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Noro Morales

Norosbaldo Morales (January 4, 1911 – January 15, 1964) was a Puerto Rican pianist and bandleader.[1]

Noro Morales and his brothers Ismael "Esy" Morales, and Humberto Morales circa 1947

Biography

Morales was born in the subbarrio Puerta de Tierra of San Juan, Puerto Rico, and learned several instruments as a child. He played in Venezuela from 1924 to 1930, then returned to Puerto Rico to play with Rafael Muñoz. He emigrated to New York City in 1935, and played there with Alberto Socarras and Augusto Cohen. In 1939, he and brothers Humberto and Esy put together the Brothers Morales Orchestra. He released the tune "Serenata Ritmica" on Decca Records in 1942, which catapulted him to fame in the Latin music scene, then dominated by rhumba and later by mambo. His band rivaled Machito's in popularity in New York in the 1940s.

It was during this time that his orchestra played for the Havana Madrid nightclub. His lush 1952 Mambo with Noro 10" album is a landmark in conjunto latin music, a classic mambo album that was part of the 1950s mambo craze, showing the influence of Puerto Rico in the new style.

In 1960 Morales returned to Puerto Rico and played locally; he also worked with Tito Rodríguez, José Luis Moneró, Chano Pozo, Willie Rosario and Tito Puente. Among the musicians who played in Morales' orchestra were Ray Santos, Jorge López, Rafí Carrero, Juancito Torres, Pin Madera, Ralph Kemp, Pepito Morales, Carlos Medina, Lidio Fuentes, Simón Madera, Ana Carrero, Pellin Rodriguez, and Avilés.

The height of his fame and record production was his production of rumba records with his sextet, done after he gave up the big band idea. His use of the piano as both melody and rhythm was highly innovative at the time. ["Linda Mujer"], ["Campanitas de Cristal"], ["Perfume de Gardenias"], ["Me Pica La Lengua"] and ["Silencio"], all songs composed by others, were four of his big successes in this line.

Death

Like his brothers, Morales suffered from diabetes and, by the early 1960s, he was severely obese and nearly blind.[2] He died of uremia on January 15, 1964, at Hospital San Jorge, in San Juan, aged 53.[2] He was buried in Puerto Rico Memorial (also known as Cementerio Fournier) in Carolina, Puerto Rico.

References

  1. ^ Noro Morales at Allmusic
  2. ^ a b Salazar, Max (March 1996). "Noro Morales". Latin Beat Magazine. Herencia Latina. Retrieved 21 November 2020.

External links

noro, morales, this, article, needs, additional, citations, verification, please, help, improve, this, article, adding, citations, reliable, sources, unsourced, material, challenged, removed, find, sources, news, newspapers, books, scholar, jstor, april, 2020,. This article needs additional citations for verification Please help improve this article by adding citations to reliable sources Unsourced material may be challenged and removed Find sources Noro Morales news newspapers books scholar JSTOR April 2020 Learn how and when to remove this template message Norosbaldo Morales January 4 1911 January 15 1964 was a Puerto Rican pianist and bandleader 1 Noro Morales and his brothers Ismael Esy Morales and Humberto Morales circa 1947 Contents 1 Biography 2 Death 3 References 4 External linksBiography EditMorales was born in the subbarrio Puerta de Tierra of San Juan Puerto Rico and learned several instruments as a child He played in Venezuela from 1924 to 1930 then returned to Puerto Rico to play with Rafael Munoz He emigrated to New York City in 1935 and played there with Alberto Socarras and Augusto Cohen In 1939 he and brothers Humberto and Esy put together the Brothers Morales Orchestra He released the tune Serenata Ritmica on Decca Records in 1942 which catapulted him to fame in the Latin music scene then dominated by rhumba and later by mambo His band rivaled Machito s in popularity in New York in the 1940s It was during this time that his orchestra played for the Havana Madrid nightclub His lush 1952 Mambo with Noro 10 album is a landmark in conjunto latin music a classic mambo album that was part of the 1950s mambo craze showing the influence of Puerto Rico in the new style In 1960 Morales returned to Puerto Rico and played locally he also worked with Tito Rodriguez Jose Luis Monero Chano Pozo Willie Rosario and Tito Puente Among the musicians who played in Morales orchestra were Ray Santos Jorge Lopez Rafi Carrero Juancito Torres Pin Madera Ralph Kemp Pepito Morales Carlos Medina Lidio Fuentes Simon Madera Ana Carrero Pellin Rodriguez and Aviles The height of his fame and record production was his production of rumba records with his sextet done after he gave up the big band idea His use of the piano as both melody and rhythm was highly innovative at the time Linda Mujer Campanitas de Cristal Perfume de Gardenias Me Pica La Lengua and Silencio all songs composed by others were four of his big successes in this line Death EditLike his brothers Morales suffered from diabetes and by the early 1960s he was severely obese and nearly blind 2 He died of uremia on January 15 1964 at Hospital San Jorge in San Juan aged 53 2 He was buried in Puerto Rico Memorial also known as Cementerio Fournier in Carolina Puerto Rico References Edit Noro Morales at Allmusic a b Salazar Max March 1996 Noro Morales Latin Beat Magazine Herencia Latina Retrieved 21 November 2020 External links EditNoro Morales at Flickr Commons Noro Morales Music of Puerto Rico This Puerto Rican biographical article is a stub You can help Wikipedia by expanding it vte This article on a Caribbean musician is a stub You can help Wikipedia by expanding it vte Retrieved from https en wikipedia org w index php title Noro Morales amp oldid 1138782682, wikipedia, wiki, book, books, library,

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