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Tina Campt

Tina Campt is Roger S. Berlind ’52 Professor of Humanities at Princeton University.[1] Campt previously held faculty positions as Owen F. Walker Professor of Humanities at Brown University, Director of the Barnard Center for Research on Women and Ann Whitney Olin Professor of Africana and Women's Studies at Barnard College, Professor of Women's Studies at Duke University, and Professor of Women's Studies at the University of California, Santa Cruz. Campt is the author of four books: Other Germans: Black Germans and the Politics of Race, Gender and Memory in the Third Reich, Image Matters: Archive Photography and the African Diaspora in Europe, Listening to Images, and A Black Gaze: Artists Changing How We See.

Tina Campt
OccupationRoger S. Berlind ’52 Professor of Humanities at Princeton University
Academic background
EducationVassar College
Alma materCornell University
Academic work
Discipline20th Century Historian

Campt was educated at Vassar College, receiving a BA in 1986. She then attended Cornell University, earning her MA in 1990 and her Ph.D. in 1996.

Campt has gained recognition for her approach to the history of Afro-Germans, which uses a postcolonial, feminist, and diasporic outlook that combines the methodology of an oral historian with that of an ethnographer.[2] In her book Other Germans, for instance, she uses the oral testimonies of two black Germans, Hans Hauck and Fasia Jansen.[3] This is regarded as a significant contribution to German Studies and Holocaust scholarship.[4]

In Image Matters (2012), Campt investigates the identity of the African Diaspora through photography, specifically focusing on black families in Germany and England in the early- to mid-twentieth century. Campt reevaluates everyday photography and family portraiture, placing a particular emphasis on family, gender, and sexuality. Using postcolonial and identity theory as well as an exploration of agency, she exposes intrinsic relationships in readings of photography.

Books edit

  • Other Germans: Black Germans and the Politics of Race, Gender and Memory in the Third Reich, Originally published in 2004, Other Germans attends to the marginalization of Black Germans. According to Campt, Black Germans were largely forgotten about during the Third Reich. Within her book, Campt examines the experiences of these individuals. Her focus is heavily on race, while analyzing the inter-sectional relationship of being Black as well as German.
  • Image Matters: Archive, Photography, and The African Diaspora in Europe, Published in March 2012, Image Matters follows the appearance of Black Europeans through archives of family photography found in the mid-twentieth century. Campt looks at both snapshots and studio portraits as a means to explore how communities of Afro German were dispersed, othered, and assimilated into society.
  • Listening to Images, Campt's latest 2017 publication utilizes historical archives to uncover previously dismissed photography taken throughout the Black diaspora. Campt interacts with the photographs through sound, tuning into her senses and looking beyond the usual characteristics of a photograph.

Writing, Reviews, and Other edit

  • Diasporic Hegemonies: Feminists Theorizing the African Diaspora, edited with Deborah Thomas, Feminist Review (2008)[5]
  • 'Black Folks Here and There: Diasporic Specificity and Relationality in Jacqueline Nassy Brown's Dropping Anchor, Setting Sail', Antipode: A Radical Journal of Geography, vol. 39 no. 2 (March, 2007) .[6]
  • 'Diasporic Hegemonies - Slavery, Memory, and Genealogies of Diaspora: A Dialogue with Jacqueline Nassy Brown and Bayo Holsey', Transforming Anthropology, vol. 1 no. 2 (October, 2006), pp. 163–177 .[7]
  • 'Capturing the Black German Subject: Race, Photography, Archive', in Black Germany: New Perspectives on Afro-German History, Politics and Culture, edited by Sarah Lennox and Tobias Nagl (Submitted, 2006).[8]
  • '"Be Real Black for Me" - Diaspora, Difference and a Politics of Imagination', in Crossovers: African Americans in Germany, edited by Maria Diedrich, Larry Greene and Juergen Heinrichs (Submitted, 2006).[9]

References edit

  1. ^ "Tina M. Campt". artandarchaeology.princeton.edu. Department of Art and Archaeology. from the original on March 19, 2022. Retrieved 19 May 2023.
  2. ^ Children of World War II by Kjersti Ericsson and Eva Simonsen, Berg 2005
  3. ^ Review article by Kader Konuk in German Politics and Society, Vol. 22, 2004
  4. ^ "People | Tina Campt | The Heyman Center for the Humanities at Columbia University". heymancenter.org. Retrieved 2019-11-12.
  5. ^ "Recommended Reading". barnard.edu.
  6. ^ "School of Arts, Languages and Cultures - the University of Manchester".
  7. ^ Thomas, Deborah A.; Campt, Tina M. (2006). "Diasporic Hegemonies: Slavery, Memory, and Genealogies of Diaspora". Transforming Anthropology. 14 (2): 163–172. doi:10.1525/tran.2006.14.2.163.
  8. ^ . Archived from the original on 2010-06-16. Retrieved 2012-07-26.
  9. ^ "NEH 2005 Syllabus Week Four". umass.edu.

External links edit

  • Official website

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Tina Campt is Roger S Berlind 52 Professor of Humanities at Princeton University 1 Campt previously held faculty positions as Owen F Walker Professor of Humanities at Brown University Director of the Barnard Center for Research on Women and Ann Whitney Olin Professor of Africana and Women s Studies at Barnard College Professor of Women s Studies at Duke University and Professor of Women s Studies at the University of California Santa Cruz Campt is the author of four books Other Germans Black Germans and the Politics of Race Gender and Memory in the Third Reich Image Matters Archive Photography and the African Diaspora in Europe Listening to Images and A Black Gaze Artists Changing How We See Tina CamptOccupationRoger S Berlind 52 Professor of Humanities at Princeton UniversityAcademic backgroundEducationVassar CollegeAlma materCornell UniversityAcademic workDiscipline20th Century Historian Campt was educated at Vassar College receiving a BA in 1986 She then attended Cornell University earning her MA in 1990 and her Ph D in 1996 Campt has gained recognition for her approach to the history of Afro Germans which uses a postcolonial feminist and diasporic outlook that combines the methodology of an oral historian with that of an ethnographer 2 In her book Other Germans for instance she uses the oral testimonies of two black Germans Hans Hauck and Fasia Jansen 3 This is regarded as a significant contribution to German Studies and Holocaust scholarship 4 In Image Matters 2012 Campt investigates the identity of the African Diaspora through photography specifically focusing on black families in Germany and England in the early to mid twentieth century Campt reevaluates everyday photography and family portraiture placing a particular emphasis on family gender and sexuality Using postcolonial and identity theory as well as an exploration of agency she exposes intrinsic relationships in readings of photography Contents 1 Books 2 Writing Reviews and Other 3 References 4 External linksBooks editOther Germans Black Germans and the Politics of Race Gender and Memory in the Third Reich Originally published in 2004 Other Germans attends to the marginalization of Black Germans According to Campt Black Germans were largely forgotten about during the Third Reich Within her book Campt examines the experiences of these individuals Her focus is heavily on race while analyzing the inter sectional relationship of being Black as well as German Image Matters Archive Photography and The African Diaspora in Europe Published in March 2012 Image Matters follows the appearance of Black Europeans through archives of family photography found in the mid twentieth century Campt looks at both snapshots and studio portraits as a means to explore how communities of Afro German were dispersed othered and assimilated into society Listening to Images Campt s latest 2017 publication utilizes historical archives to uncover previously dismissed photography taken throughout the Black diaspora Campt interacts with the photographs through sound tuning into her senses and looking beyond the usual characteristics of a photograph Writing Reviews and Other editDiasporic Hegemonies Feminists Theorizing the African Diaspora edited with Deborah Thomas Feminist Review 2008 5 Black Folks Here and There Diasporic Specificity and Relationality in Jacqueline Nassy Brown s Dropping Anchor Setting Sail Antipode A Radical Journal of Geography vol 39 no 2 March 2007 6 Diasporic Hegemonies Slavery Memory and Genealogies of Diaspora A Dialogue with Jacqueline Nassy Brown and Bayo Holsey Transforming Anthropology vol 1 no 2 October 2006 pp 163 177 7 Capturing the Black German Subject Race Photography Archive in Black Germany New Perspectives on Afro German History Politics and Culture edited by Sarah Lennox and Tobias Nagl Submitted 2006 8 Be Real Black for Me Diaspora Difference and a Politics of Imagination in Crossovers African Americans in Germany edited by Maria Diedrich Larry Greene and Juergen Heinrichs Submitted 2006 9 References edit Tina M Campt artandarchaeology princeton edu Department of Art and Archaeology Archived from the original on March 19 2022 Retrieved 19 May 2023 Children of World War II by Kjersti Ericsson and Eva Simonsen Berg 2005 Review article by Kader Konuk in German Politics and Society Vol 22 2004 People Tina Campt The Heyman Center for the Humanities at Columbia University heymancenter org Retrieved 2019 11 12 Recommended Reading barnard edu School of Arts Languages and Cultures the University of Manchester Thomas Deborah A Campt Tina M 2006 Diasporic Hegemonies Slavery Memory and Genealogies of Diaspora Transforming Anthropology 14 2 163 172 doi 10 1525 tran 2006 14 2 163 Calendar Annenberg School for Communication at the University of Pennsylvania Archived from the original on 2010 06 16 Retrieved 2012 07 26 NEH 2005 Syllabus Week Four umass edu External links editOfficial website Retrieved from https en wikipedia org w index php title Tina Campt amp oldid 1155721334, wikipedia, wiki, book, books, library,

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