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Bernard Rhodes

Bernard Rhodes is a designer, band manager, studio owner, record producer and songwriter who was integral to the development of the punk rock scene in the United Kingdom from the middle 1970s.[1] He is most associated with two of the UK's best known and influential punk bands, the Sex Pistols and The Clash. According to John Lydon, Rhodes was responsible for discovering him in the Kings Road and arranging the audition which led to his joining the Sex Pistols.[2] Rhodes introduced Joe Strummer[3] to Mick Jones and Paul Simonon, who with Keith Levene then formed The Clash.

Bernard Rhodes
Birth nameBernard Rhodes
BornEngland
Occupation(s)Designer, band manager, record producer, songwriter
Years active1960-present
Websitebernardrhodes.com

Rhodes was an important force behind The Clash not only managing their business but also guiding their marketing and creative direction.[3] Disagreement with the group about direction led to his sacking by the Clash in 1979. Rhodes meantime continued with other successful signings to his label Oddball Productions and major record companies.[4] In 1981 singer Joe Strummer demanded his return to the Clash or he would quit the group.

Rhodes nurtured and managed other bands including Subway Sect, The Specials, Dexys Midnight Runners, Jo Boxers, The Lous, The Black Arabs, Twenty Flight Rockers, and Watts from Detroit. During this period Rhodes built and operated from his Camden studio Rehearsal Rehearsals, in what became Camden Market. The area around the studio became a well known hangout for punks and contributed to the growth of Camden as a hip area.

He is also known in Brazil for his friendship with Supla and baptising the band "Brothers of Brazil".

Early life edit

Rhodes was raised in Stepney, east London. He says he never knew his father. He was placed in a Jewish orphanage in South London where he remained until he was 15. His mother worked long hours for Huntsman's tailors in Saville Row making suits for people like Cary Grant and later Hawes & Curtis where Rhodes' friend John Pearse who co-owned Granny Takes a Trip was her apprentice.[5]

In the early 1960s Rhodes and Pearse shared a flat at 68 Hamilton Terrace, St Johns Wood, London. Mick Jagger, Marc Bolan, musician Mickey Finn, the Small Faces and Guy Stevens (who Rhodes later brought in to produce The Clash)[5] were regular visitors.

Early career edit

Towards the late 1960s Rhodes won a Design Council award for a children's educational toy he designed using newly developed plastic techniques.[6] In the early 1970s Rhodes had a shop in the Antiquarius Market, Chelsea selling his hand printed silk screen designs on shirts and T-shirts, plus a selection of rare vintage reggae records.[7]

During this period he became re-acquainted with an old friend, Malcolm McLaren and his girlfriend Vivienne Westwood who were operating out of Let It Rock boutique at 430 Kings Road. Finding they shared a similar philosophy, Rhodes and McLaren went into business collaborating on the T-shirts which were sold in the shop. Westwood wanted to expand the sleeveless T-shirt clothing line and Rhodes was an ideal colleague with his silk screen printing skill and whose 'complex meandering discourse threw up many new ideas'.[8] The T-shirt 'You're Gonna Wake Up One Morning and Know What Side of The Bed You've Been Lying On' was created and printed by Rhodes and uses his handwriting.[9] McLaren explained that Rhodes' idea was 'to create a dialogue'.[10] Rhodes has described the difference between himself and McLaren: 'Malcolm [McLaren] likes to titillate but I get down to substance'.[11]

Sex Pistols edit

By 1975, SEX had become a hangout for a bunch of teenagers from whom the Sex Pistols would emerge. Rhodes took the group under his wing while McLaren was in New York looking after the New York Dolls.[12] Original Sex Pistols member Glen Matlock describes Rhodes' contribution as making them understand the importance of being clear cut. "He (Rhodes) had a real ability for making people decide exactly what they were trying to do."[13] John Lydon states that he was wearing a 'I Hate Pink Floyd' T-shirt when he was spotted by Rhodes on the Kings Road. Rhodes insisted he meet McLaren, Steve Jones and Paul Cook in the local Roebuck pub that evening. After this get-together, Rhodes had Lydon come back to the shop to audition for the role of singer.[2] As a result, Lydon became lead singer of the group.

Lydon says that Rhodes 'was important to me in so many ways... He would indicate to me where the problems with the Pistols would be in the future. He would sow a seed and then wait to see if I would pick up on it.'[14]

The Clash edit

After his offer to co-manage Sex Pistols was rejected by McLaren, Rhodes was instrumental in The Clash's formation in 1976. Mick Jones was wearing one of Rhodes' Wake Up T-shirts when he approached Rhodes after a Sex Pistols gig thinking he was a keyboard player. They started talking about groups and the relationship was the starting point for what would eventually become The Clash.[15]

Strummer credits Rhodes as his mentor, stating "He constructed The Clash and focused our energies and we repaid him by being really good at what we did".[16] Rhodes told them to write about social issues occurring at the time, i.e., the housing problems, lack of education, dead-end futures.[16] Strummer said that Rhodes was the only one who understood how one should go about getting known.[16]

Paul Simonon stated that Rhodes "set up the whole punk scene basically. He saw how non-musicians like myself and John (Lydon) could contribute".[4] Rhodes called his friend Guy Stevens in, to produce the Polydor recordings in 1977.[17] The group later used Stevens to produce London Calling. He also sought out Lee 'Scratch' Perry to produce the single "Complete Control".[16]

On 25 January 1977, Rhodes signed The Clash to CBS Records with CBS Records UK chairman Maurice Oberstein who promised to allow the group to do what they wanted on record and CBS would promote it. After a couple of albums, including their first, which Rhodes helped produce with Mickey Foote, he felt the group were drifting away from their street ideals and they parted company in late 1978.

1979–1981 edit

From his Rehearsal Rehearsals studio, Rhodes nurtured and managed groups Subway Sect, The Specials, Dexys Midnight Runners, The Black Arabs and other musical projects. The intro to The Specials' version of "Gangsters" released in 1979 begins with the line: "Bernie Rhodes knows: don't argue!".[18] Dexys Midnight Runners' single "Dance Stance" was released in 1979 on the Oddball Productions label owned by Rhodes.[19] He later signed the group to EMI Records.

The first album by Subway Sect, What's the Matter Boy, was produced by Rhodes and released by Oddball in 1980.[20] Rhodes also introduced the idea of using a Burundi drum beat to Malcolm McLaren[21] who gave it to Adam Ant. This led to the sound of Kings of the Wild Frontier (1980) by Adam and the Ants.[22]

Club Left edit

During the late seventies he opened Club Left in Wardour Street Soho.[23] Club Left performances included Dig Wayne, Anne Pigalle, Tom Cat, Lady Blue, Johnny Britton, Sade, Bananarama, Georgie Fame and Slim Gaillard. The regular house band was Vic Godard and the Subway Sect.

Sean McLusky said that Rhodes gave him a break at Club Left in 1981 and then got a deal and success for his band JoBoxers, who enjoyed mainstream success on both sides of the Atlantic with their single "Just Got Lucky". McLusky says, "Bernard never got the credit for things that were his. He has been the undefined force".[23]

Return to the Clash edit

Strummer said if Rhodes did not come back and manage the Clash he would quit.[24] Once back, Rhodes decided to remix "Magnificent 7". A 12" single dance remix "Magnificent Dance" was released on 12 April 1981. Production was credited to 'Pepe Unidos', a pseudonym for Strummer, Rhodes and Paul Simonon.[25] Pepe Unidos also produced "The Cool Out", a re-mix of "The Call Up".[26]

Bond's, NYC edit

Mick Jones said 'Bernie came back on the scene because people thought that we'd gotten out of control and the first thing he wanted to do was book us for seven nights in New York'.[27] The residency at Bond International Casino in the first two weeks of June 1981 was organised by Rhodes on his return as manager of The Clash. Support acts included Grandmaster Flash, The Sugarhill Gang, Dead Kennedys, Bad Brains, Texan bad boy Joe Ely, Lee Perry and Funkapolitan. Rhodes states that it was because of these Bonds NYC shows that the public became more interested in hip hop. 'I endeavoured to get these guys on like Grandmaster Flash, not that most of the audience liked them but that led to a helluvalot'.[28] The record company were not behind the triple album Sandinista! recorded in Rhodes's absence[29] but Kosmo Vinyl states that with the Bonds NYC residency, The Clash 'clawed their way back into the Premiership'.[30]

Jones’ sacking edit

Paul Simonon states that Rhodes was not aware he and Joe were going to sack Mick Jones nor was he in favour of that action. (The sacking took place in 1983). However Simonon says Jones did not know this until the Rock and Roll Hall of Fame induction after Joe Strummer's death.[31]

This is England edit

The Clash's last album, Cut the Crap (1985), (originally Out of Control)[32] was produced by Rhodes under the name of 'Jose Unidos'. He also co-wrote all of the songs with Strummer.[33]

The standout track, “This Is England”, was co-written by Strummer and Rhodes and described by Strummer as the 'last great Clash song'.[34][35] Critic Samuels Lennox described it as a "tuneful, beautifully crafted overview of social decay in England, where political philosophies joust for hegemony while the country sinks into ignominious decline and millions of youths turn to the dole."[36] In 2017, the journalist Bill Wyman praised Rhodes' production, writing that his "sound collage and the gentle, troubled synth lines undergird the song unerringly, and for once the group-shouted chorus, though still over-loud, conveys some wan meaning."[37]

The song has inspired many other artists, including Shane Meadows who used the title for his movie and TV show centering on young skinheads and Oi! punks in England in the 1980s, in reference to the Cut the Crap song.[34]

Watts edit

In 1990, Rhodes relocated from Los Angeles to Atlanta, Georgia where Doug Watts, lead singer of the band Naked Truth, asked him for help. Rhodes brought in a new bass player and rehearsed the band over several months. He independently produced the album 'Green with Rage', and secured a deal for the band with Sony Records.[38]

Recent edit

In 2014 Rhodes designed a range of biker T-shirts for Lewis Leathers, Britain's oldest motorcycle clothing company.

In May 2016, the British Library invited him to give a talk entitled Me, Punk and the World as part of its Punk 1976-78 exhibit.[1]

Rhodes launched the website cancerclash.com in June 2022 to ‘dynamically demystify the world of cancer’[39] and provide a cultural space to deal with the impact of the disease. Rhodes was diagnosed with cancer in 2016.[40]

References edit

  1. ^ a b "Me, Punk and the World: Bernard Rhodes in Conversation". British Library. Retrieved 2 April 2020.
  2. ^ a b Lydon 1993, p. 75.
  3. ^ a b Knowles 2003, p. 121.
  4. ^ a b Gilbert 2005, p. 78.
  5. ^ a b Gilbert 2005, p. 81.
  6. ^ Gilbert 2005, p. 82.
  7. ^ Letts 2007, p. 50.
  8. ^ Savage 1991, p. 83.
  9. ^ Rimmer, Dave. New Romantics: The Look. Omnibus Press, 2003. ASIN: B00GS97DIY
  10. ^ Gorman, Paul (2006). The Look. London: Adelita. p. 137. ISBN 0-9552017-0-5.
  11. ^ Savage 1991, p. 102.
  12. ^ Strongman 2008, pp. 84–85.
  13. ^ Matlock, Glen (1990). I was a teenage Sex Pistol. London: Omnibus Press. p. 32. ISBN 0-7119-1817-1.
  14. ^ Lydon 1993, pp. 117–118.
  15. ^ Gilbert 2005, p. 60.
  16. ^ a b c d Clash 2008, p. 88.
  17. ^ Gilbert 2005, p. 117.
  18. ^ Adams 2009.
  19. ^ White 2007, p. 205.
  20. ^ "Subway Sect". Record Collector, 14 April 2020. Retrieved 6 April 2021
  21. ^ Vermorel 1987, p. 236.
  22. ^ Vermorel 1987, p. 236.
  23. ^ a b G Spot 1993, p. 39.
  24. ^ Gilbert 2005, p. 286.
  25. ^ Martin, Gavin. "Joe Strummer: Good Ol' Joe". New Musical Express, 26 July 1986 – via Rock's Backpages (subscription required)
  26. ^ Andersen, Mark. Heibutzki, Ralph. We Are The Clash. Akashic Books, 2018
  27. ^ Clash 2008, p. 290.
  28. ^ Gruen 2001, p. 241.
  29. ^ Gruen 2001, p. 240.
  30. ^ Gruen 2001, p. 242.
  31. ^ Salewicz 2006, pp. 373–375.
  32. ^ Jucha (2016), p. 334
  33. ^ Gehr, Richard; Greene, Andy; Harris, Keith; Johnston, Maura; Newman, Jason; Weingarten, Christopher R. "22 Terrible Songs by Great Artists". Rolling Stone, 15 June 2016. Archived from the original on 5 January 2019. Retrieved 7 January 2017
  34. ^ a b Spencer, Neil; Brown, James. "Why the Clash are still Rock Titans". The Guardian, 29 October 2006. from the original on 19 April 2019. Retrieved 10 February 2019
  35. ^ Popoff (2018), p. 226
  36. ^ Samuels, Lennox. "The Clash's New Album Proves Musically Apt, Politically Irrelevant". The Dallas Morning News, 24 November 1985
  37. ^ Wyman, Bill. "139 the Clash Songs, Ranked from Worst to Best". Vulture, 11 October 2017. from the original on 11 October 2017. Retrieved 10 February 2019
  38. ^ RiffRaff 1992.
  39. ^ "Former manager of The Clash Bernard Rhodes announced new cancer website that aims to demystify the disease". Louder Than War. 2 June 2022.
  40. ^ cancerclash.com

Sources edit

Books
Films and documentaries

Web, journals and magazines edit

  • Adams, Owen (30 March 2009). "Label of Love: 2Tone Records". Culture > Music > Label of love.
  • "The Clash – Super Black Market Clash". Punknews.org. 24 May 2002.
Related articles
  • Fisher, Judith (March 1992). "Naked Truth". Riff Raff Magazine.
  • Holden & Van Schreven, Michael & Keld (August 1993). "Def by Misadventure". G Spot. No. 8. van Schreven & Westall.
    • "Gangsters by The Specials". Songfacts.com.
  • Mir, Sabuhi. "Clash Culture – Central St Martins". RFB.
  • "Vivienne Westwood in Malcolm McLaren funeral row". Daily Mirror. 23 April 2010.
  • O'Hagan, Sean (25 April 2010). "The surreal day we laid the old anarchist to rest". The Observer.
  • Pattison, Louis (7 May 2007). "Clash manager's racist outburst a reminder not to get rose-tinted about punk". The Guardian. Retrieved 6 May 2012.
  • "Bernard Rhodes speaks". Mojo. July 2007. p. 18.
  • Righi, Len (20 April 1984). "Joe Strummer tells why the Clash is carrying on". The Morning Call.
  • "Ex-Clash manager causes uproar with N-word". CMU Daily – On The Inside. CMU Music Network. 4 May 2007. Retrieved 7 January 2013.
  • "Last chance to see – Entertaining the Nation". News. The Jewish Museum London. 27 January 2012.

Further reading edit

  • Salewicz, Chris (2006). Redemption Song: The Ballad of Joe Strummer. New York: Macmillan. ISBN 978-0-571-21178-4. OCLC 76794852.

External links edit

  • Official website

bernard, rhodes, designer, band, manager, studio, owner, record, producer, songwriter, integral, development, punk, rock, scene, united, kingdom, from, middle, 1970s, most, associated, with, best, known, influential, punk, bands, pistols, clash, according, joh. Bernard Rhodes is a designer band manager studio owner record producer and songwriter who was integral to the development of the punk rock scene in the United Kingdom from the middle 1970s 1 He is most associated with two of the UK s best known and influential punk bands the Sex Pistols and The Clash According to John Lydon Rhodes was responsible for discovering him in the Kings Road and arranging the audition which led to his joining the Sex Pistols 2 Rhodes introduced Joe Strummer 3 to Mick Jones and Paul Simonon who with Keith Levene then formed The Clash Bernard RhodesBirth nameBernard RhodesBornEnglandOccupation s Designer band manager record producer songwriterYears active1960 presentWebsitebernardrhodes wbr com Rhodes was an important force behind The Clash not only managing their business but also guiding their marketing and creative direction 3 Disagreement with the group about direction led to his sacking by the Clash in 1979 Rhodes meantime continued with other successful signings to his label Oddball Productions and major record companies 4 In 1981 singer Joe Strummer demanded his return to the Clash or he would quit the group Rhodes nurtured and managed other bands including Subway Sect The Specials Dexys Midnight Runners Jo Boxers The Lous The Black Arabs Twenty Flight Rockers and Watts from Detroit During this period Rhodes built and operated from his Camden studio Rehearsal Rehearsals in what became Camden Market The area around the studio became a well known hangout for punks and contributed to the growth of Camden as a hip area He is also known in Brazil for his friendship with Supla and baptising the band Brothers of Brazil Contents 1 Early life 2 Early career 3 Sex Pistols 4 The Clash 5 1979 1981 6 Club Left 7 Return to the Clash 8 Bond s NYC 9 Jones sacking 10 This is England 11 Watts 12 Recent 13 References 14 Sources 15 Web journals and magazines 16 Further reading 17 External linksEarly life editRhodes was raised in Stepney east London He says he never knew his father He was placed in a Jewish orphanage in South London where he remained until he was 15 His mother worked long hours for Huntsman s tailors in Saville Row making suits for people like Cary Grant and later Hawes amp Curtis where Rhodes friend John Pearse who co owned Granny Takes a Trip was her apprentice 5 In the early 1960s Rhodes and Pearse shared a flat at 68 Hamilton Terrace St Johns Wood London Mick Jagger Marc Bolan musician Mickey Finn the Small Faces and Guy Stevens who Rhodes later brought in to produce The Clash 5 were regular visitors Early career editTowards the late 1960s Rhodes won a Design Council award for a children s educational toy he designed using newly developed plastic techniques 6 In the early 1970s Rhodes had a shop in the Antiquarius Market Chelsea selling his hand printed silk screen designs on shirts and T shirts plus a selection of rare vintage reggae records 7 During this period he became re acquainted with an old friend Malcolm McLaren and his girlfriend Vivienne Westwood who were operating out of Let It Rock boutique at 430 Kings Road Finding they shared a similar philosophy Rhodes and McLaren went into business collaborating on the T shirts which were sold in the shop Westwood wanted to expand the sleeveless T shirt clothing line and Rhodes was an ideal colleague with his silk screen printing skill and whose complex meandering discourse threw up many new ideas 8 The T shirt You re Gonna Wake Up One Morning and Know What Side of The Bed You ve Been Lying On was created and printed by Rhodes and uses his handwriting 9 McLaren explained that Rhodes idea was to create a dialogue 10 Rhodes has described the difference between himself and McLaren Malcolm McLaren likes to titillate but I get down to substance 11 Sex Pistols editBy 1975 SEX had become a hangout for a bunch of teenagers from whom the Sex Pistols would emerge Rhodes took the group under his wing while McLaren was in New York looking after the New York Dolls 12 Original Sex Pistols member Glen Matlock describes Rhodes contribution as making them understand the importance of being clear cut He Rhodes had a real ability for making people decide exactly what they were trying to do 13 John Lydon states that he was wearing a I Hate Pink Floyd T shirt when he was spotted by Rhodes on the Kings Road Rhodes insisted he meet McLaren Steve Jones and Paul Cook in the local Roebuck pub that evening After this get together Rhodes had Lydon come back to the shop to audition for the role of singer 2 As a result Lydon became lead singer of the group Lydon says that Rhodes was important to me in so many ways He would indicate to me where the problems with the Pistols would be in the future He would sow a seed and then wait to see if I would pick up on it 14 The Clash editAfter his offer to co manage Sex Pistols was rejected by McLaren Rhodes was instrumental in The Clash s formation in 1976 Mick Jones was wearing one of Rhodes Wake Up T shirts when he approached Rhodes after a Sex Pistols gig thinking he was a keyboard player They started talking about groups and the relationship was the starting point for what would eventually become The Clash 15 Strummer credits Rhodes as his mentor stating He constructed The Clash and focused our energies and we repaid him by being really good at what we did 16 Rhodes told them to write about social issues occurring at the time i e the housing problems lack of education dead end futures 16 Strummer said that Rhodes was the only one who understood how one should go about getting known 16 Paul Simonon stated that Rhodes set up the whole punk scene basically He saw how non musicians like myself and John Lydon could contribute 4 Rhodes called his friend Guy Stevens in to produce the Polydor recordings in 1977 17 The group later used Stevens to produce London Calling He also sought out Lee Scratch Perry to produce the single Complete Control 16 On 25 January 1977 Rhodes signed The Clash to CBS Records with CBS Records UK chairman Maurice Oberstein who promised to allow the group to do what they wanted on record and CBS would promote it After a couple of albums including their first which Rhodes helped produce with Mickey Foote he felt the group were drifting away from their street ideals and they parted company in late 1978 1979 1981 editFrom his Rehearsal Rehearsals studio Rhodes nurtured and managed groups Subway Sect The Specials Dexys Midnight Runners The Black Arabs and other musical projects The intro to The Specials version of Gangsters released in 1979 begins with the line Bernie Rhodes knows don t argue 18 Dexys Midnight Runners single Dance Stance was released in 1979 on the Oddball Productions label owned by Rhodes 19 He later signed the group to EMI Records The first album by Subway Sect What s the Matter Boy was produced by Rhodes and released by Oddball in 1980 20 Rhodes also introduced the idea of using a Burundi drum beat to Malcolm McLaren 21 who gave it to Adam Ant This led to the sound of Kings of the Wild Frontier 1980 by Adam and the Ants 22 Club Left editDuring the late seventies he opened Club Left in Wardour Street Soho 23 Club Left performances included Dig Wayne Anne Pigalle Tom Cat Lady Blue Johnny Britton Sade Bananarama Georgie Fame and Slim Gaillard The regular house band was Vic Godard and the Subway Sect Sean McLusky said that Rhodes gave him a break at Club Left in 1981 and then got a deal and success for his band JoBoxers who enjoyed mainstream success on both sides of the Atlantic with their single Just Got Lucky McLusky says Bernard never got the credit for things that were his He has been the undefined force 23 Return to the Clash editStrummer said if Rhodes did not come back and manage the Clash he would quit 24 Once back Rhodes decided to remix Magnificent 7 A 12 single dance remix Magnificent Dance was released on 12 April 1981 Production was credited to Pepe Unidos a pseudonym for Strummer Rhodes and Paul Simonon 25 Pepe Unidos also produced The Cool Out a re mix of The Call Up 26 Bond s NYC editMick Jones said Bernie came back on the scene because people thought that we d gotten out of control and the first thing he wanted to do was book us for seven nights in New York 27 The residency at Bond International Casino in the first two weeks of June 1981 was organised by Rhodes on his return as manager of The Clash Support acts included Grandmaster Flash The Sugarhill Gang Dead Kennedys Bad Brains Texan bad boy Joe Ely Lee Perry and Funkapolitan Rhodes states that it was because of these Bonds NYC shows that the public became more interested in hip hop I endeavoured to get these guys on like Grandmaster Flash not that most of the audience liked them but that led to a helluvalot 28 The record company were not behind the triple album Sandinista recorded in Rhodes s absence 29 but Kosmo Vinyl states that with the Bonds NYC residency The Clash clawed their way back into the Premiership 30 Jones sacking editPaul Simonon states that Rhodes was not aware he and Joe were going to sack Mick Jones nor was he in favour of that action The sacking took place in 1983 However Simonon says Jones did not know this until the Rock and Roll Hall of Fame induction after Joe Strummer s death 31 This is England editMain article This Is England song The Clash s last album Cut the Crap 1985 originally Out of Control 32 was produced by Rhodes under the name of Jose Unidos He also co wrote all of the songs with Strummer 33 The standout track This Is England was co written by Strummer and Rhodes and described by Strummer as the last great Clash song 34 35 Critic Samuels Lennox described it as a tuneful beautifully crafted overview of social decay in England where political philosophies joust for hegemony while the country sinks into ignominious decline and millions of youths turn to the dole 36 In 2017 the journalist Bill Wyman praised Rhodes production writing that his sound collage and the gentle troubled synth lines undergird the song unerringly and for once the group shouted chorus though still over loud conveys some wan meaning 37 The song has inspired many other artists including Shane Meadows who used the title for his movie and TV show centering on young skinheads and Oi punks in England in the 1980s in reference to the Cut the Crap song 34 Watts editIn 1990 Rhodes relocated from Los Angeles to Atlanta Georgia where Doug Watts lead singer of the band Naked Truth asked him for help Rhodes brought in a new bass player and rehearsed the band over several months He independently produced the album Green with Rage and secured a deal for the band with Sony Records 38 Recent editIn 2014 Rhodes designed a range of biker T shirts for Lewis Leathers Britain s oldest motorcycle clothing company In May 2016 the British Library invited him to give a talk entitled Me Punk and the World as part of its Punk 1976 78 exhibit 1 Rhodes launched the website cancerclash com in June 2022 to dynamically demystify the world of cancer 39 and provide a cultural space to deal with the impact of the disease Rhodes was diagnosed with cancer in 2016 40 References edit a b Me Punk and the World Bernard Rhodes in Conversation British Library Retrieved 2 April 2020 a b Lydon 1993 p 75 a b Knowles 2003 p 121 a b Gilbert 2005 p 78 a b Gilbert 2005 p 81 Gilbert 2005 p 82 Letts 2007 p 50 Savage 1991 p 83 Rimmer Dave New Romantics The Look Omnibus Press 2003 ASIN B00GS97DIY Gorman Paul 2006 The Look London Adelita p 137 ISBN 0 9552017 0 5 Savage 1991 p 102 Strongman 2008 pp 84 85 Matlock Glen 1990 I was a teenage Sex Pistol London Omnibus Press p 32 ISBN 0 7119 1817 1 Lydon 1993 pp 117 118 Gilbert 2005 p 60 a b c d Clash 2008 p 88 Gilbert 2005 p 117 Adams 2009 White 2007 p 205 Subway Sect Record Collector 14 April 2020 Retrieved 6 April 2021 Vermorel 1987 p 236 Vermorel 1987 p 236 a b G Spot 1993 p 39 Gilbert 2005 p 286 Martin Gavin Joe Strummer Good Ol Joe New Musical Express 26 July 1986 via Rock s Backpages subscription required Andersen Mark Heibutzki Ralph We Are The Clash Akashic Books 2018 Clash 2008 p 290 Gruen 2001 p 241 Gruen 2001 p 240 Gruen 2001 p 242 Salewicz 2006 pp 373 375 Jucha 2016 p 334 Gehr Richard Greene Andy Harris Keith Johnston Maura Newman Jason Weingarten Christopher R 22 Terrible Songs by Great Artists Rolling Stone 15 June 2016 Archived from the original on 5 January 2019 Retrieved 7 January 2017 a b Spencer Neil Brown James Why the Clash are still Rock Titans The Guardian 29 October 2006 Archived from the original on 19 April 2019 Retrieved 10 February 2019 Popoff 2018 p 226 Samuels Lennox The Clash s New Album Proves Musically Apt Politically Irrelevant The Dallas Morning News 24 November 1985 Wyman Bill 139 the Clash Songs Ranked from Worst to Best Vulture 11 October 2017 Archived from the original on 11 October 2017 Retrieved 10 February 2019 RiffRaff 1992 Former manager of The Clash Bernard Rhodes announced new cancer website that aims to demystify the disease Louder Than War 2 June 2022 cancerclash wbr comSources editBooksClash The 2008 The Clash London Atlantic Books ISBN 978 1 84354 788 4 Coon Caroline 1977 1988 The New Wave Punk Rock Explosion London Hawthorn ISBN 0 8015 6129 9 OCLC 79262599 Archived from the original on 26 October 2007 Retrieved 19 September 2011 Gilbert Pat 2005 2004 Passion Is a Fashion The Real Story of The Clash 4th ed London Aurum Press ISBN 1 84513 113 4 OCLC 61177239 Gruen Bob 2001 The Clash Photographs by Bob Gruen London Omnibus Press ISBN 1 903399 34 3 Gray Marcus 2005 1995 The Clash Return of the Last Gang in Town 5th revised ed London Helter Skelter ISBN 1 905139 10 1 OCLC 60668626 Jucha Gary The Clash FAQ All That s Left to Know About the Clash City Rockers Milwaukee WI Backbeat Books 2016 ISBN 978 1 4803 6450 9 Knowles Chris 2003 Clash City Showdown London PageFree ISBN 978 1 5896 1138 2 Letts Don 2007 Culture Clash Dread Meets Punk Rockers London SAF Publishing Ltd ISBN 978 0 946719 89 1 Lydon John 1993 Rotten No Irish No Blacks No Dogs London Hodder amp Stoughton ISBN 0 340 63528 2 Popoff Martin The Clash All the Albums All the Songs London Voyageur Press 2018 ISBN 978 0 7603 5934 1 Savage Jon 1991 England s Dreaming Sex Pistols and Punk Rock London Faber amp Faber ISBN 978 0571227204 Strongman Phil 2008 2007 Pretty Vacant A History of UK Punk US ed Chicago Chicago Review Press ISBN 978 1 55652 752 4 OCLC 173299117 Topping Keith 2004 2003 The Complete Clash 2nd ed Richmond Reynolds amp Hearn ISBN 1 903111 70 6 OCLC 63129186 Vermorel Fred amp Judy 1987 1978 Sex Pistols The Inside Story 3rd ed London Omnibus Press ISBN 9780711 910904 Westwood amp Kelly Vivienne amp Ian 2014 Vivienne Westwood London Picador ISBN 9781 44 7254126 White Vince 2007 Out of Control The Last Days of The Clash London Moving Target Books ISBN 978 0 9555 0380 1 Films and documentariesLetts Don Rick Elgood Joe Strummer Mick Jones Paul Simonon Topper Headon Terry Chimes The Clash 2001 The Clash Westway to the World DVD New York NY Sony Music Entertainment Dorismo Uptown Films ISBN 0 7389 0082 6 OCLC 49798077 Web journals and magazines editAdams Owen 30 March 2009 Label of Love 2Tone Records Culture gt Music gt Label of love The Clash Super Black Market Clash Punknews org 24 May 2002 Related articlesFisher Judith March 1992 Naked Truth Riff Raff Magazine Holden amp Van Schreven Michael amp Keld August 1993 Def by Misadventure G Spot No 8 van Schreven amp Westall Gangsters by The Specials Songfacts com Mir Sabuhi Clash Culture Central St Martins RFB Vivienne Westwood in Malcolm McLaren funeral row Daily Mirror 23 April 2010 O Hagan Sean 25 April 2010 The surreal day we laid the old anarchist to rest The Observer Pattison Louis 7 May 2007 Clash manager s racist outburst a reminder not to get rose tinted about punk The Guardian Retrieved 6 May 2012 Bernard Rhodes speaks Mojo July 2007 p 18 Righi Len 20 April 1984 Joe Strummer tells why the Clash is carrying on The Morning Call Ex Clash manager causes uproar with N word CMU Daily On The Inside CMU Music Network 4 May 2007 Retrieved 7 January 2013 Last chance to see Entertaining the Nation News The Jewish Museum London 27 January 2012 Further reading editSalewicz Chris 2006 Redemption Song The Ballad of Joe Strummer New York Macmillan ISBN 978 0 571 21178 4 OCLC 76794852 External links editOfficial website Retrieved from https en wikipedia org w index php title Bernard Rhodes amp oldid 1182086594, wikipedia, wiki, book, books, library,

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