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Ann Buckley

December 18, 2023

Ann Buckley is an Irish musicologist, born in Dublin.

Ann Buckley
Born
Dublin, Ireland
NationalityIrish
Academic background
Alma materNational University of Ireland
University College Cork
Academic work
DisciplineMusicology
InstitutionsTrinity College Dublin
Maynooth University

Buckley studied at University College Cork (B.Mus., 1971; M.A. 1972), Doctoraal (University of Amsterdam, 1976) and a Ph.D. (University of Cambridge, 1991). She has held academic positions in Ireland, the United Kingdom, France, Belgium and Romania, including visiting professorships at the University of Paris IV–Sorbonne (2001–3) and at the European Union International Intensive Programme in Irish Studies at the Catholic University of Leuven and the University of Lille, 2000–3). She was Research Scholar at Corpus Christi College, Cambridge (1983–9) and subsequently a Research Fellow (1989–92) and Research Associate (1992–5) at Darwin College, Cambridge. Between 2003 and 2008 she was an IRCHSS Government of Ireland Research Fellow at Maynooth University. She is now a research associate at the Centre for Medieval and Renaissance Studies, Trinity College, Dublin.[1]

Publications edit

Without book reviews, CD booklets etc.

Edited volumes edit

  • (with Karl-Olof Edström and Paul Nixon) Proceedings of the Second British-Swedish Conference on Musicology: Ethnomusicology (Cambridge, 5–10 August 1989) (= Skrifter från Musikvetenskapliga Institutionen, vol. 21) (Göteborg: Göteborgs Universitet, 1991).
  • Proceedings of the First British-Swedish Conference on Musicology: Medieval Studies (Skara, 11–15 May 1988) (Stockholm: Royal Swedish Academy of Music, 1992).
  • A Select Edition of Old French Lyric Lais, vol. 1 (Newton Abbot: Antico Edition, 1992).
  • A Select Edition of Old French Lyric Lais, vol. 2 (Newton Abbot: Antico Edition, 1994).
  • "Early Music of Ireland", special issue of Early Music, vol. 28 no. 2 (May 2000).
  • Hearing the Past: Essays in Historical Ethnomusicology and the Archaeology of Sound (= Études et Recherches Archéologiques de l'Université de Liège, vol. 86) (Liège, 2000).
  • (with Dominique Billy) Études de langue et de littérature romanes offertes à Peter T. Ricketts à l'occasion de son 70ème anniversaire (Brepols: Turnhout 2005).
  • (with Cynthia Cyrus) Music, Dance and Society: Medieval and Renaissance Studies in Memory of Ingrid G. Brainard (Kalamazoo: Western Michigan University, 2011).
  • 'Nobilitate vigens Furseus'. The Medieval Office of St Fursey: Lecture, with a Critical Edition of the Music and Text of the Office, and English Translation (Norwich: Fursey Pilgrims, 2014).
  • Music, Liturgy and the Veneration of Saints of the Medieval Irish Church in a European Context (= Ritus et Artes, vol. 8) (Turnhout: Brepols, 2017).

Book chapters edit

  • "Jew's Harps in Irish Archaeology", in: Second Conference of the ICTM Study Group on Music Archaeology, ed. Cajsa S. Lund (Stockholm, 1986), pp. 49–71.
  • "Musical Instruments from Medieval Dublin. A Preliminary Survey", in: The Archaeology of Early Music Cultures: Proceedings of the Third International Conference of the Study Group on Music Archaeology, ed. E. Hickmann and D. Hughes (Peter Lang: Bonn 1988), pp. 145–162.
  • "Musical Instruments in Ireland from the 9th to the 14th Centuries: A Review of the Organological Evidence", in: Musicology in Ireland (= Irish Musical Studies, vol. 1), ed. Gerard Gillen and Harry White (Blackrock: Irish Academic Press, 1990), pp. 13–57.
  • "Boundaries in the Field: What do they Serve? A Review of the Landscapes of Historical Musicology and Ethnomusicology", in: Proceedings of the Second British-Swedish Conference on Musicology: Ethnomusicology (see details under "Edited volumes") (Göteborg, 1991), pp. 39–59.
  • "The Lyric Lai: Musicological, Philological, Cultural and Historical Questions" and "Ways of Looking", in: Proceedings of the First British-Swedish Conference on Musicology: Medieval Studies (see details under "Edited volumes") (Stockholm, 1992), pp. 189–234 and 235–243.
  • "An Archaeological Survey of Musical Instruments in Medieval Ireland", in: Miscellanea archaeologica Thaddaeo Malinowski dedicata, ed. Franciszek Rożnowski (Słupsk and Poznań: Sorus, 1993), pp. 65–72.
  • "Music and Humanisation as Long-term Process", in: 'Sons Originels': Préhistoire de la musique (= Études et Recherches Archéologiques de l'Université de Liège, vol. 61), ed. Marcel Otte (Liège, 1994), pp. 275–285.
  • "L'Histoire de la musique médiévale: Musicologie archéologie, ou ethnomusicologie? Quelques problèmes disciplinaires de notre époque", in: La Pluridisciplinarité dans l'archéologie musicale. IVe rencontres internationales du Groupe d'études sur l'archéologie musicale de l'ICTM (Saint-Germain-en-Laye, 8–12 octobre 1990) (= Collection Recherche Musique et Danse, vols. 11–12), ed. Catherine Homo-Lechner and Annie Bélis (Paris: Éditions de la Maison des Sciences de l'Homme, 1994), vol. 1, pp. 501–512.
  • "'And his voice swelled like a terrible thunderstorm ...': Music as Symbolic Sound in Irish Society", in: Music and Irish Cultural History (= Irish Musical Studies, vol. 3), ed. Gerard Gillen and Harry White (Blackrock: Irish Academic Press, 1995), pp. 11–74.
  • "Music Archaeology: Its Contribution to 'Cultural' Musicology and 'Historical' Ethnomusicology", in: Studies in Socio-Musical Sciences, ed. Uri Sharvit and Yoahim Braun (Ramat Gan: Bar-Ilan University Press, 1998), pp. 109–115.
  • "Representations of Musicians in John Derricke's 'The Image of Irelande' (1581)", in: Music, Words, and Images. Essays in Honour of Koraljka Kos, ed. Vjera Katalinić and Zdravko Blažeković (Zagreb: Hrvatsko Muzikolosko Drustvo [Croatian Musicological Society], 1999), pp. 77–91.
  • "Organised Sound and Tonal Art in Long-term Perspective", in: Hearing the Past: Essays in Historical Ethnomusicology and the Archaeology of Sound (see details under "Edited volumes") (Liège, 2000), pp. 9–16.
  • "Gypsy Musicians in Transylvania: Changing Lifestyles, Changing Status", in: Music, Language and Literature of the Roma and Sinti (= Intercultural Music Studies, vol. 11), ed. Max Peter Baumann and Linda Fujie (Berlin: Verlag für Wissenschaft und Bildung, 2000), pp. 309–319.
  • "Abelard's 'Planctus' and Old French 'Lais': Melodic Style and Formal Structure", in: The Poetic and Musical Legacy of Heloise and Abelard, ed. Marc Stewart and David Wulstan (Ottawa: Institute of Medieval Music, 2003), pp. 49–59.
  • "Representations of Musicians in Medieval Christian Iconography of Ireland and Scotland as Local Cultural Expression", in: Art and Music in the Early Modern Period. Essays in honor of Franca Trinchieri Camiz, ed. Katherine A. McIver (Aldershot: Ashgate, 2003), pp. 217–231.
  • "Music of the Medieval Irish Church – A Preliminary Overview", in: Proceedings of the 1st Annual Conference of the Society for Musicology in Ireland, NUI Maynooth, 2–3 May 2003, ed. Barra Boydell (Maynooth: Society for Musicology in Ireland, 2004), pp. 20–28.
  • "Abelard's 'Planctus virginum Israel super filia Iepte Galadite' and 'Li lais des puceles'", in: Études de langue et de littérature romanes offertes à Peter T. Ricketts [...] (see details under "Edited volumes") (Brepols: Turnhout 2005), pp. 545–570.
  • "The Musical Instruments depicted at Clare Island", in: A New Survey of Clare Island, vol. 4: The Abbey, ed. Conleth Manning, Paul Gosling and John Waddell (Dublin: Royal Irish Academy, 2005), pp. 123–132.
  • "Music in Ireland to c. 1500", in: A New History of Ireland, vol. 1: Prehistoric and Early Ireland, ed. Dáibhí Ó Cróinín (Oxford: Oxford University Press, 2005), pp. 744–813.
  • "Between Hagiography and Liturgy: Fragmentary Offices for Irish Saints", in: A Carnival of Learning: Essays to Honour George Cunningham and His 50 Conferences on Medieval Ireland in the Cistercian Abbey of Mount St Joseph, Roscrea, 1987–2012, ed. Peter Harbison and Valerie Hall (Roscrea: Cistercian Press, 2012), pp. 41–52.
  • "The Medieval Office of St Brigit", in: Treasures of Irish Christianity, vol. 2, ed. Brendan Leahy and Salvador Ryan (Dublin: Veritas, 2013), pp. 81–84.
  • "Wandering Scholars and Saintly Cults: The Liturgical Legacy – in Homage to Helen Waddell", in: Helen Waddell Reassessed: New Readings, ed. Jennifer Fitzgerald (Bern etc.: Peter Lang, 2014), pp. 63–80.
  • "From Hymn to 'Historia': The Veneration of Local Saints in the Medieval Irish Church", in: Music, Liturgy and Saints of the Medieval Irish Church in a European Context (see details under "Edited volumes") (Brepols: Turnhout 2017), pp. 161–183.
  • "The Cambridge Songs as Anthology of Musical Knowledge", in: Aspects of Knowledge: Preserving and Reinventing Traditions of Learning in the Middle Ages, ed. Marilina Cesario and Hugh Magennis (Manchester: Manchester University Press, 2018), pp. 79–93.

Articles in journals and yearbooks edit

  • "Notes on the Tiompán in Irish Literature", in: Studia Instrumentorum Musicae Popularis, vol. 5 (1977), pp. 84–90.
  • "What was the Tiompán? A Study in Ethnohistorical Organology: Evidence in Irish Literature", in: Jahrbuch für musikalische Volks- und Völkerkunde, vol. 9 (1977), pp. 53–88.
  • "An Irish Field Report from 1907: A Review of Methods", in: Newsletter of the UK Committee of the International Council for Traditional Music, vol. 15 (1978).
  • "Considerations in a Stylistic Analysis of Uilleann Piping", in: Studia Instrumentorum Musicae Popularis, vol. 6 (1979), pp. 120–125.
  • "A Note on the History and Archaeology of Jew's Harps in Ireland", in: North Munster Antiquaries Journal, vol. 25 (1983), pp. 29–35.
  • "The Relevance of Literary Sources in the Archaeological Investigation of Musical Instruments", in: Cambridge Music-Archaeological Reports, vol. 6 (1983).
  • "A Ceramic Signal Horn from Medieval Dublin", in: Archaeologia Musicalis, vol. 1 (1987), pp. 9–10.
  • "A Viking Bow from 11th-Century Dublin", in: Archaeologia Musicalis, vol. 1 (1987), pp. 10–11.
  • "Lyric Lais and the Use of Formulae", in: Musica antiqua Europae Orientalis: Acta Musicologica, vol. 1 (1988), pp. 193–207.
  • "Music Archaeology: Its Contribution to 'Cultural' Musicology and 'Historical' Ethnomusicology", in: Archaeologia Musicalis, vol. 89 (1989) no. 1, pp. 109–113.
  • "Harps and Lyres on Early Medieval Monuments of Britain and Ireland", in: Harpa, vol. 7 (1992), pp. 8–9 and 15–21.
  • "Music in Medieval Irish Society", in: Harpa, vol. 11 (1993), pp. 19–31.
  • "Professional Musicians, Dancing and Patronage: Continuity and Change in a Transylvanian Community", in: The World of Music, vol. 3 (1994), pp. 31–48.
  • "Nationalism and the Politicisation of Popular Culture in 20th-Century Europe: Post-War Romania in a Comparative Perspective", in: Anuarul Institutului de Istorie Cluj-Napoca (Journal of the Institute of History, Academia Română, Filială din Cluj-Napoca [Romanian Academy of Sciences, Cluj Branch]), vol. 23 (1994), pp. 375–385.
  • "Recent Publications in Music Archaeology"; review-article for RIdIM Newsletter (Newsletter of the Research Center for Musical Iconography), vol. 20 no. 2 (Fall 1995), pp. 68–72.
  • "Developments in Irish Musicology"; review-article for Bullán. An Irish Studies Journal, vol. 2 no. 1 (Summer 1995), pp. 101–108.
  • "'A Lesson for the People': Reflections on Image and Habitus in Medieval Insular Iconography", in: RIdIM/RCMI Newsletter, vol. 20 no. 1 (Spring 1995), pp. 3–9.
  • "Music-Related Imagery on Early Christian Insular Sculpture: Identification, Context, Function", in: Imago Musicae/International Yearbook of Musical Iconography, vol. 8 (1991), pp. 135–199 [published in 1995].
  • "Perspectives on Self-Critical Research Methods", in: Anuarul Institutului de Istorie Cluj-Napoca (Journal of the Institute of History, Academia Română, Filială din Cluj-Napoca [Romanian Academy of Sciences, Cluj Branch]), vol. 24 (1995), pp. 395–399.
  • "Dans şi transiţie în Transilvania rurală" [Dance and transition in rural Transylvania], in: Dilema, vol. 4, no. 234 (18–24 July 1997), p. 16.
  • "Music and Manners: Readings of Medieval Irish Literature", in: Bullán. An Irish Studies Journal, vol. 3 no. 1 (Spring 1997), pp. 33–43.
  • "Music Iconography and the Semiotics of Visual Representation", in: Music in Art. International Journal for Music Iconography, vol. 1 (1998) no. 1–2, pp. 7–12.
  • "Music and Musicians in Medieval Irish Society", in: Early Music, vol. 28 no. 2 (May 2000), pp. 165–190.
  • "In Search of Music of the Medieval Irish Church", in: New Liturgy, no. 125 (Spring 2005), pp. 9–15.
  • "Urraim do na Naoimh Éireannacha sa Liotúirge san Eoraip sna Meánaoiseanna" [The Liturgical Veneration of Irish Saints in Medieval Europe], in: Bliainiris, vol. 6 (2006), pp. 57–71.
  • "Musical Monuments from Medieval Meath", in: Ríocht na Midhe, vol. 19 (2008), pp. 23–42.
  • "'Peregrini pro Christo': The Irish Church in Medieval Europe as Reflected in Liturgical Sources for the Veneration of its Missionary Saints", in: De Musica Disserenda, vol. 14 (2008) no. 1, pp. 93–105.

Encyclopaedia and dictionary articles edit

  • "Music in Medieval Ireland", in: The Companion to Irish Traditional Music, ed. Fintan Vallely (Cork: Cork University Press, 1999).
  • "Iconography", in: The New Oxford Companion to Music, ed. Alison Latham (New York, 2000).
  • "Timpan/Tiompán", in: The New Grove Dictionary of Music and Musicians and The New Grove Dictionary of Musical Instruments (London: Macmillan, 1980 and 1986, respectively); revised for new 2001 edition: vol. 25.
  • "Celtic Chant", in: The New Grove Dictionary of Music and Musicians, ed. Stanley Sadie (London: Macmillan 2001).
  • "Altramar"; "Bangor, Antiphonary of"; "Cistercians" [with Frank Lawrence]; "Colm Cille/Columba, St"; "Columbanus, St"; "Comgall/Comgillus, St"; "Dublin Troper"; "Franciscans"; "High crosses"; "Iconography" [with Barra Boydell]; "Irish Liber hymnorum"; "Irish saints, liturgical veneration of" [with Sara G. Casey]; "Manuscripts, medieval"; "Medieval Ireland, music in"; "Medieval Ireland, Musical instruments in"; "Moengal/Marcellus"; "Ó Cerbaill, Maelruanaid"; "Secundinus (Sechnall), St"; "Sequence and prose"; "Ua Brolcháin, Máel-Ísu"; in: The Encyclopaedia of Music in Ireland, ed. Harry White and Barra Boydell (Dublin: University College Dublin Press, 2013).
  • "Columba", "Columbanus", "Sechnall/Secundinus", in: The Canterbury Dictionary of Hymnology, ed. Jeremy Dibble and Emma Hornby (Canterbury: Canterbury Press, 2013).
  • "Music of the Celtic Rite", in: The Orthodox Encyclopedia, ed. Sergey Nikitin (Moscow, 2014).

References edit

  1. ^ Elaine Kelly: "Buckley, Ann", in: The Encyclopaedia of Music in Ireland, edited by Harry White and Barra Boydell (Dublin: UCD Press, 2013), pp. 132–134.

December 18, 2023
buckley, this, biography, living, person, relies, single, source, help, adding, reliable, sources, this, article, contentious, material, about, living, people, that, unsourced, poorly, sourced, must, removed, immediately, june, 2009, learn, when, remove, this,. This biography of a living person relies on a single source You can help by adding reliable sources to this article Contentious material about living people that is unsourced or poorly sourced must be removed immediately June 2009 Learn how and when to remove this template message Ann Buckley is an Irish musicologist born in Dublin Ann BuckleyBornDublin IrelandNationalityIrishAcademic backgroundAlma materNational University of IrelandUniversity College CorkAcademic workDisciplineMusicologyInstitutionsTrinity College DublinMaynooth UniversityBuckley studied at University College Cork B Mus 1971 M A 1972 Doctoraal University of Amsterdam 1976 and a Ph D University of Cambridge 1991 She has held academic positions in Ireland the United Kingdom France Belgium and Romania including visiting professorships at the University of Paris IV Sorbonne 2001 3 and at the European Union International Intensive Programme in Irish Studies at the Catholic University of Leuven and the University of Lille 2000 3 She was Research Scholar at Corpus Christi College Cambridge 1983 9 and subsequently a Research Fellow 1989 92 and Research Associate 1992 5 at Darwin College Cambridge Between 2003 and 2008 she was an IRCHSS Government of Ireland Research Fellow at Maynooth University She is now a research associate at the Centre for Medieval and Renaissance Studies Trinity College Dublin 1 Contents 1 Publications 1 1 Edited volumes 1 2 Book chapters 1 3 Articles in journals and yearbooks 1 4 Encyclopaedia and dictionary articles 2 ReferencesPublications editWithout book reviews CD booklets etc Edited volumes edit with Karl Olof Edstrom and Paul Nixon Proceedings of the Second British Swedish Conference on Musicology Ethnomusicology Cambridge 5 10 August 1989 Skrifter fran Musikvetenskapliga Institutionen vol 21 Goteborg Goteborgs Universitet 1991 Proceedings of the First British Swedish Conference on Musicology Medieval Studies Skara 11 15 May 1988 Stockholm Royal Swedish Academy of Music 1992 A Select Edition of Old French Lyric Lais vol 1 Newton Abbot Antico Edition 1992 A Select Edition of Old French Lyric Lais vol 2 Newton Abbot Antico Edition 1994 Early Music of Ireland special issue of Early Music vol 28 no 2 May 2000 Hearing the Past Essays in Historical Ethnomusicology and the Archaeology of Sound Etudes et Recherches Archeologiques de l Universite de Liege vol 86 Liege 2000 with Dominique Billy Etudes de langue et de litterature romanes offertes a Peter T Ricketts a l occasion de son 70eme anniversaire Brepols Turnhout 2005 with Cynthia Cyrus Music Dance and Society Medieval and Renaissance Studies in Memory of Ingrid G Brainard Kalamazoo Western Michigan University 2011 Nobilitate vigens Furseus The Medieval Office of St Fursey Lecture with a Critical Edition of the Music and Text of the Office and English Translation Norwich Fursey Pilgrims 2014 Music Liturgy and the Veneration of Saints of the Medieval Irish Church in a European Context Ritus et Artes vol 8 Turnhout Brepols 2017 Book chapters edit Jew s Harps in Irish Archaeology in Second Conference of the ICTM Study Group on Music Archaeology ed Cajsa S Lund Stockholm 1986 pp 49 71 Musical Instruments from Medieval Dublin A Preliminary Survey in The Archaeology of Early Music Cultures Proceedings of the Third International Conference of the Study Group on Music Archaeology ed E Hickmann and D Hughes Peter Lang Bonn 1988 pp 145 162 Musical Instruments in Ireland from the 9th to the 14th Centuries A Review of the Organological Evidence in Musicology in Ireland Irish Musical Studies vol 1 ed Gerard Gillen and Harry White Blackrock Irish Academic Press 1990 pp 13 57 Boundaries in the Field What do they Serve A Review of the Landscapes of Historical Musicology and Ethnomusicology in Proceedings of the Second British Swedish Conference on Musicology Ethnomusicology see details under Edited volumes Goteborg 1991 pp 39 59 The Lyric Lai Musicological Philological Cultural and Historical Questions and Ways of Looking in Proceedings of the First British Swedish Conference on Musicology Medieval Studies see details under Edited volumes Stockholm 1992 pp 189 234 and 235 243 An Archaeological Survey of Musical Instruments in Medieval Ireland in Miscellanea archaeologica Thaddaeo Malinowski dedicata ed Franciszek Roznowski Slupsk and Poznan Sorus 1993 pp 65 72 Music and Humanisation as Long term Process in Sons Originels Prehistoire de la musique Etudes et Recherches Archeologiques de l Universite de Liege vol 61 ed Marcel Otte Liege 1994 pp 275 285 L Histoire de la musique medievale Musicologie archeologie ou ethnomusicologie Quelques problemes disciplinaires de notre epoque in La Pluridisciplinarite dans l archeologie musicale IVe rencontres internationales du Groupe d etudes sur l archeologie musicale de l ICTM Saint Germain en Laye 8 12 octobre 1990 Collection Recherche Musique et Danse vols 11 12 ed Catherine Homo Lechner and Annie Belis Paris Editions de la Maison des Sciences de l Homme 1994 vol 1 pp 501 512 And his voice swelled like a terrible thunderstorm Music as Symbolic Sound in Irish Society in Music and Irish Cultural History Irish Musical Studies vol 3 ed Gerard Gillen and Harry White Blackrock Irish Academic Press 1995 pp 11 74 Music Archaeology Its Contribution to Cultural Musicology and Historical Ethnomusicology in Studies in Socio Musical Sciences ed Uri Sharvit and Yoahim Braun Ramat Gan Bar Ilan University Press 1998 pp 109 115 Representations of Musicians in John Derricke s The Image of Irelande 1581 in Music Words and Images Essays in Honour of Koraljka Kos ed Vjera Katalinic and Zdravko Blazekovic Zagreb Hrvatsko Muzikolosko Drustvo Croatian Musicological Society 1999 pp 77 91 Organised Sound and Tonal Art in Long term Perspective in Hearing the Past Essays in Historical Ethnomusicology and the Archaeology of Sound see details under Edited volumes Liege 2000 pp 9 16 Gypsy Musicians in Transylvania Changing Lifestyles Changing Status in Music Language and Literature of the Roma and Sinti Intercultural Music Studies vol 11 ed Max Peter Baumann and Linda Fujie Berlin Verlag fur Wissenschaft und Bildung 2000 pp 309 319 Abelard s Planctus and Old French Lais Melodic Style and Formal Structure in The Poetic and Musical Legacy of Heloise and Abelard ed Marc Stewart and David Wulstan Ottawa Institute of Medieval Music 2003 pp 49 59 Representations of Musicians in Medieval Christian Iconography of Ireland and Scotland as Local Cultural Expression in Art and Music in the Early Modern Period Essays in honor of Franca Trinchieri Camiz ed Katherine A McIver Aldershot Ashgate 2003 pp 217 231 Music of the Medieval Irish Church A Preliminary Overview in Proceedings of the 1st Annual Conference of the Society for Musicology in Ireland NUI Maynooth 2 3 May 2003 ed Barra Boydell Maynooth Society for Musicology in Ireland 2004 pp 20 28 Abelard s Planctus virginum Israel super filia Iepte Galadite and Li lais des puceles in Etudes de langue et de litterature romanes offertes a Peter T Ricketts see details under Edited volumes Brepols Turnhout 2005 pp 545 570 The Musical Instruments depicted at Clare Island in A New Survey of Clare Island vol 4 The Abbey ed Conleth Manning Paul Gosling and John Waddell Dublin Royal Irish Academy 2005 pp 123 132 Music in Ireland to c 1500 in A New History of Ireland vol 1 Prehistoric and Early Ireland ed Daibhi o Croinin Oxford Oxford University Press 2005 pp 744 813 Between Hagiography and Liturgy Fragmentary Offices for Irish Saints in A Carnival of Learning Essays to Honour George Cunningham and His 50 Conferences on Medieval Ireland in the Cistercian Abbey of Mount St Joseph Roscrea 1987 2012 ed Peter Harbison and Valerie Hall Roscrea Cistercian Press 2012 pp 41 52 The Medieval Office of St Brigit in Treasures of Irish Christianity vol 2 ed Brendan Leahy and Salvador Ryan Dublin Veritas 2013 pp 81 84 Wandering Scholars and Saintly Cults The Liturgical Legacy in Homage to Helen Waddell in Helen Waddell Reassessed New Readings ed Jennifer Fitzgerald Bern etc Peter Lang 2014 pp 63 80 From Hymn to Historia The Veneration of Local Saints in the Medieval Irish Church in Music Liturgy and Saints of the Medieval Irish Church in a European Context see details under Edited volumes Brepols Turnhout 2017 pp 161 183 The Cambridge Songs as Anthology of Musical Knowledge in Aspects of Knowledge Preserving and Reinventing Traditions of Learning in the Middle Ages ed Marilina Cesario and Hugh Magennis Manchester Manchester University Press 2018 pp 79 93 Articles in journals and yearbooks edit Notes on the Tiompan in Irish Literature in Studia Instrumentorum Musicae Popularis vol 5 1977 pp 84 90 What was the Tiompan A Study in Ethnohistorical Organology Evidence in Irish Literature in Jahrbuch fur musikalische Volks und Volkerkunde vol 9 1977 pp 53 88 An Irish Field Report from 1907 A Review of Methods in Newsletter of the UK Committee of the International Council for Traditional Music vol 15 1978 Considerations in a Stylistic Analysis of Uilleann Piping in Studia Instrumentorum Musicae Popularis vol 6 1979 pp 120 125 A Note on the History and Archaeology of Jew s Harps in Ireland in North Munster Antiquaries Journal vol 25 1983 pp 29 35 The Relevance of Literary Sources in the Archaeological Investigation of Musical Instruments in Cambridge Music Archaeological Reports vol 6 1983 A Ceramic Signal Horn from Medieval Dublin in Archaeologia Musicalis vol 1 1987 pp 9 10 A Viking Bow from 11th Century Dublin in Archaeologia Musicalis vol 1 1987 pp 10 11 Lyric Lais and the Use of Formulae in Musica antiqua Europae Orientalis Acta Musicologica vol 1 1988 pp 193 207 Music Archaeology Its Contribution to Cultural Musicology and Historical Ethnomusicology in Archaeologia Musicalis vol 89 1989 no 1 pp 109 113 Harps and Lyres on Early Medieval Monuments of Britain and Ireland in Harpa vol 7 1992 pp 8 9 and 15 21 Music in Medieval Irish Society in Harpa vol 11 1993 pp 19 31 Professional Musicians Dancing and Patronage Continuity and Change in a Transylvanian Community in The World of Music vol 3 1994 pp 31 48 Nationalism and the Politicisation of Popular Culture in 20th Century Europe Post War Romania in a Comparative Perspective in Anuarul Institutului de Istorie Cluj Napoca Journal of the Institute of History Academia Romană Filială din Cluj Napoca Romanian Academy of Sciences Cluj Branch vol 23 1994 pp 375 385 Recent Publications in Music Archaeology review article for RIdIM Newsletter Newsletter of the Research Center for Musical Iconography vol 20 no 2 Fall 1995 pp 68 72 Developments in Irish Musicology review article for Bullan An Irish Studies Journal vol 2 no 1 Summer 1995 pp 101 108 A Lesson for the People Reflections on Image and Habitus in Medieval Insular Iconography in RIdIM RCMI Newsletter vol 20 no 1 Spring 1995 pp 3 9 Music Related Imagery on Early Christian Insular Sculpture Identification Context Function in Imago Musicae International Yearbook of Musical Iconography vol 8 1991 pp 135 199 published in 1995 Perspectives on Self Critical Research Methods in Anuarul Institutului de Istorie Cluj Napoca Journal of the Institute of History Academia Romană Filială din Cluj Napoca Romanian Academy of Sciences Cluj Branch vol 24 1995 pp 395 399 Dans si transiţie in Transilvania rurală Dance and transition in rural Transylvania in Dilema vol 4 no 234 18 24 July 1997 p 16 Music and Manners Readings of Medieval Irish Literature in Bullan An Irish Studies Journal vol 3 no 1 Spring 1997 pp 33 43 Music Iconography and the Semiotics of Visual Representation in Music in Art International Journal for Music Iconography vol 1 1998 no 1 2 pp 7 12 Music and Musicians in Medieval Irish Society in Early Music vol 28 no 2 May 2000 pp 165 190 In Search of Music of the Medieval Irish Church in New Liturgy no 125 Spring 2005 pp 9 15 Urraim do na Naoimh Eireannacha sa Liotuirge san Eoraip sna Meanaoiseanna The Liturgical Veneration of Irish Saints in Medieval Europe in Bliainiris vol 6 2006 pp 57 71 Musical Monuments from Medieval Meath in Riocht na Midhe vol 19 2008 pp 23 42 Peregrini pro Christo The Irish Church in Medieval Europe as Reflected in Liturgical Sources for the Veneration of its Missionary Saints in De Musica Disserenda vol 14 2008 no 1 pp 93 105 Encyclopaedia and dictionary articles edit Music in Medieval Ireland in The Companion to Irish Traditional Music ed Fintan Vallely Cork Cork University Press 1999 Iconography in The New Oxford Companion to Music ed Alison Latham New York 2000 Timpan Tiompan in The New Grove Dictionary of Music and Musicians and The New Grove Dictionary of Musical Instruments London Macmillan 1980 and 1986 respectively revised for new 2001 edition vol 25 Celtic Chant in The New Grove Dictionary of Music and Musicians ed Stanley Sadie London Macmillan 2001 Altramar Bangor Antiphonary of Cistercians with Frank Lawrence Colm Cille Columba St Columbanus St Comgall Comgillus St Dublin Troper Franciscans High crosses Iconography with Barra Boydell Irish Liber hymnorum Irish saints liturgical veneration of with Sara G Casey Manuscripts medieval Medieval Ireland music in Medieval Ireland Musical instruments in Moengal Marcellus o Cerbaill Maelruanaid Secundinus Sechnall St Sequence and prose Ua Brolchain Mael Isu in The Encyclopaedia of Music in Ireland ed Harry White and Barra Boydell Dublin University College Dublin Press 2013 Columba Columbanus Sechnall Secundinus in The Canterbury Dictionary of Hymnology ed Jeremy Dibble and Emma Hornby Canterbury Canterbury Press 2013 Music of the Celtic Rite in The Orthodox Encyclopedia ed Sergey Nikitin Moscow 2014 References edit Elaine Kelly Buckley Ann in The Encyclopaedia of Music in Ireland edited by Harry White and Barra Boydell Dublin UCD Press 2013 pp 132 134 Retrieved from https en wikipedia org w index php title Ann Buckley amp oldid 1159215359, wikipedia, wiki, book, books, library,

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