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Walter Ferdinand Friedlaender (March 10, 1873 – September 8, 1966) was a German art historian (who should not be confused with Max Jakob Friedländer).
Walter Friedlaender was the son of Sigismund Friedlaender and Anna Joachimsthal. Born in Glogau, he was taught art history by Heinrich Wölfflin and others. Among his first students was Erwin Panofsky.
According to architecture and art historian Rocky Ruggiero,[2] in a seminal observation about Mannerism by Friedlaender in his work, Mannerism and Anti-mannerism in Italian Painting, he presented the most sophisticated explanation of the transition from Renaissance art into the modern subjective "-isms" that followed the Baroque synthesis of Renaissance and High Renaissance styles.[3] The concept Friedlaender presented was that artists moved from the objective and scientific work of Leonardo Da Vinci to the subjective presentations that have followed the break with Classical styles.
Mannerism and Anti-mannerism in Italian Painting, 1957
Mannerism and Anti-mannerism in Italian Painting, 1965
Poussin. The Library of Great Painters. 1964. Harry N. Abrams, Inc., Publishers. New York, N.Y. 204 pp.
Referencesedit
^"Die Synagoge in Freiburg im Breisgau (Baden-Württemberg)". www.alemannia-judaica.de.
^Ruggiero, Rocky, Theory — What is Mannerism?, Episode 189, Rebuilding the Renaissance, Making Art and History Come To Life, August 11, 2022 (podcast)
^Friedlaender, Walter. 1965. Mannerism and Anti-mannerism in Italian Painting. New York: Schocken. LOC 578295 (First edition, New York: Columbia University Press, 1958)
^Venturi, Lionello (March 1957). "Caravaggio Studies by Walter Friedländer". The Journal of Aesthetics and Art Criticism. 15 (3): 367–368. doi:10.2307/427310. JSTOR 427310.
External linksedit
Dictionary of Art Historians: "Walter Friedlaender" (English)
walter, friedländer, help, expand, this, article, with, text, translated, from, corresponding, article, german, 2010, click, show, important, translation, instructions, view, machine, translated, version, german, article, machine, translation, like, deepl, goo. You can help expand this article with text translated from the corresponding article in German May 2010 Click show for important translation instructions View a machine translated version of the German article Machine translation like DeepL or Google Translate is a useful starting point for translations but translators must revise errors as necessary and confirm that the translation is accurate rather than simply copy pasting machine translated text into the English Wikipedia Consider adding a topic to this template there are already 9 121 articles in the main category and specifying topic will aid in categorization Do not translate text that appears unreliable or low quality If possible verify the text with references provided in the foreign language article You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation A model attribution edit summary is Content in this edit is translated from the existing German Wikipedia article at de Walter Friedlaender see its history for attribution You may also add the template Translated de Walter Friedlaender to the talk page For more guidance see Wikipedia Translation Walter Ferdinand Friedlaender March 10 1873 September 8 1966 was a German art historian who should not be confused with Max Jakob Friedlander Walter Friedlaender was the son of Sigismund Friedlaender and Anna Joachimsthal Born in Glogau he was taught art history by Heinrich Wolfflin and others Among his first students was Erwin Panofsky He taught at the Freiburg University 1914 1933 1 and the Institute of Fine Arts at New York University 1935 1966 According to architecture and art historian Rocky Ruggiero 2 in a seminal observation about Mannerism by Friedlaender in his work Mannerism and Anti mannerism in Italian Painting he presented the most sophisticated explanation of the transition from Renaissance art into the modern subjective isms that followed the Baroque synthesis of Renaissance and High Renaissance styles 3 The concept Friedlaender presented was that artists moved from the objective and scientific work of Leonardo Da Vinci to the subjective presentations that have followed the break with Classical styles Friedlaender died in New York Works editDavid to Delacroix 1952 Caravaggio Studies 1955 4 Mannerism and Anti mannerism in Italian Painting 1957 Mannerism and Anti mannerism in Italian Painting 1965 Poussin The Library of Great Painters 1964 Harry N Abrams Inc Publishers New York N Y 204 pp References edit Die Synagoge in Freiburg im Breisgau Baden Wurttemberg www alemannia judaica de Ruggiero Rocky Theory What is Mannerism Episode 189 Rebuilding the Renaissance Making Art and History Come To Life August 11 2022 podcast Friedlaender Walter 1965 Mannerism and Anti mannerism in Italian Painting New York Schocken LOC 578295 First edition New York Columbia University Press 1958 Venturi Lionello March 1957 Caravaggio Studies by Walter Friedlander The Journal of Aesthetics and Art Criticism 15 3 367 368 doi 10 2307 427310 JSTOR 427310 External links editDictionary of Art Historians Walter Friedlaender English Guide to the Papers of Walter Friedlaender 1873 1966 at the Leo Baeck Institute New York nbsp nbsp This biographical article about a German art historian is a stub You can help Wikipedia by expanding it vte Retrieved from https en wikipedia org w index php title Walter Friedlander amp oldid 1157489841, wikipedia, wiki, book, books, library,
