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BBC Radio Orchestra

The BBC Radio Orchestra was a broadcasting orchestra based in London, maintained by the British Broadcasting Corporation from 1964 until 1991.

BBC Radio Orchestra
Orchestra
Former name
  • BBC Revue Orchestra (1936)
  • BBC Variety Orchestra (1934)
  • New Radio Orchestra
Founded1964; 60 years ago (1964)
Disbanded1991; 33 years ago (1991)
LocationLondon, United Kingdom
Principal conductorIain Sutherland

The BBC Radio Orchestra was formed in 1964 as a large, flexible studio orchestra on the Nelson Riddle/Henry Mancini model, featuring a full jazz Big Band combined with symphonic strings.[1] The various sections of the Radio Orchestra, prefixed A-E, could be used for different kinds of recordings and sessions. Of all these sections, only the "C1" big band section of the Radio Orchestra had its own real identity and was known as the BBC Radio Big Band. The orchestra’s primary function was to accompany popular singers in ‘cover versions’ and play instrumental arrangements of the popular tunes of the day on BBC Radio 2, as in the 1960s, broadcasting regulations meant the BBC was only allowed to play five hours of commercial gramophone records per day on air. However, the Radio Orchestra did play a great deal of jazz and light music by leading light composers and arrangers including Robert Farnon,[2] Angela Morley[3] and Nelson Riddle, Neil Richardson and Ron Goodwin and at its peak was considered one of the finest studio orchestras in the world.

The BBC Radio Orchestra was disbanded in 1991, with the BBC Big Band retained as a full-time ensemble till 1994 when the corporation made the band a freelance unit, whilst allowing it to retain its name and identity.

History edit

When the BBC Radio Popular Music department was formed in the early 1960s, it inherited both the BBC Revue Orchestra and the BBC Variety Orchestra. The Revue Orchestra started life as the BBC Television Orchestra in 1936, founded and conducted by Hyam Greenbaum. There were 28 players.[4] It was disbanded in September 1939 on the outbreak of war, but Greenbaum used a nucleus of its players to form the BBC Revue Orchestra, playing light variety music for BBC radio from its base in Bangor, North Wales.[5] Harry Rabinowitz was its conductor between 1953 and 1960.[6] The BBC Variety Orchestra was formed in 1934 with Kneale Kelly as its first conductor until 1936, when Charles Shadwell took over for a decade. Rae Jenkins succeeded Shadwell in 1946.[7]

The two ensembles had similar instrumentation and virtually duplicated each other's outputs, so the department immediately began to investigate their possible amalgamation.[8] Michael Standing, the then head of sound broadcasting at the BBC, suggested creating an orchestra that would form a flexible pool of players that could be used for various combinations. The complete listing of the proposed combinations which could be formed out of the 56 musicians who were to make up the new orchestra, comprised, in addition to the full "A" orchestra, no fewer than 10 separate combinations across four groups, B, C, D and E.

On 9 September 1964, Mark White (Organiser, Popular Music Services) produced what was possibly the smallest memo ever sent within the BBC, with the subject "New Aeolian Hall Orchestra", stating definitively that "It has now been decided that the title of the New Aeolian Hall Orchestra will be The Radio Orchestra. In between the words "the" and "orchestra", the word "new" had been written in red ink, spoiling the effect of the new name.[9] The orchestra made its first broadcast as part of the BBC Light Programme show Sunday Best on 18 October 1964.[10] It continued to be billed as the New Radio Orchestra until the end of 1965.

Sections of the Radio Orchestra edit

The A Orchestra edit

Initially, the Radio Orchestra had 56 full time staff players, comprising:

  • 20 violins
  • 6 violas
  • 6 cellos
  • 2 orchestral basses
  • Flute/piccolo/bass flute
  • Flute/clarinet/alto saxophone
  • Oboe/Cor Anglais
  • 5 Saxophones, all doubling woodwinds
  • 4 Trumpets
  • 4 Trombones (including 1 bass trombone)
  • 2 Percussion (drums and auxiliary percussion)
  • Piano
  • Rhythm /jazz bass
  • Harp
  • Guitar

In addition, the Radio Orchestra was often augmented with extra strings, four French Horns, Tuba, bassoons and extra percussion making the full ensemble up to almost 70 players. The only studio large enough for the A1 orchestra was the Camden, and in May 1967 a series of recording sessions with a range of conductors – one each week - was scheduled. Titled “This is the Radio Orchestra”, the series was produced by John Billingham and introduced by Michael Aspel. The Studio Manager was John Andrews, and the conductors, who brought their own arrangements, included Ron Goodwin, John Fox, John Gregory, Roland Shaw, Frank Chacksfield, “Monty” Mantovani, Johnny Harris, Geoff Love and, with his Frank Sinatra arrangements, Nelson Riddle. The orchestra’s first staff conductor was Malcolm Lockyer, who had previously conducted the Revue Orchestra. When the Camden studios closed, the Radio Orchestra and Big Band moved operation to the BBC’s Maida Vale Studios, namely studio MV3, alongside the BBC Symphony Orchestra.

The B1 and B2 Orchestras edit

The B1 Orchestra, with a complement of 30, was effectively a big band with strings in the Billy May/Nelson Riddle style, with 5 saxes, 4 trumpets, 4 trombones, piano, guitar, bass, drums, 10 violins, 2 violas and 2 cellos. All the players in the sax section played one or more other instruments including flutes, piccolo, clarinets and different varieties of saxophones, and the pianist was surrounded by a celeste, an upright "jangle" piano and often an electric organ. This totals 31, as the guitar was an official "augmentation". This lineup was unofficially titled the Radio Showband by radio producers and music staff, as it had the same instrumentation as the BBC Showband of the late 1950s. This was also the full line up of the BBC Scottish Radio Orchestra.

The B2 Orchestra, with a complement of 26, used the components of the A Orchestra not required for the B1, which resulted in a line-up of 10 violins, 4 violas, 4 cellos, 2 basses, 2 flutes, oboe, percussion, harp and guitar.

The C1 and C2 Orchestras edit

The C1's 16 players formed the same big band as that which was the basis of the B1, augmented by a guitar, and was known as the BBC Radio Big Band. This left 40 players for the C2, which gave a very good Frank Chacksfield style orchestra of 20 violins, 6 violas, 6 cellos, 2 basses, 2 flutes, oboe, percussion, harp and guitar, with the augmentation of a piano. One of the basses would be a jazz ‘rhythm’ player. The Strings of the Radio Orchestra were often conducted by arrangers including John Fox, John Gregory, Ronnie Aldrich and Neil Richardson[11]

D1, D2 and D3 Orchestras edit

The D1 orchestra was identical to the C1, and the D2 was the same combination as the B2 but less one bass and plus a piano. This left the D3 comprising the string section of the B1 orchestra (10 violins, 2 violas and 2 cellos) plus a bass - not a particularly useful combination. In practice, BBC producers moved four of the violins into the D2 to match the arrangements used by Semprini, and the "leftover" strings were utilised by pianist/arranger Ken Moule, with the addition of a drummer.

E1, E2 and E3 Orchestras edit

These three combinations were proposed during the planning of the re-organisation but were never implemented.

The E1 (7 players) was to comprise 4 trumpets, an electric organ, bass and drums. The E2 (29 players) was the largest combination, with 10 violins, 4 violas, 4 cellos, 2 flutes, oboe, 4 trombones, percussion, harp, guitar and piano, with the addition of a bass. The E3 (20 players) would have 10 violins, 2 violas, 2 cellos, bass and 5 saxes. A footnote suggested that the trombone and sax sections could be interchanged between the combinations. It does not seem surprising that no E orchestra sessions ever took place!

Arrangements for various sections of the Radio Orchestra were utilised across BBC’s Regional Radio Orchestras: The B1, B2, C1, C2 and D combinations matched the line up of the largest regional orchestra, the BBC Scottish Radio Orchestra, which would occasionally receive augmentation to A size. The BBC Northern Radio Orchestra (previously the BBC Northern Dance Orchestra) utilised C and D combinations, as did the BBC Midland Radio Orchestra.

Closure edit

In a change of musical policy at the BBC, the corporation disbanded many of its light orchestras in 1979, including the regional Radio Orchestras, resulting in a dispute with the Musicians' Union that disrupted the Proms that year.[12]

The BBC Radio Orchestra survived, but no Principal Conductor had ever been appointed to the orchestra. In 1988, the Controller of Radio 2, Frances Line, decided that such a position should be created, and Iain Sutherland, who had been the regular conductor of Friday Night Is Music Night, and many other shows, was appointed. New, regular programmes were created showcasing the versatility and range of the Radio Orchestra with great success, but quite suddenly, it was disbanded in 1991. The BBC Big Band was, however, retained as a full-time staff ensemble until 1994, when the staff musicians were made freelance players, and the management of the band was moved outside the BBC.[13]

References edit

  1. ^ Seán Street (21 April 2015). Historical Dictionary of British Radio. Rowman & Littlefield Publishers. pp. 53–. ISBN 978-1-4422-4923-3.
  2. ^ . Rfsoc.org.uk. Archived from the original on 13 July 2013. Retrieved 20 February 2013.
  3. ^ Gavin Gaughan (23 January 2009). "Obituary: Angela Morley | Television & radio". The Guardian. London. Retrieved 20 February 2013.
  4. ^ Donovan, Paul, The Radio Companion (1992), p 26.
  5. ^ Lloyd, Stephen. Constant Lambert, Beyond the Rio Grande (2015), p 302
  6. ^ Colin Larkin, ed. (2002). The Virgin Encyclopedia of Fifties Music (Third ed.). Virgin Books. p. 347. ISBN 1-85227-937-0.
  7. ^ Philip L. Scowcroft, "A Twenty-Third Garland of British Light Music Composers", Music Web International. Retrieved 25 March 2021
  8. ^ . Rfsoc.org.uk. Archived from the original on 2 March 2012. Retrieved 20 February 2013.
  9. ^ . ipis.org.uk. Archived from the original on 10 March 2012. Retrieved 19 February 2018.
  10. ^ "BBC Genome Project". Sunday Best. 18 October 1964. Retrieved 17 February 2018.
  11. ^ "Neil Richardson". Radiocafe.co.uk. 8 October 2010. Retrieved 20 February 2013.
  12. ^ "h2g2 - The Proms That Nearly Weren't". Bbc.co.uk. Retrieved 20 February 2013.
  13. ^ Michael Leapman, BBC to scrap Radio Orchestra in pounds £75m cuts package, The Independent (London), 27 January 1990

External links edit

  • BBC Radio 2 Big Band Special

radio, orchestra, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, removed, find, sources, news, newspapers, books, scholar, jstor, august, 2. This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources BBC Radio Orchestra news newspapers books scholar JSTOR August 2010 Learn how and when to remove this message The BBC Radio Orchestra was a broadcasting orchestra based in London maintained by the British Broadcasting Corporation from 1964 until 1991 BBC Radio OrchestraOrchestraFormer nameBBC Revue Orchestra 1936 BBC Variety Orchestra 1934 New Radio OrchestraFounded1964 60 years ago 1964 Disbanded1991 33 years ago 1991 LocationLondon United KingdomPrincipal conductorIain Sutherland The BBC Radio Orchestra was formed in 1964 as a large flexible studio orchestra on the Nelson Riddle Henry Mancini model featuring a full jazz Big Band combined with symphonic strings 1 The various sections of the Radio Orchestra prefixed A E could be used for different kinds of recordings and sessions Of all these sections only the C1 big band section of the Radio Orchestra had its own real identity and was known as the BBC Radio Big Band The orchestra s primary function was to accompany popular singers in cover versions and play instrumental arrangements of the popular tunes of the day on BBC Radio 2 as in the 1960s broadcasting regulations meant the BBC was only allowed to play five hours of commercial gramophone records per day on air However the Radio Orchestra did play a great deal of jazz and light music by leading light composers and arrangers including Robert Farnon 2 Angela Morley 3 and Nelson Riddle Neil Richardson and Ron Goodwin and at its peak was considered one of the finest studio orchestras in the world The BBC Radio Orchestra was disbanded in 1991 with the BBC Big Band retained as a full time ensemble till 1994 when the corporation made the band a freelance unit whilst allowing it to retain its name and identity Contents 1 History 2 Sections of the Radio Orchestra 2 1 The A Orchestra 2 2 The B1 and B2 Orchestras 2 3 The C1 and C2 Orchestras 2 4 D1 D2 and D3 Orchestras 2 5 E1 E2 and E3 Orchestras 2 6 Closure 3 References 4 External linksHistory editWhen the BBC Radio Popular Music department was formed in the early 1960s it inherited both the BBC Revue Orchestra and the BBC Variety Orchestra The Revue Orchestra started life as the BBC Television Orchestra in 1936 founded and conducted by Hyam Greenbaum There were 28 players 4 It was disbanded in September 1939 on the outbreak of war but Greenbaum used a nucleus of its players to form the BBC Revue Orchestra playing light variety music for BBC radio from its base in Bangor North Wales 5 Harry Rabinowitz was its conductor between 1953 and 1960 6 The BBC Variety Orchestra was formed in 1934 with Kneale Kelly as its first conductor until 1936 when Charles Shadwell took over for a decade Rae Jenkins succeeded Shadwell in 1946 7 The two ensembles had similar instrumentation and virtually duplicated each other s outputs so the department immediately began to investigate their possible amalgamation 8 Michael Standing the then head of sound broadcasting at the BBC suggested creating an orchestra that would form a flexible pool of players that could be used for various combinations The complete listing of the proposed combinations which could be formed out of the 56 musicians who were to make up the new orchestra comprised in addition to the full A orchestra no fewer than 10 separate combinations across four groups B C D and E On 9 September 1964 Mark White Organiser Popular Music Services produced what was possibly the smallest memo ever sent within the BBC with the subject New Aeolian Hall Orchestra stating definitively that It has now been decided that the title of the New Aeolian Hall Orchestra will be The Radio Orchestra In between the words the and orchestra the word new had been written in red ink spoiling the effect of the new name 9 The orchestra made its first broadcast as part of the BBC Light Programme show Sunday Best on 18 October 1964 10 It continued to be billed as the New Radio Orchestra until the end of 1965 Sections of the Radio Orchestra editThe A Orchestra edit Initially the Radio Orchestra had 56 full time staff players comprising 20 violins 6 violas 6 cellos 2 orchestral basses Flute piccolo bass flute Flute clarinet alto saxophone Oboe Cor Anglais 5 Saxophones all doubling woodwinds 4 Trumpets 4 Trombones including 1 bass trombone 2 Percussion drums and auxiliary percussion Piano Rhythm jazz bass Harp Guitar In addition the Radio Orchestra was often augmented with extra strings four French Horns Tuba bassoons and extra percussion making the full ensemble up to almost 70 players The only studio large enough for the A1 orchestra was the Camden and in May 1967 a series of recording sessions with a range of conductors one each week was scheduled Titled This is the Radio Orchestra the series was produced by John Billingham and introduced by Michael Aspel The Studio Manager was John Andrews and the conductors who brought their own arrangements included Ron Goodwin John Fox John Gregory Roland Shaw Frank Chacksfield Monty Mantovani Johnny Harris Geoff Love and with his Frank Sinatra arrangements Nelson Riddle The orchestra s first staff conductor was Malcolm Lockyer who had previously conducted the Revue Orchestra When the Camden studios closed the Radio Orchestra and Big Band moved operation to the BBC s Maida Vale Studios namely studio MV3 alongside the BBC Symphony Orchestra The B1 and B2 Orchestras edit The B1 Orchestra with a complement of 30 was effectively a big band with strings in the Billy May Nelson Riddle style with 5 saxes 4 trumpets 4 trombones piano guitar bass drums 10 violins 2 violas and 2 cellos All the players in the sax section played one or more other instruments including flutes piccolo clarinets and different varieties of saxophones and the pianist was surrounded by a celeste an upright jangle piano and often an electric organ This totals 31 as the guitar was an official augmentation This lineup was unofficially titled the Radio Showband by radio producers and music staff as it had the same instrumentation as the BBC Showband of the late 1950s This was also the full line up of the BBC Scottish Radio Orchestra The B2 Orchestra with a complement of 26 used the components of the A Orchestra not required for the B1 which resulted in a line up of 10 violins 4 violas 4 cellos 2 basses 2 flutes oboe percussion harp and guitar The C1 and C2 Orchestras edit The C1 s 16 players formed the same big band as that which was the basis of the B1 augmented by a guitar and was known as the BBC Radio Big Band This left 40 players for the C2 which gave a very good Frank Chacksfield style orchestra of 20 violins 6 violas 6 cellos 2 basses 2 flutes oboe percussion harp and guitar with the augmentation of a piano One of the basses would be a jazz rhythm player The Strings of the Radio Orchestra were often conducted by arrangers including John Fox John Gregory Ronnie Aldrich and Neil Richardson 11 D1 D2 and D3 Orchestras edit The D1 orchestra was identical to the C1 and the D2 was the same combination as the B2 but less one bass and plus a piano This left the D3 comprising the string section of the B1 orchestra 10 violins 2 violas and 2 cellos plus a bass not a particularly useful combination In practice BBC producers moved four of the violins into the D2 to match the arrangements used by Semprini and the leftover strings were utilised by pianist arranger Ken Moule with the addition of a drummer E1 E2 and E3 Orchestras edit These three combinations were proposed during the planning of the re organisation but were never implemented The E1 7 players was to comprise 4 trumpets an electric organ bass and drums The E2 29 players was the largest combination with 10 violins 4 violas 4 cellos 2 flutes oboe 4 trombones percussion harp guitar and piano with the addition of a bass The E3 20 players would have 10 violins 2 violas 2 cellos bass and 5 saxes A footnote suggested that the trombone and sax sections could be interchanged between the combinations It does not seem surprising that no E orchestra sessions ever took place Arrangements for various sections of the Radio Orchestra were utilised across BBC s Regional Radio Orchestras The B1 B2 C1 C2 and D combinations matched the line up of the largest regional orchestra the BBC Scottish Radio Orchestra which would occasionally receive augmentation to A size The BBC Northern Radio Orchestra previously the BBC Northern Dance Orchestra utilised C and D combinations as did the BBC Midland Radio Orchestra Closure edit In a change of musical policy at the BBC the corporation disbanded many of its light orchestras in 1979 including the regional Radio Orchestras resulting in a dispute with the Musicians Union that disrupted the Proms that year 12 The BBC Radio Orchestra survived but no Principal Conductor had ever been appointed to the orchestra In 1988 the Controller of Radio 2 Frances Line decided that such a position should be created and Iain Sutherland who had been the regular conductor of Friday Night Is Music Night and many other shows was appointed New regular programmes were created showcasing the versatility and range of the Radio Orchestra with great success but quite suddenly it was disbanded in 1991 The BBC Big Band was however retained as a full time staff ensemble until 1994 when the staff musicians were made freelance players and the management of the band was moved outside the BBC 13 References edit Sean Street 21 April 2015 Historical Dictionary of British Radio Rowman amp Littlefield Publishers pp 53 ISBN 978 1 4422 4923 3 Robert Farnon Society Rfsoc org uk Archived from the original on 13 July 2013 Retrieved 20 February 2013 Gavin Gaughan 23 January 2009 Obituary Angela Morley Television amp radio The Guardian London Retrieved 20 February 2013 Donovan Paul The Radio Companion 1992 p 26 Lloyd Stephen Constant Lambert Beyond the Rio Grande 2015 p 302 Colin Larkin ed 2002 The Virgin Encyclopedia of Fifties Music Third ed Virgin Books p 347 ISBN 1 85227 937 0 Philip L Scowcroft A Twenty Third Garland of British Light Music Composers Music Web International Retrieved 25 March 2021 Robert Farnon Society Rfsoc org uk Archived from the original on 2 March 2012 Retrieved 20 February 2013 Institute of Professional Sound ipis org uk Archived from the original on 10 March 2012 Retrieved 19 February 2018 BBC Genome Project Sunday Best 18 October 1964 Retrieved 17 February 2018 Neil Richardson Radiocafe co uk 8 October 2010 Retrieved 20 February 2013 h2g2 The Proms That Nearly Weren t Bbc co uk Retrieved 20 February 2013 Michael Leapman BBC to scrap Radio Orchestra in pounds 75m cuts package The Independent London 27 January 1990External links editBBC Radio 2 Big Band Special Retrieved from https en wikipedia org w index php title BBC Radio Orchestra amp oldid 1210428144 History, 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