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American Epic: The Best of Blind Willie Johnson

American Epic: The Best of Blind Willie Johnson is a compilation album released to accompany the award-winning American Epic documentary film series.[1] It collects performances from Blind Willie Johnson's five recording sessions for Columbia Records in Dallas, Atlanta, and New Orleans between 1927 and 1930. The album was released as a 16-track download and a vinyl LP.

American Epic: The Best of Blind Willie Johnson
Compilation album by
ReleasedJune 16, 2017
Recorded1927–1930
GenreGospel, gospel blues
Length51:09
LabelLo-Max, Sony Legacy, Third Man
American Epic chronology
American Epic: The Best of Lead Belly
(2017)
American Epic: The Best of Blind Willie Johnson
(2017)
American Epic: The Best of the Memphis Jug Band
(2017)

Background edit

During production on the American Epic films it was decided to close the historical documentaries with a piece on Blind Willie Johnson and the placing of his song "Dark Was the Night, Cold Was the Ground" on a golden record fastened to the sides of the two Voyager space probes.[2][3] The success of the audio restoration of "Dark Was the Night, Cold Was the Ground" inspired the filmmakers to source the best surviving masters of their favorite Johnson performances and reissue them on an album.[4][5][6]

Compilation edit

Blind Willie Johnson was first recorded by Columbia Records scout Frank Buckley Walker at a temporary studio in the Deep Ellum neighborhood of Dallas, Texas on December 3, 1927.[7] Johnson performed a gospel repertoire within a blues framework.[8] His powerful bass vocal had a unique gravelly timbre[9] and was accompanied by his distinctive and highly influential slide guitar.[10] On five of the performances on the album he was accompanied by the female vocal of his wife, Willie B. Harris. By his final recording session in 1930, Johnson's records, released in the midst of the Great Depression, were "selling almost twice as many copies as Bessie Smith, and three and four times as many as most of the country blues artists"[11]

The album features gospel call and response songs like "John the Revelator", about John of Patmos, the writer of the Book of Revelation who recounts the opening of seven seals and the ensuing apocalyptic events[12] and "Keep Your Lamp Trimmed and Burning" about the Parable of the Ten Virgins from the Gospel of Matthew, 25:1–13.[13] It includes traditional biblical songs like "If I Had My Way, I'd Tear the Building Down" that relates the story of Samson and Delilah.[14] It contains songs about twentieth century events like the sinking of RMS Titanic in "God Moves on the Water",[15] songs based on hymns like "Church, I'm Fully Saved To-Day",[16] autobiographical songs like "Mother's Children Have a Hard Time" which deals with Johnson's mother dying when he was very young[17] and traditional gospel blues songs like "Lord I Just Can't Keep From Crying", "Trouble Will Soon Be Over" and "Praise God I'm Satisfied". It closes with his most famous composition a wordless moan accompanied by slide guitar entitled "Dark Was the Night, Cold Was the Ground" that was included by NASA on the Voyager Golden Record.[18]

The songs featured on the compilation have been hugely influential to subsequent musicians[19] and have been covered by Reverend Gary Davis, Son House, Sister Rosetta Tharpe, Bob Dylan, Tom Waits, Eric Clapton, Lucinda Williams, Dorothy Love Coates, Led Zeppelin, John Sebastian, Eric Burdon, The Grateful Dead, Willie Nelson, Tom Jones, Rosanne Cash, The Staples Singers, Ry Cooder, Bruce Springsteen and Nina Simone.[20]

Restoration edit

New sound restoration techniques developed for the American Epic film series were utilized to restore the sixteen recordings on the album.[5] The 78rpm record transfers were made by sound engineer Nicholas Bergh using reverse engineering techniques garnered from working with the restored first electrical sound recording system from the 1920s in The American Epic Sessions.[21] This was followed by meticulous sound restoration on these 1920s recordings, by sound engineers Peter Henderson and Joel Tefteller, to reveal greater fidelity, presence, and clarity than had been heard before.[21][22][23][24][25]

Release edit

The album was released on June 16, 2017,[1] one month after the US broadcast of American Epic.[26] The album was issued as a download by Sony Legacy and a vinyl LP by Third Man Records.

Critical reception edit

The work was described by The Village Voice as "re-mastering I can only call profound. Performances you might think you knew sound as if you've never heard them before — never apprehended them."[23] Ian Anderson in fRoots said "you haven't really heard these tracks at all. Not like this. Forget bad dubs of worn-out 78s pressed on poor vinyl. The 'reverse engineering' transfers by Nicholas Bergh and subsequent restorations are so startlingly better, practically everything you will ever have experienced from this era can be discounted. And there's none of that fog of 78 surface noise which many people find too much of a distraction: suddenly, legendary artists are in the room with you."[25]

Track listing edit

All tracks are written by Blind Willie Johnson

No.TitleOriginal ReleaseLength
1."John the Revelator"Columbia 14530-D, 19303:20
2."It's Nobody's Fault but Mine"Columbia 14303-D, 19273:13
3."If I Had My Way, I'd Tear the Building Down"Columbia 14343-D, 19273:12
4."God Moves on the Water"Columbia 14520-D, 19293:02
5."The Soul of a Man"Columbia 14582-D, 19303:17
6."I Know His Blood Can Make Me Whole"Columbia 14276-D, 19273:07
7."Church, I'm Fully Saved To-Day"Columbia 14582-D, 19303:09
8."Let Your Light Shine on Me"Columbia 14490-D, 19293:11
9."Mother's Children Have a Hard Time"Columbia 14343-D, 19273:24
10."Lord I Just Can't Keep From Crying"Columbia 14425-D, 19283:05
11."Trouble Will Soon Be Over"Columbia 14537-D, 19303:10
12."Jesus Make Up My Dying Bed"Columbia 14276-D, 19273:15
13."Bye and Bye I'm Goin' to See the King"Columbia 14504-D, 19292:59
14."Praise God I'm Satisfied"Columbia 14545-D, 19293:15
15."Keep Your Lamp Trimmed and Burning"Columbia 14425-D, 19283:07
16."Dark Was the Night, Cold Was the Ground"Columbia 14303-D, 19273:25
Total length:51:09

Personnel edit

  • Blind Willie Johnson – vocals and guitar
  • Willie B Harris – backing vocals (tracks 1,5,7,11,14)
  • Bernard MacMahon – editor, compiler, producer
  • Allison McGourty – producer
  • Nicholas Bergh – 78rpm transfers, mastering
  • Peter Henderson – restoration, mastering, producer
  • Duke Erikson – restoration, mastering, producer
  • Joel Tefteller – restoration, mastering
  • John Polito – mastering
  • Ellis Burman – mastering
  • Adam Block – producer
  • Patrick Ferris – associate producer
  • Jack McLean – associate producer
  • Nat Strimpopulos – artwork

References edit

Notes edit

  1. ^ a b "American Epic: The Collection & The Soundtrack Out May 12th | Legacy Recordings". Legacy Recordings. 2017-04-28. Retrieved 2018-08-06.
  2. ^ "The first time America heard itself sing". 1843. 2017-05-20. Retrieved 2018-08-06.
  3. ^ "Into Space with Blind Willie Johnson, Part 3: Out of the Many, the One, American Epic, Arena – BBC Four". BBC. 4 June 2017. Retrieved 2018-08-06.
  4. ^ "The Long-Lost, Rebuilt Recording Equipment That First Captured the Sound of America". WIRED. Retrieved 2018-08-06.
  5. ^ a b "American Epic – Reviving Record Production's Past". Long Live Vinyl. 2017-06-16. Retrieved 2018-08-06.
  6. ^ Armstrong, Nikki (February–March 2018). "American Epic". Big City Rhythm & Blues. as we travelled to over 37 states from New York to Logan County in West Virginia to Laie, Oahu
  7. ^ Charters, Samuel (1993). The Complete Blind Willie Johnson. {{cite book}}: |work= ignored (help)
  8. ^ Charters, Samuel (1965). "Blind Willie Johnson 1927–1930" (PDF). Smithsonian Folkways (Liner notes).
  9. ^ . No Depression. 2009-12-30. Archived from the original on 2018-08-13. Retrieved 2018-08-06.
  10. ^ "Blind Willie Johnson: The legendary blues slide guitarist – Blind Willie Johnson". www.crossrhythms.co.uk. Retrieved 2018-08-06.
  11. ^ Charters, Samuel (1993). The Complete Blind Willie Johnson (CD booklet). Columbia Legacy. p. 31.
  12. ^ "The Norton Anthology of English Literature: The 20th Century: Topic 3: Texts and Contexts". www.wwnorton.com. Retrieved 2018-08-06.
  13. ^ "Hymns about the Parable of the Wise and Foolish Virgins / Ten Bridesmaids". LiturgyTools.net. Retrieved 2018-08-07.
  14. ^ 1. Zack, Ian 2015, pp. 99–100
  15. ^ 1. Zack, Ian 2015, p. 100
  16. ^ 2. Smith, Clifford D., p. 120
  17. ^ "Dark Was the Night: The Legacy of Blind Willie Johnson". read.tidal.com. Retrieved 2018-08-07.
  18. ^ "Voyager – Music on the Golden Record". voyager.jpl.nasa.gov. Retrieved 2018-08-07.
  19. ^ . txmusic.com. Archived from the original on 2016-10-24. Retrieved 2018-08-07.
  20. ^ "Artist: Blind Willie Johnson | SecondHandSongs". secondhandsongs.com. Retrieved 2018-08-07.
  21. ^ a b Appleford, Steve (2017-05-15). "'American Epic': Inside Jack White and Friends' New Roots-Music Doc". Rolling Stone. Retrieved 2018-08-07.
  22. ^ "Restoring a vintage 1920s recording system for 'American Epic'". Retrieved 2018-08-07.
  23. ^ a b "Greil Marcus' Real Life Rock Top 10: The Epic Tradition". Retrieved 2018-08-07.
  24. ^ Lewis, Randy (14 May 2017). "'American Epic' explores how a business crisis ignited a musical revolution". Los Angeles Times. Retrieved 2018-08-07.
  25. ^ a b Anderson, Ian (August 2017). "American Epic". fRoots. p. 59.
  26. ^ "American Epic: Episode Descriptions". Thirteen. Retrieved 2018-07-13.

Bibliography edit

  1. Zack, Ian. Say No to the Devil: The Life and Musical Genius of Rev. Gary Davis. Illinois. University of Chicago Press, 2015. ISBN 9780226234106
  2. Smith, Clifford D. Evening Light Songs: A Collection of Favorite Hymns and Spiritual Songs for the General Services of the Church (Faith Publishing House 1949) ISBN 9789995270254
  3. Wald, Elijah & McGourty, Allison & MacMahon, Bernard. American Epic: The First Time America Heard Itself. New York: Touchstone, 2017. ISBN 978-1501135606.

External links edit

  • Official American Epic website

american, epic, best, blind, willie, johnson, compilation, album, released, accompany, award, winning, american, epic, documentary, film, series, collects, performances, from, blind, willie, johnson, five, recording, sessions, columbia, records, dallas, atlant. American Epic The Best of Blind Willie Johnson is a compilation album released to accompany the award winning American Epic documentary film series 1 It collects performances from Blind Willie Johnson s five recording sessions for Columbia Records in Dallas Atlanta and New Orleans between 1927 and 1930 The album was released as a 16 track download and a vinyl LP American Epic The Best of Blind Willie JohnsonCompilation album by Blind Willie JohnsonReleasedJune 16 2017Recorded1927 1930GenreGospel gospel bluesLength51 09LabelLo Max Sony Legacy Third ManAmerican Epic chronologyAmerican Epic The Best of Lead Belly 2017 American Epic The Best of Blind Willie Johnson 2017 American Epic The Best of the Memphis Jug Band 2017 Contents 1 Background 2 Compilation 3 Restoration 4 Release 5 Critical reception 6 Track listing 7 Personnel 8 References 8 1 Notes 8 2 Bibliography 9 External linksBackground editDuring production on the American Epic films it was decided to close the historical documentaries with a piece on Blind Willie Johnson and the placing of his song Dark Was the Night Cold Was the Ground on a golden record fastened to the sides of the two Voyager space probes 2 3 The success of the audio restoration of Dark Was the Night Cold Was the Ground inspired the filmmakers to source the best surviving masters of their favorite Johnson performances and reissue them on an album 4 5 6 Compilation editBlind Willie Johnson was first recorded by Columbia Records scout Frank Buckley Walker at a temporary studio in the Deep Ellum neighborhood of Dallas Texas on December 3 1927 7 Johnson performed a gospel repertoire within a blues framework 8 His powerful bass vocal had a unique gravelly timbre 9 and was accompanied by his distinctive and highly influential slide guitar 10 On five of the performances on the album he was accompanied by the female vocal of his wife Willie B Harris By his final recording session in 1930 Johnson s records released in the midst of the Great Depression were selling almost twice as many copies as Bessie Smith and three and four times as many as most of the country blues artists 11 The album features gospel call and response songs like John the Revelator about John of Patmos the writer of the Book of Revelation who recounts the opening of seven seals and the ensuing apocalyptic events 12 and Keep Your Lamp Trimmed and Burning about the Parable of the Ten Virgins from the Gospel of Matthew 25 1 13 13 It includes traditional biblical songs like If I Had My Way I d Tear the Building Down that relates the story of Samson and Delilah 14 It contains songs about twentieth century events like the sinking of RMS Titanic in God Moves on the Water 15 songs based on hymns like Church I m Fully Saved To Day 16 autobiographical songs like Mother s Children Have a Hard Time which deals with Johnson s mother dying when he was very young 17 and traditional gospel blues songs like Lord I Just Can t Keep From Crying Trouble Will Soon Be Over and Praise God I m Satisfied It closes with his most famous composition a wordless moan accompanied by slide guitar entitled Dark Was the Night Cold Was the Ground that was included by NASA on the Voyager Golden Record 18 The songs featured on the compilation have been hugely influential to subsequent musicians 19 and have been covered by Reverend Gary Davis Son House Sister Rosetta Tharpe Bob Dylan Tom Waits Eric Clapton Lucinda Williams Dorothy Love Coates Led Zeppelin John Sebastian Eric Burdon The Grateful Dead Willie Nelson Tom Jones Rosanne Cash The Staples Singers Ry Cooder Bruce Springsteen and Nina Simone 20 Restoration editNew sound restoration techniques developed for the American Epic film series were utilized to restore the sixteen recordings on the album 5 The 78rpm record transfers were made by sound engineer Nicholas Bergh using reverse engineering techniques garnered from working with the restored first electrical sound recording system from the 1920s in The American Epic Sessions 21 This was followed by meticulous sound restoration on these 1920s recordings by sound engineers Peter Henderson and Joel Tefteller to reveal greater fidelity presence and clarity than had been heard before 21 22 23 24 25 Release editThe album was released on June 16 2017 1 one month after the US broadcast of American Epic 26 The album was issued as a download by Sony Legacy and a vinyl LP by Third Man Records Critical reception editThe work was described by The Village Voice as re mastering I can only call profound Performances you might think you knew sound as if you ve never heard them before never apprehended them 23 Ian Anderson in fRoots said you haven t really heard these tracks at all Not like this Forget bad dubs of worn out 78s pressed on poor vinyl The reverse engineering transfers by Nicholas Bergh and subsequent restorations are so startlingly better practically everything you will ever have experienced from this era can be discounted And there s none of that fog of 78 surface noise which many people find too much of a distraction suddenly legendary artists are in the room with you 25 Track listing editAll tracks are written by Blind Willie JohnsonNo TitleOriginal ReleaseLength1 John the Revelator Columbia 14530 D 19303 202 It s Nobody s Fault but Mine Columbia 14303 D 19273 133 If I Had My Way I d Tear the Building Down Columbia 14343 D 19273 124 God Moves on the Water Columbia 14520 D 19293 025 The Soul of a Man Columbia 14582 D 19303 176 I Know His Blood Can Make Me Whole Columbia 14276 D 19273 077 Church I m Fully Saved To Day Columbia 14582 D 19303 098 Let Your Light Shine on Me Columbia 14490 D 19293 119 Mother s Children Have a Hard Time Columbia 14343 D 19273 2410 Lord I Just Can t Keep From Crying Columbia 14425 D 19283 0511 Trouble Will Soon Be Over Columbia 14537 D 19303 1012 Jesus Make Up My Dying Bed Columbia 14276 D 19273 1513 Bye and Bye I m Goin to See the King Columbia 14504 D 19292 5914 Praise God I m Satisfied Columbia 14545 D 19293 1515 Keep Your Lamp Trimmed and Burning Columbia 14425 D 19283 0716 Dark Was the Night Cold Was the Ground Columbia 14303 D 19273 25Total length 51 09Personnel editBlind Willie Johnson vocals and guitar Willie B Harris backing vocals tracks 1 5 7 11 14 Bernard MacMahon editor compiler producer Allison McGourty producer Nicholas Bergh 78rpm transfers mastering Peter Henderson restoration mastering producer Duke Erikson restoration mastering producer Joel Tefteller restoration mastering John Polito mastering Ellis Burman mastering Adam Block producer Patrick Ferris associate producer Jack McLean associate producer Nat Strimpopulos artworkReferences editNotes edit a b American Epic The Collection amp The Soundtrack Out May 12th Legacy Recordings Legacy Recordings 2017 04 28 Retrieved 2018 08 06 The first time America heard itself sing 1843 2017 05 20 Retrieved 2018 08 06 Into Space with Blind Willie Johnson Part 3 Out of the Many the One American Epic Arena BBC Four BBC 4 June 2017 Retrieved 2018 08 06 The Long Lost Rebuilt Recording Equipment That First Captured the Sound of America WIRED Retrieved 2018 08 06 a b American Epic Reviving Record Production s Past Long Live Vinyl 2017 06 16 Retrieved 2018 08 06 Armstrong Nikki February March 2018 American Epic Big City Rhythm amp Blues as we travelled to over 37 states from New York to Logan County in West Virginia to Laie Oahu Charters Samuel 1993 The Complete Blind Willie Johnson a href Template Cite book html title Template Cite book cite book a work ignored help Charters Samuel 1965 Blind Willie Johnson 1927 1930 PDF Smithsonian Folkways Liner notes Dark Was the Night The Life and Times of Blind Willie Johnson No Depression 2009 12 30 Archived from the original on 2018 08 13 Retrieved 2018 08 06 Blind Willie Johnson The legendary blues slide guitarist Blind Willie Johnson www crossrhythms co uk Retrieved 2018 08 06 Charters Samuel 1993 The Complete Blind Willie Johnson CD booklet Columbia Legacy p 31 The Norton Anthology of English Literature The 20th Century Topic 3 Texts and Contexts www wwnorton com Retrieved 2018 08 06 Hymns about the Parable of the Wise and Foolish Virgins Ten Bridesmaids LiturgyTools net Retrieved 2018 08 07 1 Zack Ian 2015 pp 99 100 1 Zack Ian 2015 p 100 2 Smith Clifford D p 120 Dark Was the Night The Legacy of Blind Willie Johnson read tidal com Retrieved 2018 08 07 Voyager Music on the Golden Record voyager jpl nasa gov Retrieved 2018 08 07 Texas Music Magazine Pioneers Blind Willie Johnson txmusic com Archived from the original on 2016 10 24 Retrieved 2018 08 07 Artist Blind Willie Johnson SecondHandSongs secondhandsongs com Retrieved 2018 08 07 a b Appleford Steve 2017 05 15 American Epic Inside Jack White and Friends New Roots Music Doc Rolling Stone Retrieved 2018 08 07 Restoring a vintage 1920s recording system for American Epic Retrieved 2018 08 07 a b Greil Marcus Real Life Rock Top 10 The Epic Tradition Retrieved 2018 08 07 Lewis Randy 14 May 2017 American Epic explores how a business crisis ignited a musical revolution Los Angeles Times Retrieved 2018 08 07 a b Anderson Ian August 2017 American Epic fRoots p 59 American Epic Episode Descriptions Thirteen Retrieved 2018 07 13 Bibliography edit Zack Ian Say No to the Devil The Life and Musical Genius of Rev Gary Davis Illinois University of Chicago Press 2015 ISBN 9780226234106 Smith Clifford D Evening Light Songs A Collection of Favorite Hymns and Spiritual Songs for the General Services of the Church Faith Publishing House 1949 ISBN 9789995270254 Wald Elijah amp McGourty Allison amp MacMahon Bernard American Epic The First Time America Heard Itself New York Touchstone 2017 ISBN 978 1501135606 External links editOfficial American Epic website Retrieved from https en wikipedia org w index php title American Epic The Best of Blind Willie Johnson amp oldid 1162887470, wikipedia, wiki, book, books, library,

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