The Cello Sonata, Op. 65, is a work by the English composer Benjamin Britten. It was premiered in July 1961 at the Aldeburgh Festival in Suffolk. The work is in five movements:
Slava, do you know I am aching from so many bruises along my side." "What happened, Dmitri Dmitriyevich, did you fall down?" "No, but at the concert tonight, every time Britten admired something in your playing, he would poke me in the ribs, and say, 'Isn't that simply marvelous!' As he liked so many things throughout the concerto, I am now suffering![1]
After the performance, Rostropovich, already established as an obsessive commissioner of new works, pleaded with Britten to write him a piece for cello. The composer consented, and a year later produced the Cello Sonata, Op. 65. This became Britten's first of five major works written for Rostropovich over the course of the next decade – the others being the Cello Symphony and the three suites for solo cello. Britten's correspondence with Rostropovich reveals the composer's humility in the face of Rostropovich's reputation: he confesses "I may have made some mistakes" and quips that "the pizzicato movement will amuse you; I hope it is possible!"[2] In the scherzo-pizzicato, one can immediately detect an indebtedness, in its timbre and counterpoint, to the Balinese gamelan tradition.[3] The final Moto perpetuo movement uses the DSCH motif (the musical transformation of Shostakovich's name) as a tribute to the composer who inspired Britten to write for cello.[4] The first performance took place at the Aldeburgh Festival on 7 July 1961.[5]
Notesedit
^Philip Reed and Mervyn Cooke, eds, Letters from a Life: The Selected Letters of Benjamin Britten, Volume 5, 1913–1976 (Woodbridge, UK: Boydell Press, 2010), 277.
^Mervyn Cooke. Notes to Hyperion CD A67941/2, (2013)
Referencesedit
Reed, Philip, and Mervyn Cooke, eds. Letters from a Life: The Selected Letters of Benjamin Britten, Volume 5, 1913–1976. Woodbridge, UK: Boydell Press, 2010.
Cooke, Mervyn, ed. The Cambridge Companion to Benjamin Britten. Cambridge: Cambridge University Press, 1999.
cello, sonata, britten, cello, sonata, work, english, composer, benjamin, britten, premiered, july, 1961, aldeburgh, festival, suffolk, work, five, movements, dialogo, allegro, scherzo, pizzicato, allegretto, elegia, lento, marcia, energico, moto, perpetuo, pr. The Cello Sonata Op 65 is a work by the English composer Benjamin Britten It was premiered in July 1961 at the Aldeburgh Festival in Suffolk The work is in five movements Dialogo Allegro Scherzo Pizzicato Allegretto Elegia Lento Marcia Energico Moto perpetuo PrestoHistory editOn 21 September 1960 a concert at the Royal Festival Hall in London introduced Britten to the cellist Mstislav Rostropovich The programme included the British premiere of Dmitri Shostakovich s First Cello Concerto performed by Rostropovich alongside Britten s The Young Person s Guide to the Orchestra The two composers shared a ceremonial audience box Shostakovich later confided to Rostropovich Slava do you know I am aching from so many bruises along my side What happened Dmitri Dmitriyevich did you fall down No but at the concert tonight every time Britten admired something in your playing he would poke me in the ribs and say Isn t that simply marvelous As he liked so many things throughout the concerto I am now suffering 1 After the performance Rostropovich already established as an obsessive commissioner of new works pleaded with Britten to write him a piece for cello The composer consented and a year later produced the Cello Sonata Op 65 This became Britten s first of five major works written for Rostropovich over the course of the next decade the others being the Cello Symphony and the three suites for solo cello Britten s correspondence with Rostropovich reveals the composer s humility in the face of Rostropovich s reputation he confesses I may have made some mistakes and quips that the pizzicato movement will amuse you I hope it is possible 2 In the scherzo pizzicato one can immediately detect an indebtedness in its timbre and counterpoint to the Balinese gamelan tradition 3 The final Moto perpetuo movement uses the DSCH motif the musical transformation of Shostakovich s name as a tribute to the composer who inspired Britten to write for cello 4 The first performance took place at the Aldeburgh Festival on 7 July 1961 5 Notes edit Philip Reed and Mervyn Cooke eds Letters from a Life The Selected Letters of Benjamin Britten Volume 5 1913 1976 Woodbridge UK Boydell Press 2010 277 Reed 278 Mervyn Cooke ed The Cambridge Companion to Benjamin Britten Cambridge UK Cambridge University Press 1999 250 Julian Lloyd Webber Britten s Third Cello Suite Strad 91 Mar 1981 796 Mervyn Cooke Notes to Hyperion CD A67941 2 2013 References editReed Philip and Mervyn Cooke eds Letters from a Life The Selected Letters of Benjamin Britten Volume 5 1913 1976 Woodbridge UK Boydell Press 2010 Cooke Mervyn ed The Cambridge Companion to Benjamin Britten Cambridge Cambridge University Press 1999 Lloyd Webber Julian Britten s Third Cello Suite Strad 91 Mar 1981 796 797 Portal nbsp Classical Music Retrieved from https en wikipedia org w index php title Cello Sonata Britten amp oldid 1151521465, wikipedia, wiki, book, books, library,
