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Christina's World (opera)

Christina's World is a 1983 Australian operetta, composed by Ross Edwards with libretto by playwright Dorothy Hewett. An old woman recalls her youthful memories of her family and her tragic love affair on a lonely Western Australian beach. Hewett describes the piece as "an allegory or fable about illusion or reality and the truth and lies of memory".[1]

Christina's World
Opera by Ross Edwards
LibrettistDorothy Hewett
Based onpainting by Andrew Wyeth
Premiere
9 October 1987
Sydney

Characters edit

  • Christina (old) : an elderly lady in a hospital
  • Christina (young) : a hesitant and idealistic dream figure; a contradictory, perverse, tragi-comic adolescent with a fierce egocentric life of her own.
  • Dick : a numbed and disappointed father
  • Harry : uncle deranged by World War I experiences
  • Tom : a playful and carefree fisherman

Synopsis edit

Elderly Christina reflects on (or imagines) her youth living with her father and uncle in a decaying house on a remote but beautiful beach. Her memory of her young self begins as a fantasy but soon takes on real life. Christina's father Dick is numbed and disappointed by the loss of her mother, who committed suicide by walking into the sea. Her uncle Harry is deranged by his experiences in World War I. Christina falls in love with a playful young man whose brief lovemaking leaves her with a baby whom she casts adrift in a small boat into the waves. Tom is shot by Uncle Harry (possibly accidentally), who then burns down the house. Was there ever such a place as Christina's World? The opera ends with the voice of the ageing Christina still telling her tragic story of lost love and perfect world.

Staging edit

An old woman in hospital, with curtained bed and bedpan; a burnt-out farmhouse on a beach with sand and shells; recorded seagull cries, wind, surf and a ship's buoy.

Music edit

The collaboration was conceived and fostered by Stuart Challender, and it was commissioned by the Music and Literature Boards of the Australia Council.[1] Hewett listened to tapes of Edwards' music, wrote the libretto and sent it to Edwards, who completed the opera.[2] It is Edwards' only opera.[3]

According to Roger Covell, the music is tuneful and appealingly modal, with a fresh luminous note. Spoken words are prominent at the beginning, but diminish until the piece becomes an extended ballad.[4]

Premiere edit

The first staging was part of a triple bill at the Seymour Centre, performed by the Seymour Company. on 24 and 26 November 1983. The cast was Patricia Price, Paul Ferris, Gregory Yurisich and Meg Chilcott.[5]

Subsequent performances edit

The opera was due to be performed in the National Opera Workshop in October 1989. However after a week's rehearsal, the director of the Workshop, Peter King, was sacked in late September after a fortnight of rehearsals as he was ”jeopardising the career of his young singers by being too innovative, too radical." This was despite sponsorship by Shell, and a substantial outlay by the company. An ABC broadcast of the play was due to go ahead on 14 October 1989 with a CD release to follow.[6]

The ABC also broadcast a performance in 1992, conducted by Mark Summerbell.[7]

The Sydney Metropolitan Opera performed the opera at the Wharf Theatre Studio in May 1994, directed by John Wregg and musical director Roland Peelman, with performers Gaye McFarland as Christina, Linda Barcan as young Christina, Garrick Jones as Dick, James Bonnefin as Harry and Christopher Saunders as Tom. Critical reception was sharply divided. On the one hand, Roger Covell saw a "clean, brisk and tender performance" that is "charming, childlike and poetic."[4] On the other hand, John Carmody praised the direction of Wregg, but found the opera to be "undisciplined, aimless and frankly undramatic" with no creative sparks. He hoped it would "rot away like sodden crap."[8]

The State Opera of South Australia performed the opera at the Queens Theatre on 2 August 2019, with Nicholas Cannon directing.[9]

Publication edit

The score is held at the Australian Music Centre.[2]

References edit

  1. ^ a b "Christina's World (2019)". State Opera South Australia. Retrieved 2023-06-21.
  2. ^ a b "Christina's world by Ross Edwards and Dorothy Hewett". Australian Music Centre. Retrieved 2023-06-21.
  3. ^ "40th Anniversary of Christina's World". www.wisemusicclassical.com. Retrieved 2023-06-21.
  4. ^ a b Covell, Roger (27 May 1994). "Beyond complexity, a world of melody". p. 19.
  5. ^ McInerney, Sally (12 November 1983). "OK as long as they're serious". Sydney Morning Herald. p. 45.
  6. ^ Cochrane, Peter (28 September 1989). "Opera director sackid in backstage drame". Sydney Morning Herald. p. 3.
  7. ^ "Green Guide". The Age. 20 February 1992. p. 49.
  8. ^ Carmody, John (29 May 1994). "Chalk and cheese". Sydney Morning Herald. p. 138.
  9. ^ "Christina's World". AusStage. Retrieved 2023-06-21.

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Christina s World is a 1983 Australian operetta composed by Ross Edwards with libretto by playwright Dorothy Hewett An old woman recalls her youthful memories of her family and her tragic love affair on a lonely Western Australian beach Hewett describes the piece as an allegory or fable about illusion or reality and the truth and lies of memory 1 Christina s WorldOpera by Ross EdwardsLibrettistDorothy HewettBased onpainting by Andrew WyethPremiere9 October 1987Sydney Contents 1 Characters 2 Synopsis 3 Staging 4 Music 5 Premiere 6 Subsequent performances 7 Publication 8 ReferencesCharacters editChristina old an elderly lady in a hospital Christina young a hesitant and idealistic dream figure a contradictory perverse tragi comic adolescent with a fierce egocentric life of her own Dick a numbed and disappointed father Harry uncle deranged by World War I experiences Tom a playful and carefree fishermanSynopsis editElderly Christina reflects on or imagines her youth living with her father and uncle in a decaying house on a remote but beautiful beach Her memory of her young self begins as a fantasy but soon takes on real life Christina s father Dick is numbed and disappointed by the loss of her mother who committed suicide by walking into the sea Her uncle Harry is deranged by his experiences in World War I Christina falls in love with a playful young man whose brief lovemaking leaves her with a baby whom she casts adrift in a small boat into the waves Tom is shot by Uncle Harry possibly accidentally who then burns down the house Was there ever such a place as Christina s World The opera ends with the voice of the ageing Christina still telling her tragic story of lost love and perfect world Staging editAn old woman in hospital with curtained bed and bedpan a burnt out farmhouse on a beach with sand and shells recorded seagull cries wind surf and a ship s buoy Music editThe collaboration was conceived and fostered by Stuart Challender and it was commissioned by the Music and Literature Boards of the Australia Council 1 Hewett listened to tapes of Edwards music wrote the libretto and sent it to Edwards who completed the opera 2 It is Edwards only opera 3 According to Roger Covell the music is tuneful and appealingly modal with a fresh luminous note Spoken words are prominent at the beginning but diminish until the piece becomes an extended ballad 4 Premiere editThe first staging was part of a triple bill at the Seymour Centre performed by the Seymour Company on 24 and 26 November 1983 The cast was Patricia Price Paul Ferris Gregory Yurisich and Meg Chilcott 5 Subsequent performances editThe opera was due to be performed in the National Opera Workshop in October 1989 However after a week s rehearsal the director of the Workshop Peter King was sacked in late September after a fortnight of rehearsals as he was jeopardising the career of his young singers by being too innovative too radical This was despite sponsorship by Shell and a substantial outlay by the company An ABC broadcast of the play was due to go ahead on 14 October 1989 with a CD release to follow 6 The ABC also broadcast a performance in 1992 conducted by Mark Summerbell 7 The Sydney Metropolitan Opera performed the opera at the Wharf Theatre Studio in May 1994 directed by John Wregg and musical director Roland Peelman with performers Gaye McFarland as Christina Linda Barcan as young Christina Garrick Jones as Dick James Bonnefin as Harry and Christopher Saunders as Tom Critical reception was sharply divided On the one hand Roger Covell saw a clean brisk and tender performance that is charming childlike and poetic 4 On the other hand John Carmody praised the direction of Wregg but found the opera to be undisciplined aimless and frankly undramatic with no creative sparks He hoped it would rot away like sodden crap 8 The State Opera of South Australia performed the opera at the Queens Theatre on 2 August 2019 with Nicholas Cannon directing 9 Publication editThe score is held at the Australian Music Centre 2 References edit a b Christina s World 2019 State Opera South Australia Retrieved 2023 06 21 a b Christina s world by Ross Edwards and Dorothy Hewett Australian Music Centre Retrieved 2023 06 21 40th Anniversary of Christina s World www wisemusicclassical com Retrieved 2023 06 21 a b Covell Roger 27 May 1994 Beyond complexity a world of melody p 19 McInerney Sally 12 November 1983 OK as long as they re serious Sydney Morning Herald p 45 Cochrane Peter 28 September 1989 Opera director sackid in backstage drame Sydney Morning Herald p 3 Green Guide The Age 20 February 1992 p 49 Carmody John 29 May 1994 Chalk and cheese Sydney Morning Herald p 138 Christina s World AusStage Retrieved 2023 06 21 Retrieved from https en wikipedia org w index php title Christina 27s World opera amp oldid 1182941813, wikipedia, wiki, book, books, library,

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