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Separation masters

Separation masters are a method of long-term preservation for most modern color motion picture film. Since monopack color film - (where materials for registering all the colors of the spectrum are contained on one film - its opposite is bipack colour film where two films face each other and the lower spectrum reds and yellows are on one film and the higher spectrum greens and blues are on another film - see Technicolor three strip) used in such processes as ECN, ECP and their successive revisions - contains photographically active color couplers which remain in the film after development, the emulsion will continue to produce chemical reactions in the image which cumulatively create a color fading, usually heavily biased towards the pink spectrum. In order to protect against this occurrence, the technique of separation masters was created.

Separation mastering is essentially an inversion of the Technicolor three-strip system, which used filtration to create three black and white masters each sensitized for one of the RGB spectrums and then printed the negatives with a CMYK colorspace. In separation mastering, the original camera negative is used to create three black and white copies, each one filtered for one of the RGB spectrums.[1] The black and white process is considered inert after development and thus should be more stable for long-term archival, preservation, and restoration (although the film base may eventually decay regardless).

References

  1. ^ Giovanna Fossati (2010). From Grain to Pixel: The Archival Life of Film in Transition. Framing Film. Vol. 1. Amsterdam, Netherlands: Amsterdam University Press. p. 286. ISBN 9789089641397. Retrieved 25 August 2012.


separation, masters, this, article, multiple, issues, please, help, improve, discuss, these, issues, talk, page, learn, when, remove, these, template, messages, this, article, needs, additional, citations, verification, please, help, improve, this, article, ad. This article has multiple issues Please help improve it or discuss these issues on the talk page Learn how and when to remove these template messages This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Separation masters news newspapers books scholar JSTOR August 2012 Learn how and when to remove this template message This article may be too technical for most readers to understand Please help improve it to make it understandable to non experts without removing the technical details August 2012 Learn how and when to remove this template message Learn how and when to remove this template message Separation masters are a method of long term preservation for most modern color motion picture film Since monopack color film where materials for registering all the colors of the spectrum are contained on one film its opposite is bipack colour film where two films face each other and the lower spectrum reds and yellows are on one film and the higher spectrum greens and blues are on another film see Technicolor three strip used in such processes as ECN ECP and their successive revisions contains photographically active color couplers which remain in the film after development the emulsion will continue to produce chemical reactions in the image which cumulatively create a color fading usually heavily biased towards the pink spectrum In order to protect against this occurrence the technique of separation masters was created Separation mastering is essentially an inversion of the Technicolor three strip system which used filtration to create three black and white masters each sensitized for one of the RGB spectrums and then printed the negatives with a CMYK colorspace In separation mastering the original camera negative is used to create three black and white copies each one filtered for one of the RGB spectrums 1 The black and white process is considered inert after development and thus should be more stable for long term archival preservation and restoration although the film base may eventually decay regardless References Edit Giovanna Fossati 2010 From Grain to Pixel The Archival Life of Film in Transition Framing Film Vol 1 Amsterdam Netherlands Amsterdam University Press p 286 ISBN 9789089641397 Retrieved 25 August 2012 This filmmaking article is a stub You can help Wikipedia by expanding it vte Retrieved from https en wikipedia org w index php title Separation masters amp oldid 1068403149, wikipedia, wiki, book, books, library,

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