Umberto Barbaro was active in many fields: fiction, drama, cinema, criticism and history of figurative art. In 1923 he was the editor of La bilancia and collaborated with Dino Terra, Vinicio Paladini and Paolo Flores. In 1927 he was among the leaders of the Movimento Immaginista and one of the "left" among the Futurists. His work received attention in France, America, Russia and Germany.[1] With Anton Giulio Bragaglia he founded the Teatro degli Indipendenti in Rome.[2] He knew Russian and German and translated the works of Heinrich von Kleist, Mikhail Bulgakov and Frank Wedekind into Italian. Barbaro was a journalist, essayist, novelist and his writings appear in several magazines of the time.[3]
In 1936 he co-founded, with Luigi Chiarini, the Centro Sperimentale di Cinematografia in Rome and became a teacher. They published the monthly film magazine Bianco e Nero, directly tied to the Centro Sperimentale. After the Second World War, Barbaro continued his studies on cinema in general and in particular Soviet cinema. He made additional translations into Italian of the writings of theorists of cinema, including Vsevolod Pudovkin, Sergej Mikhailovich Eisenstein, Rudolf Arnheim and Béla Balázs. In 1947 he also translated Sigmund Freud.[4] In 1945 Barbaro was appointed Special Commissioner by the Centro Sperimentale di Cinematografia, a position he held until 1947, when it was removed for political reasons. Barbaro was a backer of the neo-realist cinema.
Barbaro began his filmmaking debut as writer, in 1933 with a documentary, Cantieri dell'Adriatico followed by his only full-length film, L'ultima nemica. After the war turns, with the help of Roberto Longhi, Barbaro made two short of films dedicated to Carpaccio and Caravaggio.
Barbaro was a film critic for L'Unità, the weekly Vie Nuove e a Filmcritica, and the fortnightly L'Eco del cinema magazines.
Umberto Barbaro has been elected to the "Biblioteca del Cinema and awarded the Premio Nazionale Filmcritica[5]
Publicationsedit
Luce fredda, novel, Lanciano, Carabba Ed., 1931; reprinted Montepulciano, Ed. Del Grifo, 1990
L'isola del sale, a novel serialized in L'Italia letteraria, 1935; reprinted Bari, Palomar, 2002
L'essenza del can barbone, short stories, Lanciano, Carabba, 1931; reprinted Naples, Liguori Ed., 1996
L'attore, (a cura), Rome, Bianco e Nero Ed., 1938. Text can also be found in Bianco e Nero, 2/3, 1938
Film: soggetto e sceneggiatura, Rome, Bianco e Nero, 1939
Il cinema e l'uomo moderno, Rome, Le Edizioni Sociali, 1950
^Vicina al movimento Immaginista, la casa editrice "La Ruota dentata" pubblica un numero unico di una rivista con questo stesso titolo e numerosi testi futuristi
^Per il Teatro degli Indipendenti scrive testi, poi rappresentati, tra i quali Il bolide, scalari e vettori, Ancorato al nome di Maria e, insieme a Bonaventura Grassi, L'inferno.
^Tra l'altro collabora a Occidente, L'Italia letteraria, Quadrivio, L'italiano, L'Italia vivente.
^Tra le altre traduzioni: Vsevolod Illarionovič Pudovkin, Film e fonofilm, Roma, Edizioni d'Italia, 1936; Vsevolod Illarionovič Pudovkin,L'attore nel film, Roma, Edizioni dell'Ateneo, 1947; Sigmund Freud, Nuovi saggi di psicanalisi, 1947.
^Gian Piero Brunetta, Umberto Barbaro e l'idea di neorealismo: 1930-1943, Padua, Liviana Editrice, 1969; Umberto Carpi, Bolscevico immaginista, Napoles, Liguori, 1981; Maria Di Giovanna, Teatro e narrativa di Umberto Barbaro. Rome, Bulzoni, 1992; Lea Durante, Umberto Barbaro e il "realismo" della letteratura, in Umberto Barbaro,L'essenza del can barbone, Napole, Liguori, 1997; Dossier Barbaro, in Cinemasessanta, 303, October–December, Reggio Calabria, Città del sole Ed.,2009.
umberto, barbaro, january, 1902, acireale, march, 1959, rome, italian, film, critic, essayist, contents, biography, publications, posthumous, works, filmography, scripts, also, references, external, linksbiography, edit, active, many, fields, fiction, drama, c. Umberto Barbaro 3 January 1902 Acireale 19 March 1959 Rome was an Italian film critic and essayist Contents 1 Biography 2 Publications 2 1 Posthumous works 3 Filmography 4 Scripts 5 See also 6 References 7 External linksBiography editUmberto Barbaro was active in many fields fiction drama cinema criticism and history of figurative art In 1923 he was the editor of La bilancia and collaborated with Dino Terra Vinicio Paladini and Paolo Flores In 1927 he was among the leaders of the Movimento Immaginista and one of the left among the Futurists His work received attention in France America Russia and Germany 1 With Anton Giulio Bragaglia he founded the Teatro degli Indipendenti in Rome 2 He knew Russian and German and translated the works of Heinrich von Kleist Mikhail Bulgakov and Frank Wedekind into Italian Barbaro was a journalist essayist novelist and his writings appear in several magazines of the time 3 In 1936 he co founded with Luigi Chiarini the Centro Sperimentale di Cinematografia in Rome and became a teacher They published the monthly film magazine Bianco e Nero directly tied to the Centro Sperimentale After the Second World War Barbaro continued his studies on cinema in general and in particular Soviet cinema He made additional translations into Italian of the writings of theorists of cinema including Vsevolod Pudovkin Sergej Mikhailovich Eisenstein Rudolf Arnheim and Bela Balazs In 1947 he also translated Sigmund Freud 4 In 1945 Barbaro was appointed Special Commissioner by the Centro Sperimentale di Cinematografia a position he held until 1947 when it was removed for political reasons Barbaro was a backer of the neo realist cinema Barbaro began his filmmaking debut as writer in 1933 with a documentary Cantieri dell Adriatico followed by his only full length film L ultima nemica After the war turns with the help of Roberto Longhi Barbaro made two short of films dedicated to Carpaccio and Caravaggio Barbaro was a film critic for L Unita the weekly Vie Nuove e a Filmcritica and the fortnightly L Eco del cinema magazines Umberto Barbaro has been elected to the Biblioteca del Cinemaand awarded thePremio Nazionale Filmcritica 5 Publications editLuce fredda novel Lanciano Carabba Ed 1931 reprinted Montepulciano Ed Del Grifo 1990 L isola del sale a novel serialized in L Italia letteraria 1935 reprinted Bari Palomar 2002 L essenza del can barbone short stories Lanciano Carabba 1931 reprinted Naples Liguori Ed 1996 L attore a cura Rome Bianco e Nero Ed 1938 Text can also be found in Bianco e Nero 2 3 1938 Film soggetto e sceneggiatura Rome Bianco e Nero 1939 Il cinema e l uomo moderno Rome Le Edizioni Sociali 1950 Poesia del film Roma Filmcritica Ed 1955 reprinted Rome Bulzoni 1999 L arte dell attore with Luigi Chiarini edited Rome Bianco e Nero Ed 1950 Posthumous works edit Il film e il risarcimento marxista dell arte Roma Editori Riuniti 1960 Servitu e grandezza del cinema edited by Lorenzo Quaglietti Roma Editori Riuniti 1962 Il cinema tedesco edited by di Mino Argentieri Roma Editori Riuniti 1973 Neorealismo e realismo edited by Gianpiero Brunetta Roma Editori Riuniti 1973 Fratelli d Italia film script written with Luigi Chiarini in Cinemasessanta 302 October December 2009Filmography editCantieri dell Adriatico documentary director 1933 Seconda B 1934 The Last Enemy film director 1938 The Sinner 1940 Sleeping Beauty 1942 Street of the Five Moons 1942 The Innkeeper 1944 Carpaccio documentary director 1947 Caravaggio documentary director 1948Scripts editSeconda B directed by Goffredo Alessandrini 1934 La peccatrice directed by Amleto Palermi 1941 Via delle cinque lune directed by Luigi Chiarini 1942 La bella addormentata directed by Luigi Chiarini 1942 Paura d amare directed by Gaetano Amata 1942 La locandiera directed by Luigi Chiarini 1943 Caccia tragica directed by Giuseppe De Santis 1948 Fabiola directed by Alessandro Blasetti 1948 Not credited Czarci zleb The Passage of the Devil directed by Tadeusz Kanski and Aldo Vergano Poland unpublished in Italy 1949 La figlia del forzato directed by Gaetano Amata 1953See also editLuigi Chiarini Konstantin StanislavskiReferences edit Vicina al movimento Immaginista la casa editrice La Ruota dentata pubblica un numero unico di una rivista con questo stesso titolo e numerosi testi futuristi Per il Teatro degli Indipendenti scrive testi poi rappresentati tra i quali Il bolide scalari e vettori Ancorato al nome di Maria e insieme a Bonaventura Grassi L inferno Tra l altro collabora a Occidente L Italia letteraria Quadrivio L italiano L Italia vivente Tra le altre traduzioni Vsevolod Illarionovic Pudovkin Film e fonofilm Roma Edizioni d Italia 1936 Vsevolod Illarionovic Pudovkin L attore nel film Roma Edizioni dell Ateneo 1947 Sigmund Freud Nuovi saggi di psicanalisi 1947 Gian Piero Brunetta Umberto Barbaro e l idea di neorealismo 1930 1943 Padua Liviana Editrice 1969 Umberto Carpi Bolscevico immaginista Napoles Liguori 1981 Maria Di Giovanna Teatro e narrativa di Umberto Barbaro Rome Bulzoni 1992 Lea Durante Umberto Barbaro e il realismo della letteratura in Umberto Barbaro L essenza del can barbone Napole Liguori 1997 Dossier Barbaro in Cinemasessanta 303 October December Reggio Calabria Citta del sole Ed 2009 External links editFilmography on yahoo movies Biography on MyMovies Umberto Barbaro at IMDb Biblioteca del Cinema Retrieved from https en wikipedia org w index php title Umberto Barbaro amp oldid 1216640387, wikipedia, wiki, book, books, library,
