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Puisi Tak Terkuburkan

Puisi Tak Terkuburkan (literally Unburied Poetry; released in English as A Poet: Unconcealed Poetry) is a 2000 award-winning Indonesian documentary/drama directed by Garin Nugroho in black and white. At the 2001 Singapore International Film Festival the film won the FIPRESCI Prize and the Silver Screen Award for Best Asian Actor which went to the poet Ibrahim Kadir, who played himself. The film was also nominated at for the Silver Screen Award for Best Asian Feature Film, while Nugroho won the Silver Leopard Video Award at the Locarno International Film Festival.

Puisi Tak Terkuburkan
Screen capture of Ibrahim Kadir
Directed byGarin Nugroho
Written byNana Mulyana
StarringIbrahim Kadir
Release date
2000
Running time
83 – 90 minutes
CountryIndonesia
LanguageIndonesian

Plot edit

In 1965, Ibrahim Kadir (played by himself) is falsely arrested after being accused of being a communist or communist sympathizer. While imprisoned, he meets other inmates who have also been falsely imprisoned. Together, they sing the traditional poetic form didong, and attempt to band together. However, every day more prisoners are taken outside and executed.

While alone, Kadir thinks of the crimes committed by the military that he has witnessed, including the killings of unarmed women and children, as well as the execution of the wrongfully incarcerated. He continues to hear the voices of the past as the number of prisoners dwindles done to a few; he is eventually released after spending 22 days in prison.

Production edit

According to the film's director Garin Nugroho, he wrote Puisi Tak Terkuburkan to "reinterpret the wounds of history"[A] after being offered Rp 60 million (US$7,000) to write a script after finishing Daun di Atas Bantal. At the time, he intended to make three films: one regarding Aceh, one regarding Papua, and one about the youth movement, choosing areas of potential conflict.[1]

Anne Rutherford, a senior lecturer on cinema studies at the University of Western Sydney, notes that Puisi Tak Terkuburkan was the first Indonesian movie to discuss the 1965–1966 communist purge. It was produced during a "wave" of Indonesian films criticizing former president Suharto's New Order regime. Such films were not allowed during the New Order, and Nugroho reported that his family feared he would be killed.[2]

Puisi Tak Terkuburkan was shot in a digital video format,[2] with shooting beginning in August 1999.[1]

Style edit

The movie is set entirely within two prison cells and a guards' room. Nugroho uses close shots which, according to Rutherford, amplify the claustrophobia of the setting. The film is shot entirely in black and white. She describes the sound as being fluent and mobile, contrasting the claustrophobia of the shots.[2] Nugroho himself considered the visuals secondary to the dialog.[1]

The perpetrators of the communist purges are not shown on screen. According to Rutherford, this leaves the audience wondering "what has gone wrong?".[2]

Themes edit

The Gayo poetic form didong, contrasting two or more voices, is prominent throughout the film. During and following the communist purges, didong was used as a way to reinforce that revolutions would bring death to the perpetrators.[2]

Release and reception edit

Puisi Tak Terkuburkan was released in 2000. Nugroho said that it was not meant to be commercial, and that he only planned to show it for several days at higher-class theatres before selling it to local television stations.[1]

It was screened at the Sydney Asia Pacific Film Festival in 2001.[2] In February 2005, Nugroho showed the film to raise money to help the Acehnese survivors of the 2004 Indian Ocean earthquake and tsunami.[3]

Awards edit

Puisi Tak Terkuburkan received the Silver Leopard award at the 2000 Locarno International Film Festival.[3] Kadir won Best Actor at Cinefan film festival in India in 2001; that same year, he received best actor at the Singapore International Film Festival, with the film winning a jury prize for best film.[2]

Notes edit

  1. ^
    Original: "... menafsirkan kembali luka-luka sejarah."

References edit

Footnotes
Bibliography
  • "Garin Nugroho Tayangkan 'Puisi Tak Terkuburkan' Untuk Aceh" [Garin Nugroho Shows 'Puisi Tak Terkuburkan' For Aceh]. KapanLagi.com (in Indonesian). 16 February 2005. Retrieved 21 October 2011.
  • [Garin Nugroho: "This Film is My Political Stance]. Tempo. 28 February 2000. Archived from the original on March 28, 2009. Retrieved 21 October 2011.
  • Rutherford, Anne (2001). "Poetics and Politics in Garin Nugroho's A Poet". Sense of Cinema. Retrieved 21 October 2011.

External links edit

  • Puisi Tak Terkuburkan at IMDb  

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Puisi Tak Terkuburkan literally Unburied Poetry released in English as A Poet Unconcealed Poetry is a 2000 award winning Indonesian documentary drama directed by Garin Nugroho in black and white At the 2001 Singapore International Film Festival the film won the FIPRESCI Prize and the Silver Screen Award for Best Asian Actor which went to the poet Ibrahim Kadir who played himself The film was also nominated at for the Silver Screen Award for Best Asian Feature Film while Nugroho won the Silver Leopard Video Award at the Locarno International Film Festival Puisi Tak TerkuburkanScreen capture of Ibrahim KadirDirected byGarin NugrohoWritten byNana MulyanaStarringIbrahim KadirRelease date2000Running time83 90 minutesCountryIndonesiaLanguageIndonesian Contents 1 Plot 2 Production 3 Style 4 Themes 5 Release and reception 6 Awards 7 Notes 8 References 9 External linksPlot editIn 1965 Ibrahim Kadir played by himself is falsely arrested after being accused of being a communist or communist sympathizer While imprisoned he meets other inmates who have also been falsely imprisoned Together they sing the traditional poetic form didong and attempt to band together However every day more prisoners are taken outside and executed While alone Kadir thinks of the crimes committed by the military that he has witnessed including the killings of unarmed women and children as well as the execution of the wrongfully incarcerated He continues to hear the voices of the past as the number of prisoners dwindles done to a few he is eventually released after spending 22 days in prison Production editAccording to the film s director Garin Nugroho he wrote Puisi Tak Terkuburkan to reinterpret the wounds of history A after being offered Rp 60 million US 7 000 to write a script after finishing Daun di Atas Bantal At the time he intended to make three films one regarding Aceh one regarding Papua and one about the youth movement choosing areas of potential conflict 1 Anne Rutherford a senior lecturer on cinema studies at the University of Western Sydney notes that Puisi Tak Terkuburkan was the first Indonesian movie to discuss the 1965 1966 communist purge It was produced during a wave of Indonesian films criticizing former president Suharto s New Order regime Such films were not allowed during the New Order and Nugroho reported that his family feared he would be killed 2 Puisi Tak Terkuburkan was shot in a digital video format 2 with shooting beginning in August 1999 1 Style editThe movie is set entirely within two prison cells and a guards room Nugroho uses close shots which according to Rutherford amplify the claustrophobia of the setting The film is shot entirely in black and white She describes the sound as being fluent and mobile contrasting the claustrophobia of the shots 2 Nugroho himself considered the visuals secondary to the dialog 1 The perpetrators of the communist purges are not shown on screen According to Rutherford this leaves the audience wondering what has gone wrong 2 Themes editThe Gayo poetic form didong contrasting two or more voices is prominent throughout the film During and following the communist purges didong was used as a way to reinforce that revolutions would bring death to the perpetrators 2 Release and reception editPuisi Tak Terkuburkan was released in 2000 Nugroho said that it was not meant to be commercial and that he only planned to show it for several days at higher class theatres before selling it to local television stations 1 It was screened at the Sydney Asia Pacific Film Festival in 2001 2 In February 2005 Nugroho showed the film to raise money to help the Acehnese survivors of the 2004 Indian Ocean earthquake and tsunami 3 Awards editPuisi Tak Terkuburkan received the Silver Leopard award at the 2000 Locarno International Film Festival 3 Kadir won Best Actor at Cinefan film festival in India in 2001 that same year he received best actor at the Singapore International Film Festival with the film winning a jury prize for best film 2 Notes edit Original menafsirkan kembali luka luka sejarah References editFootnotes a b c d Tempo 2000 Garin Nugroho Film ini a b c d e f g Rutherford 2001 Poetics and Politics a b KapanLagi com 2005 Garin Nugroho Tayangkan Bibliography Garin Nugroho Tayangkan Puisi Tak Terkuburkan Untuk Aceh Garin Nugroho Shows Puisi Tak Terkuburkan For Aceh KapanLagi com in Indonesian 16 February 2005 Retrieved 21 October 2011 Garin Nugroho Film ini adalah Sikap Politik Saya Garin Nugroho This Film is My Political Stance Tempo 28 February 2000 Archived from the original on March 28 2009 Retrieved 21 October 2011 Rutherford Anne 2001 Poetics and Politics in Garin Nugroho s A Poet Sense of Cinema Retrieved 21 October 2011 External links editPuisi Tak Terkuburkan at IMDb nbsp Retrieved from https en wikipedia org w index php title Puisi Tak Terkuburkan amp oldid 1190981613, wikipedia, wiki, book, books, library,

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