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Branle

January 06, 2023

A branle (/ˈbrænəl, ˈbrɑːl/, French: [bʁɑ̃l] (listen)), also bransle, brangle, brawl, brawle, brall(e), braul(e), brando (in Italy), bran (in Spain), or brantle (in Scotland), is a type of French dance popular from the early 16th century to the present, danced by couples in either a line or a circle. The term also refers to the music and the characteristic step of the dance.

Branle d'Ossau by Alfred Dartiguenave, 1855–1856

History

Beginnings and courtly adoption

The name branle derives from the French verb branler (to shake, wave, sway, wag, wobble), referring to the side-to-side movement of a circle or chain of dancers holding hands or linking arms.[1] Dances of this name are encountered from about 1500 and the term is used for dances still danced in France today.[2] Before 1500, the only dance-related use of this word is the "swaying" step of the basse danse.

The branle was danced by a chain of dancers, usually in couples, with linked arms or holding hands. The dance alternated a number of larger sideways steps to the left (often four) with the same number of smaller steps to the right so that the chain moved gradually to the left.

Although originally French dances of rustic provenance, danced to the dancers' singing, the branle was adopted, like other folk-dances, into aristocratic use by the time that printed books allow us to reconstruct the dances. A variety of branles, attributed to different regions, were danced in sequence, so that the suite of branle music gives one of the earliest examples of the classical suite of dances. Such suites generally ended with a gavotte, which seems then to have been regarded as a species of branle.

Some aristocratic branles included pantomime elements, such the branle de Poitou, the possible ancestor of the minuet, which acts out gestures of courtship. Some of these dances were reserved for specific age groups - the branle de Bourgogne, for instance, for the youngest dancers. Branle music is generally in common time somewhat like the gavotte, though some variants, like that of Poitou, are in triple time.[3] Branles were danced walking, running, gliding, or skipping depending on the speed of the music.[1] Among the dance's courtly relations may be the basse danse and the passepied[3] which latter, though it is in triple time, Rabelais and Thoinot Arbeau (1589) identify as a type of Breton branle.

The branle in Arbeau

The first detailed sources for the dance's steps are found in Arbeau's famous text-book Orchesography. Antonius de Arena briefly describes the steps for the double and single branle,[4] and John Marston's The Malcontent (1604) sketches the choreography of one type. According to Arbeau, every ball began with the same four branles: the double, the single, the gay and the Burgundian branle.[5][page needed] The double branle had a simple form involving two phrases of two bars each.

Arbeau gives choreographies for eight branles associated with specific regions; the Burgundian (see above) or Champagne, the Haut Barrois, the Montardon, the Poitou, the Maltese, the Scottish and the Trihory of Brittany; he also mentions four others without describing their steps; the branles of Camp, Hainaut, Avignon, and Lyon.[6] Most of these dances seem to have a genuine connection to the region: the Trihory of Brittany, Arbeau says, was seldom if ever performed around Langres where his book was published, but "I learned it long ago from a young Breton who was a fellow student of mine at Poitiers".[7]

On the other hand, Arbeau identifies some branles as adapted to ballet and mime. When his student Capriol asks whether the Maltese branle is native to Malta, rather than just "a fanciful invention for a ballet", Arbeau replies that he "cannot believe it to be other than a ballet".[8] He also describes a "Hermit" branle based upon mime.

The suite of branles

There were several well-established branle suites of up to ten dances; the Branles de Champagne, the Branles de Camp, the Branles de Hainaut and the Branles d'Avignon. Arbeau named these suites branles coupés, which literally means "cut" or "intersected" branles but is usually translated as "mixed branles".[9] Antonius de Arena mentions mixed branles (branlos decopatos) in his macaronic treatise Ad suos compagnones.[4]

By 1623 such suites had been standardized into a set of six dances: premier bransle, bransle gay, bransle de Poictou (also called branle à mener), bransle double de Poictou, cinquiesme bransle (by 1636 named branle de Montirandé), and a concluding gavotte.[10] A variant is found in the Tablature de mandore (Paris, 1629) by François, Sieur de Chancy. A suite of seven dances collectively titled Branles de Boccan begins with a branle du Baucane, composed by the dancing master and violinist Jacques Cordier, known as "Bocan", followed by a second, untitled branle then the branle gay, branle de Poictu, branle double de Poictu, branle de Montirandé and la gavotte.[11]

The fame of the branle

In the late 16th century in England the branle was mentioned by Shakespeare (Love's Labour's Lost, 3. 1. 7: "Will you win your love with a French brawl?"). In the 17th century it was danced at the courts of Louis XIV of France and Charles II of England, where it became "even more common than in France".[3] There are even a few late examples in Beauchamp–Feuillet notation (invented in 1691), such as Danses nouvelles presentees au Roy (c. 1715) by Louis-Guillaume Pécour.

In Italy the branle became the brando, and in Spain the bran.[12][page needed] The Branle seems to have travelled to Scotland and survived for some time as the brail. Emmanuel Adriaenssen includes a piece called Branle Englese in his book of lute music, Pratum Musicum (1584) and Thomas Tomkins' Worster Braules is included in the Fitzwilliam Virginal Book. But of thousands of lute pieces from England only 18 were called branle, though one called "courant" is known from continental sources as a branle.[13]

Branles not choreographed by Arbeau

The Branle de Montirandé appears to be related to the Haut Barrois branle, which Arbeau says was "arranged to the tune of a branle of Montierandal" (probably Montier-en-Der, near Chaumont in the Haute Marne).[14] This is danced in duple time, and as described by Arbeau has a similar structure to the double branle. Settings for this appear in the lute anthology Le trésor d'Orphée by Anthoine Francisque (1600) and the ensemble collection Terpsichore by Michael Praetorius (1612).

In John Marston's The Malcontent (1604), act 4, scene 2, the character Guerrino describes the steps of a dance called Beanchaes brawl (Bianca's branle):

t'is but two singles on the left, two on the right, three doubles forward, a trauerse of six round: do this twice, three singles side, galliard tricke of twentie, curranto pace; a figure of eight, three singles broken downe, come vp, meete two doubles, fall backe, and then honour.

The opening is the same as the Maltese branle described by Arbeau, but starting with "three singles side", there is an interpolation of "something presumably more athletic". The male dancer moves away from his partner before performing a "galliard trick of twenty"—apparently a number of capers or leaps in the manner of the galliard—before returning to the conventional ending.[15]

Revivals

References

  • Arbeau, Thoinot (1967). Orchesography. American Musicological Society Reprint Series. Translated by Mary Stewart Evans. New introduction and notes by Julia Sutton, and a new Labanotation section by Mireille Backer and Julia Sutton. New York City: Dover Publications. ISBN 9780486217451.
  • Arena, Antonius (Autumn 1986) [1529]. Translated by John Guthrie and Marino Zorzi. "Rules of Dancing". Dance Research. 4 (2): 3–53. doi:10.2307/1290725. JSTOR 1290725.
  • Expert, Henry (1894–1908). Les maîtres musiciens de la renaissance française, éditions publiées par m. Henry Expert. Sur les manuscrits les plus authentiques et les meilleurs imprimés du XVIe siècle, avec variantes, notes historiques et critiques, transcriptions en notation moderne, etc. 23 volumes. Paris: Alphonse Leduc. Volume 23: Danceries. Facsimile reprint, New York: Broude Brothers, 1952–64. ISBN 0-8450-1200-2 (set).
  • Library of Congress (n.d.). "Renaissance Dance". American Memory site (Accessed 30 January 2011).
  • Marston, John, and John Webster (1604). The Malcontent. Augmented by Marston. With the Additions Played by the Kings Maiesties Servants. Written by Ihon Webster. London: Printed by V. S. for William Aspley.
  • Anon. "Branle". Encyclopædia Britannica Online[1]

Footnotes

  1. ^ a b "Branle, dance". Encyclopædia Britannica. 20 July 1998. Retrieved 13 April 2021.
  2. ^ Heartz, Daniel (2001). "Branle [brande, brawl, brall, brangill]". In Sadie, Stanley; Tyrrell, John (eds.). The New Grove Dictionary of Music and Musicians (2nd ed.). London: Macmillan. ISBN 9780195170672.
  3. ^ a b c Scholes, Percy A. (1970). "Branle". The Oxford Companion to Music, tenth, revised and rest edition, edited by John Owen Ward. London and New York: Oxford University Press.
  4. ^ a b Arena 1986, pp. 20–1.
  5. ^ Arbeau 1967.
  6. ^ Arbeau 1967, pp. 135–6, 146–53, 163, 167–9.
  7. ^ Arbeau 1967, p. 151.
  8. ^ Arbeau 1967, p. 153.
  9. ^ Arbeau 1967, pp. 137, 203 n93.
  10. ^ Semmens, Richard T. (1997). "Branles, Gavottes and Contredanses in the Later Seventeenth and Early Eighteenth Centuries". Dance Research 15, no. 2 (Winter):35–62 (p. 36).
  11. ^ Tyler, James. "The Mandore in the 16th and 17th Centuries". Early Music 9, no. 1 (January 1981: Plucked-String Issue 1):22–31 (p. 26).
  12. ^ Dolmetsch, Mabel (1959). Dances of England and France, from 1450 to 1600, with Their Music and Authentic Manner of Performance (2nd ed.). London: Routledge and Kegan Paul. Reprinted in New York: Da Capo Press, 1975. ISBN 9780306707254.
  13. ^ Craig-McFeely, Julia (2000) [1993]. English Lute Manuscripts and Scribes 1530–1630 (PDF) (Thesis). Oxford University. Chapter 2, note 22.
  14. ^ Arbeau 1967, pp. 136, 203 n92.
  15. ^ Marston, John (1999). The Malcontent, edited by George K. Hunter, with a new introduction, together with a revised reading text and commentary notes. Revels Plays. Manchester University Press. ISBN 0-7190-3094-3. p. 107, editor's note.

Further reading

  • Bröcker, Marianne (1988). "Ein Branle—was ist das?" In Colloquium: Festschrift Martin Vogel zum 65. Geburtstag, überreicht von seinen Schülern, edited by Heribert Schröder, 35-50. Bad Honnef: Schröder.
  • Challet-Hass, Jacqueline (1977). Dances from the Marais Nord Vendéen. I: Les Maraichines (Branles and Courantes); II: Les Grand Danses and Other Dances. Documentary Dance Materials No. 2. Jersey, Channel Islands: Centre for Dance Studies.
  • Cunningham, Caroline M. (1971). "Estienne du Tertre and the Mid-sixteenth Century Parisian Chanson". Musica Disciplina 25:127–70.
  • Guilcher, Jean-Michel (1968). "Les derniers branles de Béarn et de Bigorre". Arts et Traditions Populaires (July–December): 259–92.
  • Heartz, Daniel (1972). "Un ballet turc a la cour d'Henri II: Les Branles de Malte". Baroque: Revue International 5:17–23.
  • Jordan, Stephanie (1993). "Music Puts a Time Corset on the Dance". Dance Chronicle 16, no. 3:295–321.
  • McGowan, Margaret M. (2003). "Recollections of Dancing Forms from Sixteenth-Century France". Dance Research 21, no. 1 (Summer): 10–26.
  • Martin, György (1973). "Die Branles von Arbeau und die osteuropäischen Kettentänze". Studia Musicologica Academiae Scientiarum Hungaricae 15:101–28.
  • Merveille, Marie-Laure, and W. Thomas Marrocco (1989). "Anthonius Arena: Master of Law and Dance of the Renaissance". Studi Musicali 18, no. 1:19–48.
  • Mizzi, Gordon (2004). "The Branles de Malte". Classical Guitar 23, no. 1 (September): 35–37.
  • Mullally, Robert (1984). "French Social Dances in Italy, 1528–9". Music & Letters 65, no. 1 (January): 41–44.
  • Pugliese, Patri J. (1981). "Why Not Dolmetsch?" Dance Research Journal 13, no. 2 (Spring): 21–24.
  • Richardson, Mark D. (1993). "A Manual, a Model, and a Sketch: The Bransle Gay Dance Rhythm in Stravinsky's Ballet Agon". Mitteilungen der Paul Sacher Stiftung, no. 16:29–35.
  • Richardson, Mark Douglas (1996). "Igor Stravinsky's Agon (1953–1957): Pitch-Related Processes in the Serial Movements and Rhythm in the Named Dance Movements Described in De Lauze's Apologie de la danse (1623)". PhD diss. Tallahassee: Florida State University.
  • Rimmer, Joan (1987). "Patronage, Style and Structure in the Music Attributed to Turlough Carolan". Early Music 15, no. 2 (May): 164–74.
  • Rimmer, Joan (1989). "Carole, Rondeau and Branle in Ireland 1300–1800, Part 1: The Walling of New Ross and Dance Texts in the Red Book of Ossory". Dance Research 7, no. 1 (Spring): 20-46.
  • Rimmer, Joan (1990). "Carole, Rondeau and Branle in Ireland 1300–1800, Part 2: Social and Theatrical Residues 1550–1800". Dance Research 8, no. 2 (Fall): 27–43.
  • Roy, Gilbert (1988). "Rondes et branles de Champagne". Folklore de Champagne, no. 110 (May): 10–29.

External links

 
Look up branle in Wiktionary, the free dictionary.
  • Video - Branle de Bourgogne revived in costume by Ardo Liltamor
  • Video - Branle Gay in costume, by Melbourne University Renaissance Dance ensemble.
  • Video - Branles simple and gay, by Dancilla
  • Music video - Branle Double - Branle Simple - Branle Gay - Branle de Bourgogne (publ. Pierre Phalèse) with facsimile of Arbeau
  • Video, live music on period instruments, Branle de Champaigne, double and simple, by Les Menestreux De La Branche Rouge

January 06, 2023
branle, branle, ɑː, french, bʁɑ, listen, also, bransle, brangle, brawl, brawle, brall, braul, brando, italy, bran, spain, brantle, scotland, type, french, dance, popular, from, early, 16th, century, present, danced, couples, either, line, circle, term, also, r. A branle ˈ b r ae n el ˈ b r ɑː l French bʁɑ l listen also bransle brangle brawl brawle brall e braul e brando in Italy bran in Spain or brantle in Scotland is a type of French dance popular from the early 16th century to the present danced by couples in either a line or a circle The term also refers to the music and the characteristic step of the dance Branle d Ossau by Alfred Dartiguenave 1855 1856 Contents 1 History 1 1 Beginnings and courtly adoption 1 2 The branle in Arbeau 1 3 The suite of branles 1 4 The fame of the branle 1 5 Branles not choreographed by Arbeau 2 Revivals 3 References 4 Further reading 5 External linksHistory EditBeginnings and courtly adoption Edit The name branle derives from the French verb branler to shake wave sway wag wobble referring to the side to side movement of a circle or chain of dancers holding hands or linking arms 1 Dances of this name are encountered from about 1500 and the term is used for dances still danced in France today 2 Before 1500 the only dance related use of this word is the swaying step of the basse danse The branle was danced by a chain of dancers usually in couples with linked arms or holding hands The dance alternated a number of larger sideways steps to the left often four with the same number of smaller steps to the right so that the chain moved gradually to the left Although originally French dances of rustic provenance danced to the dancers singing the branle was adopted like other folk dances into aristocratic use by the time that printed books allow us to reconstruct the dances A variety of branles attributed to different regions were danced in sequence so that the suite of branle music gives one of the earliest examples of the classical suite of dances Such suites generally ended with a gavotte which seems then to have been regarded as a species of branle Some aristocratic branles included pantomime elements such the branle de Poitou the possible ancestor of the minuet which acts out gestures of courtship Some of these dances were reserved for specific age groups the branle de Bourgogne for instance for the youngest dancers Branle music is generally in common time somewhat like the gavotte though some variants like that of Poitou are in triple time 3 Branles were danced walking running gliding or skipping depending on the speed of the music 1 Among the dance s courtly relations may be the basse danse and the passepied 3 which latter though it is in triple time Rabelais and Thoinot Arbeau 1589 identify as a type of Breton branle The branle in Arbeau Edit The first detailed sources for the dance s steps are found in Arbeau s famous text book Orchesography Antonius de Arena briefly describes the steps for the double and single branle 4 and John Marston s The Malcontent 1604 sketches the choreography of one type According to Arbeau every ball began with the same four branles the double the single the gay and the Burgundian branle 5 page needed The double branle had a simple form involving two phrases of two bars each Arbeau gives choreographies for eight branles associated with specific regions the Burgundian see above or Champagne the Haut Barrois the Montardon the Poitou the Maltese the Scottish and the Trihory of Brittany he also mentions four others without describing their steps the branles of Camp Hainaut Avignon and Lyon 6 Most of these dances seem to have a genuine connection to the region the Trihory of Brittany Arbeau says was seldom if ever performed around Langres where his book was published but I learned it long ago from a young Breton who was a fellow student of mine at Poitiers 7 On the other hand Arbeau identifies some branles as adapted to ballet and mime When his student Capriol asks whether the Maltese branle is native to Malta rather than just a fanciful invention for a ballet Arbeau replies that he cannot believe it to be other than a ballet 8 He also describes a Hermit branle based upon mime The suite of branles Edit There were several well established branle suites of up to ten dances the Branles de Champagne the Branles de Camp the Branles de Hainaut and the Branles d Avignon Arbeau named these suites branles coupes which literally means cut or intersected branles but is usually translated as mixed branles 9 Antonius de Arena mentions mixed branles branlos decopatos in his macaronic treatise Ad suos compagnones 4 By 1623 such suites had been standardized into a set of six dances premier bransle bransle gay bransle de Poictou also called branle a mener bransle double de Poictou cinquiesme bransle by 1636 named branle de Montirande and a concluding gavotte 10 A variant is found in the Tablature de mandore Paris 1629 by Francois Sieur de Chancy A suite of seven dances collectively titled Branles de Boccan begins with a branle du Baucane composed by the dancing master and violinist Jacques Cordier known as Bocan followed by a second untitled branle then the branle gay branle de Poictu branle double de Poictu branle de Montirande and la gavotte 11 The fame of the branle Edit In the late 16th century in England the branle was mentioned by Shakespeare Love s Labour s Lost 3 1 7 Will you win your love with a French brawl In the 17th century it was danced at the courts of Louis XIV of France and Charles II of England where it became even more common than in France 3 There are even a few late examples in Beauchamp Feuillet notation invented in 1691 such as Danses nouvelles presentees au Roy c 1715 by Louis Guillaume Pecour In Italy the branle became the brando and in Spain the bran 12 page needed The Branle seems to have travelled to Scotland and survived for some time as the brail Emmanuel Adriaenssen includes a piece called Branle Englese in his book of lute music Pratum Musicum 1584 and Thomas Tomkins Worster Braules is included in the Fitzwilliam Virginal Book But of thousands of lute pieces from England only 18 were called branle though one called courant is known from continental sources as a branle 13 Branles not choreographed by Arbeau Edit The Branle de Montirande appears to be related to the Haut Barrois branle which Arbeau says was arranged to the tune of a branle of Montierandal probably Montier en Der near Chaumont in the Haute Marne 14 This is danced in duple time and as described by Arbeau has a similar structure to the double branle Settings for this appear in the lute anthology Le tresor d Orphee by Anthoine Francisque 1600 and the ensemble collection Terpsichore by Michael Praetorius 1612 In John Marston s The Malcontent 1604 act 4 scene 2 the character Guerrino describes the steps of a dance called Beanchaes brawl Bianca s branle t is but two singles on the left two on the right three doubles forward a trauerse of six round do this twice three singles side galliard tricke of twentie curranto pace a figure of eight three singles broken downe come vp meete two doubles fall backe and then honour The opening is the same as the Maltese branle described by Arbeau but starting with three singles side there is an interpolation of something presumably more athletic The male dancer moves away from his partner before performing a galliard trick of twenty apparently a number of capers or leaps in the manner of the galliard before returning to the conventional ending 15 Revivals EditFrancis Poulenc includes a Bransle de Champagne and a Bransle de Bourgogne in his Suite Francaise 1935 Igor Stravinsky includes a Bransle Simple Bransle Gay and Bransle de Poitou Double in his Agon 1957 The air of Arbeau s Branle de l Official was adapted for the 20th century English Christmas carol Ding Dong Merrily on High References EditArbeau Thoinot 1967 Orchesography American Musicological Society Reprint Series Translated by Mary Stewart Evans New introduction and notes by Julia Sutton and a new Labanotation section by Mireille Backer and Julia Sutton New York City Dover Publications ISBN 9780486217451 Arena Antonius Autumn 1986 1529 Translated by John Guthrie and Marino Zorzi Rules of Dancing Dance Research 4 2 3 53 doi 10 2307 1290725 JSTOR 1290725 Expert Henry 1894 1908 Les maitres musiciens de la renaissance francaise editions publiees par m Henry Expert Sur les manuscrits les plus authentiques et les meilleurs imprimes du XVIe siecle avec variantes notes historiques et critiques transcriptions en notation moderne etc 23 volumes Paris Alphonse Leduc Volume 23 Danceries Facsimile reprint New York Broude Brothers 1952 64 ISBN 0 8450 1200 2 set Library of Congress n d Renaissance Dance American Memory site Accessed 30 January 2011 Marston John and John Webster 1604 The Malcontent Augmented by Marston With the Additions Played by the Kings Maiesties Servants Written by Ihon Webster London Printed by V S for William Aspley Anon Branle Encyclopaedia Britannica Online 1 Footnotes a b Branle dance Encyclopaedia Britannica 20 July 1998 Retrieved 13 April 2021 Heartz Daniel 2001 Branle brande brawl brall brangill In Sadie Stanley Tyrrell John eds The New Grove Dictionary of Music and Musicians 2nd ed London Macmillan ISBN 9780195170672 a b c Scholes Percy A 1970 Branle The Oxford Companion to Music tenth revised and rest edition edited by John Owen Ward London and New York Oxford University Press a b Arena 1986 pp 20 1 Arbeau 1967 Arbeau 1967 pp 135 6 146 53 163 167 9 Arbeau 1967 p 151 Arbeau 1967 p 153 Arbeau 1967 pp 137 203 n93 Semmens Richard T 1997 Branles Gavottes and Contredanses in the Later Seventeenth and Early Eighteenth Centuries Dance Research 15 no 2 Winter 35 62 p 36 Tyler James The Mandore in the 16th and 17th Centuries Early Music 9 no 1 January 1981 Plucked String Issue 1 22 31 p 26 Dolmetsch Mabel 1959 Dances of England and France from 1450 to 1600 with Their Music and Authentic Manner of Performance 2nd ed London Routledge and Kegan Paul Reprinted in New York Da Capo Press 1975 ISBN 9780306707254 Craig McFeely Julia 2000 1993 English Lute Manuscripts and Scribes 1530 1630 PDF Thesis Oxford University Chapter 2 note 22 Arbeau 1967 pp 136 203 n92 Marston John 1999 The Malcontent edited by George K Hunter with a new introduction together with a revised reading text and commentary notes Revels Plays Manchester University Press ISBN 0 7190 3094 3 p 107 editor s note Further reading EditBrocker Marianne 1988 Ein Branle was ist das In Colloquium Festschrift Martin Vogel zum 65 Geburtstag uberreicht von seinen Schulern edited by Heribert Schroder 35 50 Bad Honnef Schroder Challet Hass Jacqueline 1977 Dances from the Marais Nord Vendeen I Les Maraichines Branles and Courantes II Les Grand Danses and Other Dances Documentary Dance Materials No 2 Jersey Channel Islands Centre for Dance Studies Cunningham Caroline M 1971 Estienne du Tertre and the Mid sixteenth Century Parisian Chanson Musica Disciplina 25 127 70 Guilcher Jean Michel 1968 Les derniers branles de Bearn et de Bigorre Arts et Traditions Populaires July December 259 92 Heartz Daniel 1972 Un ballet turc a la cour d Henri II Les Branles de Malte Baroque Revue International 5 17 23 Jordan Stephanie 1993 Music Puts a Time Corset on the Dance Dance Chronicle 16 no 3 295 321 McGowan Margaret M 2003 Recollections of Dancing Forms from Sixteenth Century France Dance Research 21 no 1 Summer 10 26 Martin Gyorgy 1973 Die Branles von Arbeau und die osteuropaischen Kettentanze Studia Musicologica Academiae Scientiarum Hungaricae 15 101 28 Merveille Marie Laure and W Thomas Marrocco 1989 Anthonius Arena Master of Law and Dance of the Renaissance Studi Musicali 18 no 1 19 48 Mizzi Gordon 2004 The Branles de Malte Classical Guitar 23 no 1 September 35 37 Mullally Robert 1984 French Social Dances in Italy 1528 9 Music amp Letters 65 no 1 January 41 44 Pugliese Patri J 1981 Why Not Dolmetsch Dance Research Journal 13 no 2 Spring 21 24 Richardson Mark D 1993 A Manual a Model and a Sketch The Bransle Gay Dance Rhythm in Stravinsky s Ballet Agon Mitteilungen der Paul Sacher Stiftung no 16 29 35 Richardson Mark Douglas 1996 Igor Stravinsky s Agon 1953 1957 Pitch Related Processes in the Serial Movements and Rhythm in the Named Dance Movements Described in De Lauze s Apologie de la danse 1623 PhD diss Tallahassee Florida State University Rimmer Joan 1987 Patronage Style and Structure in the Music Attributed to Turlough Carolan Early Music 15 no 2 May 164 74 Rimmer Joan 1989 Carole Rondeau and Branle in Ireland 1300 1800 Part 1 The Walling of New Ross and Dance Texts in the Red Book of Ossory Dance Research 7 no 1 Spring 20 46 Rimmer Joan 1990 Carole Rondeau and Branle in Ireland 1300 1800 Part 2 Social and Theatrical Residues 1550 1800 Dance Research 8 no 2 Fall 27 43 Roy Gilbert 1988 Rondes et branles de Champagne Folklore de Champagne no 110 May 10 29 External links Edit Look up branle in Wiktionary the free dictionary Video Branle de Bourgogne revived in costume by Ardo Liltamor Video Branle Gay in costume by Melbourne University Renaissance Dance ensemble Video Branles simple and gay by Dancilla Music video Branle Double Branle Simple Branle Gay Branle de Bourgogne publ Pierre Phalese with facsimile of Arbeau Video live music on period instruments Branle de Champaigne double and simple by Les Menestreux De La Branche Rouge Retrieved from https en wikipedia org w index php title Branle amp oldid 1072836455, wikipedia, wiki, book, books, library,

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