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Such Is My Country

Such Is My Country (Spanish: ¡Así es mi tierra!) is a 1937 Mexican comedy film directed by Arcady Boytler and starring Antonio R. Frausto, Mercedes Soler, Juan José Martínez Casado, Manuel Medel, and Mario Moreno, better known by the stage name Cantinflas.[1][2] It was the first film to feature Cantinflas in a prominent role (his film debut Don't Fool Yourself Dear only featuring him in a brief appearance) and the first of Cantinflas's films together with Medel as a team.[3]

Such Is My Country
Directed byArcady Boytler
Written byArcady Boytler
Enrique Uthoff
Produced byPedro Maus
Felipe Mier
StarringCantinflas
Manuel Medel
Antonio R. Frausto
Luis G. Barreiro
Mercedes Soler
Juan José Martínez Casado
CinematographyVíctor Herrera
Edited byJosé Marino
Production
company
CISA
Release date
  • 15 September 1937 (1937-09-15) (Mexico)
CountryMexico
LanguageSpanish

The film's art direction was by José Rodríguez Granada.[4]

Plot edit

In 1916, in the middle of the Mexican Revolution, a General (Antonio R. Frausto) returns to his home village, where he is received with a great party. The general is interested in the young Isabelita (Mercedes Soler), without knowing that she already maintains a secret romance with Filomeno (Juan José Martínez Casado). Meanwhile, "El Tejón" (Cantinflas), a farmhand who idolizes the General, and Procopio (Manuel Medel), the General's right-hand man, are vying for the love of ranchwoman Cholita (Margarita Cortés).

Cast edit

  • Cantinflas as El Tejón
  • Manuel Medel as Procopio
  • Antonio R. Frausto as General
  • Luis G. Barreiro as Licenciado
  • Mercedes Soler as Isabelita
  • Juan José Martínez Casado as Filomeno (as J.J. Martinez Casado)
  • Margarita Cortés as Cholita
  • Amelia Wilhelmy as Adelita
  • Josefina Segarra as Doña Tomasa
  • Ángel T. Sala as Compadre Gallo
  • Miguel Wimer as Cayetano
  • Luis Ureña as Nicanor
  • Ángel Arzamendi as Don Chon
  • Guillermo Calles as Gonzalo
  • Antonio Garay as Gómez
  • Ana María Castañeda as Restituta
  • Carolina Barret as Carolina (uncredited)
  • Leonor Gómez as Lupe (uncredited)
  • José Elías Moreno as Party guest (uncredited)
  • Alicia Reyna as Cook at party (uncredited)
  • José Ignacio Rocha as Party guest (uncredited)

Analysis edit

The authors of Mexico: An Encyclopedia of Contemporary Culture and History argue that the film parodied the comedia ranchera film genre, saying, "Given his decidedly un-macho persona, it seems appropriate and hardly coincidental that the first target of his humor was that the most manly of Mexican film genres, comedia ranchera."[5] Michael Werner in his Concise Encyclopedia of Mexico complimented the "Eisensteinian aesthetics that Boytler incorporates" to the film.[3] Conversely, in his books Escenas de pudor y liviandad and Los ídolos a nado: Una antología global, Carlos Monsiváis stated that Cantinflas's pelado character was incompatible with the rural setting of the film, in contrast to the city setting of his later films, saying that "[his thing] is the new urban sensibility."[6][7] In his book Más allá de las lágrimas, Isaac León Frías collects Aurelio de los Reyes's criticism of the film's limited exterior filming, contrasting it with Allá en el Rancho Grande saying, "It tries to capture the return home of the revolutionaries, but the return is a pretext for the action to take place 'inside walls' on film sets. Outdoors and natural settings take second place, the opposite of Allá en el Rancho Grande. It takes refuge in the studios perhaps because another reality is more comfortably manufactured there."[8]

References edit

  1. ^ García Riera, Emilio; Macotela, Fernando (1984). La guía del cine mexicano de la pantalla grande a la televisión, 1919–1984. Editorial Patria. pp. 15, 35. ISBN 9789683900296.
  2. ^ Agrasánchez, Rogelio (2001). Carteles de la Época de Oro, 1936–1956. Chronicle Books. p. 1930. ISBN 9780811830584.
  3. ^ a b Werner, Michael (2015). Concise Encyclopedia of Mexico. Routledge. p. 489. ISBN 978-1-135-97370-4.
  4. ^ Criollo L., Raúl Alberto (1998). Tendencias del cine mexicano de los años 30. CONACULTA. p. 81.
  5. ^ Coerver, Don M.; Pasztor, Suzanne B.; Buffington, Robert (2004). Mexico: An Encyclopedia of Contemporary Culture and History. ABC-CLIO. p. 59. ISBN 1-576071-32-4.
  6. ^ Monsiváis, Carlos (2016). Escenas de pudor y liviandad (in Spanish). Penguin Random House Grupo Editorial México. pp. 87–88. ISBN 9786073148245.
  7. ^ Monsiváis, Carlos (2011). Los ídolos a nado: Una antología global (in Spanish). Penguin Random House Grupo Editorial España. p. 92. ISBN 9788499920580.
  8. ^ León Frías, Isaac (2019). Más allá de las lágrimas: Espacios habitables en el cine clásico de México y Argentina (in Spanish). Fondo Editorial Universidad de Lima. p. 266. ISBN 978-9972-45-486-8.

External links edit

  • Such Is My Country at IMDb  

such, country, spanish, así, tierra, 1937, mexican, comedy, film, directed, arcady, boytler, starring, antonio, frausto, mercedes, soler, juan, josé, martínez, casado, manuel, medel, mario, moreno, better, known, stage, name, cantinflas, first, film, feature, . Such Is My Country Spanish Asi es mi tierra is a 1937 Mexican comedy film directed by Arcady Boytler and starring Antonio R Frausto Mercedes Soler Juan Jose Martinez Casado Manuel Medel and Mario Moreno better known by the stage name Cantinflas 1 2 It was the first film to feature Cantinflas in a prominent role his film debut Don t Fool Yourself Dear only featuring him in a brief appearance and the first of Cantinflas s films together with Medel as a team 3 Such Is My CountryDirected byArcady BoytlerWritten byArcady BoytlerEnrique UthoffProduced byPedro MausFelipe MierStarringCantinflasManuel MedelAntonio R FraustoLuis G BarreiroMercedes SolerJuan Jose Martinez CasadoCinematographyVictor HerreraEdited byJose MarinoProductioncompanyCISARelease date15 September 1937 1937 09 15 Mexico CountryMexicoLanguageSpanish The film s art direction was by Jose Rodriguez Granada 4 Contents 1 Plot 2 Cast 3 Analysis 4 References 5 External linksPlot editIn 1916 in the middle of the Mexican Revolution a General Antonio R Frausto returns to his home village where he is received with a great party The general is interested in the young Isabelita Mercedes Soler without knowing that she already maintains a secret romance with Filomeno Juan Jose Martinez Casado Meanwhile El Tejon Cantinflas a farmhand who idolizes the General and Procopio Manuel Medel the General s right hand man are vying for the love of ranchwoman Cholita Margarita Cortes Cast editCantinflas as El Tejon Manuel Medel as Procopio Antonio R Frausto as General Luis G Barreiro as Licenciado Mercedes Soler as Isabelita Juan Jose Martinez Casado as Filomeno as J J Martinez Casado Margarita Cortes as Cholita Amelia Wilhelmy as Adelita Josefina Segarra as Dona Tomasa Angel T Sala as Compadre Gallo Miguel Wimer as Cayetano Luis Urena as Nicanor Angel Arzamendi as Don Chon Guillermo Calles as Gonzalo Antonio Garay as Gomez Ana Maria Castaneda as Restituta Carolina Barret as Carolina uncredited Leonor Gomez as Lupe uncredited Jose Elias Moreno as Party guest uncredited Alicia Reyna as Cook at party uncredited Jose Ignacio Rocha as Party guest uncredited Analysis editThe authors of Mexico An Encyclopedia of Contemporary Culture and History argue that the film parodied the comedia ranchera film genre saying Given his decidedly un macho persona it seems appropriate and hardly coincidental that the first target of his humor was that the most manly of Mexican film genres comedia ranchera 5 Michael Werner in his Concise Encyclopedia of Mexico complimented the Eisensteinian aesthetics that Boytler incorporates to the film 3 Conversely in his books Escenas de pudor y liviandad and Los idolos a nado Una antologia global Carlos Monsivais stated that Cantinflas s pelado character was incompatible with the rural setting of the film in contrast to the city setting of his later films saying that his thing is the new urban sensibility 6 7 In his book Mas alla de las lagrimas Isaac Leon Frias collects Aurelio de los Reyes s criticism of the film s limited exterior filming contrasting it with Alla en el Rancho Grande saying It tries to capture the return home of the revolutionaries but the return is a pretext for the action to take place inside walls on film sets Outdoors and natural settings take second place the opposite of Alla en el Rancho Grande It takes refuge in the studios perhaps because another reality is more comfortably manufactured there 8 References edit Garcia Riera Emilio Macotela Fernando 1984 La guia del cine mexicano de la pantalla grande a la television 1919 1984 Editorial Patria pp 15 35 ISBN 9789683900296 Agrasanchez Rogelio 2001 Carteles de la Epoca de Oro 1936 1956 Chronicle Books p 1930 ISBN 9780811830584 a b Werner Michael 2015 Concise Encyclopedia of Mexico Routledge p 489 ISBN 978 1 135 97370 4 Criollo L Raul Alberto 1998 Tendencias del cine mexicano de los anos 30 CONACULTA p 81 Coerver Don M Pasztor Suzanne B Buffington Robert 2004 Mexico An Encyclopedia of Contemporary Culture and History ABC CLIO p 59 ISBN 1 576071 32 4 Monsivais Carlos 2016 Escenas de pudor y liviandad in Spanish Penguin Random House Grupo Editorial Mexico pp 87 88 ISBN 9786073148245 Monsivais Carlos 2011 Los idolos a nado Una antologia global in Spanish Penguin Random House Grupo Editorial Espana p 92 ISBN 9788499920580 Leon Frias Isaac 2019 Mas alla de las lagrimas Espacios habitables en el cine clasico de Mexico y Argentina in Spanish Fondo Editorial Universidad de Lima p 266 ISBN 978 9972 45 486 8 External links editSuch Is My Country at IMDb nbsp Retrieved from https en wikipedia org w index php title Such Is My Country amp oldid 1213687710, wikipedia, wiki, book, books, library,

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