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Biagio Marini

Biagio Marini (5 February 1594 – 20 March 1663) was an Italian virtuoso violinist and composer in the first half of the seventeenth century.

Marini was born in Brescia. He may have studied with his uncle Giacinto Bondioli. His works were printed and influential throughout the European musical world. He traveled throughout his life, and occupied posts in Brussels, over thirty years in Neuburg an der Donau and Düsseldorf, and Venice in 1615,[clarification needed] joining Monteverdi's group at St. Mark's Cathedral,[1] Padua, Parma, Ferrara, Milan, Bergamo, and Brescia in Italy. There is evidence that he married three times and fathered five children. He died in Venice.

Although he wrote both instrumental and vocal music, he is better known for his innovative instrumental compositions. He contributed to the early development of the string idiom by expanding the performance range of the solo and accompanied violin and incorporating slur, double and even triple stopping, and the first explicitly notated tremolo (in the sonata La Foscarina, op. 1 No. 14; 1617) effects into his music. He was also among the first composers, after Marco Uccellini, to call for scordatura tunings. He made contributions to most of the contemporary genres and investigated unusual compositional procedures, like constructing an entire sonata without a cadence (as in his Sonata senza cadenza). At least some, and perhaps a great deal, of his output is lost, but that which survives exhibits his inventiveness, lyrical skill, harmonic boldness, and growing tendency toward common practice tonality. In addition to his violin works, he wrote music for the cornett, dulcian, and sackbut.[1]

One latter-day champion of Marini's music is the British violinist Andrew Manze, who has released a disc on the Harmonia Mundi label entitled Curiose e moderne inventioni devoted to Marini's music for strings.

Surviving published works edit

  • Op. 1 Affetti musicali (1617)
  • Op. 2 Madrigali e symfonie (1618)
  • Op. 3 Arie, madrigali et corenti (1620)
  • Op. 5 Scherzi e canzonette
  • Op. 6 Le lagrime d’Erminia in stile recitativo
  • Op. 7 Per le musiche di camera concerti
  • Op. 8 Sonate, symphonie…e retornelli (1629)[1]
  • Op. 9 Madrigaletti
  • Op. 13 Compositioni varie per musica di camera
  • Op. 15 Corona melodica
  • Op. 16 Concerto terzo delle musiche da camera
  • Op. 18 Salmi per tutte le solennità dell’anno concertati nel moderno stile
  • Op. 20 Vesperi per tutte le festività dell’anno
  • Op. 21 Lagrime di Davide sparse nel miserere
  • Op. 22 Per ogni sorte di strumento musicale diversi generi di sonate, da chiesa, e da camera (1655)
  • 2 motets

Sources edit

  • Dunn, Thomas D. "Marini, Biagio", Grove Music Online, ed. L. Macy (accessed 22 March 2006), grovemusic.com 2008-05-16 at the Wayback Machine (subscription access).
  • Brunner, Georg (1997). "Biagio Marini. Die Revolution in der Instrumentalmusik". Schrobenhausen: Verlag Benedikt Bickel. ISBN 3-922803-92-X.
  1. ^ a b c Schwarz, Boris (1983). Great Masters of the Violin. New York: Simon and Schuster. pp. 35–36. ISBN 0-671-22598-7.

See also edit

External links edit


biagio, marini, february, 1594, march, 1663, italian, virtuoso, violinist, composer, first, half, seventeenth, century, marini, born, brescia, have, studied, with, uncle, giacinto, bondioli, works, were, printed, influential, throughout, european, musical, wor. Biagio Marini 5 February 1594 20 March 1663 was an Italian virtuoso violinist and composer in the first half of the seventeenth century Marini was born in Brescia He may have studied with his uncle Giacinto Bondioli His works were printed and influential throughout the European musical world He traveled throughout his life and occupied posts in Brussels over thirty years in Neuburg an der Donau and Dusseldorf and Venice in 1615 clarification needed joining Monteverdi s group at St Mark s Cathedral 1 Padua Parma Ferrara Milan Bergamo and Brescia in Italy There is evidence that he married three times and fathered five children He died in Venice Although he wrote both instrumental and vocal music he is better known for his innovative instrumental compositions He contributed to the early development of the string idiom by expanding the performance range of the solo and accompanied violin and incorporating slur double and even triple stopping and the first explicitly notated tremolo in the sonata La Foscarina op 1 No 14 1617 effects into his music He was also among the first composers after Marco Uccellini to call for scordatura tunings He made contributions to most of the contemporary genres and investigated unusual compositional procedures like constructing an entire sonata without a cadence as in his Sonata senza cadenza At least some and perhaps a great deal of his output is lost but that which survives exhibits his inventiveness lyrical skill harmonic boldness and growing tendency toward common practice tonality In addition to his violin works he wrote music for the cornett dulcian and sackbut 1 One latter day champion of Marini s music is the British violinist Andrew Manze who has released a disc on the Harmonia Mundi label entitled Curiose e moderne inventioni devoted to Marini s music for strings Contents 1 Surviving published works 2 Sources 3 See also 4 External linksSurviving published works editOp 1 Affetti musicali 1617 Op 2 Madrigali e symfonie 1618 Op 3 Arie madrigali et corenti 1620 Op 5 Scherzi e canzonette Op 6 Le lagrime d Erminia in stile recitativo Op 7 Per le musiche di camera concerti Op 8 Sonate symphonie e retornelli 1629 1 Op 9 Madrigaletti Op 13 Compositioni varie per musica di camera Op 15 Corona melodica Op 16 Concerto terzo delle musiche da camera Op 18 Salmi per tutte le solennita dell anno concertati nel moderno stile Op 20 Vesperi per tutte le festivita dell anno Op 21 Lagrime di Davide sparse nel miserere Op 22 Per ogni sorte di strumento musicale diversi generi di sonate da chiesa e da camera 1655 2 motetsSources editDunn Thomas D Marini Biagio Grove Music Online ed L Macy accessed 22 March 2006 grovemusic com Archived 2008 05 16 at the Wayback Machine subscription access Brunner Georg 1997 Biagio Marini Die Revolution in der Instrumentalmusik Schrobenhausen Verlag Benedikt Bickel ISBN 3 922803 92 X a b c Schwarz Boris 1983 Great Masters of the Violin New York Simon and Schuster pp 35 36 ISBN 0 671 22598 7 See also editExtended technique Playing the violinExternal links editallmusic com biography for Biagio Marini Free scores by Biagio Marini at the International Music Score Library Project IMSLP nbsp This article about an Italian classical musician is a stub You can help Wikipedia by expanding it vte nbsp This article on a violinist or fiddler is a stub You can help Wikipedia by expanding it vte nbsp This article about an Italian composer is a stub You can help Wikipedia by expanding it vte Retrieved from https en wikipedia org w index php title Biagio Marini amp oldid 1216987139, wikipedia, wiki, book, books, library,

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