Possibly born in Wesel, from 1984 to 1993, Dyck-Hemming studied musicology, catholic church history and old German studies at the University of Bochum.[1] She completed this study with a master's degree.[1] From 1996 to 1998, Dyck-Hemming completed further training as CBT software developer.[1][3] Von 1999 bis 2002 promovierte sie an der University of Bonn and finished the dissertation with Diskurse zur Musik Elliott Carters.[1]
From 1998 to 2000, Dyck-Hemming worked as a freelance lecturer in the field of IT and multimedia.[1] From 2002 to 2012 she worked as project coordinator, editor and author in the context of updating the Riemann Musiklexikon.[1] Since 2014, Dyck-Hemming has been a research assistant at the Max-Planck-Institut für empirische Ästhetik [de] in Frankfurt.[1]
Dyck-Hemming's main research interests include the history of musicology, music historiography, music sociology and music aesthetics.[1] She participates in the MPI project "Geschichte der deutschsprachigen Musikwissenschaft".[1]
Workedit
Beiträge zur Jahrestagung der Gesellschaft für Musikforschung in Kassel 2017 : Das Populäre in der Musik und das Musikverlagswesen][4] (2019)
Vom Datum zum historischen Zusammenhang : Möglichkeiten und Grenzen einer fachgeschichtlichen Datenbank.[5]
Diskurse zur "Musik Elliott Carters" : Versuch einer dekonstruktiven Hermeneutik "Moderner Musik".[6]
Sourceedit
Max-Planck-Institut für empirische Ästheitk. "Vita Annette van Dyck-Hemming" (in German). Retrieved 29 July 2020.
Referencesedit
^ abcdefghijMax-Planck-Institut für empirische Ästhetik: Vita Annette van Dyck-Hemming.
Annette van Dyck-Hemming (2002). "Diskurse zur 'Musik Elliott Carters'. Versuch einer dekonstruktiven Hermeneutik 'Moderner Musik'" (PDF) (in German). Retrieved 29 July 2020.
annette, dyck, hemming, born, 1965, german, musicologist, contents, life, work, source, references, external, linkslife, editpossibly, born, wesel, from, 1984, 1993, dyck, hemming, studied, musicology, catholic, church, history, german, studies, university, bo. Annette van Dyck Hemming born in 1965 is a German musicologist 1 2 Contents 1 Life 2 Work 3 Source 4 References 5 External linksLife editPossibly born in Wesel from 1984 to 1993 Dyck Hemming studied musicology catholic church history and old German studies at the University of Bochum 1 She completed this study with a master s degree 1 From 1996 to 1998 Dyck Hemming completed further training as CBT software developer 1 3 Von 1999 bis 2002 promovierte sie an der University of Bonn and finished the dissertation with Diskurse zur Musik Elliott Carters 1 From 1998 to 2000 Dyck Hemming worked as a freelance lecturer in the field of IT and multimedia 1 From 2002 to 2012 she worked as project coordinator editor and author in the context of updating the Riemann Musiklexikon 1 Since 2014 Dyck Hemming has been a research assistant at the Max Planck Institut fur empirische Asthetik de in Frankfurt 1 Dyck Hemming s main research interests include the history of musicology music historiography music sociology and music aesthetics 1 She participates in the MPI project Geschichte der deutschsprachigen Musikwissenschaft 1 Work editBeitrage zur Jahrestagung der Gesellschaft fur Musikforschung in Kassel 2017 Das Populare in der Musik und das Musikverlagswesen 4 2019 Vom Datum zum historischen Zusammenhang Moglichkeiten und Grenzen einer fachgeschichtlichen Datenbank 5 Diskurse zur Musik Elliott Carters Versuch einer dekonstruktiven Hermeneutik Moderner Musik 6 Source editMax Planck Institut fur empirische Astheitk Vita Annette van Dyck Hemming in German Retrieved 29 July 2020 References edit a b c d e f g h i j Max Planck Institut fur empirische Asthetik Vita Annette van Dyck Hemming Geburtsjahr nach GND The abbreviation CBT stands for Computer Based Training Beitrage zur Jahrestagung der Gesellschaft fur Musikforschung in Kassel 2017 Das Populare in der Musik und das Musikverlagswesen on WorldCat Vom Datum zum historischen Zusammenhang Moglichkeiten und Grenzen einer fachgeschichtlichen Datenbank on worldCat Diskurse zur Musik Elliott Carters Versuch einer dekonstruktiven Hermeneutik Moderner Musik on WorldCatExternal links editLiterature by and about Annette van Dyck Hemming in the German National Library catalogue Annette van Dyck Hemming 2002 Diskurse zur Musik Elliott Carters Versuch einer dekonstruktiven Hermeneutik Moderner Musik PDF in German Retrieved 29 July 2020 Portals nbsp Classical music nbsp Germany Retrieved from https en wikipedia org w index php title Annette van Dyck Hemming amp oldid 1218103225, wikipedia, wiki, book, books, library,
