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Christmas Story (Schütz)

The Christmas Story (Weihnachtshistorie), SWV 435, is a musical setting of the Nativity in German by Heinrich Schütz, probably first performed in 1660 in Dresden. It was published as Historia der Geburt Jesu Christi (Historia of the birth of Jesus Christ).

Christmas Story
by Heinrich Schütz
The composer, c. 1650–60, by Christoph Spetner
Native nameHistoria der Geburt Jesu Christi
CatalogueSWV 435
FormHistoria
OccasionChristmas
TextNativity by Luke and Matthew
LanguageGerman
Performed1660 (1660): Dresden, Court Chapel
Published1664 (1664) (partly)
ScoringSoloists, choir and orchestra

History and words edit

Christmas Story is a Historia, a setting of the Gospel intended to be performed during a service instead of the Gospel reading. The original title read: Historia der freuden- und gnadenreichen Geburt Gottes und Marien Sohnes Jesu Christi (Historia of the joyful und blessed birth of Jesus Christ, son of God and Mary).[1] Schütz had composed a Resurrection Story (Auferstehungshistorie) already in 1623, when he had taken the position of Kapellmeister at the court of the Elector of Saxony.[2] The music was probably first performed in a Christmas service at the court chapel of Johann Georg II, Elector of Saxony, in Dresden in 1660. Schütz mentions the elector in the long title: "wie dieselbe auf Anordnung Johann Georgs des Anderen vocaliter und instrumentaliter in die Musik versetzet ist durch Heinrich Schütz" (as set to the music for voices and instruments on an order by Johann Georg the Second).[3]

The text is almost exclusively taken from the Bible in the translation by Martin Luther, quoting both Luke and Matthew, framed by a choral Introduction and Beschluss (Conclusion).[4] The biblical narration is based on Luke 2:1–21 and Matthew 2:1–23. The text of the conclusion is a translation of the Christmas sequence "Grates nunc omnes" by Johann Spangenberg (1545). The narrator is the Evangelist. Other characters appear in eight sections termed Intermedium (interlude): the angel to the shepherds, the hosts of angels, the shepherds, the wise men, priests and scribes, Herod, an angel to Joseph (twice).[4]

The composer agreed to a publication of the recitatives in 1664, along with the text of the other parts. According to the postscript, probably written by Alexander Hering, a Kantor in Dresden, Schütz believed that his work could only be performed well by "fürstlichen Kapellen" (ducal chapels), but he offered a copy of the music for sale on request.[3] This publication later appeared in his Sämtliche Werke (Complete works), Volume IX, in Leipzig, published by Julius Spitta 1885 to 1894. Arnold Schering discovered the parts at the Uppsala University Library in 1908. He published them in Volume XVII of the complete works.[5]

Scoring and music edit

The work is scored for soloists and choir in up to six parts (SSATTB) and orchestra. Carus-Verlag published a critical edition using two violins, two violas da gamba, two recorders, two trumpets, two trombones and basso continuo. It takes about 45 minutes to perform.[1]

A late work, composed when Schütz was 75 years old, it shows a "mastery of means", "a work that never feels as eclectic as its influences". Schütz had travelled a lot and experienced the Thirty Years' War, contributing to the "serenity of the composer’s late works".[6]

The Evangelist is a tenor singing secco recitative, a tradition which Bach continued. Schütz uses "Italian dramatic recitative style" to set Luther's German. Music historian Michael Zwiebach notes: "It has unexpected twists that emphasize particular words, and it shifts tonal centers rapidly to reflect dramatic events."[6] The angel is sung by a soprano with two violins, a trio of shepherds is accompanied by pastoral recorders, the trio of the wise men by violins, and the words of the priests are set as a quartet accompanied by trombones.[2] Herod is accompanied by trumpets, setting his worldly power apart from the "more potent, less showy, heavenly host".[6]

References edit

  1. ^ a b "Heinrich Schütz / Christmas History / Weihnachtshistorie". Carus-Verlag. Retrieved 30 November 2013.
  2. ^ a b Vickers, David. "Heinrich Schütz / Christmas History / Weihnachtshistorie". Gramophone. Retrieved 30 November 2013.
  3. ^ a b "Entstehung Weihnachtshistorie SWV 435" (in German). heinrich-schuetz-haus.de. Retrieved 29 November 2013.
  4. ^ a b . San Francisco Bach Choir. Archived from the original on 3 December 2013. Retrieved 30 November 2013.
  5. ^ Jenkins, Neil (1997). "Schütz The Christmas Story / Weihnachts-History SWV 435" (PDF). Novello. Retrieved 29 November 2013.
  6. ^ a b c Zwiebach, Michael (4 December 2007). "It's a Heinrich Schütz Christmas". San Francisco Classic Voice. Retrieved 30 November 2013.

Sources edit


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The Christmas Story Weihnachtshistorie SWV 435 is a musical setting of the Nativity in German by Heinrich Schutz probably first performed in 1660 in Dresden It was published as Historia der Geburt Jesu Christi Historia of the birth of Jesus Christ Christmas Storyby Heinrich SchutzThe composer c 1650 60 by Christoph SpetnerNative nameHistoria der Geburt Jesu ChristiCatalogueSWV 435FormHistoriaOccasionChristmasTextNativity by Luke and MatthewLanguageGermanPerformed1660 1660 Dresden Court ChapelPublished1664 1664 partly ScoringSoloists choir and orchestra Contents 1 History and words 2 Scoring and music 3 References 4 SourcesHistory and words editChristmas Story is a Historia a setting of the Gospel intended to be performed during a service instead of the Gospel reading The original title read Historia der freuden und gnadenreichen Geburt Gottes und Marien Sohnes Jesu Christi Historia of the joyful und blessed birth of Jesus Christ son of God and Mary 1 Schutz had composed a Resurrection Story Auferstehungshistorie already in 1623 when he had taken the position of Kapellmeister at the court of the Elector of Saxony 2 The music was probably first performed in a Christmas service at the court chapel of Johann Georg II Elector of Saxony in Dresden in 1660 Schutz mentions the elector in the long title wie dieselbe auf Anordnung Johann Georgs des Anderen vocaliter und instrumentaliter in die Musik versetzet ist durch Heinrich Schutz as set to the music for voices and instruments on an order by Johann Georg the Second 3 The text is almost exclusively taken from the Bible in the translation by Martin Luther quoting both Luke and Matthew framed by a choral Introduction and Beschluss Conclusion 4 The biblical narration is based on Luke 2 1 21 and Matthew 2 1 23 The text of the conclusion is a translation of the Christmas sequence Grates nunc omnes by Johann Spangenberg 1545 The narrator is the Evangelist Other characters appear in eight sections termed Intermedium interlude the angel to the shepherds the hosts of angels the shepherds the wise men priests and scribes Herod an angel to Joseph twice 4 The composer agreed to a publication of the recitatives in 1664 along with the text of the other parts According to the postscript probably written by Alexander Hering a Kantor in Dresden Schutz believed that his work could only be performed well by furstlichen Kapellen ducal chapels but he offered a copy of the music for sale on request 3 This publication later appeared in his Samtliche Werke Complete works Volume IX in Leipzig published by Julius Spitta 1885 to 1894 Arnold Schering discovered the parts at the Uppsala University Library in 1908 He published them in Volume XVII of the complete works 5 Scoring and music editThe work is scored for soloists and choir in up to six parts SSATTB and orchestra Carus Verlag published a critical edition using two violins two violas da gamba two recorders two trumpets two trombones and basso continuo It takes about 45 minutes to perform 1 A late work composed when Schutz was 75 years old it shows a mastery of means a work that never feels as eclectic as its influences Schutz had travelled a lot and experienced the Thirty Years War contributing to the serenity of the composer s late works 6 The Evangelist is a tenor singing secco recitative a tradition which Bach continued Schutz uses Italian dramatic recitative style to set Luther s German Music historian Michael Zwiebach notes It has unexpected twists that emphasize particular words and it shifts tonal centers rapidly to reflect dramatic events 6 The angel is sung by a soprano with two violins a trio of shepherds is accompanied by pastoral recorders the trio of the wise men by violins and the words of the priests are set as a quartet accompanied by trombones 2 Herod is accompanied by trumpets setting his worldly power apart from the more potent less showy heavenly host 6 References edit a b Heinrich Schutz Christmas History Weihnachtshistorie Carus Verlag Retrieved 30 November 2013 a b Vickers David Heinrich Schutz Christmas History Weihnachtshistorie Gramophone Retrieved 30 November 2013 a b Entstehung Weihnachtshistorie SWV 435 in German heinrich schuetz haus de Retrieved 29 November 2013 a b Text Historia der Geburt Jesu Christi SWV 435 San Francisco Bach Choir Archived from the original on 3 December 2013 Retrieved 30 November 2013 Jenkins Neil 1997 Schutz The Christmas Story Weihnachts History SWV 435 PDF Novello Retrieved 29 November 2013 a b c Zwiebach Michael 4 December 2007 It s a Heinrich Schutz Christmas San Francisco Classic Voice Retrieved 30 November 2013 Sources editHistoria der Geburt Jesu Christi SWV 435 Scores at the International Music Score Library Project Retrieved from https en wikipedia org w index php title Christmas Story Schutz amp oldid 1096106046, wikipedia, wiki, book, books, library,

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