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Baritone saxophone

The baritone saxophone is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E.

Baritone saxophone
Woodwind instrument
Classification Single-reed
Hornbostel–Sachs classification422.212-71
(Single-reed aerophone with keys)
Inventor(s)Adolphe Sax
Developed1840s
Playing range
Baritone saxophone in E♭ sounds an octave and a major sixth lower than written. Many models have keys for low C (written low A) and high F♯.
Related instruments

Orchestral saxophones:
Specialty saxophones:
Musicians
See list of saxophonists

History

The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, from the soprano to the contrabass. Though a design for an F baritone saxophone is included in the C and F family of saxophones, no known F baritones exist.[1] The family consisting of saxophones in the keys of B and E was more successful because of their popularity in military bands.[2]

All saxophones were originally keyed to low B, but a low B mechanism was patented in 1887[3] and by 1910 this was standard for most saxophones including baritones. This low B is a concert D on baritone saxophone, and players began creating 'low A pipes' to insert into the bell to extend the range to the very useful concert C just below that (low A on the baritone sax). This made the low B inaccessible and low B out of tune.[4] This method is still used today by some players.[5] From the 1930s through the 1950s, manufacturers experimented with extending the bell to add a low A key to the instrument. The simplest way was to add a cylindrical section between the bell and bow to provide the extra length and tone hole, and some makers produced and sold instruments built this way, but these horns generally suffer from intonation problems in the lowest few notes and players often consider their tone poor as well. Selmer Paris began producing low A versions of the Mark VI baritone saxophone in the late 1950s which had a bell that had been designed separately from the low B version (such a bell may have been a custom-order option before this time), and these instruments do not generally suffer from the same intonation problems as horns with a cylindrical extension. In the 1970s, Yamaha's YBS-61 was keyed to low A with no low B option, and by the 1980s most baritones were being manufactured with a low A bell. In modern times, only a few manufacturers still produce low B instruments, as the low A is considered standard and is often written in sheet music for the instrument.

In its original form, the baritone saxophone's highest keyed note was high E, but instruments keyed to high F became standard during the 1920s. High F became a rare option starting in the 1950s and slowly became more common, but as with other modern saxophones, most baritones are now manufactured with a high F key.

Description

The baritone saxophone, like other saxophones, is a conical tube of thin brass. It has a wider end, flared to form a bell, and a smaller end connected to a mouthpiece. The baritone saxophone uses a single reed mouthpiece like that of a clarinet. There is a loop in the top of the body (sometimes also known as the 'pigtail') in two U-shaped pieces of tube called the upper bow and spit bow, to reduce it to a practical height.

Baritone saxophones are typically found in two versions with one ranging to low A and the other to low B.[6] Despite the ubiquity of the low A horn, some players still prefer to use B horns because of the added weight of a low A bell[5] or because of personal preference for a particular vintage instrument. Some also believe low A horns sound inferior in the low range,[5] however this is the subject of debate among players.

The baritone saxophone's relatively large mass (11 to 20 pounds or 5.0 to 9.1 kilograms, depending on the manufacturer's choice of material and structural designs, and whether it has a low A key) has led to the development of harness-style alternatives to neckstraps which distribute the instrument's weight across the user's shoulders.[7] Several different kinds exist which each distribute weight differently across the saxophonist's neck, clavicle, and shoulder blades. Many marching saxophonists prefer this style for its ability to decrease fatigue. Those who mainly perform seated, on the other hand, may dislike the decreased ability to move one's upper body with a harness.[7] Some modern instruments are also produced with mounts for floor pegs to reduce weight on the player's neck when seated, similar to those found on bass clarinets.

Transposition

It is a transposing instrument in the key of E, pitched an octave plus a major sixth lower than written. It is one octave lower than the alto saxophone. Modern baritones with a low A key and high F key have a range from C2 to A4.

As with all saxophones, its music is written in treble clef. By coincidence, it is possible to use a trick known as clef substitution to read music written in bass clef at concert pitch (for example most tuba or bassoon parts), by reading as if it were a transposing part in treble clef and pretending there were three more sharps (or three fewer flats) in the key signature. A similar trick allows instruments in B like the tenor saxophone to read concert pitch tenor clef.

In classical music

The baritone saxophone is used as a standard member of saxophone quartets.

It has also been occasionally called for in music for orchestra. Examples include Richard Strauss' Sinfonia Domestica, which calls for a baritone saxophone in F; Béla Bartók's The Wooden Prince ballet music; Charles Ives' Symphony No. 4, composed in 1910–1916; and Gershwin's Rhapsody in Blue (Grofé's orchestration)[8] and An American in Paris.[9] In his opera The Devils of Loudun (Die Teufel von Loudun), Krzysztof Penderecki calls for two baritone saxes. Karlheinz Stockhausen includes a baritone saxophone in Gruppen.

It has a comparatively small solo repertoire although an increasing number of concertos have appeared, one of these being "Concerto for Saxophone Quartet and Orchestra" by American composer Philip Glass. This is a piece that can be played with or without an orchestra that features the baritone sax in the second movement.[10]

In jazz music

A number of jazz performers have used the baritone saxophone as their primary instrument. It is part of standard big band instrumentation (the larger bass saxophone was also occasionally used up until the 1940s). As phrased by Alain Cupper from JazzBariSax.com, "Used a few times in contemporary classical music...it is especially in jazz that this wonderful instrument feels most comfortable."[11] One of the instrument's pioneers was Harry Carney, longtime baritone saxophone player in the Duke Ellington band.

Since the mid-1950s, baritone saxophone soloists such as Gerry Mulligan, Cecil Payne, and Pepper Adams achieved fame, while Serge Chaloff was the first baritone saxophone player to achieve fame as a bebop soloist. In free jazz, Peter Brötzmann is notable.

A noted Scottish performer is Joe Temperley, who has appeared with Humphrey Lyttelton as well as with the Lincoln Center Jazz Orchestra.

More recent notable performers include Hamiet Bluiett (who has also led a group of baritone saxophone players), John Surman, Scott Robinson, James Carter, Stephen "Doc" Kupka of the band Tower of Power, Nick Brignola, Gary Smulyan, Brian Landrus, and Ronnie Cuber. In the avant-garde scene, Tim Berne has doubled on bari. Jazz/funk player Leo Pellegrino of Lucky Chops and Too Many Zooz has become popular with younger listeners for his aggressive playing style and energetic performances.

In other music

 
Baritone saxophonist in a military band of the Italian army.

The baritone sax is an important part of military bands and is common in musical theater. The baritone sax appeared in many early rock-and-roll hits of the 1950s, played a prominent role in many Motown hits of the 1960s, notably by King Curtis, and appeared in the 1970s and beyond in acts such as Bruce Springsteen's E Street Band, played by Clarence Clemons. It is often in the horn sections of funk, blues, Latin, soul bands.

Prominent baritone saxophonists in contemporary American popular music include Stephen Kupka of Tower of Power, Dana Colley of Morphine, Leroi Moore of the Dave Matthews Band, and John Linnell of They Might Be Giants.

Nigerian Afrobeat singer, musician, and bandleader Fela Kuti typically featured two baritone saxophone players in his band.[citation needed]

A few modern non-jazz artists have recently begun to incorporate saxophones into their instrumentation. The LA Indie rock band Fitz and the Tantrums featured both an alto and a baritone saxophone in their music—most recently their 2016 song "Handclap" from an album of the same name. Both were played by band member James King.[12][13] The "Brass house" (experimental jazz/funk) group Too Many Zooz is another group that has popularized the baritone saxophone. Originally a New York City subway band, the trio has released three albums and been featured on a TEDxYouth@Budapest segment.[14][15]

In popular culture

Lisa Simpson from the cartoon comedy series The Simpsons plays the baritone sax.[16]

References

  1. ^ Newton, Bret (7 December 2014). "Saxophones in F and C". Bandestration. Retrieved 28 June 2020.
  2. ^ Harrelson, Brad. "The History of the saxophone". Retrieved 5 October 2013.
  3. ^ "Evette & Schaeffer". Oxford Music Online. Oxford University Press. 2001. doi:10.1093/gmo/9781561592630.article.52163. {{cite journal}}: Cite journal requires |journal= (help)
  4. ^ "How to make a baritone saxophone low A extension". www.shwoodwind.co.uk. Retrieved 28 June 2020.
  5. ^ a b c Hadro, Andrew (18 November 2014). "Brands and Horns". JazzBariSax.com. Retrieved 17 April 2016.
  6. ^ Charles, Roger. . Archived from the original on 6 October 2013. Retrieved 5 October 2013.
  7. ^ a b Schwietert, Adam (28 September 2012). "Saxophone Neck Strap and Harness Study" (PDF). Research. Coordinate Movement. Retrieved 17 April 2016.
  8. ^ "Who Could Ask For Anything More". The Gershwin Initiative Website. 8 September 2013. Retrieved 13 December 2022.
  9. ^ Gershwin, George (1928). "American in Paris for orchestra: Full Score". Schott Music.
  10. ^ Schwarm, Betsy. "Concerto for Saxophone Quartet and Orchestra". Encyclopædia Britannica Inc. Retrieved 5 October 2013.
  11. ^ Cupper, Alain. "About the Bari Sax". JazzBariSax.com. Retrieved 17 April 2016.
  12. ^ Ellen Degeneres, Fitz and the Tantrums (12 April 2016). Fitz and The Tantrums Perform 'HandClap' (Video (Online)). Burbank, California: TheEllenShow.
  13. ^ "James King". Artist Info. D'Addario Woodwinds. Retrieved 17 April 2016.
  14. ^ "Eugene: Cozmic Presents TOO MANY ZOOZ". BestEvents. 24 December 2014. Retrieved 17 April 2016.[permanent dead link]
  15. ^ Zaslow, Alexandra (25 March 2014). "Subway Performers Energe from the Underground to Become Viral Rockstars". HuffPost. Retrieved 17 April 2016.
  16. ^ Barron, J. (14 January 1996). "7-13 January; A Sax Craze, Inspired by 'The Simpsons'". The New York Times. Retrieved 20 August 2019.

External links

  • Instruments In Depth: The Saxophone—An online feature with video demonstrations from Bloomingdale School of Music (June, 2009)
  • Saxophone acoustics from the University of New South Wales
  • Great Jazz Baritone Saxophonists and vintage horns—A website with extensive information on popular baritone saxophonists, information regarding the baritone saxophone, and more.

baritone, saxophone, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, removed, find, sources, news, newspapers, books, scholar, jstor, august. This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Baritone saxophone news newspapers books scholar JSTOR August 2014 Learn how and when to remove this template message The baritone saxophone is a member of the saxophone family of instruments larger and lower pitched than the tenor saxophone but smaller and higher pitched than the bass It is the lowest pitched saxophone in common use the bass contrabass and subcontrabass saxophones are relatively uncommon Like all saxophones it is a single reed instrument It is commonly used in concert bands chamber music military bands big bands and jazz combos It can also be found in other ensembles such as rock bands and marching bands Modern baritone saxophones are pitched in E Baritone saxophoneWoodwind instrumentClassificationSingle reedHornbostel Sachs classification422 212 71 Single reed aerophone with keys Inventor s Adolphe SaxDeveloped1840sPlaying rangeBaritone saxophone in E sounds an octave and a major sixth lower than written Many models have keys for low C written low A and high F Related instrumentsSopranissimoSopraninoSopranoAltoTenorBaritoneBassContrabassSubcontrabass Orchestral saxophones C sopranoMezzo sopranoC melody Specialty saxophones AulochromeTubaxMusiciansSee list of saxophonists Contents 1 History 2 Description 3 Transposition 4 In classical music 5 In jazz music 6 In other music 7 In popular culture 8 References 9 External linksHistory EditThe baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses The family was divided into two groups of seven saxophones each from the soprano to the contrabass Though a design for an F baritone saxophone is included in the C and F family of saxophones no known F baritones exist 1 The family consisting of saxophones in the keys of B and E was more successful because of their popularity in military bands 2 All saxophones were originally keyed to low B but a low B mechanism was patented in 1887 3 and by 1910 this was standard for most saxophones including baritones This low B is a concert D on baritone saxophone and players began creating low A pipes to insert into the bell to extend the range to the very useful concert C just below that low A on the baritone sax This made the low B inaccessible and low B out of tune 4 This method is still used today by some players 5 From the 1930s through the 1950s manufacturers experimented with extending the bell to add a low A key to the instrument The simplest way was to add a cylindrical section between the bell and bow to provide the extra length and tone hole and some makers produced and sold instruments built this way but these horns generally suffer from intonation problems in the lowest few notes and players often consider their tone poor as well Selmer Paris began producing low A versions of the Mark VI baritone saxophone in the late 1950s which had a bell that had been designed separately from the low B version such a bell may have been a custom order option before this time and these instruments do not generally suffer from the same intonation problems as horns with a cylindrical extension In the 1970s Yamaha s YBS 61 was keyed to low A with no low B option and by the 1980s most baritones were being manufactured with a low A bell In modern times only a few manufacturers still produce low B instruments as the low A is considered standard and is often written in sheet music for the instrument In its original form the baritone saxophone s highest keyed note was high E but instruments keyed to high F became standard during the 1920s High F became a rare option starting in the 1950s and slowly became more common but as with other modern saxophones most baritones are now manufactured with a high F key Description EditThe baritone saxophone like other saxophones is a conical tube of thin brass It has a wider end flared to form a bell and a smaller end connected to a mouthpiece The baritone saxophone uses a single reed mouthpiece like that of a clarinet There is a loop in the top of the body sometimes also known as the pigtail in two U shaped pieces of tube called the upper bow and spit bow to reduce it to a practical height Baritone saxophones are typically found in two versions with one ranging to low A and the other to low B 6 Despite the ubiquity of the low A horn some players still prefer to use B horns because of the added weight of a low A bell 5 or because of personal preference for a particular vintage instrument Some also believe low A horns sound inferior in the low range 5 however this is the subject of debate among players The baritone saxophone s relatively large mass 11 to 20 pounds or 5 0 to 9 1 kilograms depending on the manufacturer s choice of material and structural designs and whether it has a low A key has led to the development of harness style alternatives to neckstraps which distribute the instrument s weight across the user s shoulders 7 Several different kinds exist which each distribute weight differently across the saxophonist s neck clavicle and shoulder blades Many marching saxophonists prefer this style for its ability to decrease fatigue Those who mainly perform seated on the other hand may dislike the decreased ability to move one s upper body with a harness 7 Some modern instruments are also produced with mounts for floor pegs to reduce weight on the player s neck when seated similar to those found on bass clarinets Transposition EditIt is a transposing instrument in the key of E pitched an octave plus a major sixth lower than written It is one octave lower than the alto saxophone Modern baritones with a low A key and high F key have a range from C2 to A4 As with all saxophones its music is written in treble clef By coincidence it is possible to use a trick known as clef substitution to read music written in bass clef at concert pitch for example most tuba or bassoon parts by reading as if it were a transposing part in treble clef and pretending there were three more sharps or three fewer flats in the key signature A similar trick allows instruments in B like the tenor saxophone to read concert pitch tenor clef In classical music EditThe baritone saxophone is used as a standard member of saxophone quartets It has also been occasionally called for in music for orchestra Examples include Richard Strauss Sinfonia Domestica which calls for a baritone saxophone in F Bela Bartok s The Wooden Prince ballet music Charles Ives Symphony No 4 composed in 1910 1916 and Gershwin s Rhapsody in Blue Grofe s orchestration 8 and An American in Paris 9 In his opera The Devils of Loudun Die Teufel von Loudun Krzysztof Penderecki calls for two baritone saxes Karlheinz Stockhausen includes a baritone saxophone in Gruppen It has a comparatively small solo repertoire although an increasing number of concertos have appeared one of these being Concerto for Saxophone Quartet and Orchestra by American composer Philip Glass This is a piece that can be played with or without an orchestra that features the baritone sax in the second movement 10 In jazz music EditA number of jazz performers have used the baritone saxophone as their primary instrument It is part of standard big band instrumentation the larger bass saxophone was also occasionally used up until the 1940s As phrased by Alain Cupper from JazzBariSax com Used a few times in contemporary classical music it is especially in jazz that this wonderful instrument feels most comfortable 11 One of the instrument s pioneers was Harry Carney longtime baritone saxophone player in the Duke Ellington band Since the mid 1950s baritone saxophone soloists such as Gerry Mulligan Cecil Payne and Pepper Adams achieved fame while Serge Chaloff was the first baritone saxophone player to achieve fame as a bebop soloist In free jazz Peter Brotzmann is notable A noted Scottish performer is Joe Temperley who has appeared with Humphrey Lyttelton as well as with the Lincoln Center Jazz Orchestra More recent notable performers include Hamiet Bluiett who has also led a group of baritone saxophone players John Surman Scott Robinson James Carter Stephen Doc Kupka of the band Tower of Power Nick Brignola Gary Smulyan Brian Landrus and Ronnie Cuber In the avant garde scene Tim Berne has doubled on bari Jazz funk player Leo Pellegrino of Lucky Chops and Too Many Zooz has become popular with younger listeners for his aggressive playing style and energetic performances In other music Edit Baritone saxophonist in a military band of the Italian army The baritone sax is an important part of military bands and is common in musical theater The baritone sax appeared in many early rock and roll hits of the 1950s played a prominent role in many Motown hits of the 1960s notably by King Curtis and appeared in the 1970s and beyond in acts such as Bruce Springsteen s E Street Band played by Clarence Clemons It is often in the horn sections of funk blues Latin soul bands Prominent baritone saxophonists in contemporary American popular music include Stephen Kupka of Tower of Power Dana Colley of Morphine Leroi Moore of the Dave Matthews Band and John Linnell of They Might Be Giants Nigerian Afrobeat singer musician and bandleader Fela Kuti typically featured two baritone saxophone players in his band citation needed A few modern non jazz artists have recently begun to incorporate saxophones into their instrumentation The LA Indie rock band Fitz and the Tantrums featured both an alto and a baritone saxophone in their music most recently their 2016 song Handclap from an album of the same name Both were played by band member James King 12 13 The Brass house experimental jazz funk group Too Many Zooz is another group that has popularized the baritone saxophone Originally a New York City subway band the trio has released three albums and been featured on a TEDxYouth Budapest segment 14 15 In popular culture EditLisa Simpson from the cartoon comedy series The Simpsons plays the baritone sax 16 References Edit Newton Bret 7 December 2014 Saxophones in F and C Bandestration Retrieved 28 June 2020 Harrelson Brad The History of the saxophone Retrieved 5 October 2013 Evette amp Schaeffer Oxford Music Online Oxford University Press 2001 doi 10 1093 gmo 9781561592630 article 52163 a href Template Cite journal html title Template Cite journal cite journal a Cite journal requires journal help How to make a baritone saxophone low A extension www shwoodwind co uk Retrieved 28 June 2020 a b c Hadro Andrew 18 November 2014 Brands and Horns JazzBariSax com Retrieved 17 April 2016 Charles Roger The baritone saxophone past and present Archived from the original on 6 October 2013 Retrieved 5 October 2013 a b Schwietert Adam 28 September 2012 Saxophone Neck Strap and Harness Study PDF Research Coordinate Movement Retrieved 17 April 2016 Who Could Ask For Anything More The Gershwin Initiative Website 8 September 2013 Retrieved 13 December 2022 Gershwin George 1928 American in Paris for orchestra Full Score Schott Music Schwarm Betsy Concerto for Saxophone Quartet and Orchestra Encyclopaedia Britannica Inc Retrieved 5 October 2013 Cupper Alain About the Bari Sax JazzBariSax com Retrieved 17 April 2016 Ellen Degeneres Fitz and the Tantrums 12 April 2016 Fitz and The Tantrums Perform HandClap Video Online Burbank California TheEllenShow James King Artist Info D Addario Woodwinds Retrieved 17 April 2016 Eugene Cozmic Presents TOO MANY ZOOZ BestEvents 24 December 2014 Retrieved 17 April 2016 permanent dead link Zaslow Alexandra 25 March 2014 Subway Performers Energe from the Underground to Become Viral Rockstars HuffPost Retrieved 17 April 2016 Barron J 14 January 1996 7 13 January A Sax Craze Inspired by The Simpsons The New York Times Retrieved 20 August 2019 External links EditInstruments In Depth The Saxophone An online feature with video demonstrations from Bloomingdale School of Music June 2009 Saxophone acoustics from the University of New South Wales Great Jazz Baritone Saxophonists and vintage horns A website with extensive information on popular baritone saxophonists information regarding the baritone saxophone and more Retrieved from https en wikipedia org w index php title Baritone saxophone amp oldid 1131001953, wikipedia, wiki, book, books, library,

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