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Animal style

February 16, 2024

This article is about the style of decorative arts. For the 2016 song by Biffy Clyro, see Animal Style (song). For the style of dressing fast food, see In-N-Out Burger products § Secret menu variations.

Animal style art is an approach to decoration found from Ordos culture to Northern Europe in the early Iron Age, and the barbarian art of the Migration Period, characterized by its emphasis on animal motifs. The zoomorphic style of decoration was used to decorate small objects by warrior-herdsmen, whose economy was based on breeding and herding animals, supplemented by trade and plunder.[1] Animal art is a more general term for all art depicting animals.

"Animal style" deer, (8-7th century BC) Arzhan kurgan, Tuva.
Ordos culture, belt buckle, 3rd–1st century BC
Sutton Hoo purse-lid, 7th century, with Style II animals. British Museum:1939,1010.2.a-l

Eastern styles edit

 
The influence of Scythian art: Fibula in the Form of a Recumbent Stag (below), about 400 AD, Northeastern Europe, and Stag Plaque (above), 400–500 BC, Scythian, western Asia, gold
Main article: Scythian art

Scythian art makes great use of animal motifs, one component of the "Scythian triad" of weapons, horse-harness, and Scythian-style wild animal art. The cultures referred to as Scythian-style included the Cimmerian and Sarmatian cultures in European Sarmatia and stretched across the Eurasian steppe north of the Near East to the Ordos culture of Inner Mongolia. These cultures were extremely influential in spreading many local versions of the style.

Steppe jewellery features various animals including stags, cats, birds, horses, bears, wolves and mythical beasts. The gold figures of stags in a crouching position with legs tucked beneath its body, head upright and muscles bunched tight to give the impression of speed, are particularly impressive. The "looped" antlers of most figures are a distinctive feature, not found in Chinese images of deer. The species represented has seemed to many scholars to be the reindeer, which was not found in the regions inhabited by the steppes peoples at this period. The largest of these were the central ornaments for shields, while others were smaller plaques probably attached to clothing. The stag appears to have had a special significance for the steppes peoples, perhaps as a clan totem. The most notable of these figures include the examples from:

Another characteristic form is the openwork plaque including a stylized tree over the scene at one side, of which two examples are illustrated here. Later large Greek-made pieces often include a zone showing Scythian men apparently going about their daily business, in scenes more typical of Greek art than nomad-made pieces. Some scholars have attempted to attach narrative meanings to such scenes, but this remains speculative.[3]

Although gold was widely used by the ruling elite of the various Scythian tribes, the predominant material for the various animal forms was bronze. The bulk of these items were used to decorate horse harness, leather belts & personal clothing. In some cases these bronze animal figures when sewn onto stiff leather jerkins & belts, helped to act as armour.

 
Bronze idol of a bear found in the Perm Krai, 6th or 7th century.

The use of the animal form went further than just ornament, these seemingly imbuing the owner of the item with similar prowess and powers of the animal which was depicted. Thus the use of these forms extended onto the accoutrements of warfare, be they swords, daggers, scabbards, or axes.

A distinct Permian style of bronze or copper alloy objects from around the 5th–10th centuries AD are found near the Ural mountains and the Volga and Kama rivers in Russia.[4]

Germanic animal style edit

The study of Germanic zoomorphic decoration was pioneered by Bernhard Salin[5] in a work published in 1904.[6] Salin classified animal art from roughly 400 to 900 AD into three phases. The origins of these different phases remain the subject of debate; developing trends in late-Roman popular provincial art was an element, as were earlier traditions of the nomadic Asiatic steppe peoples. Styles I and II are found widely across Europe in the art of the "barbarian" peoples during the Migration Period.

Style I. First appearing in northwest Europe, first expressed with the introduction of the chip carving technique applied to bronze and silver in the 5th century. It is characterized by animals whose bodies are divided into sections, and typically appear at the fringes of designs whose main emphasis is on abstract patterns.[7]

Style II. After about 560–570 Style I, declining, began to be supplanted. The animals of Style II are whole beasts, their bodies elongated into "ribbons" which intertwined into symmetrical shapes with no pretense of naturalism—rarely with legs—tending to be described as serpents, though heads often have characteristics of other animals. The animals become subsumed into ornamental patterns, typically interlace. Examples of Style II can be found on the gold purse lid (picture) from Sutton Hoo (c. 625).

Eventually about 700 localised styles develop, and it is no longer very useful to talk of a general Germanic style.[8] Salin Style III is found mainly in Scandinavia, and may also be called Viking art. Interlace, where it occurs, becomes less regular and more complex, and if not three-dimensional animals are usually seen in profile but twisted, exaggerated, surreal, with fragmented body parts filling every available space, creating an intense detailed energetic feel. Animals' bodies become hard for the unpractised viewer to read, and there is a very common motif of the "gripping beast" where an animal's mouth grips onto another element of the composition to connect two parts. Animal style was one component, along with Celtic art and late classical elements, in the formation of style of Insular art and Anglo-Saxon art in the British Isles, and through these routes and others on the Continent, left a considerable legacy in later Medieval art.

Other names are sometimes used: in Anglo-Saxon art Kendrick preferred "Helmet" and "Ribbon" for Styles I and II.[9]

  •  
    Shaft-hole Axe Head with Bird-Headed Demon, a Boar, and a Dragon figurine. From Central Asia (Bactria-Margiana), late 3rd – early 2nd millennium BC.
  •  
    Analysis of a bird from Broa, after whose finds the "Broa" style, a phase of Salin's Style III, is named.

See also edit

 
Warring States gold tigers, Hebei Province, China

Notes edit

  1. ^ Emma C.Bunker, Animal Style Art from East to West, Asia Society. p. 13
  2. ^ Loehr, Max, "The Stag Image in Scythia and the Far East", Archives of the Chinese Art Society of America, Vol. 9, (1955), pp. 63-76, JSTOR
  3. ^ Farkas, Ann, "Interpreting Scythian Art: East vs. West", Artibus Asiae, Vol. 39, No. 2 (1977), pp. 124-138, doi:10.2307/3250196, JSTOR
  4. ^ Ivanova, Vera, "Perm Animal Style", Russia.ic.com (23 June 2006), retrieved 23 March 2018
  5. ^ Biography on swedish Wikipedia
  6. ^ Die altgermanische Thierornamentik, Stockholm 1904, The Open Library online text, written in German and heavily illustrated.
  7. ^ [https://blog.britishmuseum.org/decoding-anglo-saxon-art/ "Decoding Anglo-Saxon art", Rosie Weetch and Illustrator Craig Williams, British Museum blog, 28 May 2014
  8. ^ Rituals of power: from late antiquity to the early Middle Ages, By Frans Theuws, Janet L. Nelson, p. 45
  9. ^ Hills

External links edit

  • Perm Animal Style: Photo gallery (Virtual museum)
  • Perm Animal Style
  • Nomadic Art of the Eastern Eurasian Steppes, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on and examples of animal style
  • Andreeva, Petya, "Fantastic Beasts of the Eurasian Steppes: Toward a Revisionist Approach to Animal-Style Art", University of Pennsylvania, 2018: https://repository.upenn.edu/edissertations/2963/
  • Salin Styles in The Concise Oxford Dictionary of Archaeology

February 16, 2024
animal, style, this, article, about, style, decorative, arts, 2016, song, biffy, clyro, animal, style, song, style, dressing, fast, food, burger, products, secret, menu, variations, approach, decoration, found, from, ordos, culture, northern, europe, early, ir. This article is about the style of decorative arts For the 2016 song by Biffy Clyro see Animal Style song For the style of dressing fast food see In N Out Burger products Secret menu variations Animal style art is an approach to decoration found from Ordos culture to Northern Europe in the early Iron Age and the barbarian art of the Migration Period characterized by its emphasis on animal motifs The zoomorphic style of decoration was used to decorate small objects by warrior herdsmen whose economy was based on breeding and herding animals supplemented by trade and plunder 1 Animal art is a more general term for all art depicting animals Animal style deer 8 7th century BC Arzhan kurgan Tuva Ordos culture belt buckle 3rd 1st century BCSutton Hoo purse lid 7th century with Style II animals British Museum 1939 1010 2 a l Contents 1 Eastern styles 2 Germanic animal style 3 See also 4 Notes 5 External linksEastern styles edit nbsp The influence of Scythian art Fibula in the Form of a Recumbent Stag below about 400 AD Northeastern Europe and Stag Plaque above 400 500 BC Scythian western Asia goldMain article Scythian art Scythian art makes great use of animal motifs one component of the Scythian triad of weapons horse harness and Scythian style wild animal art The cultures referred to as Scythian style included the Cimmerian and Sarmatian cultures in European Sarmatia and stretched across the Eurasian steppe north of the Near East to the Ordos culture of Inner Mongolia These cultures were extremely influential in spreading many local versions of the style Steppe jewellery features various animals including stags cats birds horses bears wolves and mythical beasts The gold figures of stags in a crouching position with legs tucked beneath its body head upright and muscles bunched tight to give the impression of speed are particularly impressive The looped antlers of most figures are a distinctive feature not found in Chinese images of deer The species represented has seemed to many scholars to be the reindeer which was not found in the regions inhabited by the steppes peoples at this period The largest of these were the central ornaments for shields while others were smaller plaques probably attached to clothing The stag appears to have had a special significance for the steppes peoples perhaps as a clan totem The most notable of these figures include the examples from the Arzhan kurgan Tuva Siberia with animal style artifacts 8 7th century BC the burial site of Kostromskaya in the Kuban dating from the 6th century BC Hermitage Tapioszentmarton in Hungary dating from the 5th century BC now National Museum of Hungary Budapest Kul Oba in the Crimea dating from the 4th century BC Hermitage 2 Another characteristic form is the openwork plaque including a stylized tree over the scene at one side of which two examples are illustrated here Later large Greek made pieces often include a zone showing Scythian men apparently going about their daily business in scenes more typical of Greek art than nomad made pieces Some scholars have attempted to attach narrative meanings to such scenes but this remains speculative 3 Although gold was widely used by the ruling elite of the various Scythian tribes the predominant material for the various animal forms was bronze The bulk of these items were used to decorate horse harness leather belts amp personal clothing In some cases these bronze animal figures when sewn onto stiff leather jerkins amp belts helped to act as armour nbsp Bronze idol of a bear found in the Perm Krai 6th or 7th century The use of the animal form went further than just ornament these seemingly imbuing the owner of the item with similar prowess and powers of the animal which was depicted Thus the use of these forms extended onto the accoutrements of warfare be they swords daggers scabbards or axes A distinct Permian style of bronze or copper alloy objects from around the 5th 10th centuries AD are found near the Ural mountains and the Volga and Kama rivers in Russia 4 Germanic animal style editThe study of Germanic zoomorphic decoration was pioneered by Bernhard Salin 5 in a work published in 1904 6 Salin classified animal art from roughly 400 to 900 AD into three phases The origins of these different phases remain the subject of debate developing trends in late Roman popular provincial art was an element as were earlier traditions of the nomadic Asiatic steppe peoples Styles I and II are found widely across Europe in the art of the barbarian peoples during the Migration Period Style I First appearing in northwest Europe first expressed with the introduction of the chip carving technique applied to bronze and silver in the 5th century It is characterized by animals whose bodies are divided into sections and typically appear at the fringes of designs whose main emphasis is on abstract patterns 7 Style II After about 560 570 Style I declining began to be supplanted The animals of Style II are whole beasts their bodies elongated into ribbons which intertwined into symmetrical shapes with no pretense of naturalism rarely with legs tending to be described as serpents though heads often have characteristics of other animals The animals become subsumed into ornamental patterns typically interlace Examples of Style II can be found on the gold purse lid picture from Sutton Hoo c 625 Eventually about 700 localised styles develop and it is no longer very useful to talk of a general Germanic style 8 Salin Style III is found mainly in Scandinavia and may also be called Viking art Interlace where it occurs becomes less regular and more complex and if not three dimensional animals are usually seen in profile but twisted exaggerated surreal with fragmented body parts filling every available space creating an intense detailed energetic feel Animals bodies become hard for the unpractised viewer to read and there is a very common motif of the gripping beast where an animal s mouth grips onto another element of the composition to connect two parts Animal style was one component along with Celtic art and late classical elements in the formation of style of Insular art and Anglo Saxon art in the British Isles and through these routes and others on the Continent left a considerable legacy in later Medieval art Other names are sometimes used in Anglo Saxon art Kendrick preferred Helmet and Ribbon for Styles I and II 9 nbsp Shaft hole Axe Head with Bird Headed Demon a Boar and a Dragon figurine From Central Asia Bactria Margiana late 3rd early 2nd millennium BC nbsp Analysis of a bird from Broa after whose finds the Broa style a phase of Salin s Style III is named See also edit nbsp Warring States gold tigers Hebei Province ChinaMigration Period art Thracian art Persian Sassanid art patterns Confronted animalsNotes edit Emma C Bunker Animal Style Art from East to West Asia Society p 13 Loehr Max The Stag Image in Scythia and the Far East Archives of the Chinese Art Society of America Vol 9 1955 pp 63 76 JSTOR Farkas Ann Interpreting Scythian Art East vs West Artibus Asiae Vol 39 No 2 1977 pp 124 138 doi 10 2307 3250196 JSTOR Ivanova Vera Perm Animal Style Russia ic com 23 June 2006 retrieved 23 March 2018 Biography on swedish Wikipedia Die altgermanische Thierornamentik Stockholm 1904 The Open Library online text written in German and heavily illustrated https blog britishmuseum org decoding anglo saxon art Decoding Anglo Saxon art Rosie Weetch and Illustrator Craig Williams British Museum blog 28 May 2014 Rituals of power from late antiquity to the early Middle Ages By Frans Theuws Janet L Nelson p 45 HillsExternal links editPerm Animal Style Photo gallery Virtual museum Perm Animal Style Nomadic Art of the Eastern Eurasian Steppes an exhibition catalog from The Metropolitan Museum of Art fully available online as PDF which contains material on and examples of animal style Andreeva Petya Fantastic Beasts of the Eurasian Steppes Toward a Revisionist Approach to Animal Style Art University of Pennsylvania 2018 https repository upenn edu edissertations 2963 Salin Styles in The Concise Oxford Dictionary of Archaeology Retrieved from https en wikipedia org w index php title Animal style amp oldid 1193431994, wikipedia, wiki, book, books, library,

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