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African red slip ware

African red slip ware or Phoenician Red Slip ware, is a category of terra sigillata, or "fine" Phoenician pottery produced from the 7th century BC into the 7th century in the province of Africa Proconsularis, specifically that part roughly coinciding with the modern country of Tunisia and the Diocletianic provinces of Byzacena and Zeugitana. It is distinguished by a thick-orange red slip over a slightly granular fabric. Interior surfaces are completely covered, while the exterior can be only partially slipped, particularly on later examples.[1]

African Red Slip flagons and vases, 2nd-4th century AD
A typical plain African Red Slip dish with simple rouletted decoration. 4th century

By the 3rd century AD, African red slip (ARS) appears on sites throughout the Mediterranean and in the major cities of Roman Europe. It was the most widely distributed representative of the sigillata tradition in the late-Roman period, and occasional imports have been found as far afield as Britain in the 5th-6th centuries.[2] African red slip ware was still widely distributed in the 5th century but after that time the volume of production and trade may well have declined. While the latest forms continued into the 7th century and are found in such major cities as Constantinople and Marseille, the breakup of commercial contacts that typified the later 7th century coincides with the final decline of the African red slip industry.

The production and success of African red slip is probably closely tied to the agricultural productivity of Rome's North African provinces, as indicated in part by the contemporaneous distribution of Roman-period North African amphoras.

Vessel forms edit

 
Moulded Mithras slaying the bull, from Lavinium near Rome, 400 ± 50

From about the 4th century, competent copies of the fabric and forms were also made in several other regions, including Asia Minor, the eastern Mediterranean and Egypt. Over the long period of production, there was obviously much change and evolution in both forms and fabrics. Both Italian and Gaulish plain forms influenced ARS in the 1st and 2nd centuries AD (for example, Hayes Form 2, the cup or dish with an outcurved rim decorated with barbotine leaves, is a direct copy of the samian forms Dr.35 and 36, made in South and Central Gaul),[3] but over time a distinctive ARS repertoire developed.

There was a wide range of dishes and bowls, many with rouletted or stamped decoration, and closed forms such as tall ovoid flagons with appliqué ornament (Hayes Form 171). The ambitious large rectangular dishes with relief decoration in the centre and on the wide rims (Hayes Form 56), were clearly inspired by decorated silver platters of the 4th century, which were made in rectangular and polygonal shapes as well as in the traditional circular form.

Surface decoration edit

 
Stamped Dionisos, 550-600
 
Jug with scenes of Orpheus, 3rd century

A wide range of bowls, dishes and flagons were made in ARS, but the technique of making entire relief-decorated vessels in moulds was discontinued.[4] Instead, appliqué motifs were frequently used where decoration in relief was required, separately made and applied to the vessel before drying and firing. Stamped motifs were also a favoured form of decoration, and decorative motifs reflected not only the Graeco-Roman traditions of the Mediterranean, but eventually the rise of Christianity as well: there is a great variety of monogram crosses and plain crosses amongst the stamps in the later centuries. Similar forms and fabrics were made for more local distribution in Egypt, which had its own very active and diverse ceramic traditions in the Roman period.

Surface decoration of ARS is relatively simple during the first three centuries of production, with occasional rouletting, barbotine motifs and some appliqué being typical. In the 4th century applied decoration becomes common. By the 5th century stamped central motifs such as animals, crosses and humans are common on larger plates. Paralleling developments in other visual media, gladiatorial scenes and references to pagan mythology come to be replaced by Christian figures. In the last phase of production, surface treatment consists of light spiral burnishing on some plates and rouletting around the floor of certain bowls.

Main typologies edit

In 1972 John Hayes published a type series running from form 1 to 200, with forms 112-120 remaining unused.[5] A supplement appeared in 1980.[6] In addition to other previous work, Hayes made use of Waage's work in both Antioch and the Athenian Agora, as well as Lamboglia's in Ventimiglia. Michael Fulford's publication of the British excavations at Avenue du Président Habib Bourguiba, Salammbo in Carthage expanded on the work of Hayes.[7] Carandini's typology, published in Enciclopedia dell'arte antica classica e orientale, is also important.[8] Michael Mackensen offers an alternate typology for later forms based on his work in northern Tunisia.[9] Michel Bonifay has also collected previous scholarship alongside his own observations.[10]

Centers of production edit

Some major ARS centres in central Tunisia are Sidi Marzouk Tounsi, Henchir el-Guellal (Djilma),[11] and Henchir es-Srira,[12] all of which have ARS lamp artifacts attributed to them by the microscopic chemical makeup of the clay fabric as well as macroscopic style prevalent in that region.

Notes edit

  1. ^ López-Ruiz, Carolina; Doak, Brian R. (2019). The Oxford Handbook of the Phoenician and Punic Mediterranean. Oxford University Press. p. 524. ISBN 978-0-19-049934-1.
  2. ^ Tyers 1996, pp.80-82
  3. ^ Hayes 1972, p. 19–20.
  4. ^ For the detailed typology and distribution maps, see Hayes 1972 and Hayes 1980
  5. ^ Hayes, John. (1972). Late Roman Pottery. London: British School at Rome (hardcover, ISBN 0-904152-00-6)
  6. ^ Hayes, John. 1980. A Supplement to Late Roman Pottery. London: British School at Rome ISBN 0-904152-10-3
  7. ^ Fulford, Michael & Peacock, David. (1984). The Avenue du President Habib Bourguiba, Salammbo: the pottery and other ceramic objects from the site excavations at Carthage. (The British Mission 1.2.) Sheffield: University of Sheffield, Department of Prehistory and Archaeology.
  8. ^ 1981. Enciclopedia dell'arte antica classica e orientale. Atlante delle Forme Ceramiche I, Ceramica Fine Romana nel Bacino Mediterraneo (Medio e Tardo Impero). Rome: Istituto della Enciclopedia italiana.
  9. ^ Mackensen, Michael (1993). Die spätantiken Sigillata- und Lampentöpfereien von el Mahrine (Nordtunesien): Studien zur nordafrikanischen Feinkeramik des 4. bis 7. Jahrhunderts. Munich: Beck (hardcover, ISBN 978-3-406-37015-1)
  10. ^ Bonifay, Michel. 2004. Études sur la céramique romaine tardive d’Afrique. (British Archaeological Reports International Series 1301) Oxford: B. A. R.
  11. ^ 34°42′18″N 9°21′58″E / 34.7049689°N 9.3661589°E / 34.7049689; 9.3661589 Hitchner, R.; R. Warner; R. Talbert; T. Elliott; S. Gillies (20 October 2012). "Places: 324723 (Henchir-el-Guellal)". Pleiades. Retrieved January 14, 2014.
  12. ^ 35°26′15″N 9°22′09″E / 35.437423°N 9.3690949°E / 35.437423; 9.3690949 Hitchner, R.; R. Warner; R. Talbert; T. Elliott; S. Gillies (20 October 2012). "Places: 324738 (Henchir-es-Srira)". Pleiades. Retrieved January 14, 2014.

References edit

  • Hayes, John. (1972). Late Roman Pottery. London: British School at Rome (hardcover, ISBN 0-904152-00-6)
  • Hayes, John. (1980). "Supplement to Late Roman Pottery". London: British School at Rome. Worldcat
  • Mackensen, Michael (1993). Die spätantiken Sigillata- und Lampentöpfereien von el Mahrine (Nordtunesien): Studien zur nordafrikanischen Feinkeramik des 4. bis 7. Jahrhunderts. Munich : Beck (hardcover, ISBN 978-3-406-37015-1)
  • Tyers, Paul (1996). Roman Pottery in Britain, London: B. T. Batsford ISBN 0-7134-7412-2

Further reading edit

  • Hayes, John W. 1972. Late Roman Pottery. London: British School at Rome.
  • Hayes, John W. 1997. Handbook of Mediterranean Roman Pottery. Norman: University of Oklahoma Press.
  • Peacock, D. P. S. 1982. Pottery In the Roman World: An Ethnoarchaeological Approach. London: Longman.
  • Peña, J. Theodore. 2007. Roman Pottery In the Archaeological Record. Cambridge (UK): Cambridge University Press.
  • Robinson, Henry Schroder. 1959. Pottery of the Roman Period: Chronology. Princeton, NJ: American School of Classical Studies at Athens.

External links edit

  • African Red Slip in Greek, Roman and Byzantine Pottery at Ilion
  • 'North African Red-Slipped Ware' from Potsherd: Atlas of Roman Pottery
  • Discrimination and Provenances of Phoenician Red Slip Ware Using both the Solid State Electrochemistry and Petrographic Analyses
  • The Phoenician Red Slip Ware from Sulky (Sardinia-Italy): Microstructure and quantitative phase analysis

african, slip, ware, phoenician, slip, ware, category, terra, sigillata, fine, phoenician, pottery, produced, from, century, into, century, province, africa, proconsularis, specifically, that, part, roughly, coinciding, with, modern, country, tunisia, diocleti. African red slip ware or Phoenician Red Slip ware is a category of terra sigillata or fine Phoenician pottery produced from the 7th century BC into the 7th century in the province of Africa Proconsularis specifically that part roughly coinciding with the modern country of Tunisia and the Diocletianic provinces of Byzacena and Zeugitana It is distinguished by a thick orange red slip over a slightly granular fabric Interior surfaces are completely covered while the exterior can be only partially slipped particularly on later examples 1 African Red Slip flagons and vases 2nd 4th century AD A typical plain African Red Slip dish with simple rouletted decoration 4th century By the 3rd century AD African red slip ARS appears on sites throughout the Mediterranean and in the major cities of Roman Europe It was the most widely distributed representative of the sigillata tradition in the late Roman period and occasional imports have been found as far afield as Britain in the 5th 6th centuries 2 African red slip ware was still widely distributed in the 5th century but after that time the volume of production and trade may well have declined While the latest forms continued into the 7th century and are found in such major cities as Constantinople and Marseille the breakup of commercial contacts that typified the later 7th century coincides with the final decline of the African red slip industry The production and success of African red slip is probably closely tied to the agricultural productivity of Rome s North African provinces as indicated in part by the contemporaneous distribution of Roman period North African amphoras Contents 1 Vessel forms 2 Surface decoration 3 Main typologies 4 Centers of production 5 Notes 6 References 7 Further reading 8 External linksVessel forms edit nbsp Moulded Mithras slaying the bull from Lavinium near Rome 400 50 From about the 4th century competent copies of the fabric and forms were also made in several other regions including Asia Minor the eastern Mediterranean and Egypt Over the long period of production there was obviously much change and evolution in both forms and fabrics Both Italian and Gaulish plain forms influenced ARS in the 1st and 2nd centuries AD for example Hayes Form 2 the cup or dish with an outcurved rim decorated with barbotine leaves is a direct copy of the samian forms Dr 35 and 36 made in South and Central Gaul 3 but over time a distinctive ARS repertoire developed There was a wide range of dishes and bowls many with rouletted or stamped decoration and closed forms such as tall ovoid flagons with applique ornament Hayes Form 171 The ambitious large rectangular dishes with relief decoration in the centre and on the wide rims Hayes Form 56 were clearly inspired by decorated silver platters of the 4th century which were made in rectangular and polygonal shapes as well as in the traditional circular form Surface decoration edit nbsp Stamped Dionisos 550 600 nbsp Jug with scenes of Orpheus 3rd century A wide range of bowls dishes and flagons were made in ARS but the technique of making entire relief decorated vessels in moulds was discontinued 4 Instead applique motifs were frequently used where decoration in relief was required separately made and applied to the vessel before drying and firing Stamped motifs were also a favoured form of decoration and decorative motifs reflected not only the Graeco Roman traditions of the Mediterranean but eventually the rise of Christianity as well there is a great variety of monogram crosses and plain crosses amongst the stamps in the later centuries Similar forms and fabrics were made for more local distribution in Egypt which had its own very active and diverse ceramic traditions in the Roman period Surface decoration of ARS is relatively simple during the first three centuries of production with occasional rouletting barbotine motifs and some applique being typical In the 4th century applied decoration becomes common By the 5th century stamped central motifs such as animals crosses and humans are common on larger plates Paralleling developments in other visual media gladiatorial scenes and references to pagan mythology come to be replaced by Christian figures In the last phase of production surface treatment consists of light spiral burnishing on some plates and rouletting around the floor of certain bowls Main typologies editMain article List of common forms of African red slip ware In 1972 John Hayes published a type series running from form 1 to 200 with forms 112 120 remaining unused 5 A supplement appeared in 1980 6 In addition to other previous work Hayes made use of Waage s work in both Antioch and the Athenian Agora as well as Lamboglia s in Ventimiglia Michael Fulford s publication of the British excavations at Avenue du President Habib Bourguiba Salammbo in Carthage expanded on the work of Hayes 7 Carandini s typology published in Enciclopedia dell arte antica classica e orientale is also important 8 Michael Mackensen offers an alternate typology for later forms based on his work in northern Tunisia 9 Michel Bonifay has also collected previous scholarship alongside his own observations 10 Centers of production editMap all coordinates using OpenStreetMap Download coordinates as KML GPX all coordinates GPX primary coordinates GPX secondary coordinates Some major ARS centres in central Tunisia are Sidi Marzouk Tounsi Henchir el Guellal Djilma 11 and Henchir es Srira 12 all of which have ARS lamp artifacts attributed to them by the microscopic chemical makeup of the clay fabric as well as macroscopic style prevalent in that region Notes edit Lopez Ruiz Carolina Doak Brian R 2019 The Oxford Handbook of the Phoenician and Punic Mediterranean Oxford University Press p 524 ISBN 978 0 19 049934 1 Tyers 1996 pp 80 82 Hayes 1972 p 19 20 For the detailed typology and distribution maps see Hayes 1972 and Hayes 1980 Hayes John 1972 Late Roman Pottery London British School at Rome hardcover ISBN 0 904152 00 6 Hayes John 1980 A Supplement to Late Roman Pottery London British School at Rome ISBN 0 904152 10 3 Fulford Michael amp Peacock David 1984 The Avenue du President Habib Bourguiba Salammbo the pottery and other ceramic objects from the site excavations at Carthage The British Mission 1 2 Sheffield University of Sheffield Department of Prehistory and Archaeology 1981 Enciclopedia dell arte antica classica e orientale Atlante delle Forme Ceramiche I Ceramica Fine Romana nel Bacino Mediterraneo Medio e Tardo Impero Rome Istituto della Enciclopedia italiana Mackensen Michael 1993 Die spatantiken Sigillata und Lampentopfereien von el Mahrine Nordtunesien Studien zur nordafrikanischen Feinkeramik des 4 bis 7 Jahrhunderts Munich Beck hardcover ISBN 978 3 406 37015 1 Bonifay Michel 2004 Etudes sur la ceramique romaine tardive d Afrique British Archaeological Reports International Series 1301 Oxford B A R 34 42 18 N 9 21 58 E 34 7049689 N 9 3661589 E 34 7049689 9 3661589 Hitchner R R Warner R Talbert T Elliott S Gillies 20 October 2012 Places 324723 Henchir el Guellal Pleiades Retrieved January 14 2014 35 26 15 N 9 22 09 E 35 437423 N 9 3690949 E 35 437423 9 3690949 Hitchner R R Warner R Talbert T Elliott S Gillies 20 October 2012 Places 324738 Henchir es Srira Pleiades Retrieved January 14 2014 References editHayes John 1972 Late Roman Pottery London British School at Rome hardcover ISBN 0 904152 00 6 Hayes John 1980 Supplement to Late Roman Pottery London British School at Rome Worldcat Mackensen Michael 1993 Die spatantiken Sigillata und Lampentopfereien von el Mahrine Nordtunesien Studien zur nordafrikanischen Feinkeramik des 4 bis 7 Jahrhunderts Munich Beck hardcover ISBN 978 3 406 37015 1 Tyers Paul 1996 Roman Pottery in Britain London B T Batsford ISBN 0 7134 7412 2Further reading editLibrary resources about African red slip ware Resources in your library Resources in other libraries Hayes John W 1972 Late Roman Pottery London British School at Rome Hayes John W 1997 Handbook of Mediterranean Roman Pottery Norman University of Oklahoma Press Peacock D P S 1982 Pottery In the Roman World An Ethnoarchaeological Approach London Longman Pena J Theodore 2007 Roman Pottery In the Archaeological Record Cambridge UK Cambridge University Press Robinson Henry Schroder 1959 Pottery of the Roman Period Chronology Princeton NJ American School of Classical Studies at Athens External links edit nbsp Wikimedia Commons has media related to African Red Slip Ware African Red Slip in Greek Roman and Byzantine Pottery at Ilion North African Red Slipped Ware from Potsherd Atlas of Roman Pottery Discrimination and Provenances of Phoenician Red Slip Ware Using both the Solid State Electrochemistry and Petrographic Analyses The Phoenician Red Slip Ware from Sulky Sardinia Italy Microstructure and quantitative phase analysis Retrieved from https en wikipedia org w index php title African red slip ware amp oldid 1213244503, wikipedia, wiki, book, books, library,

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