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Willem Maris

Willem Maris (18 February 1844 – 10 October 1910) was a Dutch landscape painter of the Hague School.

Willem Maris; portrait by
Floris Arntzenius (1903)

Biography edit

He was born in The Hague. Willem was the third in a family of five children. His two brothers Jacob and Matthijs Maris preceded him as painters. In literature he is often characterized as a self-taught man, and Maris described his early study years as follows: "From the time I was young I worked outdoors. Even before I was twelve I would sit in the meadow and watch the cows before and after school. As my brothers were older than me, naturally I got part of my training from them, and in the winters I went to the Academy of Art, where I often drew from plaster models and also often practiced drawing in perspective. In the summer I always studied outdoors, and in the winter in the stable." Maris also received advice from the cattle painter Pieter Stortenbeker [nl], who gave him work to copy.

 
Milking Time, oil on canvas

In 1862, Maris made his debut with Cows on the Heath, which may have been painted in Oosterbeek, which he visited for the first time that year. It was in Oosterbeek that he met Gerard Bilders and Anton Mauve. Maris would write about his legendary meeting with Mauve:

a couple of days afterwards I was sitting somewhere and painting-when one of these braggarts came up behind me. Well, hey, when you're young, you don't think that's very nice. And suddenly the guy throws his arms around me and roars: 'I sit here all day long plodding away with a pencil -scratching and scratching-and you get it right away!' It was ... Mauve.

They would remain good friends for the rest of their lives.

 
Boys herding Donkeys
 
Cows at a Lake, oil on canvas

In 1863, the Mauve family moved and set a studio where all the three brothers could work. As his brothers had done before him, Willem also took a trip along the Rhine. Later he shared a studio with Bernard Blommers, and Matthijs Maris and Anton Mauve could often be found there. In the Mauritshuis, Willem copied the works of Paulus Potter, a seventeenth-century cattle painter who also inspired Gerard Bilders, Jan Hendrik Weissenbruch and the Barbizon painters.

Willem's painting career progressed regularly and he maintained a steady production. For his entire life he remained true to the subjects he had chosen in his youth: meadow landscapes with willows and ditches, cows or calves in a meadow, by a river or pond, and later ducks and chickens. His paintings and watercolors are best known for his emphasis on light. Maris' often cited motto was: "I don't paint cows, but rather effects of light." His early work in particular often contained a cool, cloudy atmosphere. Someone wrote: " In those days, the young painter had a pronounced preference for shrouds of mist, which is quite peculiar. On several occasions he angrily broke off his study trips as soon as the sun and wind had chased away the early morning mist."[citation needed]

Three major phases can be distinguished in his work. The first works were characterized by an exact reproduction of the surroundings. Maris was still finding his way in the anatomical portrayal of cattle. In the second phase he had completely mastered this and his use of color became more definite. The meadows and trees are painted in gradations of saturated shades of green.

 
Ducks, oil on canvas, Rijksmuseum Amsterdam

Around 1880, he began to use broader strokes, combining this with impasto. Yet these works have an intimate atmosphere. His lively use of color distinguished Maris from the 'gray mood' of his contemporaries, and he was often called the 'impressionist' of the Hague School.

Maris wrote that he never had any students, but about 1880, George Hendrik Breitner must have studied with him. He also taught his son, Simon Willem and certainly influenced others. When Maris was in his sixties, he often seemed tired of life. He went to Karlsbad a few times to take the waters, as his brother Jacob had done. On 10 October he died in The Hague.

Sources edit

  • Sillevis, John and Tabak, Anne, The Hague School Book, Waanders Uitgegevers, Zwolle, 2004 (pp 311–320)

Further reading edit

  • Joost Bergman, & Nico de Reus: Willem Maris : impressionist van de Haagse School, Wbooks, Zwolle (2012) ISBN 978-90-400-7837-8

External links edit

  • 50 of his oils and watercolors
  • free images of paintings and drawings by Willem Maris, in the RijksStudio of the Rijksmuseum, Amsterdam
  • biography information on Willem Maris and other sources; in the Dutch R.K.D. Archive
  • The Brothers Maris (James – Matthew – William), ed. Charles Holme; English text: D.C. Thomson; publishers: Offices of 'The Studio', London - Paris, 1907

willem, maris, dutch, businessman, tennis, player, tennis, this, article, includes, list, references, related, reading, external, links, sources, remain, unclear, because, lacks, inline, citations, please, help, improve, this, article, introducing, more, preci. For the Dutch businessman and tennis player see Willem Maris tennis This article includes a list of references related reading or external links but its sources remain unclear because it lacks inline citations Please help improve this article by introducing more precise citations February 2016 Learn how and when to remove this message Willem Maris 18 February 1844 10 October 1910 was a Dutch landscape painter of the Hague School Willem Maris portrait byFloris Arntzenius 1903 Contents 1 Biography 2 Sources 3 Further reading 4 External linksBiography editHe was born in The Hague Willem was the third in a family of five children His two brothers Jacob and Matthijs Maris preceded him as painters In literature he is often characterized as a self taught man and Maris described his early study years as follows From the time I was young I worked outdoors Even before I was twelve I would sit in the meadow and watch the cows before and after school As my brothers were older than me naturally I got part of my training from them and in the winters I went to the Academy of Art where I often drew from plaster models and also often practiced drawing in perspective In the summer I always studied outdoors and in the winter in the stable Maris also received advice from the cattle painter Pieter Stortenbeker nl who gave him work to copy nbsp Milking Time oil on canvasIn 1862 Maris made his debut with Cows on the Heath which may have been painted in Oosterbeek which he visited for the first time that year It was in Oosterbeek that he met Gerard Bilders and Anton Mauve Maris would write about his legendary meeting with Mauve a couple of days afterwards I was sitting somewhere and painting when one of these braggarts came up behind me Well hey when you re young you don t think that s very nice And suddenly the guy throws his arms around me and roars I sit here all day long plodding away with a pencil scratching and scratching and you get it right away It was Mauve They would remain good friends for the rest of their lives nbsp Boys herding Donkeys nbsp Cows at a Lake oil on canvas In 1863 the Mauve family moved and set a studio where all the three brothers could work As his brothers had done before him Willem also took a trip along the Rhine Later he shared a studio with Bernard Blommers and Matthijs Maris and Anton Mauve could often be found there In the Mauritshuis Willem copied the works of Paulus Potter a seventeenth century cattle painter who also inspired Gerard Bilders Jan Hendrik Weissenbruch and the Barbizon painters Willem s painting career progressed regularly and he maintained a steady production For his entire life he remained true to the subjects he had chosen in his youth meadow landscapes with willows and ditches cows or calves in a meadow by a river or pond and later ducks and chickens His paintings and watercolors are best known for his emphasis on light Maris often cited motto was I don t paint cows but rather effects of light His early work in particular often contained a cool cloudy atmosphere Someone wrote In those days the young painter had a pronounced preference for shrouds of mist which is quite peculiar On several occasions he angrily broke off his study trips as soon as the sun and wind had chased away the early morning mist citation needed Three major phases can be distinguished in his work The first works were characterized by an exact reproduction of the surroundings Maris was still finding his way in the anatomical portrayal of cattle In the second phase he had completely mastered this and his use of color became more definite The meadows and trees are painted in gradations of saturated shades of green nbsp Ducks oil on canvas Rijksmuseum Amsterdam Around 1880 he began to use broader strokes combining this with impasto Yet these works have an intimate atmosphere His lively use of color distinguished Maris from the gray mood of his contemporaries and he was often called the impressionist of the Hague School Maris wrote that he never had any students but about 1880 George Hendrik Breitner must have studied with him He also taught his son Simon Willem and certainly influenced others When Maris was in his sixties he often seemed tired of life He went to Karlsbad a few times to take the waters as his brother Jacob had done On 10 October he died in The Hague Sources editSillevis John and Tabak Anne The Hague School Book Waanders Uitgegevers Zwolle 2004 pp 311 320 Further reading editJoost Bergman amp Nico de Reus Willem Maris impressionist van de Haagse School Wbooks Zwolle 2012 ISBN 978 90 400 7837 8External links edit nbsp Wikimedia Commons has media related to Willem Maris nbsp Wikiquote has quotations related to Willem Maris 50 of his oils and watercolors Overview of his works at the Nunspeet Museum website free images of paintings and drawings by Willem Maris in the RijksStudio of the Rijksmuseum Amsterdam biography information on Willem Maris and other sources in the Dutch R K D Archive The Brothers Maris James Matthew William ed Charles Holme English text D C Thomson publishers Offices of The Studio London Paris 1907 Retrieved from https en wikipedia org w index php title Willem Maris amp oldid 1168498279, wikipedia, wiki, book, books, library,

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