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Chinese pigment

Chinese pigments (Chinese: 中國國畫傳統顏料) are the traditional medium to execute traditional Chinese brush paintings, besides ink. Chinese pigments is similar to Western gouache paint in that it contains more glue than watercolours, but more so than gouache. The high glue content makes the pigment bind better to Chinese paper and silk as well as enabling works of art to survive the wet-mounting process of Chinese hanging scroll mountings without smudging or bleeding.

Types Edit

Traditionally, Chinese pigments come in form of chips, cakes or powder made from natural plant and minerals. Some of these require preparation by adding glue (明膠) before they can be used. Traditional pigments require some skill and knowledge to mix as some pigments do not blend well with others (e.g. herbal and stone colours generally do not combine well). Also, layering a different pigment on top of another can create different effects depending on the type and transparency of the upper layer pigment.

Synthetic versions that already contain glue come in tubes and are more convenient.

Traditional colours Edit

Out of the many pigments used for traditional colours, around 12 are basic colours that are widely used. Some of the pigments use natural plant ('herbal') or minerals ('stone') that are poisonous or toxic. Outside of these traditional pigments, other colours are made from synthetic chemicals.

Reds Edit

  • Cinnabar powder (硃砂粉). Basic stone colour. Requires glue.
  • Vermilion cake (朱膘膏). Basic stone colour.
  • Vermilion powder (銀朱粉). Essentially, a synthetic form of mercury sulfide, more brilliant than traditional vermilion made from ground cinnabar.
  • Eosin red cake (曙紅膏). Basic herbal colour. It is now used in replacement of traditional carmine.
  • Carmine powder (洋紅粉). Very expensive, it is now replaced with substitutes.
  • Rouge (胭脂). Basic herbal colour. Usually comes in cream form.
  • Scarlet cake (大紅膏). Synthetic colour.
  • Dark red cake (深紅膏). Synthetic colour.

Blues Edit

  • Azurite (石青). Basic stone colour. Comes in four shades, from dark to light: 頭青, 二青, 三青, 四青. Requires glue.
  • Indigo cake (花青膏). Basic herbal colour.
  • Phthalocyanine blue/cyanine (酞菁藍). Basic synthetic colour.
  • Azure cake (天[蘭/藍]膏). Basic synthetic colour.

Yellows Edit

All traditional yellow pigments are toxic. Because of this, modern synthetic substitutes are often used.

  • Gamboge (藤黃). Basic herbal colour. Comes in flakes or stick form.
  • Chrome yellow cake (鉻黃膏). Stone colour.
  • Realgar (雄黃). Stone colour. Requires glue.
  • Orpiment (雌黃). Stone colour. Requires glue.
  • Litharge/Lead monoxide (密陀僧). Synthetic colour. Requires glue.
  • Gold powder (金粉). Requires glue.

Greens Edit

  • Malachite (石綠). Basic stone colour. Comes in four shades, from dark to light: 頭綠, 二綠, 三綠, 四綠. Requires glue.
  • Jadeite powder (碧玉粉). Stone colour. Requires glue.

Browns Edit

Whites Edit

In modern practice, painters tend to use white gouache paint as a substitute to traditional whites, typically for underpainting.

  • Clam shell cake (蛤白膏). Made of ground white clam shells.
  • Calcite powder (白方解). Stone colour. Requires glue.
  • Titanium white (鈦白). Modern synthetic colour. Appears in modern sets of tube colours.
  • Zinc white (鋅白). Modern synthetic colour. Sometimes called Chinese white. Appears in old sets of tube colours.
  • Lead white (鉛白). Synthetic colour. Traditionally used in the past. Comes in flakes or powder form.
  • Mother of pearl powder (雲母粉). Requires glue.
  • Silver powder (銀粉). Requires glue.

Blacks Edit

  • Ink (墨). From ground inksticks made of pine, oil, lacquer or charcoal soot.
  • Obsidian (岩黑). Requires glue.
  • Black (黑). Synthetic pigment from tubes.

See also Edit

References Edit

chinese, pigment, this, article, does, cite, sources, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, removed, find, sources, news, newspapers, books, scholar, jstor, june, 2020, learn, when, remove,. This article does not cite any sources Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Chinese pigment news newspapers books scholar JSTOR June 2020 Learn how and when to remove this template message Chinese pigments Chinese 中國國畫傳統顏料 are the traditional medium to execute traditional Chinese brush paintings besides ink Chinese pigments is similar to Western gouache paint in that it contains more glue than watercolours but more so than gouache The high glue content makes the pigment bind better to Chinese paper and silk as well as enabling works of art to survive the wet mounting process of Chinese hanging scroll mountings without smudging or bleeding Contents 1 Types 2 Traditional colours 2 1 Reds 2 2 Blues 2 3 Yellows 2 4 Greens 2 5 Browns 2 6 Whites 2 7 Blacks 3 See also 4 ReferencesTypes EditTraditionally Chinese pigments come in form of chips cakes or powder made from natural plant and minerals Some of these require preparation by adding glue 明膠 before they can be used Traditional pigments require some skill and knowledge to mix as some pigments do not blend well with others e g herbal and stone colours generally do not combine well Also layering a different pigment on top of another can create different effects depending on the type and transparency of the upper layer pigment Synthetic versions that already contain glue come in tubes and are more convenient Traditional colours EditOut of the many pigments used for traditional colours around 12 are basic colours that are widely used Some of the pigments use natural plant herbal or minerals stone that are poisonous or toxic Outside of these traditional pigments other colours are made from synthetic chemicals Reds Edit Cinnabar powder 硃砂粉 Basic stone colour Requires glue Vermilion cake 朱膘膏 Basic stone colour Vermilion powder 銀朱粉 Essentially a synthetic form of mercury sulfide more brilliant than traditional vermilion made from ground cinnabar Eosin red cake 曙紅膏 Basic herbal colour It is now used in replacement of traditional carmine Carmine powder 洋紅粉 Very expensive it is now replaced with substitutes Rouge 胭脂 Basic herbal colour Usually comes in cream form Scarlet cake 大紅膏 Synthetic colour Dark red cake 深紅膏 Synthetic colour Blues Edit Azurite 石青 Basic stone colour Comes in four shades from dark to light 頭青 二青 三青 四青 Requires glue Indigo cake 花青膏 Basic herbal colour Phthalocyanine blue cyanine 酞菁藍 Basic synthetic colour Azure cake 天 蘭 藍 膏 Basic synthetic colour Yellows Edit All traditional yellow pigments are toxic Because of this modern synthetic substitutes are often used Gamboge 藤黃 Basic herbal colour Comes in flakes or stick form Chrome yellow cake 鉻黃膏 Stone colour Realgar 雄黃 Stone colour Requires glue Orpiment 雌黃 Stone colour Requires glue Litharge Lead monoxide 密陀僧 Synthetic colour Requires glue Gold powder 金粉 Requires glue Greens Edit Malachite 石綠 Basic stone colour Comes in four shades from dark to light 頭綠 二綠 三綠 四綠 Requires glue Jadeite powder 碧玉粉 Stone colour Requires glue Browns Edit Ochre burnt sienna cake 赭石膏 Basic stone colour Burnt umber 焦茶 Herbal colour Requires glue Whites Edit In modern practice painters tend to use white gouache paint as a substitute to traditional whites typically for underpainting Clam shell cake 蛤白膏 Made of ground white clam shells Calcite powder 白方解 Stone colour Requires glue Titanium white 鈦白 Modern synthetic colour Appears in modern sets of tube colours Zinc white 鋅白 Modern synthetic colour Sometimes called Chinese white Appears in old sets of tube colours Lead white 鉛白 Synthetic colour Traditionally used in the past Comes in flakes or powder form Mother of pearl powder 雲母粉 Requires glue Silver powder 銀粉 Requires glue Blacks Edit Ink 墨 From ground inksticks made of pine oil lacquer or charcoal soot Obsidian 岩黑 Requires glue Black 黑 Synthetic pigment from tubes See also EditChinese painting Danqing Gongbi Blue green shan shui Bird and flower paintingReferences Edit Retrieved from https en wikipedia org w index php title Chinese pigment amp oldid 1011953699, wikipedia, wiki, book, books, library,

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