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Suvarnangi

Suvarnangi (pronounced Suvarṇāngi, meaning the golden bodied one) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 47th melakarta rāgam in the 72 melakarta rāgam system of Carnatic music. It is called Souveeram or Sauviram in Muthuswami Dikshitar school of Carnatic music.[1][2][3]

Suvarnangi
ArohanamS R₁ G₂ M₂ P D₂ N₃ 
Avarohanam N₃ D₂ P M₂ G₂ R₁ S

Structure and Lakshana edit

 
Suvarnangi scale with shadjam at C

It is the 5th rāgam in the 8th chakra Vasu. The mnemonic name is Vasu-Ma. The mnemonic phrase is sa ra gi mi pa dhi nu.[2] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):

Its swaras are shuddha rishabham, sadharana gandharam, prati madhyamam, chathusruthi dhaivatham and kakali nishadham. As it is a melakarta rāgam, by definition it is a sampoorna rāgam (has all seven notes in ascending and descending scale). It is the prati madhyamam equivalent of Kokilapriya, which is the 11th melakarta.

Janya rāgams edit

Suvarnangi has a few minor janya rāgams (derived scales) associated with it. See List of janya rāgams for full list of rāgams associated with Suvarnangi.

Compositions edit

A few compositions set to Suvarnangi rāgam are:

Related rāgams edit

This section covers the theoretical and scientific aspect of this rāgam.

Suvarnangi's notes when shifted using Graha bhedam, yields no other melakarta rāgam. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the rāgam.

Notes edit

  1. ^ Alternate notations:
    • Hindustani: S    P D N 
    • Western: C D E F G A B C
  2. ^ Alternate notations:
    • Hindustani:  N D P    S
    • Western: C B A G F E D C

References edit

  1. ^ Sri Muthuswami Dikshitar Keertanaigal by Vidwan A Sundaram Iyer, Pub. 1989, Music Book Publishers, Mylapore, Chennai
  2. ^ a b Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
  3. ^ Raganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras

suvarnangi, pronounced, suvarṇāngi, meaning, golden, bodied, rāgam, carnatic, music, musical, scale, south, indian, classical, music, 47th, melakarta, rāgam, melakarta, rāgam, system, carnatic, music, called, souveeram, sauviram, muthuswami, dikshitar, school,. Suvarnangi pronounced Suvarṇangi meaning the golden bodied one is a ragam in Carnatic music musical scale of South Indian classical music It is the 47th melakarta ragam in the 72 melakarta ragam system of Carnatic music It is called Souveeram or Sauviram in Muthuswami Dikshitar school of Carnatic music 1 2 3 SuvarnangiArohanamS R G M P D N ṠAvarohanamṠ N D P M G R S Contents 1 Structure and Lakshana 2 Janya ragams 3 Compositions 4 Related ragams 5 Notes 6 ReferencesStructure and Lakshana edit nbsp Suvarnangi scale with shadjam at C It is the 5th ragam in the 8th chakra Vasu The mnemonic name is Vasu Ma The mnemonic phrase is sa ra gi mi pa dhi nu 2 Its arohaṇa avarohaṇa structure ascending and descending scale is as follows see swaras in Carnatic music for details on below notation and terms arohaṇa S R G M P D N Ṡ a avarohaṇa Ṡ N D P M G R S b Its swaras are shuddha rishabham sadharana gandharam prati madhyamam chathusruthi dhaivatham and kakali nishadham As it is a melakarta ragam by definition it is a sampoorna ragam has all seven notes in ascending and descending scale It is the prati madhyamam equivalent of Kokilapriya which is the 11th melakarta Janya ragams editSuvarnangi has a few minor janya ragams derived scales associated with it See List of janya ragams for full list of ragams associated with Suvarnangi Compositions editA few compositions set to Suvarnangi ragam are Sarasa souveera by Muthuswami Dikshitar Iha para sukha by Koteeswara Iyer Jaya Jaganmayi by Rukminibai Thampuratti Sri raghupathim by Dr M BalamuralikrishnaRelated ragams editThis section covers the theoretical and scientific aspect of this ragam Suvarnangi s notes when shifted using Graha bhedam yields no other melakarta ragam Graha bhedam is the step taken in keeping the relative note frequencies same while shifting the shadjam to the next note in the ragam Notes edit Alternate notations Hindustani S Ṟ G M P D N ṠWestern C D E F G A B C Alternate notations Hindustani Ṡ N D P M G Ṟ SWestern C B A G F E D CReferences edit Sri Muthuswami Dikshitar Keertanaigal by Vidwan A Sundaram Iyer Pub 1989 Music Book Publishers Mylapore Chennai a b Ragas in Carnatic music by Dr S Bhagyalekshmy Pub 1990 CBH Publications Raganidhi by P Subba Rao Pub 1964 The Music Academy of Madras Retrieved from https en wikipedia org w index php title Suvarnangi amp oldid 1070991786, wikipedia, wiki, book, books, library,

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