapelle was dismissed With Graupner out of the running for the Cantorate in Leipzig the next candidate to audition on 7 February 1723 one Johann Sebastian Bach was awarded the position After hearing that Bach was the choice for Leipzig on 4 May 1723 Graupner graciously wrote to the city council in Leipzig assuring them that Bach is a musician just as strong on the organ as he is expert in church works and capelle pieces and a man who will honestly and properly perform the functions entrusted to him 2 Graupner s opus and modern editions editGraupner was hardworking and prolific There are about 2 000 surviving works in his catalog including 113 sinfonias 85 ouvertures suites 44 concertos 8 operas 1 418 religious and 24 secular cantatas 66 sonatas and 57 harpsichord partitas 3 Nearly all of Graupner s manuscripts are housed in the University and State Library Darmstadt Graupner wrote for exotic combinations of instruments including the oboe d amore flute d amore and viola d amore Over half of his sinfonias require brass and timpani with about 25 sinfonias requiring 3 to 4 timpani one sinfonia in G Major GWV 611 5 timpani and another sinfonia in F Major GWV 566 was composed for 6 timpani A particular speciality for Graupner was the accompanied chorale His immense sense of originality and creativity led to him composing a large number of highly contrasting chorales using a relatively small number of tunes Indeed one quarter of the 1312 chorales he composed within his 1356 cantatas for Sundays and feast days of the liturgical calendar are based on just 6 tunes 4 Obscurity editAfter he died Graupner s works fell into obscurity for a number of reasons His manuscripts became the object of a long legal battle between his heirs and the rulers of Hesse Darmstadt A final court decision denied the Graupner estate ownership of the music manuscripts The heirs were unable to obtain permission to sell or publish his works and they remained inaccessible to the public Furthermore subsequent dramatic changes in music styles had reduced the interest in Graupner s music On the positive side however the Landgrave s seizure of Graupner s musical estate ensured its survival in toto Fate was not so kind to J S Bach s musical legacy for example Another factor that contributed to Graupner s posthumous obscurity was that unlike Bach Graupner had very few pupils other than Johann Friedrich Fasch to carry on his musical legacy As critic David Vernier has summed up Graupner is one of those unfortunate victims of fate and circumstance a contemporary of Bach Handel Telemann etc who has remained largely and unfairly neglected 5 Rediscovery edit nbsp Title page of the libretto for an opera Graupner s music is enjoying a revival due in large part to the research efforts of many musicologists performers and conductors Beginning in the early 20th century research began with Willibald Nagel s study of Graupner s sinfonias In the 1920s Friedrich Noack published his research on Graupner s cantatas Baerenreiter published several sinfonias and an ouverture in the 1950s 6 In the early 1980s Myron Rosenblum edited four sinfonias for the massive Barry Brook project The Symphony 1720 1840 A Comprehensive Collection of Full Scores New York Garland 1979 85 60 vols The year 1988 saw the publication of Oswald Bill s study of Graupner with several articles by such Graupner experts as Peter Cahn on the sinfonias Joanna Cobb Biermann musicians and salaries in Darmstadt as well as source documents on court life in Darmstadt Three dissertations were very important for Graupner research H Cutler Fall s study of the Passiontide cantatas Rene Schmidt s study of the Christmas cantatas and Vernon Wicker s study of solo bass cantatas Christoph Grosspietsch published an extensive study of Graupner s ouvertures in 1994 Despite all this research there were relatively few recordings available to the general public This changed in 1998 when Hermann Max conducted a CD of Graupner works on the CPO label Montreal harpsichordist Genevieve Soly came across a Graupner manuscript in the Beinecke Library at Yale University in the year 2000 and started performing and recording his works Graupner was always on the cutting edge for his time and very innovative in his ideas for harmony notation and the use of instruments as Soly has noted You have to take into consideration his various styles in relation to the actual period and the ideas he was interested in developing at that moment The size of the catalogue imposes added difficulties in this respect because another composer might have written for just as long but in one style only Mozart comes to mind although he composed over a shorter period his style was always well defined 7 In 2021 Brilliant Classics issued a 14 CD set of Graupner s complete harpsichord music performed by Fernando De Luca In April 2005 a thematic catalog of Graupner s instrumental music Oswald Bill and Christoph Grosspietsch editors was published by Carus Verlag There are plans to catalog Graupner s vocal music In 2010 Belgian conductor and musicologist Florian Heyerick published an online and searchable digital GWV of the instrumental and vocal works 8 Works editList of church cantatas by Christoph Graupner List of chamber pieces by Christoph Graupner List of concertos by Christoph Graupner List of harpsichord pieces by Christoph Graupner List of orchestral suites by Christoph Graupner List of symphonies by Christoph Graupner Operas edit nbsp Christoph Graupner s cantata for the birthday of Landgraf Ernst Ludwig December 1726 Dido Konigin von Carthago de singspiel 1707 Il fido amico oder Der getreue Freund Hercules und Theseus 1708 L amore ammalato Die krankende Liebe oder Antiochus und Stratonica 1708 Bellerophon 1708 Der Fall des grossen Richters in Israel 1709 unnamed opera 1709 Berenice und Lucilla de 1710 Telemach 1711 La costanza vince l inganno de 1715 Adone 1719 Selected discography editInstrumental music edit Graupner Cantate Sonate Ouverture Performed by Helene Plouffe Genevieve Soly Chantal Remillard Isabelle Bozzini Ingrid Schmithusen and L Ensemble des Idees Heureuses conducted by Genevieve Soly Analekta 23180 Graupner Chalumeax Concertos Ouvertures amp Sonatas Ars Antiqua Austria Gunar Letzbor Performed on historically reproduced instruments Challenge Classics CC72539 Graupner Orchestral Works Nova Stravaganza Siegbert Rampe conductor MD G Gold 34111212 Graupner Ouvertures GWV 420 amp 421 Antichi Strumenti Stradivarius 3661472 Graupner Ouverture Trio Sinfonia Nova Stravaganza Siegbert Rampe conductor MD G Gold 3411252 Graupner Partitas For Harpsichord Vol 1 6 Performed by Genevieve Soly Analekta 23109 23164 23181 29116 29118 29119 Various Virtuoso Timpani Concertos Dresden Philharmonic Chamber Orchestra Alexander Peter conductor Naxos 8557610 Mixed programs edit Graupner Instrumental And Vocal Music Performed by Ingrid Schmithusen Mathieu Lussier Helene Plouffe Genevieve Soly and L Ensemble des Idees Heureuses conducted by Genevieve Soly Analekta 23162 Graupner Ouvertures and cantata Das kleine Konzert Hermann Max conductor CPO 999592 Vocal music edit Cantatas edit Graupner Christmas cantatas Das Kleine Konzert Hermann Max CPO Graupner Ein Weihnachtsoratorium 9 Christmas Cantatas 2 CD Ricercar 307 9 2010 Florian Heyerick Ex Tempore Mannheimer Hofkapelle Graupner Epiphany Cantatas Was Gott thut das ist wohl gethan er ist mein Licht GWV 1114 43 Erwacht ihr Heyden GWV 1111 34 Die Wasser Wogen im Meer sind gross GWV 1115 35 Was Gott thut das ist wohl gethan es bleibt gerecht sein Wille GWV 1114 30 Gott der Herr ist Sonne und Schild GWV 1114 54 Andrea Lauren Brown soprano Kai Wessel countertenor Georg Poplutz tenor Dominik Worner bass Kirchheimer BachConsort Sirkka Liisa Kaakinen Pilch conductor CPO 555 146 2 2017 Graupner Passion cantatas Wo gehet Jesus hin Anton Webern Chor Freiburg Ensemble Concerto grosso Hans Michael Beuerle Carus Verlag Graupner Solo und Dialog Cantatas Jesus ist und bleibt mein Leben GWV 1107 12 Gott ist fur uns gestorben GWV 1152 16 Siehe selig ist der Mensch den Gott strafet GWV 1162 09 Diese Zeit ist ein Spiel der Eitelkeit GWV 1165 09 Susses Ende aller Schmerzen GWV 1166 20 Mit Marie Luise Werneburg soprano Dominik Worner bass Kirchheimer BachConsort Rudolf Lutz conductor CPO 555 215 2 2018 Operas edit Graupner Antiochus und Stratonica Christian Immler Antiochus Hana Blazikova Stratonica Harry van der Kamp Seleucus Sunhae Im Mirtenia Sherezade Panthaki Ellenia Aaron Sheehan Demetrius Jesse Blumberg Hesychius Ober Priester Jan Kobow Negrodorus Boston Early Music Festival Orchestra Paul O Dette and Stephen Stubbs directors CPO 555369 2 released 2021 References edit a b Christoph Graupner Hofkapellmeister in Darmstadt 1709 1760 Peter Ahnsehl Oswald Bill Mainz Schott 1987 ISBN 3 7957 1329 3 OCLC 20631751 a href Template Cite book html title Template Cite book cite book a CS1 maint others link Christoph Wolff Johann Sebastian Bach The Learned Musician W W Norton amp Company New York amp London 2000 p 224 Prima la musica began publishing a series of modern scores for some of Graupner s ouvertures sinfonias and annual cantata cycles of cantatas in 2007 Graupner Choraldatenbank Chorale Database David Vernier Review of L Ensemble des Idees heureuses Genevieve Soly Christoph Graupner Analekta 2 3162 Archived 5 June 2011 at the Wayback Machine Classics Today e g Graupner Christoph 1683 1760 Konzert fur Oboe Streicher und Basso continuo F major ISMN M 006 00921 3 Graupner Christoph 1683 1760 Ouverture fur Altblockflote Streicher und Basso continuo F major ISMN M 006 01111 7 Graupner Christoph 1683 1760 Sonata C major M 2021 0644 0 Barenreiter Music Publishers Archived 22 July 2007 at the Wayback Machine Rejean Beaucage Genevieve Soly Love at First Note La Scena Musicale 6 December 2003 GWV online Bureau347 amp Snowcap Ein Weihnachts Oratorium Outhere Music outhere music com Retrieved 24 September 2019 a href Template Cite web html title Template Cite web cite web a CS1 maint numeric names authors list link External links edit nbsp Wikimedia Commons has media related to Christoph Graupner Graupner GWV online a digital Graupner Werkverzeichnis with integrated search interface The Christoph Graupner Society Homepage Extensive online bibliography for research on Christoph Graupner Christoph Graupner The Life and Work of Christoph Graupner on GoldbergWeb the early music portal ULB Library Graupner s music manuscripts and archives in Darmstadt Germany Christoph Graupner s works at La Sinfonie d Orphee Kim Patrick Clow s webpage dedicated to promoting Graupner s work Free scores by Christoph Graupner at the International Music Score Library Project IMSLP Portals nbsp Classical music nbsp Biography nbsp Music Retrieved from https en wikipedia org w index php title Christoph Graupner amp oldid 1218351184, wikipedia, wiki, book, books, library,

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